Maciej Górny - Böcker

This book presents the history of Poland through the lens of selected phenomena that demonstrate pan-European and global processes. It tells the story of feudalism, parliamentarism, nationalism and modernization, and explains how these processes emerged, developed or were implemented in Poland.The comparative method adopted here aims to study the links and transnational entanglements within the region on the basis that the optimal way of writing about a country in East Central Europe is to combine national history with a regional approach. Rather than relegating the themes of gender and diversity (cultural, ethnic, social and religious) to separate chapters, the authors aim to integrate these topics into all texts, informed by their knowledge, sources and empathy. Finally, this volume recounts both facts and the distorted paths taken by the memorialization of historic events. In doing so it seeks to answer the fundamental question: “How unique can a country’s history really be?”The volume will be useful both for beginning students and for advanced scholars who specialize in the history of Poland and the entire region of East-Central Europe to gain new information and interpretations on topics beyond their key areas of focus.

By the second half of the 1940s, newly conquered nations of Central and Eastern Europe were expected to adjust multiple professions, including those related to the historical sciences, to the Soviet model. However, Marxism, soon to become the only acceptable methodology, was no longer understood in the same way as in Bolshevik Russia. Its Soviet variation borrowed heavily from the tradition of Russian historiography and the Russian national tradition. The variations formulated in the satellite countries were also less likely to break away from existing traditions than to revise and re-evaluate them, along with the perspectives on Russia’s role in the history of Central and Eastern Europe.

This volume represents the first in a four-volume series, a daring project by CEU Press which presents the most important texts that triggered and shaped the processes of nation-building in the many countries of Central and Southeast Europe. The series brings together scholars from Austria, Albania, Bosnia-Herzegovina, Bulgaria, Croatia, the Czech Republic, Greece, Hungary, the Republic of Macedonia, Poland, Romania, Serbia and Montenegro, Slovakia, Slovenia and Turkey. The editors have created a new interpretative synthesis that challenges the self-centered and isolationist historical narratives and educational canons prevalent in the region, in the spirit of of coming to terms with the past. The main aim of the venture is to confront 'mainstream' and seemingly successful national discourses with each other, thus creating a space for analyzing those narratives of identity which became institutionalized as national canons. The series will broaden the field of possible comparisons of the respective national cultures.

67 texts, including hymns, manifestos, articles or extracts from lengthy studies exemplify the relation between Romanticism and the national movements in the cultural space ranging from Poland to the Ottoman Empire. Each text is accompanied by a presentation of the author, and by an analysis of the context in which the respective work was born.The end of the 18th century and first decades of the 19th were in many respects a watershed period in European history. The ideas of the Enlightenment and the dramatic convulsions of the French Revolution had shattered the old bonds and cast doubt upon the established moral and social norms of the old corporate society. In culture a new trend, Romanticism, was successfully asserting itself against Classicism and provided a new key for a growing number of activists to 're-imagine' their national community, reaching beyond the traditional frameworks of identification (such as the 'political nation', regional patriotism, or Christian universalism). The collection focuses on the interplay of Romantic cultural discourses and the shaping of national ideology throughout the 19th century, tracing the patterns of cultural transfer with Western Europe as well as the mimetic competition of national ideologies within the region.

This volume presents and illustrates the development of the ideologies of nation states, the modern successors of former empires. They exemplify the use modernist ideological framaeworks, from liberalism to socialism, in the context of the fundamental reconfiguration of the political system in this part of Europe between the 1860s and the 1930s. It also gives a panorama of the various solutions proposed for the national question in the region.

The last volume of the Discourses of Collective Identity in Central and Southeast Europe 1770–1945 series presents 46 texts under the heading of "antimodernism". In a dynamic relationship with modernism, from the 1880s to the 1940s, and especially during the interwar period, the antimodernist political discourse in the region offered complex ideological constructions of national identification. These texts rejected the linear vision of progress and instead offered alternative models of temporality, such as the cyclical one as well as various narratives of decline. This shift was closely connected to the rejection of liberal democratic institutionalism, and the preference for organicist models of social existence, emphasizing the role of the elites (and charismatic leaders) shaping the whole body politic. Along these lines, antimodernist authors also formulated alternative visions of symbolic geography: rejecting the symbolic hierarchies that focused on the normativity of Western European models, they stressed the cultural and political autarchy of their own national community, which in some cases was also coupled with the reevaluation of the Orient. At the same time, this antimodernist turn should not be confused with rightwing radicalism—in fact, the dialogue with the modernist tradition was often very subtle and the anthology also contains texts which offered a criticism of 'modern' totalitarianism in an antimodernist key.