Kimberly Wilmot Voss - Böcker

Journalism in the Civil War Era presents the historical context of Civil War journalism—placing the press of the era within the entire nineteenth century. It gives a broad account of journalism in the Civil War, reflecting on the political, military, legal, and journalistic issues involved in this era. It is written with chapters that examine these various facets of the journalism of the period, but they are connected by the theme of the development of the wartime press, with an emphasis on the professional, political, social, economic, legal, and military factors that affected it. It provides:An in-depth look at the political press in the 1850s and 1860s, and how it played a major role in the nation’s understanding of the conflict;Technology’s role in carrying information in a timely fashion;The development of journalism as a profession;The international context of Civil War journalism;The leadership journalists displayed, including Horace Greeley and his New York Tribune bully pulpit;The nature of journalism during the war;The way freedom of the press was advanced by polarizing political extremes. The work is historical, written in an engaging style, and meant to encourage readers to explore and analyze the value of freedom of the press during that very time when it most comes under fire—wartime. “David W. Bulla and Gregory A. Borchard explore ties between journalism and politics and between New York and the Midwest (then known as the West) before the Civil War. Newspapers shared an increasing emphasis on information over opinion. Facts often tended to fit the editors’ agendas with winners overplaying their triumphs and losers becoming more restrained. Major newspapers, particularly the New York Herald with the largest investment in correspondents, placed news on the front page and interpretation inside, even while publisher James Gordon Bennett initially blamed Lincoln for the war. Major dailies increasingly reported news from the front and smaller papers relied more on opinion and local angles.”—William E. Huntzicker, Minneapolis writer and author of The Popular Press 1833-1865 "Bulla and Borchard have produced what has been long needed in the study of U.S. Civil War journalism: a social and cultural history of the American press that goes beyond anecdotal accounts of war news. They explore the nature of the Civil War-era press itself in all its strengths and weaknesses, ranging from political and economic grandstanding and over-the-top verbal grandiloquence to the sheer bravery and determination of a number of editors, publishers, and journalists who viewed their tasks as interpreters and informers of the day’s news. Using a mix of carefully selected case studies as well as an extensive study of newspapers both large and small, this highly readable work places the Civil War press squarely where it belongs—as a part of the larger social and cultural experience of mid-nineteenth century America."—Mary M. Cronin, Department of Journalism, New Mexico State University "The study of Civil War journalism has traditionally been treated as a facet of the history of war correspondence, but war reporting does not exist in a vacuum, as David Bulla and Gregory Borchard skillfully show readers in their latest edition of Journalism in the Civil War Era. This new edition freshens the book’s original version by expanding on their insightful examination of the way the American Civil War ushered in the greater reliance on the information model of journalism, which would exist side-by-side with the existing partisan model. Few scholars have attempted the sort of holistic study that examines not only the nature of Civil War journalism but, more significantly, the symbiotic relationship between the press and its culture. Bulla and Borchard have done the hard work of digging out the necessary evidence to paint a full-color portrait of journalism during America’s bloodiest conflict."—Debbie van Tuyll, Professor Emerita, Department of Communications, Augusta University

The second edition of The Magazine Century: American Magazines Since 1900 offers the freshest and most up-to-date history of American magazines through 2020. It includes chapters telling the stories of new magazine launches in each decade since 1900. These chapters offer a behind-the-scenes look at America’s best-known magazines and publishers and how they got started. It also includes this key information not included in the first edition:• Updated circulation data for major magazines• Major magazine closings and new launches• Ownership changes at major publishing companies • Histories of several magazines not in the 1st edition• The internet’s effect on magazine publishing• Biographies of colorful and controversial editors• New details about the history of Black-owned magazines• The pandemic’s effect on magazine publishing• Recent interviews with magazine editors and publishers• The surprising rebound of print magazines

