Ilan Stavans – författare

Is it possible to conceive of the American diet without bagels? Or Star Trek without Mr. Spock? Are the creatures in Maurice Sendak’s Where the Wild Things Are based on Holocaust survivors? And how has Yiddish, a language without a country, influenced Hollywood? These and other questions are explored in this stunning and rich anthology of the interplay of Yiddish and American culture, edited by award-winning authors and scholars Ilan Stavans and Josh Lambert. It starts with the arrival of Ashkenazi immigrants to New York City’s Lower East Side and follows Yiddish as it moves into Hollywood, Broadway, literature, politics, and resistance. We take deep dives into cuisine, language, popular culture, and even Yiddish in the other Americas, including Canada, Argentina, Cuba, Mexico, and Colombia. The book presents a bountiful menu of genres: essays, memoir, song, letters, poems, recipes, cartoons, conversations, and much more. Authors include Nobel Prize–winner Isaac Bashevis Singer and luminaries such as Grace Paley, Cynthia Ozick, Chaim Grade, Michael Chabon, Abraham Cahan, Sophie Tucker, Blume Lempel, Irving Howe, Art Spiegelman, Alfred Kazin, Harvey Pekar, Ben Katchor, Paula Vogel, and Liana Finck.Readers will laugh and cry as they delve into personal stories of assimilation and learn about people from a diverse variety of backgrounds, Jewish and not, who have made the language their own. The Yiddish saying states: Der mentsh trakht un got lakht. Man plans and God laughs. How Yiddish Changed America and How America Changed Yiddish illustrates how those plans are full of zest, dignity, and tremendous humanity.

One of the most important civil rights leaders in American history, Cesar Chavez was a firm believer in the principles of non-violence, and effectively employed peaceful tactics to further his cause. Through his efforts, he helped achieve dignity, fair wages, benefits, and humane working conditions for hundreds of thousands of farm workers. This extensive collection of Chavez's speeches and writings chronicles his progress and development as a leader, and includes previously unpublished material. From speeches to spread the word of the Delano Grape Strike, to testimony before the House of Representatives about the hazards of pesticides, Chavez communicated in clear, direct language, and motivated people everywhere with an unflagging commitment to his ideals.

Cesar Vallejo is one of the best-known Latin American poets of the twentieth century. Challenging, intense, and difficult to translate, Vallejo's work has often been overshadowed by his fervent endorsement of communism. Noted scholar Ilan Stavans tackles the avant-garde poet's politics head-on in an enlightening new introduction that places Vallejo in his proper literary context, while Margaret Sayers Peden's new translation does full justice to Vallejo's complex literary style. Including Spanish and English versions of more than eighty poems that span his career, this volume is certain to become the leading collection of Vallejo's work for years to come.

The story of Jewish literature is a kaleidoscopic one, multilingual and transnational in character, spanning the globe as well as the centuries. In this broad, thought-provoking introduction to Jewish literature from 1492 to the present, cultural historian Ilan Stavans focuses on its multilingual and transnational nature. Stavans presents a wide range of traditions within Jewish literature and the variety of writers who made those traditions possible. Represented are writers as dissimilar as Luis de Carvajal the Younger, Franz Kafka, Bruno Schulz, Isaac Babel, Anzia Yezierska, Elias Canetti, Isaac Bashevis Singer, Irving Howe, Clarice Lispector, Susan Sontag, Philip Roth, Grace Paley, Amos Oz, Moacyr Scliar, and David Grossman. The story of Jewish literature spans the globe as well as the centuries, from the marrano poets and memorialists of medieval Spain, to the sprawling Yiddish writing in Ashkenaz (the "Pale of Settlement' in Eastern Europe), to the probing narratives of Jewish immigrants to the United States and other parts of the New World. It also examines the accounts of horror during the Holocaust, the work of Israeli authors since the creation of the Jewish State in 1948, and the "ingathering" of Jewish works in Brazil, Bulgaria, Argentina, and South Africa at the end of the twentieth century. This kaleidoscopic introduction to Jewish literature presents its subject matter as constantly changing and adapting.

