Nathan Waddell - Böcker

How and why did the life and music of Ludwig van Beethoven (1770-1827) matter to experimental writers in the early twentieth century? Previous answers to this question have tended to focus on structural analogies between musical works and literary texts, charting the many different ways in which poetry and prose resemble Beethoven's compositions. This book takes a different approach. It focuses on how early twentieth-century writers--chief among them E. M. Forster, Aldous Huxley, Wyndham Lewis, Dorothy Richardson, Rebecca West, and Virginia Woolf--profited from the representational conventions associated in the nineteenth century and beyond with Beethovenian culture. The emphasis of Moonlighting falls for the most part on how modernist writers made use of Beethovenian legend. It is concerned neither with formal similarities between Beethoven's music and modernist writing nor with the music of Beethoven per se, but with certain ways of understanding Beethoven's music which had long before 1900 taken shape as habit, myth, cliché, and fantasy, and with the influence they had on experimental writing up to 1930. Moonlighting suggests that the modernists drew knowingly and creatively on the conventional. It proposes that many of the most experimental works of modernist literature were shaped by a knowing reliance on Beethovenian consensus; in short, that the literary modernists knew Beethovenian legend when they saw it, and that they were eager to use it.

'The face was quite unfamiliar to her, and yet not strange. She had not known till this moment what face to expect'.A Clergyman's Daughter is George Orwell's least well-known, most unappreciated novel. Drawing on his experiences as a hop-picker, teacher, and urban vagrant, it tells the peculiar story of Dorothy Hare, the daughter of the Rector of St Athelstan's in the fictional town of Knype Hill. Unacknowledged by her absent-minded father and gossiped about by his rheumatic parishioners, Dorothy is suddenly and traumatically catapulted into the unknown. She wakes up in London, her memory temporarily gone; travels to the Kentish countryside; spends a night in Trafalgar Square; works for the authoritarian schoolteacher Mrs Creevy; and then journeys back to her old, limited life. A novel about loss and return, A Clergyman's Daughter charts the course of a young woman's voyage out and circular homecoming.In his introduction to the novel, Nathan Waddell lays out the fantastical elements and socio-political dimensions of A Clergyman's Daughter and examines how it drew inspiration from James Joyce's epic modernist novel Ulysses, a book Orwell deeply admired.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Oxford Handbook of George Orwell offers a wide-ranging reconsideration of Orwell's life and work, focusing on the extensive connections between his novels, essays, diaries, columns, letters, and reviews. Accessible to general readers and to established scholars alike, forty-eight chapters written by an international team of Orwell specialists address familiar topics-such as Orwell's journalism, broadcasting, literary criticism, and politics-as well as less well-trodden areas of his output, such as his accounts of stupidity, kindness, and justice, and his connections with contemporaries like Jack Common, Katharine Burdekin, Wyndham Lewis, and Victor Serge. Sections on Orwell's professional activities, his main literary influences, his politics, his intellectual fixations, his literary contemporaries, and his legacies structure the book, which moves thematically and topically through the full scope of his output. The first section looks at how Orwell spent his time as a writer, reader, and broadcaster. Chapters on writers from Shakespeare to the modernists investigate the determinants of Orwell's literary practice. The book then turns to a set of political contexts in which Orwell's writing can be understood. The 'Fixations' section covers the familiar, such as Orwell's account of Englishness, and the unfamiliar, such as his account of the absurd. The fifth section relates Orwell to several politically minded contemporaries, tracing connections and differences between their writing. The final section of the Handbook reflects on how Orwell sounds through several literary and socio-political legacies, and includes innovative considerations of feminism, Afrofuturism, and queer speculative fiction.

The first guide to the work of Wyndham Lewis as writer, novelist, and criticWyndham Lewis (1882-1957) was one of the most innovative writers and painters of his time. An indefatigable critic of ideology, politics, and culture, Lewis was also one of modernism’s key creative artists and a unique twentieth-century thinker. This book offers a scholarly companion to his written work. It features dedicated chapters on such novels as Tarr (1918), The Apes of God (1930), The Revenge for Love (1937), The Human Age sequence (1928-55), and Self Condemned (1954). Also included are chapters on Lewis’s pre-war writing, cultural criticism, politics, satire, and reputation and legacy. Other chapters consider such varied topics as Vorticism and avant-gardism, war, race and gender, technology and mass media, and modernism. Wyndham Lewis: A Critical Guide is essential reading for scholars working on Lewis, modernism, and twentieth-century socio-cultural history.Key Features* Provides a clear overview of Lewis’s literary, critical and non-fictional achievements* Explores Lewis’s most important novels in individual chapters* Expert contributors include: Faith Binckes (Bath Spa University), David Bradshaw (University of Oxford), Paul Edwards (University of East Anglia), Ann-Marie Einhaus (Northumbria University), Miranda Hickman (McGill University), Scott W. Klein (Wake Forest University), Ian Patterson (University of Cambridge), and Alan Munton (University of Exeter)Andrzej Gąsiorek is a Professor of English Literature at the University of Birmingham.Nathan Waddell is an Assistant Professor of Literary Modernism at the University of Nottingham

