Luis Duno-Gottberg – författare

Haiti has long played an important role in global perception of the western hemisphere, but ideas about Haiti often appear paradoxical. Is it a land of tyranny and oppression or a beacon of freedom as site of the world's only successful slave revolution? A bastion of devilish practices or a devoutly religious island? Does its status as the second independent nation in the hemisphere give it special lessons to teach about postcolonialism, or is its main lesson one of failure? Haiti and the Americas brings together an interdisciplinary group of essays to examine the influence of Haiti throughout the hemisphere, to contextualize the ways that Haiti has been represented over time, and to look at Haiti's own cultural expressions in order to think about alternative ways of imagining its culture and history. Thinking about Haiti requires breaking through a thick layer of stereotypes. Haiti is often represented as the region's nadir of poverty, of political dysfunction, and of savagery. Contemporary media coverage fits very easily into the narrative of Haiti as a dependent nation, unable to govern or even fend for itself, a site of lawlessness that is in need of more powerful neighbors to take control. Essayists in Haiti and the Americas present a fuller picture developing approaches that can account for the complexity of Haitian history and culture.

This book gathers eleven scholarly contributions dedicated to the work of Mexican director Arturo Ripstein. The eleven essays included come from scholars whose work stands at the intersection of the fields of Latin American and Mexican Film Studies, Gender and Queer Studies, Cultural Studies, History and Literary studies.

This book gathers eleven scholarly contributions dedicated to the work of Mexican director Arturo Ripstein. The eleven essays included come from scholars whose work stands at the intersection of the fields of Latin American and Mexican Film Studies, Gender and Queer Studies, Cultural Studies, History and Literary studies.

This book gathers the very best academic research to date on prison regimes in Latin America and the Caribbean. Grounded in solid ethnographic work, each chapter explores the informal dynamics of prisons in diverse territories and countries of the region –  Venezuela, Brazil, Bolivia, Honduras, Nicaragua, Colombia, Puerto Rico, Dominican Republic – while theorizing how day-to-day life for the incarcerated has been forged in tandem between prison facilities and the outside world. The editors and contributors to this volume ask: how have fastest-rising incarceration rates in the world affected civilians’ lives in different national contexts?  How do groups of prisoners form broader and more integrated ‘carceral communities’ across day-to-day relations of exchange and reciprocity with guards, lawyers, family, associates, and assorted neighbors? What differences exist between carceral communities from one national context to another? Last but not least, how do carceral communities, contrary to popular opinion, necessarily become a productive force for the good and welfare of incarcerated subjects, in addition to being a potential source of troubling violence and insecurity?  This edited collection represents the most rigorous scholarship to date on the prison regimes of Latin America and the Caribbean, exploring the methodological value of ethnographic reflexivity inside prisons and theorizing how daily life for the incarcerated challenges preconceptions of prisoner subjectivity, so-called prison gangs, and bio-political order.Sacha Darke is Senior Lecturer in Criminology at University of Westminster, UK, Visiting Lecturer in Law at University of São Paulo, Brazil, and Affiliate of King’s Brazil Institute, King’s College London, UK.Chris Garces is Research Professor of Anthropology at Universidad San Francisco de Quito, Ecuador, and Visiting Lecturer in Law at Universidad Andina Simón Bolivar, Ecuador.Luis Duno-Gottberg is Professor at Rice University, USA. He specializes in Caribbean culture, with emphasis on race and ethnicity, politics, violence, and visual culture.Andrés Antillano is Professor in Criminology at Universidad Central de Venezuela, Venezuala.