The story of Jewish literature is a kaleidoscopic one, multilingual and transnational in character, spanning the globe as well as the centuries. In this broad, thought-provoking introduction to Jewish literature from 1492 to the present, cultural historian Ilan Stavans focuses on its multilingual and transnational nature. Stavans presents a wide range of traditions within Jewish literature and the variety of writers who made those traditions possible. Represented are writers as dissimilar as Luis de Carvajal the Younger, Franz Kafka, Bruno Schulz, Isaac Babel, Anzia Yezierska, Elias Canetti, Isaac Bashevis Singer, Irving Howe, Clarice Lispector, Susan Sontag, Philip Roth, Grace Paley, Amos Oz, Moacyr Scliar, and David Grossman. The story of Jewish literature spans the globe as well as the centuries, from the marrano poets and memorialists of medieval Spain, to the sprawling Yiddish writing in Ashkenaz (the "Pale of Settlement'' in Eastern Europe), to the probing narratives of Jewish immigrants to the United States and other parts of the New World. It also examines the accounts of horror during the Holocaust, the work of Israeli authors since the creation of the Jewish State in 1948, and the "ingathering" of Jewish works in Brazil, Bulgaria, Argentina, and South Africa at the end of the twentieth century. This kaleidoscopic introduction to Jewish literature presents its subject matter as constantly changing and adapting.

The story of Jewish literature is a kaleidoscopic one, multilingual and transnational in character, spanning the globe as well as the centuries. In this broad, thought-provoking introduction to Jewish literature from 1492 to the present, cultural historian Ilan Stavans focuses on its multilingual and transnational nature. Stavans presents a wide range of traditions within Jewish literature and the variety of writers who made those traditions possible. Represented are writers as dissimilar as Luis de Carvajal the Younger, Franz Kafka, Bruno Schulz, Isaac Babel, Anzia Yezierska, Elias Canetti, Isaac Bashevis Singer, Irving Howe, Clarice Lispector, Susan Sontag, Philip Roth, Grace Paley, Amos Oz, Moacyr Scliar, and David Grossman. The story of Jewish literature spans the globe as well as the centuries, from the marrano poets and memorialists of medieval Spain, to the sprawling Yiddish writing in Ashkenaz (the "Pale of Settlement'' in Eastern Europe), to the probing narratives of Jewish immigrants to the United States and other parts of the New World. It also examines the accounts of horror during the Holocaust, the work of Israeli authors since the creation of the Jewish State in 1948, and the "ingathering" of Jewish works in Brazil, Bulgaria, Argentina, and South Africa at the end of the twentieth century. This kaleidoscopic introduction to Jewish literature presents its subject matter as constantly changing and adapting.

As the largest and youngest minority group in the United States, the 60 million Latinos living in the U.S. represent the second-largest concentration of Hispanic people in the entire world, after Mexico. Needless to say, the population of Latinos in the U.S. is causing a shift, not only changing the demographic landscape of the country, but also impacting national culture, politics, and spoken language. While Latinos comprise a diverse minority group--with various religious beliefs, political ideologies, and social values--commentators on both sides of the political divide have lumped Latino Americans into a homogenous group that is often misunderstood. Latinos in the United States: What Everyone Need to Know® provides a comprehensive, multifaceted exploration of Latino American history and culture and the forces shaping this minority group in the U.S. From exploring the origins of the term "latino" and examining what constitutes Latin America, to tracing topical issues like DREAMers, the mass incarceration of Latino males, and the controversial relationship between Latin America and the United States, Ilan Stavans seeks to understand the complexities and unique position of Latino Americans. Throughout he breaks down the various subgroups within the Latino minority (Mexican-Americans, Dominican-Americans, Cuban-Americans, Puerto Ricans on the mainland, and so on), and the degree to which these groups constitute--or don't--a homogenous community, their history, and where their future challenges lay. He sees Latino culture as undergoing dramatic changes as a result of acculturation--changes that are fostering a new "mestizo" identity that is part Hispanic and part American. However, Latinos living in the United States are also impacting American culture. As Ilan Stavans argues, no other minority group will have a more decisive impact on the future of the United States.

