Lillian Hoddeson – författare

This monumental work focuses on the field of solid-state physics -- now more properly referred to as condensed-matter physics -- which grew to maturity between 1920 and 1960. The questions that were posed, and answered, during this period, regarding the structure of solid matter and why some materials are good insulators or conductors, led to applications of the highest economic, military and cultural importance. The history of these exciting developments is told in an easy-to-follow text, accessible to general readers, while maintaining standards of high scholarship.

This landmark work chronicles the origin and evolution of solid state physics, which grew to maturity between 1920 and 1960. The book examines the early roots of the field in industrial, scientific and artistic efforts and traces them through the 1950s, when many physicists around the world recognized themselves as members of a distinct subfield of physics research centered on solids. The book opens with an account of scientific and social developments that preceded the discovery of quantum mechanics, including the invention of new experimental means for studying solids and the establishment of the first industrial laboratories. The authors set the stage for the modern era by detailing the formulation of the quantum field theory of solids. The core of the book examines six major themes: the band theory of solids; the phenomenology of imperfect crystals; the puzzle of the plastic properties of solids, solved by the discovery of dislocations; magnetism; semiconductor physics; and collective phenomena, the context in which old puzzles such as superconductivity and superfluidity were finally solved. All readers interested in the history of science will find this absorbing volume an essential resource for understanding the emergence of contemporary physics.

Fermi National Accelerator Laboratory, located in the western suburbs of Chicago, has stood at the frontier of high-energy physics for forty years. "Fermilab" is the first history of this laboratory and of its powerful accelerators told from the point of view of the people who built and used them for scientific discovery. Focusing on the first two decades of research at Fermilab, during the tenure of the laboratory's charismatic first two directors, Robert R. Wilson and Leon M. Lederman, the authors trace the rise of what they call "megascience," the collaborative struggle to conduct large-scale international experiments in a climate of limited federal funding. In the midst of this new climate, "Fermilab" illuminates the growth of the modern research laboratory during the Cold War and captures the drama of human exploration at the cutting edge of science.

Fermi National Accelerator Laboratory, located in the western suburbs of Chicago, has stood at the frontier of high-energy physics for forty years. Fermilab is the first history of this laboratory and of its powerful accelerators told from the point of view of the people who built and used them for scientific discovery.

Focusing on the first two decades of research at Fermilab, during the tenure of the laboratory’s charismatic first two directors, Robert R. Wilson and Leon M. Lederman, the book traces the rise of what they call “megascience,” the collaborative struggle to conduct large-scale international experiments in a climate of limited federal funding. In the midst of this new climate, Fermilab illuminates the growth of the modern research laboratory during the Cold War and captures the drama of human exploration at the cutting edge of science.

Starting in the 1950s, US physicists dominated the search for elementary particles; aided by the association of this research with national security, they held this position for decades. In an effort to maintain their hegemony and track down the elusive Higgs boson, they convinced President Reagan and Congress to support construction of the multibillion-dollar Superconducting Super Collider project in Texas—the largest basic-science project ever attempted. But after the Cold War ended and the estimated SSC cost surpassed ten billion dollars, Congress terminated the project in October 1993.            Drawing on extensive archival research, contemporaneous press accounts, and over one hundred interviews with scientists, engineers, government officials, and others involved, Tunnel Visions tells the riveting story of the aborted SSC project. The authors examine the complex, interrelated causes for its demise, including problems of large-project management, continuing cost overruns, and lack of foreign contributions. In doing so, they ask whether Big Science has become too large and expensive, including whether academic scientists and their government overseers can effectively manage such an enormous undertaking.

On December 16, 1947, John Bardeen and Walter Brattain, physicists at Bell Laboratories, jabbed two electrodes into a sliver of germanium. The power flowing from the germanium far exceeded what went in; in that moment the transistor was invented and the Information Age was born. No other devices have been as crucial to modern life as the transistor and the microchip it spawned, but the story of the science and personalities that made these inventions possible has not been fully told until now. Crystal Fire fills this gap and carries the story forward. William Shockley, Bell Labs' team leader and co-recipient of the Nobel Prize with Brattain and Bardeen for the discovery, grew obsessed with the transistor and went on to become the father of Silicon Valley. Here is a deeply human story about the process of invention — including the competition and economic aspirations involved — all part of the greatest technological explosion in history. The intriguing history of the transistor — its inventors, physics, and stunning impact on society and the economy — unfolds here in a richly told tale."—Science News "Thoroughly accessible to lay readers as well as the techno-savvy. . . . [A] fine book."—Publishers Weekly

Editors Laurie Brown, Max Dresden and Lillian Hoddeson have assembled a prestigious group of physicists and historians of science to present a broadly balanced picture of this exciting scientific era that witnessed the coming of age of particle physics and its development into 'big science'. The historical studies and analyses provided in the volume are unique in their scope and level of detail. Major topics and developments addressed include the important experiments and their theoretical explanations, the design and construction of scientific instruments and the establishment of major research centres - especially the national laboratories that played a key role in the transformation of particle physics into 'big science'. These essays also range from sociological analyses of the particle physics subculture and the political aspects of research funding to discussions of symmetry and axiomatic field theory.

Editors Laurie Brown and Lillian Hoddeson have brought together a distinctive collection of essays, discussions, and personal descriptions of the evolution of particle physics based on the presentations and discussions at the May 1980 International Symposium on the History of Particle Physics, held at Fermi National Accelerator Laboratory in Batavia, Illinois. This collection focuses primarily on the development of cosmic-ray physics and quantum field theory in the 1930s and 1940s, before the advent of the great postwar accelerators, and draws on research conducted in the United States, Italy, Japan, Great Britain, Germany, France, and the USSR.

