Mark Z. Danielewski – författare

THE MIND-BENDING CULT CLASSIC ABOUT A HOUSE THAT’S LARGER ON THE INSIDE THAN ON THE OUTSIDE • A masterpiece of horror and an astonishingly immersive, maze-like reading experience that redefines the boundaries of a novel.''Simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious." —Michiko Kakutani, The New York Times  "Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent—it renders most other fiction meaningless." —Bret Easton Ellis, bestselling author of American Psycho “This demonically brilliant book is impossible to ignore.” —Jonathan Lethem, award-winning author of Motherless Brooklyn One of The Atlantic’s Great American Novels of the Past 100 YearsYears ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices, the story remains unchanged. Similarly, the cultural fascination with House of Leaves remains as fervent and as imaginative as ever. The novel has gone on to inspire doctorate-level courses and masters theses, cultural phenomena like the online urban legend of “the backrooms,” and incredible works of art in entirely unrealted mediums from music to video games. Neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of the impossibility of their new home, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

Discover the nightmarish tale of a house that is bigger on the inside than the outside that still inspires devotion among an army of fans... Experimental in terms of design, typography, structure and content, this is a fully immersive and novel reading experience you won't be able to forget. Perfect for fans of Twin Peaks, Black Mirror, Stranger Things and IT.'House of Leaves has continued to reward readers prepared to navigate its labyrinth, with a community of fans ready to support them if they ever get lost in the dark' - Guardian'At once a genuinely scary chiller, a satire on the business of criticism and a meditation on the way we read' - Observer'Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent' - BRET EASTON ELLISWHAT READERS ARE SAYING:'I've never read anything like it' - 5 STARS'Strange, highly addictive and slowly creepy' - 5 STARS'A book like no other' - 5 STARS'The creativity and originality is astonishing' - 5 STARS'Unreservedly recommended' - 5 STARS'Buy it, read it, and explore it' - 5 STARS********************************************************************************************A young couple - Pulitzer Prize-winning journalist Will Navidson and his partner Karen Green - move into a small home on Ash Tree Lane.But something is terribly wrong - their house is bigger on the inside than it is on the outside.Neither Will nor Karen are prepared to face the consequences of this impossibility.What happens next is loosely recorded on videotapes and interviews, leading to a compilation of the definitive work on the events on Ash Tree Lane, unveiling a thrilling and terrifying history.Loose sheets, stained napkins and crammed notebooks prove to be far more than the ramblings of a crazy old man . . .___________________Winner of the New York Public Library's Young Lions Fiction Award

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

*Special hardback edition with foil cover*The first-ever UK hardback publication of the cult horror classic, featuring a special embossed ‘maze’ case design and full-colour text. Get ready to (re)discover the terrifying, thrilling, and mind-expanding immersive classic horror that redefines the boundaries of a novel . . .'Phenomenal . . . thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent.' Bret Easton Ellis, author of American Psycho'A genuinely scary chiller, a satire on the business of criticism and a meditation on the way we read.' OBSERVER'I've never read anything like it' ***** Reader reviewA young couple - Pulitzer Prize-winning photojournalist Will Navidson and his partner Karen Green - move into a small house on Ash Tree Lane.It soon becomes clear that something is terribly wrong - their new home is bigger on the inside than it is on the outside . . .Neither Will nor Karen are prepared to face the consequences of this impossibility until the day their two small children wander off, and their voices eerily begin to tell another story - of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams and create nightmares.What happened next is loosely recorded on videotapes and in interviews, and impelled an eccentric old man to compile - on loose sheets of paper, stained napkins, crammed notebooks - a definitive account of what took place at Ash Tree Lane that seems to unveil a thrilling and terrifying history.Because these scraps prove to be far more than the deranged ramblings of a reclusive old man . . .Immensely imaginative. Impossible to put down. Impossible to forget. House of Leaves is thrilling, terrifying and unlike anything you have read before.Praise for House of Leaves:'Genuinely clever and learned, often funny, brilliantly constructed and surprisingly touching . . . a debut of scintillating intelligence and scope.' Mail on Sunday‘An astonishing book . . . buy it, read it, be scared. – SFX‘Intricate, erudite and deeply frightening.’ – Wall Street Journal‘A fascinatingly insane triumph.’ – Independent on Sunday‘Demonically brilliant’ - Jonathan Lethem, author of Motherless Brooklyn'Strange, highly addictive and slowly creepy' ***** Reader review‘Genuinely chilling… I can't recommend this book highly enough.’ ***** Reader review'The creativity and originality is astonishing' ***** Reader review