Mark Z. Danielewski – författare

THE MIND-BENDING CULT CLASSIC ABOUT A HOUSE THAT’S LARGER ON THE INSIDE THAN ON THE OUTSIDE • A masterpiece of horror and an astonishingly immersive, maze-like reading experience that redefines the boundaries of a novel.'Simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious." —Michiko Kakutani, The New York Times  "Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent—it renders most other fiction meaningless." —Bret Easton Ellis, bestselling author of American Psycho “This demonically brilliant book is impossible to ignore.” —Jonathan Lethem, award-winning author of Motherless Brooklyn One of The Atlantic’s Great American Novels of the Past 100 YearsYears ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices, the story remains unchanged. Similarly, the cultural fascination with House of Leaves remains as fervent and as imaginative as ever. The novel has gone on to inspire doctorate-level courses and masters theses, cultural phenomena like the online urban legend of “the backrooms,” and incredible works of art in entirely unrealted mediums from music to video games. Neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of the impossibility of their new home, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

THE MIND-BENDING CULT CLASSIC ABOUT A HOUSE THAT’S LARGER ON THE INSIDE THAN ON THE OUTSIDE • A masterpiece of horror and an astonishingly immersive, maze-like reading experience that redefines the boundaries of a novel.''Simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious." —Michiko Kakutani, The New York Times  "Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent—it renders most other fiction meaningless." —Bret Easton Ellis, bestselling author of American Psycho “This demonically brilliant book is impossible to ignore.” —Jonathan Lethem, award-winning author of Motherless Brooklyn One of The Atlantic’s Great American Novels of the Past 100 YearsYears ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices, the story remains unchanged. Similarly, the cultural fascination with House of Leaves remains as fervent and as imaginative as ever. The novel has gone on to inspire doctorate-level courses and masters theses, cultural phenomena like the online urban legend of “the backrooms,” and incredible works of art in entirely unrealted mediums from music to video games. Neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of the impossibility of their new home, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

NEW YORK TIMES BESTSELLER • From the bestselling author of House of Leaves comes a magisterial novel about two friends determined to rescue a pair of horses set for slaughter.A BEST BOOK OF THE YEAR: The Washington Post, The Boston Globe, Vulture, and Library Journal“This is an amazing work of fiction. I absolutely loved it. At the heart you’ll find a blood-drenched story of pursuit and two brave and resourceful children. But there’s so much more. I immersed myself. Have never read anything like it.” —Stephen KingHard to figure how so much awful horror could've started out with just them two horses and not a one yet named...While folks still like to focus on the crimes that shocked the small city of Orvop, Utah, back in the fall of 1982, not to mention the trials that followed, far more remember the adventure that took place beyond municipal lines.For sure no one expected the dead to rise, but they did. No one expected the mountain to fall either, but it did. No one expected an act of courage so great, and likewise so appalling, that it still staggers the heart and mind of anyone who knows anything about the Katanogos massif, to say nothing of Pillars Meadow. As one Orvop high school teacher described that extraordinary feat just days before she died, Fer sure no one expected Kalin March to look Old Porch in the eye and tell him: You get what you deserve when you ride with cowards.

Discover the nightmarish tale of a house that is bigger on the inside than the outside that still inspires devotion among an army of fans... Experimental in terms of design, typography, structure and content, this is a fully immersive and novel reading experience you won't be able to forget. Perfect for fans of Twin Peaks, Black Mirror, Stranger Things and IT.'House of Leaves has continued to reward readers prepared to navigate its labyrinth, with a community of fans ready to support them if they ever get lost in the dark' - Guardian'At once a genuinely scary chiller, a satire on the business of criticism and a meditation on the way we read' - Observer'Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent' - BRET EASTON ELLISWHAT READERS ARE SAYING:'I've never read anything like it' - 5 STARS'Strange, highly addictive and slowly creepy' - 5 STARS'A book like no other' - 5 STARS'The creativity and originality is astonishing' - 5 STARS'Unreservedly recommended' - 5 STARS'Buy it, read it, and explore it' - 5 STARS********************************************************************************************A young couple - Pulitzer Prize-winning journalist Will Navidson and his partner Karen Green - move into a small home on Ash Tree Lane.But something is terribly wrong - their house is bigger on the inside than it is on the outside.Neither Will nor Karen are prepared to face the consequences of this impossibility.What happens next is loosely recorded on videotapes and interviews, leading to a compilation of the definitive work on the events on Ash Tree Lane, unveiling a thrilling and terrifying history.Loose sheets, stained napkins and crammed notebooks prove to be far more than the ramblings of a crazy old man . . .___________________Winner of the New York Public Library's Young Lions Fiction Award

