Lisa Morton – författare

A harrowing array of scary stories that all have one thing in common: each either begins or ends with a scream!R.L. Stine—the godfather of Goosebumps—and some of the most popular authors today bring an unrivaled mastery of all things fearsome, frightening, and fantabulous to this terrifying anthology of all-new scary short stories.Scream and Scream Again! is full of twists and turns, dark corners, and devilish revenge. Collected in conjunction with the Mystery Writers of America, this set includes works from New York Times bestselling authors telling tales of wicked ice-cream trucks, time-travelling heroes, witches and warlocks, and of course, haunted houses.Read it if you dare! With twenty never-before-published scary stories from some of the most popular authors today—including Chris Grabenstein, Wendy Corsi Staub, Heather Graham, Peter Lerangis, R.L. Stine, Bruce Hale, Emmy Laybourne, Steve Hockensmith, Lisa Morton, Ray Daniel, Beth Fantaskey, Phil Mathews, Carter Wilson, Doug Levin, Jeff Soloway, Joseph S. Walker, Alison McMahan, Daniel Palmer, Tonya Hurley, and Stephen Ross—it’s sure to leave readers screaming for more.

This unique anthology gathers together some of the most intriguing and useful works on the history of Halloween. Ranging from pre-Christian Celtic myths to early 20th century articles, the book's 27 entries include poems, short stories, sections from 19th and 20th century folklore books, a one-act play, Irish and Scottish folk tales, and the first book on the holiday ever published.Noted works contained in the anthology include William Wells Newell's 1904 study of the history of Jack-o'-lantern legends in "The Ignis Fatuus" and Alexander Montgomerie's oft-quoted 1584 poem "Flyting Against Polwart." Organized chronologically, most works are presented in their entirety and many include extensive annotations designed to make the original source materials more meaningful for modern readers. The book also includes 34 vintage photographs and illustrations.

This is the first book-length study of the career and life of Ann Savage, whose performance in Detour earned her a place in Time Magazine's list of the top 10 greatest movie villains. The biography covers her abused childhood and her career as a studio contract player, pin-up queen, B movie star, jetsetter and award-winning aviatrix. A complete annotated filmography with release date, credits, cast, synopsis and commentary for each of her films is included.

Tsui Hark, one of China's most famous film artists, is little known outside of Asia even though he has directed, produced, written, or acted in dozens of film, some of which are considered to be classics of modern Asian cinema. This work begins with a biography of the man and a look at his place in Hong Kong and world cinema, his influences, and his thematic obsessions. Each major film of his career is then reviewed, production details are provided, and comments from Tsui Hark himself are given.

A first edition of The Halloween Encyclopedia was published by McFarland in 2003 (Booklist: "a worthy addition to public and school libraries as well as the reference shelves of journalists and leaders of community events"); it was the first encyclopedic reference book on the cultural phenomenon (which also deals with such related holidays as Britain's Guy Fawkes Day, Mexico's Dia de los Muertos, or Day of the Dead, and the Celtic celebration Samhain).Now updated to 2010, this second edition includes more than 50 new entries, covering subjects ranging from Folk Art to African American legends. Many existing entries have been expanded and revised, with new entries ("Chronology of Halloween" and "Halloween in Literature and the Arts") in both appendices. Also featured are more than a dozen new illustrations, and an expanded bibliography.

For three centuries, as the Black Death rampaged through Europe and the Reformation tore the Church apart, tens of thousands were arrested as witches and subjected to torture and execution, including being burned alive. This graphic novel examines the background; the witch hunters' methods; who profited; the brave few who protested; and how the Enlightenment gradually replaced fear and superstition with reason and science.Famed witch hunters Heinrich Kramer, architect of the infamous Malleus Maleficarum, and Matthew Hopkins, England's notorious "Witchfinder General," are covered as are the Salem Witch Trials and the last executions in Europe.

Whether George Romero’s implacable, slow-moving monstrosities or the fleet-footed terrors of 28 Days Later, over the last several decades the zombie has ascended into the upper echelon of the of the movie monster pantheon—an elite tier once reserved only for vampires, werewolves, and Frankenstein’s monster. Featuring over 500 posters, lobby cards, pressbooks, stills, and props from zombie movies across the whole of cinema history, The Art of the Zombie Movie is an eye-popping, entertaining visual history of zombie films written by six-time Bram Stoker Award-winning author Lisa Morton. Included here is the story of the origin and global reach of the zombie feature film; special features, quotes, and interviews from key creators; a survey of such varied subgenres as Blaxploitation, sci-fi, cowboy, and comic zombie films; and a selection of foreign zombie movies from Mexico, Germany, Czechoslovakia, Japan, and other countries. With unprecedented range and detail, this comprehensive collection of zombie movie art begins in 1932 (when The White Zombie, the first true entrant in the genre, was released), explores the renaissance that was launched by George Romero’s Night of the Living Dead, and traces the countless variations, innovations, and reinventions that continue to ensure that the zombie genre will never truly die.