Journalism in the Civil War Era presents the historical context of Civil War journalism—placing the press of the era within the entire nineteenth century. It gives a broad account of journalism in the Civil War, reflecting on the political, military, legal, and journalistic issues involved in this era. It is written with chapters that examine these various facets of the journalism of the period, but they are connected by the theme of the development of the wartime press, with an emphasis on the professional, political, social, economic, legal, and military factors that affected it. It provides:An in-depth look at the political press in the 1850s and 1860s, and how it played a major role in the nation’s understanding of the conflict;Technology’s role in carrying information in a timely fashion;The development of journalism as a profession;The international context of Civil War journalism;The leadership journalists displayed, including Horace Greeley and his New York Tribune bully pulpit;The nature of journalism during the war;The way freedom of the press was advanced by polarizing political extremes. The work is historical, written in an engaging style, and meant to encourage readers to explore and analyze the value of freedom of the press during that very time when it most comes under fire—wartime. “David W. Bulla and Gregory A. Borchard explore ties between journalism and politics and between New York and the Midwest (then known as the West) before the Civil War. Newspapers shared an increasing emphasis on information over opinion. Facts often tended to fit the editors’ agendas with winners overplaying their triumphs and losers becoming more restrained. Major newspapers, particularly the New York Herald with the largest investment in correspondents, placed news on the front page and interpretation inside, even while publisher James Gordon Bennett initially blamed Lincoln for the war. Major dailies increasingly reported news from the front and smaller papers relied more on opinion and local angles.”—William E. Huntzicker, Minneapolis writer and author of The Popular Press 1833-1865 "Bulla and Borchard have produced what has been long needed in the study of U.S. Civil War journalism: a social and cultural history of the American press that goes beyond anecdotal accounts of war news. They explore the nature of the Civil War-era press itself in all its strengths and weaknesses, ranging from political and economic grandstanding and over-the-top verbal grandiloquence to the sheer bravery and determination of a number of editors, publishers, and journalists who viewed their tasks as interpreters and informers of the day’s news. Using a mix of carefully selected case studies as well as an extensive study of newspapers both large and small, this highly readable work places the Civil War press squarely where it belongs—as a part of the larger social and cultural experience of mid-nineteenth century America."—Mary M. Cronin, Department of Journalism, New Mexico State University "The study of Civil War journalism has traditionally been treated as a facet of the history of war correspondence, but war reporting does not exist in a vacuum, as David Bulla and Gregory Borchard skillfully show readers in their latest edition of Journalism in the Civil War Era. This new edition freshens the book’s original version by expanding on their insightful examination of the way the American Civil War ushered in the greater reliance on the information model of journalism, which would exist side-by-side with the existing partisan model. Few scholars have attempted the sort of holistic study that examines not only the nature of Civil War journalism but, more significantly, the symbiotic relationship between the press and its culture. Bulla and Borchard have done the hard work of digging out the necessary evidence to paint a full-color portrait of journalism during America’s bloodiest conflict."—Debbie van Tuyll, Professor Emerita, Department of Communications, Augusta University

Food blogs are everywhere today but for generations, information and opinions about food were found in the food sections of newspapers in communities large and small. Until the early 1970s, these sections were housed in the women’s pages of newspapers—where women could hold an authoritative voice. The food editors—often a mix of trained journalist and home economist—reported on everything from nutrition news to features on the new chef in town. They wrote recipes and solicited ideas from readers. The sections reflected the trends of the time and the cooks of the community. The editors were local celebrities, judging cooking contests and getting calls at home about how to prepare a Thanksgiving turkey. They were consumer advocates and reporters for food safety and nutrition. They helped make James Beard and Julia Child household names as the editors wrote about their television appearances and reviewed their cookbooks.These food editors laid the foundation for the food community that Nora Ephron described in her classic 1968 essay, “The Food Establishment,” and eventually led to the food communities of today. Included in the chapters are profiles of such food editors as Jane Nickerson, Jeanne Voltz, and Ruth Ellen Church, who were unheralded pioneers in the field, as well as Cecily Brownstone, Poppy Cannon, and Clementine Paddleford, who are well known today; an analysis of their work demonstrates changes in the country’s culinary history. The book concludes with a look at how the women’s pages folded at the same time that home economics saw its field transformed and with thoughts about the foundation that these women laid for the food journalism of today.

