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485 kr
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Power in medieval society has traditionally been ascribed to figures of public authority—violent knights and conflicting sovereigns who altered the surface of civic life through the exercise of law and force. The wives and consorts of these powerful men have generally been viewed as decorative attendants, while common women were presumed to have had no power or consequence.Reassessing the conventional definition of power that has shaped such portrayals, Women and Power in the Middle Ages reveals the varied manifestations of female power in the medieval household and community—from the cultural power wielded by the wives of Venetian patriarchs to the economic power of English peasant women and the religious power of female saints. Among the specific topics addresses are Griselda's manipulation of silence as power in Chaucer's "The Clerk's Tale"; the extensive networks of influence devised by Lady Honor Lisle; and the role of medieval women book owners as arbiters of lay piety and ambassadors of culture. In every case, the essays seek to transcend simple polarities of public and private, male and female, in order to provide a more realistic analysis of the workings of power in feudal society.
391 kr
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Robert Copland (fl. 1505-1546) had a long career as a poet, translator, and printer, and his achievements were substantial. As a printer, he worked for and with Wynkyn de Worde, and his editions look back to the work of Caxton, de Worde's master, and forward, through the work of his successor William Copland, to the Elizabethan period. As a translator, he worked at a time when foreign languages were becoming increasingly necessary to the average Englishman. John Berdan calls Copland one of the main channels of French influence in England during this period.This book makes available the lively poetry of a pre-Renaissance world. In includes lyl of Braintfords Testament, a bequest of farts poem indebted to Chaucer's Summoner's Tale; The Seuen Sorowes That Women Haue When Theyr Husbandes Be Deade, in which conventional misogynist satire moves into psychological complexity; and Copland's most important work, The Hye Way to the Spyttell Hous, an account of vagabond life outside the law in which thieves' cant first sees print. All Copland's work displays a singularly personal quality: as H.R. Plomer says, 'The voice of Robert Copland imparts life to the faint outline that we have of him.'Additional information is contained in the biographical material and notes and glossary. This is a valuable contribution to social history and will be of special interest to those concerned with the early history of English printing.