This masterful collection of seventeen classic mystery stories, dating from 1837 to 1914, traces the earliest history of popular detective fiction.

Today, the figure of Sherlock Holmes towers over detective fiction like a colossus―but it was not always so. Edgar Allan Poe’s French detective Dupin, the hero of “The Murders in the Rue Morgue,” preceded Holmes’s deductive reasoning by more than forty years with his “tales of ratiocination.” In A Study in Scarlet, the first of Holmes’ adventures, Doyle acknowledged his debt to Poe―and to Émile Gaboriau, whose thief-turned-detective Monsieur Lecoq debuted in France twenty years earlier.

If “Rue Morgue” was the first true detective story in English, the title of the first full-length detective novel is more hotly contested. Two books by Wilkie Collins―The Woman in White (1859) and The Moonstone (1868)―are often given that honor, with the latter showing many of the features that came to identify the genre: a locked-room murder in an English country house; bungling local detectives outmatched by a brilliant amateur detective; a large cast of suspects and a plethora of red herrings; and a final twist before the truth is revealed. Others point to Mary Elizabeth Braddon’s The Trail of the Serpent (1861) or Aurora Floyd (1862), and others still to The Notting Hill Mystery (1862–3) by the pseudonymous “Charles Felix.”

As the early years of detective fiction gave way to two separate golden ages―of hard-boiled tales in America and intricately-plotted, so-called “cozy” murders in Britain―the legacy of Sherlock Holmes, with his fierce devotion to science and logic, gave way to street smarts on the one hand and social insight on the other―but even though these new sub-genres went their own ways, their detectives still required the intelligence and clear-sightedness that characterized the earliest works of detective fiction: the trademarks of Sherlock Holmes, and of all the detectives featured here.

From two acclaimed experts in the genre, a brand-new volume of supernatural stories showcasing the forgotten female horror writers from 1852–1923

While the nineteen-year-old Mary Shelley may be hailed as the first modern writer of horror, the success of her immortal Frankenstein undoubtedly inspired dozens of female authors who wrote their own evocative, chilling tales.

Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Perkins Gilman, alongside works of writers who were the bestsellers and critical favorites of their time—Marie Corelli, Ellen Glasgow, Charlotte Riddell—and lesser known authors who are deserving of contemporary recognition.

As railroads, industry, cities, and technology flourished in the mid-nineteenth century, so did stories exploring the horrors they unleashed. This anthology includes ghost stories and tales of haunted houses, as well as mad scientists, werewolves, ancient curses, mummies, psychological terrors, demonic dimensions, and even weird westerns.

Curated by Klinger and Morton with an aim to present work that has languished in the shadows, all of these exceptional supernatural stories are sure to surprise, delight, and frighten today’s readers.

This follow-up to the national bestseller A Study in Sherlock is a stunning new volume of original stories compiled by award-winning Sherlockians Laurie R. King and Leslie S. Klinger.

The Sherlock Holmes stories by Sir Arthur Conan Doyle were recently voted the top mystery series of all time, and they have enthralled generations of readers—and writers.

Now, Laurie R. King, author of the New York Times bestselling Mary Russell series in which Holmes plays a costarring role, and Leslie S. Klinger, Edgar Award–winning editor of The New Annotated Sherlock Holmes, have assembled a stellar group of contemporary authors from a variety of genres and asked them to create new stories inspired by that canon. Authors included here are Michael Connelly, Jeffery Deaver, Michael Dirda, Harlan Ellison, Denise Hamilton, Nancy Holder, John Lescroart, Sara Paretsky, Michael Sims, and more.

Inside you''ll find Holmes in times and places previously unimagined, as well as characters who have themselves been affected by the tales of Sherlock Holmes. The game is afoot—again!

Stories include:

A masterful collection of horror fiction by widely acclaimed authors whose contributions to the genre have been lost in the shadow of Poe

Edgar Allan Poe did not invent the tale of terror. There were American, English, and Continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe’s genius and produced their own popular tales of supernatural literature. This collection features masterful tales of terror by authors who, by and large, are little-remembered for their writing in this genre. Even Bram Stoker, whose Dracula may be said to be the most popular horror novel of all time, is not known as a writer of short fiction.