As the largest and youngest minority group in the United States, the 60 million Latinos living in the U.S. represent the second-largest concentration of Hispanic people in the entire world, after Mexico. Needless to say, the population of Latinos in the U.S. is causing a shift, not only changing the demographic landscape of the country, but also impacting national culture, politics, and spoken language. While Latinos comprise a diverse minority group--with various religious beliefs, political ideologies, and social values--commentators on both sides of the political divide have lumped Latino Americans into a homogenous group that is often misunderstood. Latinos in the United States: What Everyone Need to Know® provides a comprehensive, multifaceted exploration of Latino American history and culture and the forces shaping this minority group in the U.S. From exploring the origins of the term "latino" and examining what constitutes Latin America, to tracing topical issues like DREAMers, the mass incarceration of Latino males, and the controversial relationship between Latin America and the United States, Ilan Stavans seeks to understand the complexities and unique position of Latino Americans. Throughout he breaks down the various subgroups within the Latino minority (Mexican-Americans, Dominican-Americans, Cuban-Americans, Puerto Ricans on the mainland, and so on), and the degree to which these groups constitute--or don't--a homogenous community, their history, and where their future challenges lay. He sees Latino culture as undergoing dramatic changes as a result of acculturation--changes that are fostering a new "mestizo" identity that is part Hispanic and part American. However, Latinos living in the United States are also impacting American culture. As Ilan Stavans argues, no other minority group will have a more decisive impact on the future of the United States.

As the largest and youngest minority group in the United States, the 60 million Latinos living in the U.S. represent the second-largest concentration of Hispanic people in the entire world, after Mexico. Needless to say, the population of Latinos in the U.S. is causing a shift, not only changing the demographic landscape of the country, but also impacting national culture, politics, and spoken language. While Latinos comprise a diverse minority group -- with various religious beliefs, political ideologies, and social values-commentators on both sides of the political divide have lumped Latino Americans into a homogenous group that is often misunderstood. Latinos in the United States: What Everyone Needs to Know® provides a wide-ranging, multifaceted exploration of Latino American history and culture, as well as the forces shaping this minority group in the U.S. From exploring the origins of the term "Latino" and examining what constitutes Latin America, to tracing topical issues like DREAMers, the mass incarceration of Latino males, and the controversial relationship between Latin America and the United States, Ilan Stavans seeks to understand the complexities and unique position of Latino Americans. Throughout he breaks down the various subgroups within the Latino minority (Mexican-Americans, Dominican-Americans, Cuban-Americans, Puerto Ricans on the mainland, and so on), and the degree to which these groups constitute -- or don''t -- a homogenous community, their history, and where their future challenges lie.Stavans, one of the world''s foremost authorities on global Hispanic civilization, sees Latino culture as undergoing dramatic changes as a result of acculturation, changes that are fostering a new "mestizo" identity that is part Hispanic and part American. However, Latinos living in the United States are also impacting American culture. As Ilan Stavans argues, no other minority group will have a more decisive impact on the future of the United States.