This 1993 volume is a lucid and accurate history of the technical research that led to the first atomic bombs. The authors explore how the 'critical assembly' of scientists, engineers and military personnel at Los Alamos, responding to wartime deadlines, collaborated to create a new approach to large-scale research. The book opens with an introduction laying out major themes. After a synopsis of the prehistory of the bomb project, from the discovery of nuclear fission to the start of the Manhattan Engineer District, and an overview of the early materials programme, the book examines the establishment of the Los Alamos Laboratory, the implosion and gun assembly programmes, nuclear physics research, chemistry and metallurgy, explosives, uranium and plutonium development, confirmation of spontaneous fission in pile-produced plutonium, the thermonuclear bomb, critical assemblies, the Trinity test, and delivery of the combat weapons. Readers interested in history of science will find this volume a crucial resource for understanding the underpinnings of contemporary science and technology.

This 1993 volume is a lucid and accurate history of the technical research that led to the first atomic bombs. The authors explore how the 'critical assembly' of scientists, engineers and military personnel at Los Alamos, responding to wartime deadlines, collaborated to create a new approach to large-scale research. The book opens with an introduction laying out major themes. After a synopsis of the prehistory of the bomb project, from the discovery of nuclear fission to the start of the Manhattan Engineer District, and an overview of the early materials programme, the book examines the establishment of the Los Alamos Laboratory, the implosion and gun assembly programmes, nuclear physics research, chemistry and metallurgy, explosives, uranium and plutonium development, confirmation of spontaneous fission in pile-produced plutonium, the thermonuclear bomb, critical assemblies, the Trinity test, and delivery of the combat weapons. Readers interested in history of science will find this volume a crucial resource for understanding the underpinnings of contemporary science and technology.

Editors Laurie Brown, Max Dresden, Lillian Hoddeson and Michael Riordan have brought together a distinguished group of elementary particle physicists and historians of science to explore the recent history of particle physics. Based on a conference held at Stanford University, this is the third volume of a series recounting the history of particle physics and offers the most up-to-date account of the rise of the Standard Model, which explains the microstructure of the world in terms of quarks and leptons and their interactions. Major contributors include Steven Weinberg, Murray Gell-Mann, Michael Redhead, Silvan Schweber, Leon Lederman and John Heilbron. The wide-ranging articles explore the detailed scientific experiments, the institutional settings in which they took place, and the ways in which the many details of the puzzle fit together to account for the Standard Model.

Starting in the 1950s, US physicists dominated the search for elementary particles; aided by the association of this research with national security, they held this position for decades. In an effort to maintain their hegemony and track down the elusive Higgs boson, they convinced President Reagan and Congress to support construction of the multibillion-dollar Superconducting Super Collider project in Texas-the largest basic-science project ever attempted. But after the Cold War ended and the estimated SSC cost surpassed ten billion dollars, Congress terminated the project in October 1993. Drawing on extensive archival research, contemporaneous press accounts, and over one hundred interviews with scientists, engineers, government officials, and others involved, Tunnel Visions tells the riveting story of the aborted SSC project. The authors examine the complex, interrelated causes for its demise, including problems of large-project management, continuing cost overruns, and lack of foreign contributions.In doing so, they ask whether Big Science has become too large and expensive, including whether academic scientists and their government overseers can effectively manage such an enormous undertaking.

What is genius? Define it. Now think of scientists who embody the concept of genius. Does the name John Bardeen spring to mind? Indeed, have you ever heard of him? Like so much in modern life, immediate name recognition often rests on a cult of personality. We know Einstein, for example, not just for his tremendous contributions to science, but also because he was a character, who loved to mug for the camera. And our continuing fascination with Richard Feynman is not exclusively based on his body of work; it is in large measure tied to his flamboyant nature and offbeat sense of humor. These men, and their outsize personalities, have come to erroneously symbolize the true nature of genius and creativity. We picture them born brilliant, instantly larger than life. But is that an accurate picture of genius? What of others who are equal in stature to these icons of science, but whom history has awarded only a nod because they did not readily engage the public? Could a person qualify as a bona fide genius if he was a regular Joe? The answer may rest in the story of John Bardeen. John Bardeen was the first person to have been awarded two Nobel Prizes in the same field.He shared one with William Shockley and Walter Brattain for the invention of the transistor. But it was the charismatic Shockley who garnered all the attention, primarily for his Hollywood ways and notorious views on race and intelligence. Bardeen's second Nobel Prize was awarded for the development of a theory of superconductivity, a feat that had eluded the best efforts of leading theorists -- including Albert Einstein, Neils Bohr, Werner Heisenberg, and Richard Feynman. Arguably, Bardeen's work changed the world in more ways than that of any other scientific genius of his time. Yet while every school child knows of Einstein, few people have heard of John Bardeen. Why is this the case? Perhaps because Bardeen differs radically from the popular stereotype of genius. He was a modest, mumbling Midwesterner, an ordinary person who worked hard and had a knack for physics and mathematics. He liked to picnic with his family, collaborate quietly with colleagues, or play a round of golf. None of that was newsworthy, so the media, and consequently the public, ignored him. John Bardeen simply fits a new profile of genius.Through an exploration of his science as well as his life, a fresh and thoroughly engaging portrait of genius and the nature of creativity emerges. This perspective will have readers looking anew at what it truly means to be a genius.