McComas Taylor – författare

The thousand-year-old Sanskrit classic the Bhagavatapurana, or "Stories of the Lord," is the foundational source of narratives concerning the beloved Hindu deity Krishna. For centuries pious individuals, families, and community groups have engaged specialist scholar-orators to give week-long oral performances based on this text. Seated on a dais in front of the audience, the orator intones selected Sanskrit verses from the text and narrates the story of Krishna in the local language. These sacred performances are thought to bring blessings and good fortune to those who sponsor, perform, or attend them. Devotees believe that the narratives of Krishna are like the nectar of immortality for those who can appreciate them.In recent years, these events have grown in number, scale, and popularity. Once confined to private homes or temple spaces, contemporary performances now fill vast public arenas, such as sports stadiums, and attract live audiences in the tens of thousands while being simulcast around the world. In Seven Days of Nectar, McComas Taylor uncovers the factors that contribute to the explosive growth of this tradition. He explores these events through the lens of performance theory, integrating the text with the intersecting worlds of sponsors, exponents and audiences.This innovative approach, which draws on close textual reading, philology, and ethnography, casts new light on the ways in which narratives are experienced as authentic and transformative, and more broadly, how texts shape societies.

Contemporary critical theory is brought to the consideration of caste in the Pañcatantra, one of the best-known cycles of Indian tales.Every child growing up in India knows the story of the jackal who fell into the vat of blue dye, and discovering the power of his majestic new appearance, declared himself king of the forest. In spite of his pretenses, the jackal, eventually betrayed by his own instincts, was set upon by the other animals. This and many similar narratives are found in the Pañcatantra, the collection of Sanskrit tales for children compiled by a Jaina monk named Pūrṇabhadra in 1199 CE.In this book, McComas Taylor looks at the discourses that give shape and structure to the fall of the indigo jackal and the other tales within the Pañcatantra. The work's fictional metasociety of animals, kings, and laundrymen are divided according to their jāti, or "kind." This discourse of caste holds that individuals' essential natures, statuses, and social circles are all determined by their birth. Taylor applies contemporary critical theory developed by Foucault, Bourdieu, Barthes, and others to show how these ideas are related to other Sanskritic master-texts, and describes the "regime of truth" that provides validation for the discourse of division.

Contemporary critical theory is brought to the consideration of caste in the Pañcatantra, one of the best-known cycles of Indian tales.Every child growing up in India knows the story of the jackal who fell into the vat of blue dye, and discovering the power of his majestic new appearance, declared himself king of the forest. In spite of his pretenses, the jackal, eventually betrayed by his own instincts, was set upon by the other animals. This and many similar narratives are found in the Pañcatantra, the collection of Sanskrit tales for children compiled by a Jaina monk named Pūrṇabhadra in 1199 CE.In this book, McComas Taylor looks at the discourses that give shape and structure to the fall of the indigo jackal and the other tales within the Pañcatantra. The work's fictional metasociety of animals, kings, and laundrymen are divided according to their jāti, or "kind." This discourse of caste holds that individuals' essential natures, statuses, and social circles are all determined by their birth. Taylor applies contemporary critical theory developed by Foucault, Bourdieu, Barthes, and others to show how these ideas are related to other Sanskritic master-texts, and describes the "regime of truth" that provides validation for the discourse of division.