Michiel van Groesen – författare

In 1624 the Dutch West India Company established the colony of Brazil. Only thirty years later, the Dutch Republic handed over the colony to Portugal, never to return to the South Atlantic. Because Dutch Brazil was the first sustained Protestant colony in Iberian America, the events there became major news in early modern Europe and shaped a lively print culture.In Amsterdam's Atlantic, historian Michiel van Groesen shows how the rise and tumultuous fall of Dutch Brazil marked the emergence of a "public Atlantic" centered around Holland's capital city. Amsterdam served as Europe's main hub for news from the Atlantic world, and breaking reports out of Brazil generated great excitement in the city, which reverberated throughout the continent. Initially, the flow of information was successfully managed by the directors of the West India Company. However, when Portuguese sugar planters revolted against the Dutch regime, and tales of corruption among leading administrators in Brazil emerged, they lost their hold on the media landscape, and reports traveled more freely. Fueled by the powerful local print media, popular discussions about Brazil became so bitter that the Amsterdam authorities ultimately withdrew their support for the colony.The self-inflicted demise of Dutch Brazil has been regarded as an anomaly during an otherwise remarkably liberal period in Dutch history, and consequently generations of historians have neglected its significance. Amsterdam's Atlantic puts Dutch Brazil back on the front pages and argues that the way the Amsterdam media constructed Atlantic events was a key element in the transformation of public opinion in Europe.

In 1624 the Dutch West India Company established the colony of Brazil. Only thirty years later, the Dutch Republic handed over the colony to Portugal, never to return to the South Atlantic. Because Dutch Brazil was the first sustained Protestant colony in Iberian America, the events there became major news in early modern Europe and shaped a lively print culture.In Amsterdam's Atlantic, historian Michiel van Groesen shows how the rise and tumultuous fall of Dutch Brazil marked the emergence of a "public Atlantic" centered around Holland's capital city. Amsterdam served as Europe's main hub for news from the Atlantic world, and breaking reports out of Brazil generated great excitement in the city, which reverberated throughout the continent. Initially, the flow of information was successfully managed by the directors of the West India Company. However, when Portuguese sugar planters revolted against the Dutch regime, and tales of corruption among leading administrators in Brazil emerged, they lost their hold on the media landscape, and reports traveled more freely. Fueled by the powerful local print media, popular discussions about Brazil became so bitter that the Amsterdam authorities ultimately withdrew their support for the colony.The self-inflicted demise of Dutch Brazil has been regarded as an anomaly during an otherwise remarkably liberal period in Dutch history, and consequently generations of historians have neglected its significance. Amsterdam's Atlantic puts Dutch Brazil back on the front pages and argues that the way the Amsterdam media constructed Atlantic events was a key element in the transformation of public opinion in Europe.

Information and knowledge were essential tools of early modern Europe’s global ambitions. This volume addresses a key concern that emerged as the competition for geopolitical influence increased: how could information from afar be trusted when there was no obvious strategy for verification? How did notions of doubt develop in relation to intercultural encounters? Who were those in the position to use misinformation in their favour, and how did this affect trust? How, in other words, did distance affect credibility, and which intellectual and epistemological strategies did early modern Europe devise to cope with this problem?The movement of information, and its transformations in the process of gathering, ordering, and disseminating, makes it necessary to employ both a global and a local perspective in order to understand its significance. The rise of print, leading to various new forms of mediation, played a crucial role everywhere, inspiring theories of modernization in which media served as agents of new connections and, eventually, of globalization. Paradoxically, during the entire period between 1500 and 1800, the demise of distance through various strategies of verification coincided with constructions of otherness that emphasized the cultural and geographical difference between Europe and the worlds it encountered.Ten leading scholars of the early modern world address the relationship between distance, information, and credibility from a variety of perspectives. This volume will be an essential companion to those interested in the history of knowledge and early modern encounters, as well as specialists in the history of empire and print culture.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Information and knowledge were essential tools of early modern Europe’s global ambitions. This volume addresses a key concern that emerged as the competition for geopolitical influence increased: how could information from afar be trusted when there was no obvious strategy for verification? How did notions of doubt develop in relation to intercultural encounters? Who were those in the position to use misinformation in their favour, and how did this affect trust? How, in other words, did distance affect credibility, and which intellectual and epistemological strategies did early modern Europe devise to cope with this problem?The movement of information, and its transformations in the process of gathering, ordering, and disseminating, makes it necessary to employ both a global and a local perspective in order to understand its significance. The rise of print, leading to various new forms of mediation, played a crucial role everywhere, inspiring theories of modernization in which media served as agents of new connections and, eventually, of globalization. Paradoxically, during the entire period between 1500 and 1800, the demise of distance through various strategies of verification coincided with constructions of otherness that emphasized the cultural and geographical difference between Europe and the worlds it encountered.Ten leading scholars of the early modern world address the relationship between distance, information, and credibility from a variety of perspectives. This volume will be an essential companion to those interested in the history of knowledge and early modern encounters, as well as specialists in the history of empire and print culture.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

This book argues that Dutch Brazil (1624-54) is an integral part of Atlantic history and that it made an impact well beyond colonial and national narratives in the Netherlands and Brazil. In doing so, this book proposes a radical shift in interpretation. The Dutch Atlantic is widely perceived as an incongruity among more durable European empires, whereas Brazil occupies an exceptional place in the history of Latin America, which leads to a view of Dutch Brazil as self-contained and historically isolated. The Legacy of Dutch Brazil shows that repercussions of the Dutch infiltration in the Southern Hemisphere resonated across the Atlantic Basin and remained long after the fall of the colony. By examining its regional, national, and cosmopolitan legacies, thirteen authors trace the memories and mythologies of Dutch Brazil from the colonial period up until the present day and engage in broader debates on geopolitical and cultural changes at the crossroads of Atlantic and Latin American studies.