*Special hardback edition with foil cover*The first-ever UK hardback publication of the cult horror classic, featuring a special embossed ‘maze’ case design and full-colour text. Get ready to (re)discover the terrifying, thrilling, and mind-expanding immersive classic horror that redefines the boundaries of a novel . . .'Phenomenal . . . thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent.' Bret Easton Ellis, author of American Psycho'A genuinely scary chiller, a satire on the business of criticism and a meditation on the way we read.' OBSERVER'I've never read anything like it' ***** Reader reviewA young couple - Pulitzer Prize-winning photojournalist Will Navidson and his partner Karen Green - move into a small house on Ash Tree Lane.It soon becomes clear that something is terribly wrong - their new home is bigger on the inside than it is on the outside . . .Neither Will nor Karen are prepared to face the consequences of this impossibility until the day their two small children wander off, and their voices eerily begin to tell another story - of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams and create nightmares.What happened next is loosely recorded on videotapes and in interviews, and impelled an eccentric old man to compile - on loose sheets of paper, stained napkins, crammed notebooks - a definitive account of what took place at Ash Tree Lane that seems to unveil a thrilling and terrifying history.Because these scraps prove to be far more than the deranged ramblings of a reclusive old man . . .Immensely imaginative. Impossible to put down. Impossible to forget. House of Leaves is thrilling, terrifying and unlike anything you have read before.Praise for House of Leaves:'Genuinely clever and learned, often funny, brilliantly constructed and surprisingly touching . . . a debut of scintillating intelligence and scope.' Mail on Sunday‘An astonishing book . . . buy it, read it, be scared. – SFX‘Intricate, erudite and deeply frightening.’ – Wall Street Journal‘A fascinatingly insane triumph.’ – Independent on Sunday‘Demonically brilliant’ - Jonathan Lethem, author of Motherless Brooklyn'Strange, highly addictive and slowly creepy' ***** Reader review‘Genuinely chilling… I can't recommend this book highly enough.’ ***** Reader review'The creativity and originality is astonishing' ***** Reader review

Between 1982 and 1989, Pelafina H. Lièvre sent her son, Johnny Truant, a series of letters from The Three Attic Whalestoe Institute, a psychiatric facility in Ohio where she spent the final years of her life. Beautiful, heartfelt, and tragic, this correspondence reveals the powerful and deeply moving relationship between a brilliant though mentally ill mother and the precocious, gifted young son she never ceases to love.Originally contained within the monumental House of Leaves, this collection stands alone as a stunning portrait of mother and child. It is presented here along with a foreword by Walden D. Wyhrta and eleven previously unavailable letters.

The Familiar Volume 1 Wherein the cat is found . . . The Familiar Volume 2 Wherein the cat is hungry . . .The Familiar Volume 3 Wherein the cat is blind . . .Released for the summer from the perils of school, Xanther and her nameless cat are settling into a comfortable routine at home. However, the rest of the Ibrahim family is growing more and more unsettled. Astair fears their stretched finances are already at a breaking point. Not even a visit from an old friend can mitigate Anwar’s feeling that he’s failing to support those he loves and that even worse things are to come. The twins, Freya and Shasti, sense something too and blame their older sister. Honeysuckles haunt the air and smell of offerings . . . Meanwhile, Cas and Bobby’s survival may depend on facing the one person they fear most. And on the other side of the world, Jingjing and Tian Li set out to find what was lost: their missing cat. With spectacular visuals and the vibrant wordplay that are his trademark, The Familiar (Volume 3) is a beautiful and singular reading experience that could come only from the imagination of Mark Z. Danielewski.THE FAMILIAR  continuesThe Familiar Volume 4 Wherein the cat is toothless . . . The Familiar Volume 5 Wherein the cat is named . . .

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.