Josh Lambert - Böcker

Is it possible to conceive of the American diet without bagels? Or Star Trek without Mr. Spock? Are the creatures in Maurice Sendak’s Where the Wild Things Are based on Holocaust survivors? And how has Yiddish, a language without a country, influenced Hollywood? These and other questions are explored in this stunning and rich anthology of the interplay of Yiddish and American culture, edited by award-winning authors and scholars Ilan Stavans and Josh Lambert. It starts with the arrival of Ashkenazi immigrants to New York City’s Lower East Side and follows Yiddish as it moves into Hollywood, Broadway, literature, politics, and resistance. We take deep dives into cuisine, language, popular culture, and even Yiddish in the other Americas, including Canada, Argentina, Cuba, Mexico, and Colombia. The book presents a bountiful menu of genres: essays, memoir, song, letters, poems, recipes, cartoons, conversations, and much more. Authors include Nobel Prize–winner Isaac Bashevis Singer and luminaries such as Grace Paley, Cynthia Ozick, Chaim Grade, Michael Chabon, Abraham Cahan, Sophie Tucker, Blume Lempel, Irving Howe, Art Spiegelman, Alfred Kazin, Harvey Pekar, Ben Katchor, Paula Vogel, and Liana Finck.Readers will laugh and cry as they delve into personal stories of assimilation and learn about people from a diverse variety of backgrounds, Jewish and not, who have made the language their own. The Yiddish saying states: Der mentsh trakht un got lakht. Man plans and God laughs. How Yiddish Changed America and How America Changed Yiddish illustrates how those plans are full of zest, dignity, and tremendous humanity.

An investigation into the transformation of publishing in the United States from a field in which Jews were systematically excluded to one in which they became ubiquitous  “Readers with an interest in the industry will find plenty of insights.”—Publishers Weekly  “From the very first page, this book is funnier and more gripping than a book on publishing has any right to be. Anyone interested in America’s intellectual or Jewish history must read this, and anyone looking for an engrossing story should.”—Emily Tamkin, author of Bad Jews  In the 1960s and 1970s, complaints about a “Jewish literary mafia” were everywhere. Although a conspiracy of Jews colluding to control publishing in the United States never actually existed, such accusations reflected a genuine transformation from an industry notorious for excluding Jews to one in which they arguably had become the most influential figures.  Josh Lambert examines the dynamics between Jewish editors and Jewish writers; how Jewish women exposed the misogyny they faced from publishers; and how children of literary parents have struggled with and benefited from their inheritances. Drawing on interviews and tens of thousands of pages of letters and manuscripts, The Literary Mafia offers striking new discoveries about celebrated figures such as Lionel Trilling and Gordon Lish, and neglected fiction by writers including Ivan Gold, Ann Birstein, and Trudy Gertler.  In the end, we learn how the success of one minority group has lessons for all who would like to see American literature become more equitable.

Redefining Jewish American literature through expansive feminist frameworks.Bridging literary studies and cultural history, this edited volume examines Jewish women writers' wide-ranging contributions to American literary culture from the turn of the twentieth century to the present. Matrilineal Dissent features innovative considerations of contemporary autofiction, graphic narratives, and novels by Mizrahi writers as well as middlebrow, Progressive Era, and second-wave feminist literature. Authors discussed herein--such as Roz Chast, Erica Jong, Annie Nathan Meyer, and Adrienne Rich--challenge monolithic representations of Jewishness and gender while imagining radical alternatives. By tracing a matrilineal literary history, this book dissents from readers and critics who continue to describe women's contributions as mere commentaries on and correctives to male-dominated canons. Simultaneously, this volume troubles the politics of inheritance, continuity, and lineage to underscore the ways that literary traditions--like Jewishness and gender--are mutually constitutive and continually in flux.Collectively, contributors reframe Jewish American literary history through feminist approaches that have revolutionized the field, from intersectionality and the #MeToo movement to queer theory and disability studies. Examining both canonical and lesser-known texts, this collection asks: what happens to conventional understandings of Jewish American literature when we center women's writing and acknowledge women as dominant players in Jewish cultural production?

Redefining Jewish American literature through expansive feminist frameworks.Bridging literary studies and cultural history, this edited volume examines Jewish women writers' wide-ranging contributions to American literary culture from the turn of the twentieth century to the present. Matrilineal Dissent features innovative considerations of contemporary autofiction, graphic narratives, and novels by Mizrahi writers as well as middlebrow, Progressive Era, and second-wave feminist literature. Authors discussed herein--such as Roz Chast, Erica Jong, Annie Nathan Meyer, and Adrienne Rich--challenge monolithic representations of Jewishness and gender while imagining radical alternatives. By tracing a matrilineal literary history, this book dissents from readers and critics who continue to describe women's contributions as mere commentaries on and correctives to male-dominated canons. Simultaneously, this volume troubles the politics of inheritance, continuity, and lineage to underscore the ways that literary traditions--like Jewishness and gender--are mutually constitutive and continually in flux.Collectively, contributors reframe Jewish American literary history through feminist approaches that have revolutionized the field, from intersectionality and the #MeToo movement to queer theory and disability studies. Examining both canonical and lesser-known texts, this collection asks: what happens to conventional understandings of Jewish American literature when we center women's writing and acknowledge women as dominant players in Jewish cultural production?

This new volume in the JPS Guides series is a fiction reader's dream: a guide to 125 remarkable works of fiction. The selection includes a wide range of classic American Jewish novels and story collections, from 1867 to the present, selected by the author in consultation with a panel of literary scholars and book industry professionals. Roth, Mailer, Kellerman, Chabon, Ozick, Heller, and dozens of other celebrated writers are here, with their most notable works. Each entry includes a book summary, with historical context and background on the author. Suggestions for further reading point to other books that match readers' interests and favorite writers. And the introduction is a fascinating exploration of the history of and important themes in American Jewish Fiction, illustrating how Jewish writing in the U.S. has been in constant dialogue with popular entertainment and intellectual life. Included in this guide are lists of book award winners; recommended anthologies; title, author, and subject indexes; and more.

Winner of the 2014 Jordan Schnitzer Book Award presented by the Association for Jewish Studies Jews have played an integral role in the history of obscenity in America. For most of the 20th century, Jewish entrepreneurs and editors led the charge against obscenity laws. Jewish lawyers battled literary censorship even when their non-Jewish counterparts refused to do so, and they won court decisions in favor of texts including Ulysses, A Howl, Lady Chatterley's Lover, and Tropic of Cancer. Jewish literary critics have provided some of the most influential courtroom testimony on behalf of freedom of expression.The anti-Semitic stereotype of the lascivious Jew has made many historians hesitant to draw a direct link between Jewishness and obscenity. In Unclean Lips, Josh Lambert addresses the Jewishness of participants in obscenity controversies in the U.S. directly, exploring the transformative roles played by a host of neglected figures in the development of modern and postmodern American culture.The diversity of American Jewry means that there is no single explanation for Jews' interventions in this field. Rejecting generalizations, this book offers case studies that pair cultural histories with close readings of both contested texts and trial transcripts to reveal the ways in which specific engagements with obscenity mattered to particular American Jews at discrete historical moments.Reading American culture from Theodore Dreiser and Henry Miller to Curb Your Enthusiasm and FCC v. Fox, Unclean Lips analyzes the variable historical and cultural factors that account for the central role Jews have played in the struggles over obscenity and censorship in the modern United States.