Across the early modern Atlantic world, there were commodities just as valuable as sugar, tobacco or cotton: news and information. However, crossing an ocean beset by wars, pirates and bad weather made transoceanic communications irregular at best, posing significant challenges to the weekly European news cycle. With infrequent access to information, publishers had to navigate between speculation and confirmation, printing everything they could without losing credibility or customers. Michiel van Groesen explores this 'culture of anticipation' across the Atlantic world in Spain, Portugal, France, the Low Countries and England and also in the urban information centres of Renaissance Italy and the Holy Roman Empire. He argues that news from the Atlantic world underpinned all transatlantic exchanges, giving newspapers their rightful place in Atlantic history, and the Atlantic world its place in the history of news.

When Flemish engraver and publisher Theodore de Bry issued the first volume of his America series in 1590, the New World was, for most Europeans, truly novel. Gleaned from the travel accounts of adventurers like Thomas Harriot, Sir Francis Drake, and Sir Walter Raleigh, De Bry’s magnificent engravings brought the new continent and its inhabitants to an enraptured audience across the Atlantic.From “Virginia” (today’s North Carolina) and Florida through Central America and down into Patagonia, the first nine volumes of America depict scenery and encounters between native Americans and Europeans, revealing the latter’s perceptions of the former. Portrayals of European discovery and native American customs were based on the explorers’ reports as well as De Bry’s own imagination, he himself never having traveled to the New World. Although based in Frankfurt, De Bry laid the foundations of the series while in London, collaborating with artists John White and Jacques Le Moyne, whose original watercolors he adapted for the opening two volumes. With his sons, De Bry formed a family enterprise known for exquisite copper engravings and high-quality illustrations unrivaled in their mastery.The legacy of America is profound, coloring Europe’s earliest visions of the Atlantic world. Countless European illustrations would, throughout the following centuries, draw inspiration from the spectacular collection. TASCHEN’s edition pays homage to De Bry’s finesse, reprinting all 218 plates from the first nine volumes alongside their respective frontispieces and continental maps. Volumes I to VI are based on the original hand-colored editions held at the John Hay and John Carter Brown Libraries at Brown University in Providence; volumes VII to IX are from the Staats- und Stadtbibliothek in Augsburg, Germany.Exceptionally rare even at the time of their completion, De Bry’s hand-colored America can finally be admired by all.

When Flemish engraver and publisher Theodore de Bry issued the first volume of his America series in 1590, the New World was truly novel for most Europeans. Gleaned from the travel accounts of adventurers like Thomas Harriot, Sir Francis Drake, and Sir Walter Raleigh, De Bry’s magnificent engravings brought the new continent and its inhabitants to an enraptured audience across the Atlantic.From “Virginia” (today’s North Carolina) and Florida to Central America and down into Patagonia, the first nine volumes of America depict scenery and encounters between Native Americans and Europeans, revealing the latter’s perceptions of the former. Portrayals of European discovery and Native American customs were based on the explorers’ reports as well as De Bry’s own imagination – he himself never traveled to the New World. Although based in Frankfurt, De Bry laid the foundations of the series while in London, collaborating with artists John White and Jacques Le Moyne, whose original watercolors he adapted for the opening two volumes. With his sons, De Bry formed a family enterprise known for exquisite copper engravings and high-quality illustrations unrivaled in their mastery.The legacy of America is profound, coloring Europe’s earliest visions of the Atlantic world. Throughout the following centuries, countless European illustrations would draw inspiration from the spectacular collection. TASCHEN’s edition pays homage to De Bry’s finesse, reprinting all 218 plates from the first nine volumes alongside their respective frontispieces and continental maps. Volumes I to VI are based on the original hand-colored editions held at the John Hay and John Carter Brown Libraries at Brown University in Providence; volumes VII to IX are from the Staats- und Stadtbibliothek in Augsburg, Germany.Exceptionally rare even at the time of completion, De Bry’s hand-colored America can finally be admired by all.

This book deals with the De Bry collection of voyages, one of the most monumental publications of Early Modern Europe. It analyzes the textual and iconographic changes the De Bry publishing family made to travel accounts describing Asia, Africa and the New World. It discusses this editorial strategy in the context of the publishing industry around 1600, investigating the biography of the De Brys, the publications of the Frankfurt firm, and the making of the collection, as well as its reception by Iberian inquisitors and seventeenth-century readers across the Old World. The book draws on a wide variety of primary sources, and is hence important for historians, book historians, and art historians interested in the development of Europe's overseas empires.Originally published in hardcover.