Ramon Reichert – författare
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14 produkter
14 produkter
Häftad, Engelska, 2016
444 kr
Skickas inom 11-20 vardagar
Digital Culture & Society is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for critical analysis and inquiries into digital media theory and provides a publication environment for interdisciplinary research approaches, contemporary theory developments and methodological innovation.The second issue »Quantified Selves | Statistical Bodies« provides methodological and theoretical reflections on technologically generated knowledge about the body and socio-cultural practices that are subsumed, discussed, and criticized using the key concept »Quantified Self«.
Häftad, Engelska, 2016
444 kr
Skickas inom 11-20 vardagar
»Digital Culture & Society« is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for critical analysis and inquiries into digital media theory and provides a publication environment for interdisciplinary research approaches, contemporary theory developments and methodological innovation.The third issue »Politics of Big Data« edited by Mark Coté, Paolo Gerbaudo, and Jennifer Pybus, critically examines the political and economic dimensions of Big Data and thus details its contestation. The contributions focus on the materialities and processes which manifest Big Data and explore forms of value beyond the state and capital. These range from open data initiatives, social media metrics, machine learning algorithms, data visualisation to data dashboards, critical data analysis, and new modes of data action research and practice.
Häftad, Engelska, 2021
444 kr
Skickas inom 11-20 vardagar
»Digital Culture & Society« is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for critical analysis and inquiries into digital media theory and provides a publication environment for interdisciplinary research approaches, contemporary theory developments and methodological innovation.This issue, edited by Anna Lisa Ramella, Asko Lehmuskallio, Tristan Thielmann and Pablo Abend, discusses the mobility of people, data and devices from the perspective of digital mobile practices. As the authors of various empirical case studies show, these need to be studied both situationally, and on the move.With contributions by Marion Schulze, Jamie Coates, Geoffrey Hobbis, Samuel Gerald Collins, among others, and an interview with Heather Horst, David Morley, and Noel B. Salazar.
Häftad, Engelska, 2021
444 kr
Skickas inom 11-20 vardagar
»Digital Culture & Society« is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for critical analysis and inquiries into digital media theory and provides a publication environment for interdisciplinary research approaches, contemporary theory developments and methodological innovation.This special issue discusses theoretical and artistic investigations on citizen engagement, digital citizenship and grassroots information politics. The articles reflect on the role of the digital citizen from the perspectives of (digital) sociology, science, technology and society (STS), (digital) media studies, cultural studies, political sciences, and philosophy.
Häftad, Engelska, 2021
604 kr
Skickas inom 3-6 vardagar
Digital Culture & Society is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for inquiries into digital media theory, methodologies, and socio-technological developments.This issue presents empirical studies as well as theoretical and methodological reflections on inequalities and divides in digital cultures. From various (inter-)disciplinary perspectives, the authors examine three main themes – inequality of access, inequality by design and discursive divides, and inequality by algorithms – while suggesting ways for research to move beyond these.
Häftad, Engelska, 2022
323 kr
Skickas inom 3-6 vardagar
Capturing personal data in exchange for free services is now ubiquitous in networked media and recently led to diagnoses of surveillance and platform capitalism. In social media discourse, dataveillance and data mining have been criticized as new forms of capitalist exploitation for some time. From social photos, selfies and image communities on the internet to connected viewing and streaming, and video conferencing during the Corona pandemic – the digital image is not only predominantly networked but also accessed through platforms and structured by their economic imperatives, data acquisition techniques and algorithmic processing. In this issue, the contributors show how participation and commodification are closely linked to the production, circulation, consumption and operativity of images and visual communication, raising the question of the role networked images play for and within the proliferating surveillance capitalism.
Häftad, Engelska, 2023
444 kr
Skickas
Code is intended both as a computer-based language to program software and as a functional and visual language for organizing administrative processes, visualizing information, performing behaviour control, and reinforcing shared imaginaries based on surveillance and dread. This special issue of Digital Culture & Society deals with the concept of code in relation to the Covid-19 crisis. The contributions depart from the idea that both forms of coding have become dramatically intertwined during the pandemic and are structuring a new way of being in and seeing reality. They explore the new forms of data-driven surveillance and representation of the pandemic evolution at the level of real-time epidemiology, sensor technologies, science policies, push media, and the heterogeneous counter-discourses that try to subvert them.
Häftad, Engelska, 2025
444 kr
Skickas
Since the full-scale Russian attack on Ukraine on February 24, 2022, warfare on social media and online platforms has introduced a new way of mediatizing war. A constant war-related newsfeed on social media and online platforms has emerged. Against this background the war in Ukraine represents a »fractal war – where you choose to subscribe to your own tailored version of warfare in your feed. This makes it the most personalized war in history« (Andrew Hoskins). This special issue investigates smartphone use, online media, platform politics, and the impact of the crowdsourced war. New forms of digital participation, collective witnessing and web archiving by media users and media providers are linked with new methodological and empirical challenges for source analysis of digital forensics, jurisdiction, and collective memory. The contributors analyze digital society and its relationship to war, violence, genocide, witnessing practices, and cultural appropriation in a critical and reflective manner.
Del 22 - Digital Culture & Society
Digital Culture & Society
Vol. 12, Issue 1/2026 - Critical AI: Rethinking Intelligence, Bias, and Control
Häftad, Engelska, 2026
457 kr
Kommande
Artificial Intelligence is not only a technological innovation, but a cultural practice shaped by social, historical, and political contexts. AI systems reflect human values and power relations, reinforcing cultural norms and ideologies. Through algorithmic monitoring and automated decision-making, they operate as mechanisms of social control – embedding bias, sustaining dominance, and creating new visibilities. This issue examines how AI-mediated surveillance reshapes knowledge, accountability, and marginalization within digital societies, focusing on platform capitalism, the economic precarity and exploitation of clickworkers in the Global South, biometric control, and the commodification of social behavior.