Distinguished editor Leslie S. Klinger is a world-renowned authority on those twin icons of the Victorian age, Sherlock Holmes and Dracula. His studies into the forefathers of those giants led him to a broader fascination with writers of supernatural literature of the nineteenth century. The stories in this collection have been selected by him for their impact. Each is preceded by a brief biography of the author and an overview of his or her literary career and is annotated to explain obscure references.

Read on, now, perhaps with a flickering candle or flashlight at hand …

Stories by Ambrose Bierce, Joseph Sheridan Le Fanu, Théophile Gautier, Charlotte Perkins Gilman, Arthur Conan Doyle, Lafcadio Hearn, M. R. James, Bram Stoker, and many others

A brand-new anthology of stories inspired by the Arthur Conan Doyle canon

In this follow-up to the acclaimed In the Company of Sherlock Holmes, expert Sherlockians Laurie King and Leslie Klinger put forth the question: What happens when great writers/creators who are not known as Sherlock Holmes devotees admit to being inspired by Conan Doyle stories? While some are highly regarded mystery writers, others are best known for their work in the fields of fantasy or science fiction. All of these talented authors, however, share a great admiration for Arthur Conan Doyle and his greatest creations, Sherlock Holmes and Dr. Watson.

To the editors’ great delight, these stories go in many directions. Some explore the spirit of Holmes himself; others tell of detectives inspired by Holmes’ adventures or methods. A young boy becomes a detective; a young woman sharpens her investigative skills; an aging actress and a housemaid each find that they have unexpected talents. Other characters from the Holmes stories are explored, and even non-Holmesian tales by Conan Doyle are echoed. The variations are endless!

Although not a formal collection of new Sherlock Holmes stories, some entries do fit that mold while others were inspired by the Conan Doyle canon. The results are breathtaking, for fans of Holmes and Watson as well as listeners new to Doyle’s writing.

This masterful collection of seventeen classic mystery stories, dating from 1837 to 1914, traces the earliest history of popular detective fiction.

Today, the figure of Sherlock Holmes towers over detective fiction like a colossus―but it was not always so. Edgar Allan Poe’s French detective Dupin, the hero of “The Murders in the Rue Morgue,” preceded Holmes’s deductive reasoning by more than forty years with his “tales of ratiocination.” In A Study in Scarlet, the first of Holmes’ adventures, Doyle acknowledged his debt to Poe―and to Émile Gaboriau, whose thief-turned-detective Monsieur Lecoq debuted in France twenty years earlier.

If “Rue Morgue” was the first true detective story in English, the title of the first full-length detective novel is more hotly contested. Two books by Wilkie Collins―The Woman in White (1859) and The Moonstone (1868)―are often given that honor, with the latter showing many of the features that came to identify the genre: a locked-room murder in an English country house; bungling local detectives outmatched by a brilliant amateur detective; a large cast of suspects and a plethora of red herrings; and a final twist before the truth is revealed. Others point to Mary Elizabeth Braddon’s The Trail of the Serpent (1861) or Aurora Floyd (1862), and others still to The Notting Hill Mystery (1862–3) by the pseudonymous “Charles Felix.”

As the early years of detective fiction gave way to two separate golden ages―of hard-boiled tales in America and intricately-plotted, so-called “cozy” murders in Britain―the legacy of Sherlock Holmes, with his fierce devotion to science and logic, gave way to street smarts on the one hand and social insight on the other―but even though these new sub-genres went their own ways, their detectives still required the intelligence and clear-sightedness that characterized the earliest works of detective fiction: the trademarks of Sherlock Holmes, and of all the detectives featured here.

From two acclaimed experts in the genre, a brand-new volume of supernatural stories showcasing the forgotten female horror writers from 1852–1923

While the nineteen-year-old Mary Shelley may be hailed as the first modern writer of horror, the success of her immortal Frankenstein undoubtedly inspired dozens of female authors who wrote their own evocative, chilling tales.

Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Perkins Gilman, alongside works of writers who were the bestsellers and critical favorites of their time—Marie Corelli, Ellen Glasgow, Charlotte Riddell—and lesser known authors who are deserving of contemporary recognition.

As railroads, industry, cities, and technology flourished in the mid-nineteenth century, so did stories exploring the horrors they unleashed. This anthology includes ghost stories and tales of haunted houses, as well as mad scientists, werewolves, ancient curses, mummies, psychological terrors, demonic dimensions, and even weird westerns.

Curated by Klinger and Morton with an aim to present work that has languished in the shadows, all of these exceptional supernatural stories are sure to surprise, delight, and frighten today’s readers.

This follow-up to the national bestseller A Study in Sherlock is a stunning new volume of original stories compiled by award-winning Sherlockians Laurie R. King and Leslie S. Klinger.

The Sherlock Holmes stories by Sir Arthur Conan Doyle were recently voted the top mystery series of all time, and they have enthralled generations of readers—and writers.

Now, Laurie R. King, author of the New York Times bestselling Mary Russell series in which Holmes plays a costarring role, and Leslie S. Klinger, Edgar Award–winning editor of The New Annotated Sherlock Holmes, have assembled a stellar group of contemporary authors from a variety of genres and asked them to create new stories inspired by that canon. Authors included here are Michael Connelly, Jeffery Deaver, Michael Dirda, Harlan Ellison, Denise Hamilton, Nancy Holder, John Lescroart, Sara Paretsky, Michael Sims, and more.

Inside you''ll find Holmes in times and places previously unimagined, as well as characters who have themselves been affected by the tales of Sherlock Holmes. The game is afoot—again!

Stories include:

A masterful collection of horror fiction by widely acclaimed authors whose contributions to the genre have been lost in the shadow of Poe

Edgar Allan Poe did not invent the tale of terror. There were American, English, and Continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe’s genius and produced their own popular tales of supernatural literature. This collection features masterful tales of terror by authors who, by and large, are little-remembered for their writing in this genre. Even Bram Stoker, whose Dracula may be said to be the most popular horror novel of all time, is not known as a writer of short fiction.

Distinguished editor Leslie S. Klinger is a world-renowned authority on those twin icons of the Victorian age, Sherlock Holmes and Dracula. His studies into the forefathers of those giants led him to a broader fascination with writers of supernatural literature of the nineteenth century. The stories in this collection have been selected by him for their impact. Each is preceded by a brief biography of the author and an overview of his or her literary career and is annotated to explain obscure references.

Read on, now, perhaps with a flickering candle or flashlight at hand …

Stories by Ambrose Bierce, Joseph Sheridan Le Fanu, Théophile Gautier, Charlotte Perkins Gilman, Arthur Conan Doyle, Lafcadio Hearn, M. R. James, Bram Stoker, and many others

A brand-new anthology of stories inspired by the Arthur Conan Doyle canon

In this follow-up to the acclaimed In the Company of Sherlock Holmes, expert Sherlockians Laurie King and Leslie Klinger put forth the question: What happens when great writers/creators who are not known as Sherlock Holmes devotees admit to being inspired by Conan Doyle stories? While some are highly regarded mystery writers, others are best known for their work in the fields of fantasy or science fiction. All of these talented authors, however, share a great admiration for Arthur Conan Doyle and his greatest creations, Sherlock Holmes and Dr. Watson.

To the editors’ great delight, these stories go in many directions. Some explore the spirit of Holmes himself; others tell of detectives inspired by Holmes’ adventures or methods. A young boy becomes a detective; a young woman sharpens her investigative skills; an aging actress and a housemaid each find that they have unexpected talents. Other characters from the Holmes stories are explored, and even non-Holmesian tales by Conan Doyle are echoed. The variations are endless!

Although not a formal collection of new Sherlock Holmes stories, some entries do fit that mold while others were inspired by the Conan Doyle canon. The results are breathtaking, for fans of Holmes and Watson as well as listeners new to Doyle’s writing.