As the largest and youngest minority group in the United States, the 60 million Latinos living in the U.S. represent the second-largest concentration of Hispanic people in the entire world, after Mexico. Needless to say, the population of Latinos in the U.S. is causing a shift, not only changing the demographic landscape of the country, but also impacting national culture, politics, and spoken language. While Latinos comprise a diverse minority group -- with various religious beliefs, political ideologies, and social values-commentators on both sides of the political divide have lumped Latino Americans into a homogenous group that is often misunderstood. Latinos in the United States: What Everyone Needs to Know® provides a wide-ranging, multifaceted exploration of Latino American history and culture, as well as the forces shaping this minority group in the U.S. From exploring the origins of the term "Latino" and examining what constitutes Latin America, to tracing topical issues like DREAMers, the mass incarceration of Latino males, and the controversial relationship between Latin America and the United States, Ilan Stavans seeks to understand the complexities and unique position of Latino Americans. Throughout he breaks down the various subgroups within the Latino minority (Mexican-Americans, Dominican-Americans, Cuban-Americans, Puerto Ricans on the mainland, and so on), and the degree to which these groups constitute -- or don''t -- a homogenous community, their history, and where their future challenges lie.Stavans, one of the world''s foremost authorities on global Hispanic civilization, sees Latino culture as undergoing dramatic changes as a result of acculturation, changes that are fostering a new "mestizo" identity that is part Hispanic and part American. However, Latinos living in the United States are also impacting American culture. As Ilan Stavans argues, no other minority group will have a more decisive impact on the future of the United States.

At the beginning of the third decade of the 21st century, the Latino minority, the biggest and fastest growing in the United States, is at a crossroads. Is assimilation taking place in comparable ways to previous immigrant groups? Are the links to the countries of origin being redefined in the age of contested globalism? How are Latinos changing America and how is America changing Latinos? The Oxford Handbook of Latino Studies reflects on these questions, offering a sweeping exploration of Latinas and Latinos' complex experiences in the United States.Edited by leading expert Ilan Stavans, the handbook traces the emergence of Latino studies as a vibrant and interdisciplinary field of research starting in the 1980s, assessing the current state of the discipline while suggesting new paths for exploration. With its twenty-three essays and a conversation by established and emerging scholars, the book discusses various aspects of Latino life and history, from literature, popular culture, and music, to religion, philosophy, and language identity. The articles present new interpretations of important themes such as the Chicano Movement, gender and race relations, the changes in demographics, the tension between rural and urban communities, immigration and the US/Mexico border, the legacy of colonialism, and the controversy surrounding Spanglish. The first handbook on Latino Studies, this collection offers a multifaceted and thought-provoking look at how Latinos are redefining the American identity.

At the beginning of the third decade of the 21st century, the Latino minority, the biggest and fastest growing in the United States, is at a crossroads. Is assimilation taking place in comparable ways to previous immigrant groups? Are the links to the countries of origin being redefined in the age of contested globalism? How are Latinos changing America and how is America changing Latinos? The Oxford Handbook of Latino Studies reflects on these questions, offering a sweeping exploration of Latinas and Latinos'' complex experiences in the United States.Edited by leading expert Ilan Stavans, the handbook traces the emergence of Latino studies as a vibrant and interdisciplinary field of research starting in the 1980s, assessing the current state of the discipline while suggesting new paths for exploration. With its twenty-three essays and a conversation by established and emerging scholars, the book discusses various aspects of Latino life and history, from literature, popular culture, and music, to religion, philosophy, and language identity. The articles present new interpretations of important themes such as the Chicano Movement, gender and race relations, the changes in demographics, the tension between rural and urban communities, immigration and the US/Mexico border, the legacy of colonialism, and the controversy surrounding Spanglish. The first handbook on Latino Studies, this collection offers a multifaceted and thought-provoking look at how Latinos are redefining the American identity.

At the beginning of the third decade of the 21st century, the Latino minority, the biggest and fastest growing in the United States, is at a crossroads. Is assimilation taking place in comparable ways to previous immigrant groups? Are the links to the countries of origin being redefined in the age of contested globalism? How are Latinos changing America and how is America changing Latinos? The Oxford Handbook of Latino Studies reflects on these questions, offering a sweeping exploration of Latinas and Latinos'' complex experiences in the United States.Edited by leading expert Ilan Stavans, the handbook traces the emergence of Latino studies as a vibrant and interdisciplinary field of research starting in the 1980s, assessing the current state of the discipline while suggesting new paths for exploration. With its twenty-three essays and a conversation by established and emerging scholars, the book discusses various aspects of Latino life and history, from literature, popular culture, and music, to religion, philosophy, and language identity. The articles present new interpretations of important themes such as the Chicano Movement, gender and race relations, the changes in demographics, the tension between rural and urban communities, immigration and the US/Mexico border, the legacy of colonialism, and the controversy surrounding Spanglish. The first handbook on Latino Studies, this collection offers a multifaceted and thought-provoking look at how Latinos are redefining the American identity.