A pioneering biography of George Orwell told through moments of everyday life'A clever, offbeat history of mid-century Britain through George Orwell’s eyes.' Helen LewisWhen we think about Orwell, we imagine an angular, moustachioed sceptic crouched over a typewriter, who – between puffs on his cigarette – composes effortless streams of prose, unadorned but explosive. We see a man with ‘Important Things to Say’ about: the slow creep of authoritarianism; the consequences of all-seeing tech; the fragility of truth.Much less often do we see him as a person caught up in the business of everyday life. And yet Orwell’s work thrums with the quotidian: the smell of boiled cabbage, the chill of an unheated flat in early spring, the rumbling of old pipes.A Bright Cold Day reveals how the principles that govern us begin in the mundane. From waking and showering to breakfast, work, lunch, the pub, sleep and dreaming, Orwell was never dulled to the routines of living. And in the details of the day, we can understand how power, money, freedom and choice play out, not just for Orwell’s literary characters, but for us all.***'An astute and intimate portrait of George Orwell.' Dorian Lynskey, author of The Ministry of Truth'Beautifully written... urgent and compelling.' Emma Smith, author of Portable Magic

A pioneering biography of George Orwell told through moments of everyday life'A clever, offbeat history of mid-century Britain through George Orwell’s eyes.' Helen LewisWhen we think about Orwell, we imagine an angular, moustachioed sceptic crouched over a typewriter, who – between puffs on his cigarette – composes effortless streams of prose, unadorned but explosive. We see a man with ‘Important Things to Say’ about: the slow creep of authoritarianism; the consequences of all-seeing tech; the fragility of truth.Much less often do we see him as a person caught up in the business of everyday life. And yet Orwell’s work thrums with the quotidian: the smell of boiled cabbage, the chill of an unheated flat in early spring, the rumbling of old pipes.A Bright Cold Day reveals how the principles that govern us begin in the mundane. From waking and showering to breakfast, work, lunch, the pub, sleep and dreaming, Orwell was never dulled to the routines of living. And in the details of the day, we can understand how power, money, freedom and choice play out, not just for Orwell’s literary characters, but for us all.***'An astute and intimate portrait of George Orwell.' Dorian Lynskey, author of The Ministry of Truth'Beautifully written... urgent and compelling.' Emma Smith, author of Portable Magic

George Orwell's Nineteen Eighty-Four (1949) remains a book of the moment. This Companion builds on successive waves of generational inheritance and debate in the novel's reception by asking new questions about how and why Nineteen Eighty-Four was written, what it means, and why it matters. Chapters on a selection of the novel's interpretative contexts, the literary histories from which it is inseparable, the urgent questions it raises, and the impact it has had on other kinds of media, ranging from radio to video games, open up the conversation in an expansive way. Established concerns (e.g. Orwell's attitude to the working class, his anxieties about the socio-political compartmentalization of the post-war world) are presented alongside newer ones (e.g. his views on evil, and the influence of Nineteen Eighty-Four on comics). Individual essays help us see in new ways how Orwell's most famous work continues to be a novel for our times.

George Orwell's Nineteen Eighty-Four (1949) remains a book of the moment. This Companion builds on successive waves of generational inheritance and debate in the novel's reception by asking new questions about how and why Nineteen Eighty-Four was written, what it means, and why it matters. Chapters on a selection of the novel's interpretative contexts, the literary histories from which it is inseparable, the urgent questions it raises, and the impact it has had on other kinds of media, ranging from radio to video games, open up the conversation in an expansive way. Established concerns (e.g. Orwell's attitude to the working class, his anxieties about the socio-political compartmentalization of the post-war world) are presented alongside newer ones (e.g. his views on evil, and the influence of Nineteen Eighty-Four on comics). Individual essays help us see in new ways how Orwell's most famous work continues to be a novel for our times.

This collection of essays provides new readings of Huxley’s classic dystopian satire, Brave New World (1932).

Making a strong case for a revaluation of Wyndham Lewis (1882-1957), this collection argues that significant aspects of Lewis's writing, painting, and thinking have not yet received the attention they deserve. The contributors explore Lewis's contributions to the production and circulation of modernism and assess the links between Lewis's writing and painting and the work of other key contemporary figures, to position Lewis not only as one of the first twentieth-century cultural critics but also as one who anticipated the work of the Frankfurt School and other social theorists. Familiar topics and themes such as Vorticism receive fresh appraisals, and Lewis's significance as a philosopher-critic, novelist, and artist becomes fully realized in the context of his associations with important figures such as John Rodker, Charlie Chaplin, Evelyn Waugh, Naomi Mitchison, and Rebecca West. Lewis emerges as a figure whose writings on politics, corporate patronage, shell shock, anthropology, art, and cinema extend their influence into the late twentieth and early twenty-first centuries.

Considered a quintessentially 'popular' author, John Buchan was a writer of fiction, journalism, philosophy and Scottish history. By examining his engagement with empire, psychoanalysis and propaganda, the contributors to this volume place Buchan at the centre of the debate between popular culture and the modernist elite.

This collection of essays provides new readings of Huxley’s classic dystopian satire, Brave New World (1932).

Making a strong case for a revaluation of Wyndham Lewis (1882-1957), this collection argues that significant aspects of Lewis's writing, painting, and thinking have not yet received the attention they deserve. The contributors explore Lewis's contributions to the production and circulation of modernism and assess the links between Lewis's writing and painting and the work of other key contemporary figures, to position Lewis not only as one of the first twentieth-century cultural critics but also as one who anticipated the work of the Frankfurt School and other social theorists. Familiar topics and themes such as Vorticism receive fresh appraisals, and Lewis's significance as a philosopher-critic, novelist, and artist becomes fully realized in the context of his associations with important figures such as John Rodker, Charlie Chaplin, Evelyn Waugh, Naomi Mitchison, and Rebecca West. Lewis emerges as a figure whose writings on politics, corporate patronage, shell shock, anthropology, art, and cinema extend their influence into the late twentieth and early twenty-first centuries.