This book includes the relatively unknown stories of six important women who laid the foundation for improving women’s equality in the U.S. While they largely worked behind the scenes, they made a significant impact. In the group are two female political operatives who worked behind the scenes along with four female journalists who also occasionally worked within government to advance women’s rights during the 1950s through the 1970s. Much of it centers on Washington, D.C., as well as the more unlikely cities of Madison, Wisconsin and Miami, Florida. It includes the story of a women’s page journalist who published an official government report in her newspaper section when the White House refused to release it. This book documents the stories of women who organized to help gain employment for other women and also worked to raise the stature of homemakers. Numerous other issues for women were also addressed. The fight for equality became more visible in the 1960s although the foundation had been laid as early as the 1950s, fueled by the post-World War II era. Change was initiated by a mix of women in government and women in the news media – at times going back and forth in those positions. These particular women were chosen because of their interactions with each other as they rallied around a common cause and because their names were overshadowed by other women’s liberation leaders. It is not meant to be an exhaustive story of the fight for women’s rights but rather an addition to the great memoirs and scholarship that already exist.

Given the highly globalized and converged sets of communication technologies in the contemporary media landscape, information consumers—all of us—can begin to understand the complexity of interpreting daily news. Providing an overview of American media, press, and journalism, and the events, institutions, and people related to its development, this book helps readers develop perspective on contemporary media by using its development for reference. Along with an array of supplemental materials, readers will find tools used by both reporters and historians to understand the present through the past, allowing readers to use the history of journalism as a lens for their own storytelling, reporting, and critical analysis skills. While focusing on American news, the book also features international media other than print newspapers alone. It integrates public relations, advertising, broadcast, and the Internet into a story of the press that builds a singular narrative for a general audience."This book tells the story of a nation that decided in its founding that two things had to be foundational for the country and its primary institutions to last: one was that it should have newspapers; and the other was that those newspapers would be free and independent to publish as they pleased. This has not always been a harmonious relationship… nevertheless, it is the basis of the American system, and the press is the only profession directly mentioned in the Bill of Rights. Perhaps as important is the fact that culturally the United States has had a built-in dependency on news from its founding. Thus, it is through this lens that the whole panorama of American mass media must be viewed, which Borchard and Yotova have done here."– David W. Bulla, Augusta University, Georgia"A refreshing update on traditional media history texts, Pressing Matters takes a new approach by highlighting the influential people and events that comprise that history—from Colonial-era printers who first pursued values of free press and free speech to the partisans, publishers, populists, muckrakers, and innovators who built a powerful press and thus a nation. Students will discover in this book engaging, accessible content that smoothly connects the history of the press with their own, media-saturated world."– Katrina Jesick Quinn, Slippery Rock University, Pennsylvania"In this thorough and thoughtful study of journalism in the United States, Borchard and Yotova use social, cultural, and political analyses to explore a broad range of significant issues over the course of US history. Offering much to ponder and debate, this book provides a crucial context for understanding the freedom of the press."– Orville Vernon Burton, author of Justice Deferred: Race and the Supreme Court and Age of Lincoln

Considered by some as the most important woman in Dallas in the latter half of the 20th century, Vivian Castleberry was a force for women, nationally and internationally. In shining a light on her career, more becomes known about her fights and her victories. Through this book, historians can better understand that the relationship of the women’s pages to the women’s movement between the 1950s and '70s was more complex than previously explored. Known as the “godmother” of the Dallas women’s movement, Vivian was a trailblazer. Yet, she was also a mother of five daughters at a time when working outside the home was still being challenged, and that was an experience many middle-class women struggled with. Her role in the public sphere meant she often told the stories of others. This book is her story.

Re-Evaluating Women’s Page Journalism in the Post-World War II Era tells the stories of significant women’s page journalists who contributed to the women’s liberation movement and the journalism community.

This book documents the careers of newspaper fashion editors and details what the fashion sections included in the post-World War II years. It also addresses journalism ethics, fashion show reporting and the decline in fashion journalism editor positions.

This book documents the careers of newspaper fashion editors and details what the fashion sections included in the post-World War II years. It also addresses journalism ethics, fashion show reporting and the decline in fashion journalism editor positions.