An incisive, thought-provoking, and timely meditation, at once panoramic and synoptic, on American literature for an age of xenophobia, heightened nationalism, and economic disparity. The distinguished cultural critic Ilan Stavans explores the nation's identity through the prism of its books, from the indigenous past to the early settlers, the colonial period, the age of independence, its ascendance as a global power, and its shallow, fracturing response to the COVID-19 pandemic. The central motives that make the United States a flawed experiment--its celebration of do-it-yourself individualism, its purported exceptionalism, and its constitutional government based on checks and balances--are explored through canonical works like Mark Twain's The Adventures of Huckleberry Finn, Walt Whitman's Leaves of Grass, Emily Dickinson's poetry, F. Scott Fitzgerald's The Great Gatsby, the work of Langston Hughes, Zora Neale Hurston, and Toni Morrison, and immigrant voices such as those of Amrico Paredes, Henry Roth, Saul Bellow, Isaac Bashevis Singer, Jhumpa Lahiri, and others. This is literary criticism at its best-informed: broad-ranged yet pungent and uncompromising.

An incisive, thought-provoking, and timely meditation, at once panoramic and synoptic, on American literature for an age of xenophobia, heightened nationalism, and economic disparity. The distinguished cultural critic Ilan Stavans explores the nation's identity through the prism of its books, from the indigenous past to the early settlers, the colonial period, the age of independence, its ascendance as a global power, and its shallow, fracturing response to the COVID-19 pandemic. The central motives that make the United States a flawed experiment--its celebration of do-it-yourself individualism, its purported exceptionalism, and its constitutional government based on checks and balances--are explored through canonical works like Mark Twain's The Adventures of Huckleberry Finn, Walt Whitman's Leaves of Grass, Emily Dickinson's poetry, F. Scott Fitzgerald's The Great Gatsby, the work of Langston Hughes, Zora Neale Hurston, and Toni Morrison, and immigrant voices such as those of Amrico Paredes, Henry Roth, Saul Bellow, Isaac Bashevis Singer, Jhumpa Lahiri, and others. This is literary criticism at its best-informed: broad-ranged yet pungent and uncompromising.

In this remarkably wide-ranging anthology, Ilan Stavans has collected the work of more than fifty notable Jewish writers from around the globe, weaving these diverse viewpoints and voices into a rich portrait of Jewish literary tradition.The Oxford Book of Jewish Stories takes us from the mid-1800s right up to the present, encompassing the full spectrum of Jewish writing around the world. The variety of tales captured here is stunning. Readers will find stories such as "A Yom Kippur Scandal" by Sholem Aleichem, the father of Yiddish literature; "Before the Law" by Franz Kafka; "Looking for Mr. Green" by Saul Bellow; "The Spinoza of Market Street" by Isaac Bashevis Singer; and "Midrash on Happiness" by Grace Paley. Stavans has included many pieces by Americans, including such markedly different writers as Cynthia Ozick, Bernard Malamud, Moacyr Seliar, Stanley Elkin, Delmore Schwartz, Dan Jacobson, Francine Prose, Allegra Goodman, and Philip Roth. And here too are pieces from around the globe, by writers no less varied: Isaac Babel, Italo Svevo, Primo Levi, Elias Canetti, Amos Oz, and Danilo Kis. What emerges in the end is proof of an observation by Ba'al Makshoves--that the Jews may have many languages and a dozen echoes in foreign tongues, but only one literature. And it is one of the finest in the world.The many marvelous tales that fill The Oxford Book of Jewish Stories affirm that a shared identity can exist without sterile uniformity--and that writers can engage their religious and cultural heritage without losing touch with those rich, complex ambiguities that inhabit the heart.

