Leeann Lane – författare
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Until now, in-depth analysis of key female figures in Irish republicanismin the early twentieth century has been limited. Mary MacSwiney was one of themost single-minded anti-Treaty women, leading Eamon de Valera to describe heras 'incorrigible'. Rather than just dismiss MacSwiney as one-dimensional in heropposition to the Treaty and in her continued political intractability, thisbiography seeks to place her political life within the centre of the turn ofthe twentieth-century republican narrative and understand why she wasincreasingly viewed as a virago. To saycontemporary gender roles played a part in reducing MacSwiney to a cipher forextreme republicanism limits a fuller understanding of her political life. Heruncompromising stance against the evils of compromise during the Treatynegotiations was indelibly formed by the experience of watching her brotherTerence MacSwiney die on hunger strike in Brixton Jail in 1920, and the traumashe experienced. She witnessed an intimate act of self-sacrifice which boundher to a belief that her task was to continue her brother's fidelity to aseparatist republic. Betrayal of the republic, for her, would have meant betrayal ofa brother she loved and admired. Mary MacSwiney situates thisstandout figure in the context of her tightly knit family, tracing herpolitical evolution from suffrage and cultural revival activism to advancednationalism. While the focus of MacSwiney's political action was Cork, from1920 onwards she began to assume a progressively more important role in Irishpolitics at a national and international level, including American tours, acentral role during the Civil War and within Sinn Fein and a close politicalrelationship with de Valera. From 1926 onward, she was increasingly politicallyisolated and marginalised as she sparred with members of Fianna Fail in the press,seeking to justify her continued refusal to engage with the reality of the IrishFree State. Leading biographer of women in twentieth-centuryIrish history, Leeann Lane delves into newly discovered archival material tointerrogate MacSwiney's oppositional stance to the establishment of the IrishFree State in 1922. Mary MacSwiney offers a comprehensive understandingof a misrepresented and marginalised voice in early twentieth-century Irishpolitics.
Del 1 - Society for the Study of Nineteenth Century Ireland
Leisure and the Irish in the Nineteenth Century
Inbunden, Engelska, 2016
735 kr
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It has often been argued that ‘modern’ leisure was born in the period from the mid-nineteenth century to the outbreak of World War One. Then, it has been suggested, that if leisure was not ‘invented’ its forms and meanings changed.Despite the recent expansion of the literature on Irish popular cultures – perhaps most strikingly sport – the conceptions, purposes, and practical manifestations of leisure among the Irish during this critical period have yet to receive the attention they deserve. This collection represents an attempt to address this.In twelve essays that explore vibrant expressions of associational culture, the emergence of new leisure spaces, literary manifestations and representations of leisure, the pleasures and purposes of travel, and the leisure pursuits of elite women the collection offers a variety of perspectives on the volume’s theme. As becomes apparent in these studies, all manner of activity, from music to football, reading to dining, travel to photography, dancing to dining, visiting to cycling, child’s play to fighting and attitudes to these were shaped not just by the drive to pleasure but by ideas of class, respectability, improvement and social control as well as political, social, educational, medical and religious ideologies.List of contributors: Leeann Lane, William Murphy, John Borgonovo, Brendan Power, Vanessa Rutherford, Orla Fitzpatrick, Matthew Potter, James H. Murphy, Kevan O’Rourke, Patrick Maume, Philip McEvansoneya, Brian Griffin, Maeve O’Riordan and Rachel Murphy.
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Born in Waterford in 1888 Rosamond Jacob, of Quaker background, was in many cases a crowd member rather than a leader in the campaigns in which she participated - the turn of the century language revival, the suffrage campaign, the campaigns of the revolutionary period. She adopted an anti-Treaty stance in the 1920s, moving towards a fringe involvement in the activities of socialist republicanism in the early 1930s while continuing to vote Fianna Fail. Her commitment to feminist concerns was life long but at no point did she take or was capable of a leadership role. However, it was Jacob's failure to carve out a strong place in history as an activist which makes her interesting as a subject for biography. Her 'ordinariness' offers an alternative lens on the biographical project. By failing to marry, by her inability to find meaningful paid work, by her countless refusals from publishers, by the limited sales of what work was published, Jacob offers a key into lives more ordinary within the urban middle classes of her time, and suggests a new perspective on female lives.Jacob's life, galvanised at all times by political and feminist debate, offers a means of exploring how the central issues which shaped Irish politics and society in the first half of the twentieth century were experienced and digested by those outside the leadership cadre.
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Dorothy Macardle - literary teacher, propagandist journalist, political playwright, gothic fiction novelist - is a multi-faceted woman who has remained too often below the radar of historical recognition. In Dorothy Macardle Leeann Lane intends to change this. She is most remembered as the author of The Irish Republic (1937): a full-scale history of the revolutionary period from an anti-Treaty perspective commissioned by de Valera. A bestseller, it became the definitive book of the period fixing Macardle's reputation for too long as merely de Valera's mouthpiece. Yet, as Leann Lane puts forth, Macardle was much more than its author. An intellectually strong, politically persuasive and stoically independent woman: Macardle was beholden to no one.From Sinn Fein propagandist to the gradualist republicanism of Fianna Fail to ardent feminist and gothic novelist, Macardle's personal and political evolution is mapped out for us by Lane in the pages of this book. Exploring her Jail Journal as first-hand source material, the early evolution of Macardle's political thought and action is revealed to us. The wealth of new archival material in the Bureau of Military History Witness Statements and the Military Service Pension Collection is deeply examined, presenting a who's who of Irish republican history as we learn about the many people and events that influenced Macardle's life. Central to the story is an analysis of the commitment of Macardle to female activist politics as she moves further from de Valera's reach, often expressed in subterranean or subversive ways. Macardle's opposition to the position of women in the 1936 Conditions of Employment Act and, most particularly, in the 1937 Constitution was not overt on political platforms but Lane reveals to us that a deep criticism is contained within the pages of her gothic novels published in the 1940s. Insightful readings of her later writing, including her most influential novels The Uninvited (1942) and The Unforeseen (1946), showcases Macardle as a short story writer, playwright and gothic novelist of republican and feminist intent.This is a rich biographical journey through Dorothy Macardle's writing as propagandist, social commentator, republican and feminist. It affirms Macardle's place as one of the foremost activist polemicists as the new Irish State unchained itself from its colonial past and asserted an independent political and cultural identity to be reckoned with.