Häftad, Engelska, 2026
486 kr
Kommande
In migration enforcement regimes across the Global North, AI-driven systems are increasingly institutionalized as technical-media infrastructures. Cases like the Immigration and Customs Enforcement (ICE) in the U.S. exemplify the convergence of large-scale policing with advanced forms of automated data processing, machine learning, generative AI, and the strategic deployment of commercially sourced datasets. This issue examines the entanglement of artificial intelligence, surveillance infrastructures, and contemporary policing, bringing together interdisciplinary perspectives from critical AI studies, digital literacy, media archaeology, and political science. The contributors interrogate how algorithmic systems reconfigure the scale, scope, and operative logics of state power and conceptualize AI not merely as a tool of governance but as a constitutive element in the transformation of governmental rationalities, since AI-based policing systems are frequently trained on historically biased datasets, reproducing and intensifying racialized forms of discrimination and structural inequality. Hence, a central concern of the volume is the potential for critical interventions and media-political initiatives, exploring how practices such as counter-mapping and critical data activism might challenge or reconfigure these infrastructures of control.
E-bok
PDF, Tyska277 kr
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Die Finanzkrise im Herbst 2008 hat die Welt erschüttert. Doch die Innenseite der Börse bleibt weiterhin unbekannt. Nur wenige haben Zugang zu Finanzkommunikation und Finanzmarktwissen. Der Einzug elektronischer Handels- und Informationssysteme hat zu einer massiven Beschleunigung der Transaktionen geführt und zugleich die Hegemonie der institutionellen Investoren, der Banken und der Börsen, aufgelöst. Diese Dynamik verschärft die Fragilität des Finanzmarktwissens, das nicht zuletzt um mathematische Optimierungsprobleme kreist. Die statistischen Berechnungen zur Bewertung und Absicherung von Finanzpositionen erlauben keine Repräsentation mehr als stabiles, visualisierbares Wissen, dem die Kontrolle über die inhärenten Risiken zugetraut werden kann. Die gigantischen Datenmengen der Finanzprodukte, Derivate und Transaktionen sind somit stets bedroht: in ihrer Lesbarkeit.
Ramón Reichert eröffnet mit seiner Analyse der (Un-)Lesbarkeiten im Feld der Börse neue Perspektiven auf die mediale und kulturelle Dimension der Finanzmärkte und ihrer Krise.
E-bok
PDF, Tyska455 kr
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Mit der aktuellen Popularität von Comicverfilmungen sind Comics heute in unserer Kultur präsenter als je zuvor. Gleichzeitig eröffnen Graphic Novels wie Art Spiegelmanns »Maus« neue Möglichkeiten der Beschäftigung mit sozialen Praktiken und kollektiver Erinnerung.Vor dem Hintergrund der zunehmenden Hybridisierung in Medien, Kunst und Kultur hebt dieser Reader das medienreflexive, narrative und politische Potenzial einer noch jungen Kunstform hervor und versammelt richtungsweisende Ansätze der internationalen Comicforschung aus den Bereichen »Transmedialität«,»Erzähltheorie«, »Interaktive Medien«, »Visuelle Kultur« und »Queer Theory«.Mit Beiträgen u.a. von Jens Balzer, Ole Frahm, Pascal Lefèvre, Mark McLelland sowie Kathleen Martindale und zahlreichen Abbildungen.
E-bok
PDF, Tyska, 2015204 kr
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Wenn die Finanzspekulation im Herzen des "institutionellen Imaginären" der westlichen Gesellschaften (Cornelius Castoriadis) angesiedelt ist, so ist auch der Film als Teil dieses institutionellen Imaginären zu betrachten. Wie die großen Dramen Hollywoods werden die Weltfinanzmärkte als "Wissensartefakte" heute ausschließlich auf großen Leinwänden und Bildschirmen sichtbar. Ökonomie und Kino sind komplexe, heterogene und eng miteinander verflochtene Gebilde, beide handeln mit fiktiven Werten, so dass die Frage nicht lauten kann, wie ökonomisches Finanzwissen visualisiert wird, sondern wie ökonomische Fiktionen beide Institutionen durchdringen.In den Beiträgen von Spekulantenwahn wird die Börse als eine Bühne betrachtet, auf der die Umbrüche der Finanzwelt auch als filmische Inszenierungen gelesen werden: Finanzkrisen, Paniken, Manien, Depressionen, das sind nur einige der Begriffe, die – direkt aus der Psychiatrie übernommen – die Entwicklungen der Märkte beschreiben sollen. Da werden neue Existenzen geschaffen, andere stürzen ins Bodenlose ab; es verschwimmen die Grenzen zwischen Wirtschaft und Kultur, zwischen ökonomischer Rationalität und medialer Imagination.Wo erlebt man heute noch die griechische Tragödie? Im Kino und an der Börse. Warum hat das Kino die große emotionale Oper des 19. Jahrhunderts abgelöst? Weil der Film das besser geeignete Medium bietet, um das ''Drama der Börse'' zu zeigen, wie historische und aktuelle Finanzkrisen verarbeitet und welche Antworten auf dieses "Wahnsystem" in Szene gesetzt werden. Im Kino und an der Börse finden die phantasmatische Dimension des Ökonomischen und die libidinösen Energien der narrativen Bildräume zueinander.
Del 663 - Europaeische Hochschulschriften / European University Studie
Die Konstitution Der Sozialen Welt
Zur Erkenntniskritik Der Sozial- Und Kulturwissenschaften
Häftad, Tyska, 2003
426 kr
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