Jorge Luis Borges (1899--1986) is one of the most influential literary figures of the twentieth century. His short stories, poems, essays, and translations explore Argentine mythology, mysticism, philosophical ideas, and myriad other topics. This Very Short Introduction gives an engaging overview of Borges's life and the major themes of his oeuvre. Ilan Stavans places Borges in the context of tango and gaucho literature and follows his transformation into an explorer of time and metaphysical dimensions across cultures. As an inveterate reader of Cervantes, Shakespeare, Flaubert, Coleridge, and The Arabian Nights, Borges has become closely associated with the book as an object of knowledge and of the imagination. Stavans demonstrates how Borges's evolution as a writer allowed him to revolutionize contemporary literature and thought in fundamental ways through such works as Ficciones, Other Inquisitions, and Labyrinths, and shows how his career redefined Latin American as well as global literature.

An incisive, thought-provoking, and timely meditation, at once panoramic and synoptic, on American literature for an age of xenophobia, heightened nationalism, and economic disparity. The distinguished cultural critic Ilan Stavans explores the nation's identity through the prism of its books, from the indigenous past to the early settlers, the colonial period, the age of independence, its ascendance as a global power, and its shallow, fracturing response to the COVID-19 pandemic. The central motives that make the United States a flawed experiment--its celebration of do-it-yourself individualism, its purported exceptionalism, and its constitutional government based on checks and balances--are explored through canonical works like Mark Twain's The Adventures of Huckleberry Finn, Walt Whitman's Leaves of Grass, Emily Dickinson's poetry, F. Scott Fitzgerald's The Great Gatsby, the work of Langston Hughes, Zora Neale Hurston, and Toni Morrison, and immigrant voices such as those of Américo Paredes, Henry Roth, Saul Bellow, Isaac Bashevis Singer, Jhumpa Lahiri, and others. This is literary criticism at its best-informed: broad-ranged yet pungent and uncompromising.

At 9:53 on the morning of July 18, 1994, a suicide bomber drove a Renault Trafic van loaded with explosives into the Asociación Mutual Israelita Argentina, a Jewish community center in the bustling commercial neighborhood of Once, Buenos Aires. The explosion left eighty-five people dead and over three hundred wounded. Originally published in Spanish amid widespread controversy, Once@9:53am: Terror in Buenos Aires imagines the two hours before the attack through the popular format of the fotonovela. Part documentary, part fiction, this vivid retelling of Argentina’s deadliest bombing depicts a vibrant, complex urban community in the hours before its identity was forever changed. This expanded English edition includes a new essay by Ilan Stavans detailing the aftermath of the attack and the faulty investigations that have yet to yield any arrests or reach resolution. A unique and powerful visual experience, Once@9:53am is both a commemoration of an atrocity that shifted Latin American Jewish identity in innumerable ways and an ingenious use of a popular format to explore the dangerous intersection of politics and religion in Latin America.

At 9:53 on the morning of July 18, 1994, a suicide bomber drove a Renault Trafic van loaded with explosives into the Asociación Mutual Israelita Argentina, a Jewish community center in the bustling commercial neighborhood of Once, Buenos Aires. The explosion left eighty-five people dead and over three hundred wounded. Originally published amid widespread controversy, Once@9:53am: Terror en Buenos Aires imagines the two hours before the attack through the popular format of the fotonovela. Part documentary, part fiction, this vivid retelling of Argentina’s deadliest bombing depicts a vibrant, complex urban community in the hours before its identity was forever changed. This expanded English edition includes a new essay by Ilan Stavans detailing the aftermath of the attack and the faulty investigations that have yet to yield any arrests or reach resolution. A unique and powerful visual experience, Once@9:53am is both a commemoration of an atrocity that shifted Latin American Jewish identity in innumerable ways and an ingenious use of a popular format to explore the dangerous intersection of politics and religion in Latin America.

