Richard Taws – författare

In 12 essays by a distinguished group of art historians, Art and Technology in Early Modern Europe explores the relationship between artistic and technological advances from the Renaissance to the Industrial Revolution. Provides a broad definition of technology for this period and addresses the influence of technological shifts on the history of early modern artCovers c.1420-1820, the time period between the advent of the printed image and that of the photographically produced imageDiscusses a wide range of early modern artists’ tools, instruments, skills, and techniques and their historical applicationsHighlights a frequently overlooked aspect of research within art history that yields substantial insights into the analysis of the making and viewing of art

A comprehensive exploration of the evolutions, innovations, and legacies of French art from the late eighteenth-century to the presentCharting the artistic eras from the transformative upheavals of the French Revolution to the dynamic global intersections of contemporary art in the 21st century, A Companion to French Art, provides an unparalleled analysis of French art. Edited by Richard Taws and Natalie Adamson, this authoritative volume offers new ways to consider the broad history of French art through critical attention to diverse objects, mediums, and practices that have shaped French art across centuries.Shedding new light on how art has interacted with and challenged established narratives, this volume features 30 essays by leading and emerging scholars, offering insights into a wide range of topics, including revolutionary iconography, modernist movements, colonial legacies, and contemporary art's engagement with global issues. Going beyond traditional frameworks, these chapters present new methodologies and innovative interpretations that reflect the evolving questions and challenges in art history. Addressing essential themes while expanding the boundaries of how French art is understood today, A Companion to French Art: Offers comprehensive coverage of French art with a uniquely wide topical and temporal scopeExamines diverse media and materials including painting, sculpture, photography, film, ceramics, industrial design, and fashionEngages with cutting-edge methodologies such as post-colonial critique and feminist theoryDraws on in-depth archival research and previously unexplored materials for fresh insightsEssential for undergraduate and postgraduate courses in French art history, A Companion to French Art, is also an invaluable resource for academics, museum professionals, and researchers worldwide.

A comprehensive exploration of the evolutions, innovations, and legacies of French art from the late eighteenth-century to the presentCharting the artistic eras from the transformative upheavals of the French Revolution to the dynamic global intersections of contemporary art in the 21st century, A Companion to French Art, provides an unparalleled analysis of French art. Edited by Richard Taws and Natalie Adamson, this authoritative volume offers new ways to consider the broad history of French art through critical attention to diverse objects, mediums, and practices that have shaped French art across centuries.Shedding new light on how art has interacted with and challenged established narratives, this volume features 30 essays by leading and emerging scholars, offering insights into a wide range of topics, including revolutionary iconography, modernist movements, colonial legacies, and contemporary art's engagement with global issues. Going beyond traditional frameworks, these chapters present new methodologies and innovative interpretations that reflect the evolving questions and challenges in art history. Addressing essential themes while expanding the boundaries of how French art is understood today, A Companion to French Art: Offers comprehensive coverage of French art with a uniquely wide topical and temporal scopeExamines diverse media and materials including painting, sculpture, photography, film, ceramics, industrial design, and fashionEngages with cutting-edge methodologies such as post-colonial critique and feminist theoryDraws on in-depth archival research and previously unexplored materials for fresh insightsEssential for undergraduate and postgraduate courses in French art history, A Companion to French Art, is also an invaluable resource for academics, museum professionals, and researchers worldwide.

A comprehensive exploration of the evolutions, innovations, and legacies of French art from the late eighteenth-century to the present Charting the artistic eras from the transformative upheavals of the French Revolution to the dynamic global intersections of contemporary art in the 21st century, A Companion to French Art, provides an unparalleled analysis of French art. Edited by Richard Taws and Natalie Adamson, this authoritative volume offers new ways to consider the broad history of French art through critical attention to diverse objects, mediums, and practices that have shaped French art across centuries. Shedding new light on how art has interacted with and challenged established narratives, this volume features 30 essays by leading and emerging scholars, offering insights into a wide range of topics, including revolutionary iconography, modernist movements, colonial legacies, and contemporary art's engagement with global issues. Going beyond traditional frameworks, these chapters present new methodologies and innovative interpretations that reflect the evolving questions and challenges in art history. Addressing essential themes while expanding the boundaries of how French art is understood today, A Companion to French Art: Offers comprehensive coverage of French art with a uniquely wide topical and temporal scope Examines diverse media and materials including painting, sculpture, photography, film, ceramics, industrial design, and fashion Engages with cutting-edge methodologies such as post-colonial critique and feminist theory Draws on in-depth archival research and previously unexplored materials for fresh insights Essential for undergraduate and postgraduate courses in French art history, A Companion to French Art, is also an invaluable resource for academics, museum professionals, and researchers worldwide.

A comprehensive exploration of the evolutions, innovations, and legacies of French art from the late eighteenth-century to the present Charting the artistic eras from the transformative upheavals of the French Revolution to the dynamic global intersections of contemporary art in the 21st century, A Companion to French Art, provides an unparalleled analysis of French art. Edited by Richard Taws and Natalie Adamson, this authoritative volume offers new ways to consider the broad history of French art through critical attention to diverse objects, mediums, and practices that have shaped French art across centuries. Shedding new light on how art has interacted with and challenged established narratives, this volume features 30 essays by leading and emerging scholars, offering insights into a wide range of topics, including revolutionary iconography, modernist movements, colonial legacies, and contemporary art's engagement with global issues. Going beyond traditional frameworks, these chapters present new methodologies and innovative interpretations that reflect the evolving questions and challenges in art history. Addressing essential themes while expanding the boundaries of how French art is understood today, A Companion to French Art: Offers comprehensive coverage of French art with a uniquely wide topical and temporal scope Examines diverse media and materials including painting, sculpture, photography, film, ceramics, industrial design, and fashion Engages with cutting-edge methodologies such as post-colonial critique and feminist theory Draws on in-depth archival research and previously unexplored materials for fresh insights Essential for undergraduate and postgraduate courses in French art history, A Companion to French Art, is also an invaluable resource for academics, museum professionals, and researchers worldwide.

Time, media, and visuality are watchwords of modernity across science, culture and the arts. At which point in history, though, did they decisively intersect? Identifying the year 1789 – or the beginning of the French Republic – as the radical moment at which science and the arts came together through radical innovation, this volume questions the reigning teleologies of modern art. Uniting two key areas of 19th-century European art – the French Revolution and 19th-century technological and reproductive experimentation – this novel volume highlights the dual impact these developments had on the art of the period. In doing so, it opens up new and distinctive lines of inquiry around French visual culture, all the while mapping an expanded terrain of art objects, along with makers, consumers and situations of art.Considering a remarkably broad range of media and practices through an interdisciplinary lens, this diverse collection of essays brings together both eminent and emerging scholars in 18th- and 19th-century French visual culture and enriches our understanding of the period. The essays provide thought-provoking insights on the temporal dimension of art, challenging oversimplified views of artistic progress in modernity. They question teleological narratives, emphasizing the complexity of influences shaping the modern artist. As such, the book offers a new account of the story of French art’s modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be “post-revolutionary.” As a result, the book promises appeal to academic audiences both within and beyond the discipline of art history.

The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the eclectic objects and forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art''s modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and printmakers, as they worked out what it meant to be “post-revolutionary.”