Larry E. Tise – författare

These essays pose new questions concerning the social and political origins of the Revolution in the South, the social disorder indiced by the war, and the impact of the conflict and its ideologies on blacks and women. Contributors are: Pauline Maier, Robert M. Weir, Jack P. Greene, Marvin L. Michale Kay, Lorin Lee Cary, John Shy, Clyde R. Ferguson, Mary Beth Norton, Michael Mullin, and Peter H. Wood.Originally published in 1978.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Writing North Carolina History is the first book to assess fully the historical literature of North Carolina. It combines the talents and insights of eight noted scholars of state and southern history: William S. Powell, Alan D. Watson, Robert M. Calhoon, Harry L. Watson, Sarah M. Lemmon, and H. G. Jones. Their essays are arranged in chronological order from the founding of the first English colony in North America in 1585 to the present.Traditionally North Carolina has not received the same scholarly attention as Virginia and South Carolina, despite the excellent resources available on Tar Heel history. This study, derived from a symposium sponsored by the North Carolina Division of Archives and History in 1977, asks questions and describes methodologies needed to redress past neglect. Besides providing a comprehensive evaluation of what has been written about North Carolina, the essayists offer perspectives on how historians have interpreted the state's history and what directions future historians need to take. Particularly important, the book provides a bibliography and suggests opportunities for future historical investigation by discussing topics, themes, and source materials that remain untapped or underused.North Carolina's unique and colorful culture, folklore, geography, politics, and growth demand new and creative historical analysis. Collectively the authors and editors of Writing North Carolina History offer a welcome, necessary guide to the study of Tar Heel history.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Probing at the very core of the American political consciousness from the colonial period through the early republic, this thorough and unprecedented study by Larry E. Tise suggests that American proslavery thought, far from being an invention of the slave-holding South, had its origins in the crucible of conservative New England.Proslavery rhetoric, Tise shows, came late to the South, where the heritage of Jefferson's ideals was strongest and where, as late as the 1830s, most slaveowners would have agreed that slavery was an evil to be removed as soon as possible. When the rhetoric did come, it was often in the portmanteau of ministers who moved south from New England, and it arrived as part of a full-blown ideology. When the South finally did embrace proslavery, the region was placed not at the periphery of American thought but in its mainstream.

Probing at the very core of the American political consciousness from the colonial period through the early republic, this thorough and unprecedented study by Larry E. Tise suggests that American proslavery thought, far from being an invention of the slave-holding South, had its origins in the crucible of conservative New England.Proslavery rhetoric, Tise shows, came late to the South, where the heritage of Jefferson's ideals was strongest and where, as late as the 1830s, most slaveowners would have agreed that slavery was an evil to be removed as soon as possible. When the rhetoric did come, it was often in the portmanteau of ministers who moved south from New England, and it arrived as part of a full-blown ideology. When the South finally did embrace proslavery, the region was placed not at the periphery of American thought but in its mainstream.

New Voyages to North Carolina offers a bold new approach for understanding and telling North Carolina's history. Recognizing the need for such a fresh approach and reflecting a generation of recent scholarship, eighteen distinguished authors have sculpted a broad, inclusive narrative of the state's evolution over more than four centuries. The volume provides new lenses and provocative possibilities for reimagining the state's past. Transcending traditional markers of wars and elections, the contributors map out a new chronology encompassing geological realities; the unappreciated presence of Indians, blacks, and women; religious and cultural influences; and abiding preferences for industrial development within the limits of ""progressive"" politics. While challenging traditional story lines, the authors frame a candid tale of the state's development. Contributors include Dorothea V. Ames, Karl E. Campbell, James C. Cobb, Peter A. Coclanis, Stephen Feeley, Jerry Gershenhorn, Glenda Elizabeth Gilmore, Patrick Huber, Charles F. Irons, David Moore, Michael Leroy Oberg, Stanley R. Riggs, Richard D. Starnes, Carole Watterson Troxler, Bradford J. Wood, and Karin Zipf.

New Voyages to North Carolina offers a bold new approach for understanding and telling North Carolina's history. Recognizing the need for such a fresh approach and reflecting a generation of recent scholarship, eighteen distinguished authors have sculpted a broad, inclusive narrative of the state's evolution over more than four centuries. The volume provides new lenses and provocative possibilities for reimagining the state's past. Transcending traditional markers of wars and elections, the contributors map out a new chronology encompassing geological realities; the unappreciated presence of Indians, blacks, and women; religious and cultural influences; and abiding preferences for industrial development within the limits of ""progressive"" politics. While challenging traditional story lines, the authors frame a candid tale of the state's development. Contributors include Dorothea V. Ames, Karl E. Campbell, James C. Cobb, Peter A. Coclanis, Stephen Feeley, Jerry Gershenhorn, Glenda Elizabeth Gilmore, Patrick Huber, Charles F. Irons, David Moore, Michael Leroy Oberg, Stanley R. Riggs, Richard D. Starnes, Carole Watterson Troxler, Bradford J. Wood, and Karin Zipf.

When Flemish engraver and publisher Theodore de Bry issued the first volume of his America series in 1590, the New World was, for most Europeans, truly novel. Gleaned from the travel accounts of adventurers like Thomas Harriot, Sir Francis Drake, and Sir Walter Raleigh, De Bry’s magnificent engravings brought the new continent and its inhabitants to an enraptured audience across the Atlantic.From “Virginia” (today’s North Carolina) and Florida through Central America and down into Patagonia, the first nine volumes of America depict scenery and encounters between native Americans and Europeans, revealing the latter’s perceptions of the former. Portrayals of European discovery and native American customs were based on the explorers’ reports as well as De Bry’s own imagination, he himself never having traveled to the New World. Although based in Frankfurt, De Bry laid the foundations of the series while in London, collaborating with artists John White and Jacques Le Moyne, whose original watercolors he adapted for the opening two volumes. With his sons, De Bry formed a family enterprise known for exquisite copper engravings and high-quality illustrations unrivaled in their mastery.The legacy of America is profound, coloring Europe’s earliest visions of the Atlantic world. Countless European illustrations would, throughout the following centuries, draw inspiration from the spectacular collection. TASCHEN’s edition pays homage to De Bry’s finesse, reprinting all 218 plates from the first nine volumes alongside their respective frontispieces and continental maps. Volumes I to VI are based on the original hand-colored editions held at the John Hay and John Carter Brown Libraries at Brown University in Providence; volumes VII to IX are from the Staats- und Stadtbibliothek in Augsburg, Germany.Exceptionally rare even at the time of their completion, De Bry’s hand-colored America can finally be admired by all.