In 2017, the New York Times announced that the long-lost memoir of Luis de Carvajal the Younger had been rediscovered. Considered the first autobiography by a Jew in the Americas, the book had been stolen decades earlier from Mexico’s National Archives. Here, Ilan Stavans recounts the extraordinary and entertaining story of the reappearance of this precious object and how its discovery opened up new vistas onto the world of secret Jews escaping the Spanish Inquisition.Called el Mozo (the Younger) to distinguish him from an uncle of the same name who was governor of Nuevo León, Luis de Carvajal learned of his Jewishness after being raised a Catholic. He came to recognize himself as a messiah for fellow crypto-Jews, and he was burned at the stake on December 8, 1596, in the biggest auto-da-fé in all of Latin America. His memoir—a 180-page manuscript written by a crypto-Jew targeted by the Holy Office of the Inquisition for unlawful proselytizing activities—was not only distinct but of enormous value.With characters such as conniving academics embroiled in a scholarly feud, a magnanimous philanthropist, naïve booksellers, and a secondary cast that could be taken from a David Lynch film, The Return of Carvajal recounts the global intrigue that placed crypto-Jewish culture at the heart of contemporary debates on religion and identity.

An encyclopedic collaboration between award-winning Mexican American scholar Ilan Stavans and illustrator Eko, A Pre-Columbian Bestiary features lively and informative descriptions of forty-six religious, mythical, and imaginary creatures from the Nahua, Aztec, Maya, Tabasco, Inca, Aymara, and other cultures of Latin America.From the siren-like Acuecuéyotl and the water animal Chaac to the class-conscious Oc and the god of light and darkness Xólotl, the magnificent entities in this volume belong to the same family of real and invented creatures imagined by Dante, Franz Kafka, C. S. Lewis, Jorge Luis Borges, Umberto Eco, and J. K. Rowling. They are mined from indigenous religious texts, like the Popol Vuh, and from chronicles, both real and fictional, of the Spanish conquest by Diego Durán, Bernal Díaz del Castillo, and Fernando de Zarzamora, among others. In this playful compilation, Stavans distills imagery from the work of magic realist masters such as Juan Rulfo and Gabriel García Márquez; from songs of protest in Mexico, Guatemala, and Peru; and from aboriginal beasts in Jewish, Muslim, European, British, and other traditions. In the spirit of imaginative invention, even the bibliography is a mixture of authentic and concocted material.An inspiring record of resistance and memory from a civilization whose superb pantheon of myths never ceases to amaze, A Pre-Columbian Bestiary will delight anyone interested in the history and culture of Latin America.

Natives of the Iberian Peninsula and the twenty countries of Latin America, as well as their kinsfolk who've immigrated to the United States and around the world, share a common quality or identity characterized as la hispanidad. Or do they?In this lively, provocative book, two distinguished intellectuals, a cultural critic and a historian, engage in a series of probing conversations in which they try to discern the nature of la hispanidad and debate whether any such shared identity binds the world's nearly half billion people who are "Hispanic." Their conversations range from La Reconquista and Spanish monarchs Ferdinand and Isabella, who united the Spanish nation while expelling its remaining Moors and Jews, to the fervor for el fÚtbol (soccer) that has swept much of Latin America today. Along the way, they discuss a series of intriguing topics, including the complicated relationship between Latin America and the United States, Spanish language and the uses of Spanglish, complexities of race and ethnicity, nineteenth-century struggles for nationhood and twentieth-century identity politics, and popular culture from literary novels to telenovelas. Woven throughout are the authors' own enlightening experiences of crossing borders and cultures in Mexico and Chile and the United States.Sure to provoke animated conversations among its readers, What is la hispanidad? makes a convincing case that "our hispanidad is rooted in a changing tradition, flexible enough to persist beyond boundaries and circumstances. Let us not fix it with a definition, but allow it instead to travel, always."