Following their acclaimed Ghost Stories and Weird Women, award-winning anthologists Leslie S. Klinger and Lisa Morton present a new eclectic anthology of ghosty tales certain to haunt the reader long past the closing page.In Haunted Tales, the reader will enjoy discovering masterpieces like Algernon Blackwood’s terrifying “The Kit-Bag,” Oscar Wilde’s delightful “The Canterville Ghost,” and F. Marion Crawford’s horrific “The Screaming Skull,” as well as lesser-known gems by some of literature’s greatest voices, including Virginia Woolf’s “A Haunted House,” H. G. Wells’s “The Story of the Inexperienced Ghost,” and Rudyard Kipling’s “They.” Haunted Tales also resurrects some wonders that have been woefully neglected, including Dinah Mulock’s “M. Anastasius” (which Charles Dickens called “the best ghost story ever written”); E. F. Benson’s “The Bus-Conductor” (the source of one of the most iconic lines in horror); and E. and H. Heron’s “The Story of the Spaniards, Hammersmith” (the debut adventure of Flaxman Lowe, fiction’s first psychic detective). Whether the stories are familiar or overlooked, all are sure to surprise and astonish the reader long past the closing of this book’s cover.

From two acclaimed experts in the genre, a brand-new volume of supernatural stories showcasing the forgotten female horror writers from 1852–1923.While the nineteen-year-old Mary Shelley may be hailed as the first modern writer of horror, the success of her immortal Frankenstein undoubtedly inspired dozens of female authors who wrote their own evocative, chilling tales. Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Gilman-Perkins, alongside works of writers who were the bestsellers and critical favorites of their time—Marie Corelli, Ellen Glasgow, Charlotte Riddell—and lesser known authors who are deserving of contemporary recognition. As railroads, industry, cities, and technology flourished in the mid-nineteenth century, so did stories exploring the horrors they unleashed. This anthology includes ghost stories and tales of haunted houses, as well as mad scientists, werewolves, ancient curses, mummies, psychological terrors, demonic dimensions, and even weird westerns. Curated by Morton and Klinger with an aim to presenting work that has languished in the shadows, all of these exceptional supernatural stories are sure to surprise, delight, and frighten today’s readers.

In the history of the numinous there are few things more common than the belief in ghosts. From the earliest writings such as the Epic of Gilgamesh to today’s ghost-hunting reality TV shows, ghosts have chilled the air of nearly every era and every culture in human history. In this book, now available in B-format paperback, Lisa Morton wrangles together history’s most enduring ghosts into an entertaining and comprehensive look at what otherwise seems to always evade our eyes.

Trick or Treat is the first book to both examine the origins and history of Halloween and explore in depth its current global popularity. Festivals like the Celtic Samhain and Catholic All Souls’ Day have blended to produce the modern Halloween, which has been reborn in America – but there are also related but independent holidays, especially Mexico’s Day of the Dead. Lisa Morton explores the explosion in popularity of haunted attractions and the impact of events such as the global economic recession, as well as the effect Halloween has had on popular culture through literary works, films and television series.Trick or Treat takes us on a journey from the spectacular to the macabre, making it a must for anyone who wants to peep behind the mask to see the real past and present of this ever more popular holiday.

Calling the Spirits investigates the eerie history of our conversations with the dead, from necromancy in Homer’s Odyssey to the emergence of Spiritualism – when Victorians were entranced by mediums and the seance was born.Among our cast are the Fox sisters, teenagers surrounded by ‘spirit rappings’; Daniel Dunglas Home, the ‘greatest medium of all time’; Houdini and Sir Arthur Conan Doyle, whose unlikely friendship was forged, then riven, by the afterlife; and Helen Duncan, the medium whose trial in 1944 for witchcraft proved more popular to the public than news about the war. The book also considers Ouija boards, modern psychics and paranormal investigations, and is illustrated with engravings, fine art (from beyond) and photographs. Hugely entertaining, it begs the question: is anybody there . . .?