San Juan: Memoir of a City conducts readers through Puerto Rico's capital, guided by one of its most graceful and reflective writers, Edgardo Rodriguez Julia. No mere sightseeing tour, this is culture through immersion, a circuit of San Juan's historical and intellectual vistas as well as its architecture. In the allusive cityscape he recreates, Rodriguez Julia invokes the ghosts of his childhood, of San Juan's elder literati, and of characters from his own novels. On the most tangible level, the city is a place of cabarets and cockfighting clubs, flaneurs and beach bums, smoke-filled bars and honking automobiles. Poised between a colonial past and a commercial future, the San Juan he portrays feels at times perilously close to the pitfalls of modernization. Tenement houses and fading mansions yield to strip malls and Tastee Freezes; asphalt hems in jacarandas and palm trees. ""In Puerto Rico,"" he muses, ""life is not simply cruel, it is also busy erasing our tracks."" Through this book - available here in English for the first time - Rodriguez Julia resists that erasure, thoughtfully etching a palimpsest that preserves images of the city where he grew up and rejoicing in the one where he still lives.

“It’s crucial to keep in mind that our understanding of love is in constant flux and that history is nothing but a sideboard of possibilities.”—Ilan StavansOur understanding of love today is not the same as the one espoused by Plato in the fourth century BCE. Nor is it the same as the courtly love of the Renaissance, or love as defined by Stendhal or Proust or Freud. In this utterly original book, cultural critic Ilan Stavans engages in an exhilarating dialogue with Verónica Albin about love and its various   manifestations. Roaming through millennia, across geographical boundaries, and from culture to culture, Stavans surprises us again and again with new perspectives on love—how we conceive of it, how it differs from place to place, what roles it plays in people’s lives, how it appears in art and literature. An engaging and provocative thinker, Stavans draws on a rich multiheritage background to probe his topic and to call attention to the differences between languages. As Albin observes, Stavans is “at once an incisive thinker and a powerful storyteller.” The scope of his erudition is dazzling—he readily quotes from history, literature, and Scripture, but ponders with equal care the content of telenovas and Walt Disney cartoons. He uses dialogue as a path to the truth about love, and readers who accompany Stavans on this path will encounter a wealth of unanticipated insights into this most ethereal of emotions.

The expulsion of the Jews from Spain in 1492 gave rise to a series of rich, diverse diasporas that were interconnected through a common vision and joie de vivre. The exodus took these Sephardim to other European countries; to North Africa, Asia Minor, and South America; and, eventually, to the American colonies. In each community new literary and artistic forms grew out of the melding of their Judeo-Spanish legacy with the cultures of their host countries, and that process has continued to the present day. This multilingual tradition brought with it both opportunities and challenges that will resonate within any contemporary culture: the status of minorities within the larger society; the tension between a civil, democratic tradition and the anti-Semitism ready to undermine it; and the opposing forces of religion and secularism.Ilan Stavans has been described by The Washington Post as “Latin America’s liveliest and boldest critic and most innovative cultural enthusiast.” And the Forward calls him “a maverick intellectual whose canonical work has already produced a whole array of marvels that are redefining Jewishness.” This new anthology contains fiction, memoirs, essays, and poetry from twenty-eight writers who span more than 150 years. Included are Emma Lazarus’s legendary poem “The New Colossus,” inscribed on the pedestal of the Statue of Liberty; the hypnotizing prose of Greece-born, Switzerland-based Albert Cohen; Nobel—Prize winner Elias Canetti’s ruminations on Europe before World War II; Albert Memmi’s identity quest as an Arab Jew in France; Primo Levi’s testimony on the Holocaust; and A. B. Yehoshua’s epic stories set in Israel today. When read together, these explorations offer an astonishingly incisive collective portrait of the “other Jews,” Sephardim who long for la España perdida, their lost ancestral home, even as they create a vibrant, multifaceted literary tradition in exile.From the Hardcover edition.