Genevieve Warwick – författare

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15 produkter

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15 produkter

The Arts of Collecting
Padre Sebastiano Resta and the Market for Drawings in Early Modern Europe
AvGenevieve Warwick
Häftad, Engelska, 2012
601 kr
Skickas inom 10-15 vardagar
First published in 2000, this is an examination of the collection of art works through an anthropological study of modes of exchange and the social roles of material culture. Focusing on the figure of Sebastiano Resta, Genevieve Warwick brings to light a shadowy, yet crucial chapter in the history of collecting, that of the great migration of art objects out of Italy to northern Europe in the early eighteenth century. Her study pins the history of collecting to broader changes in European economic history and analyzes the epistemological frameworks for viewing that accompanied this transfer of artistic wealth. Warwick also demonstrates how early modern art collecting was shaped by the social mores of elite 'arts of love'.
The Arts of Collecting
Padre Sebastiano Resta and the Market for Drawings in Early Modern Europe
AvGenevieve Warwick
Inbunden, Engelska, 2000
1 250 kr
Skickas inom 10-15 vardagar
First published in 2000, this is an examination of the collection of art works through an anthropological study of modes of exchange and the social roles of material culture. Focusing on the figure of Sebastiano Resta, Genevieve Warwick brings to light a shadowy, yet crucial chapter in the history of collecting, that of the great migration of art objects out of Italy to northern Europe in the early eighteenth century. Her study pins the history of collecting to broader changes in European economic history and analyzes the epistemological frameworks for viewing that accompanied this transfer of artistic wealth. Warwick also demonstrates how early modern art collecting was shaped by the social mores of elite 'arts of love'.
Collecting Prints and Drawings in Europe, c. 1500–1750
AvChristopher Baker,Caroline Elamm. fl.
Inbunden, Engelska, 2003
2 495 kr
Skickas inom 10-15 vardagar
Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.
Cinderella's Glass Slipper
Towards a Cultural History of Renaissance Materialities
AvGenevieve Warwick
E-bok
PDF, Engelska, 2022
293 kr
Läs direkt efter köp
Cinderella''s Glass Slipper studies Renaissance material cultures through the literary prism of fairy-tale objects. The literary fairy-tale first arose in Renaissance Venice, originating from oral story-telling traditions that would later become the Arabian Nights, and subsequently in the Parisian salons of Louis XIV. Largely written by, for, and in the name of women, these literary fairy-tales took a lightly comic view of life''s vicissitudes, especially female fortune in marriage. Connecting literary representations of bridal goods - dress, jewellery, carriages, toiletries, banqueting and confectionary foods - to the craft histories of their making, this Element offers a newly-contextualised socio-economic account of Renaissance luxe, from architectural interiors to sartorial fashioning and design. By coupling Renaissance luxury wares with their fairy-tale representation, it locates the recherché materialities of bridal goods - gold, silver, diamonds and silk - within expanding colonialist markets of a newly-global early modern economy in the age of discovery.
Cinderella's Glass Slipper
Towards a Cultural History of Renaissance Materialities
AvGenevieve Warwick
E-bok
Engelska, 2022
293 kr
Läs direkt efter köp
Cinderella''s Glass Slipper studies Renaissance material cultures through the literary prism of fairy-tale objects. The literary fairy-tale first arose in Renaissance Venice, originating from oral story-telling traditions that would later become the Arabian Nights, and subsequently in the Parisian salons of Louis XIV. Largely written by, for, and in the name of women, these literary fairy-tales took a lightly comic view of life''s vicissitudes, especially female fortune in marriage. Connecting literary representations of bridal goods - dress, jewellery, carriages, toiletries, banqueting and confectionary foods - to the craft histories of their making, this Element offers a newly-contextualised socio-economic account of Renaissance luxe, from architectural interiors to sartorial fashioning and design. By coupling Renaissance luxury wares with their fairy-tale representation, it locates the recherché materialities of bridal goods - gold, silver, diamonds and silk - within expanding colonialist markets of a newly-global early modern economy in the age of discovery.
Cinderella's Glass Slipper
Towards a Cultural History of Renaissance Materialities
AvGenevieve Warwick
Häftad, Engelska, 2022
245 kr
Skickas inom 10-15 vardagar
Cinderella's Glass Slipper studies Renaissance material cultures through the literary prism of fairy-tale objects. The literary fairy-tale first arose in Renaissance Venice, originating from oral story-telling traditions that would later become the Arabian Nights, and subsequently in the Parisian salons of Louis XIV. Largely written by, for, and in the name of women, these literary fairy-tales took a lightly comic view of life's vicissitudes, especially female fortune in marriage. Connecting literary representations of bridal goods - dress, jewellery, carriages, toiletries, banqueting and confectionary foods - to the craft histories of their making, this Element offers a newly-contextualised socio-economic account of Renaissance luxe, from architectural interiors to sartorial fashioning and design. By coupling Renaissance luxury wares with their fairy-tale representation, it locates the recherché materialities of bridal goods - gold, silver, diamonds and silk - within expanding colonialist markets of a newly-global early modern economy in the age of discovery.
Mirror of Art
Painting and Reflection in Early Modern Visual Culture
AvGenevieve Warwick
E-bok
PDF, Engelska, 2024
1 625 kr
Läs direkt efter köp
The Mirror of Art
Painting and Reflection in Early Modern Visual Culture
AvGenevieve Warwick
Inbunden, Engelska, 2024
1 389 kr
Skickas inom 10-15 vardagar
One of the key pictorial developments of Renaissance art was a conceptualisation of painting as a mirror reflection of the visible world. The idea of painting as specular was argued in Renaissance art theory, demonstrated in art practice, and represented in painting itself. Both within the artist's workshop and within pictorial representation, the mirror-image became the instrument, the emblem, and the conceptual definition of what a painting was. In this volume, Genevieve Warwick brings a dual focus to the topic through an exploration of the early modern elision of the picture plane with the mirror - image. She considers the specular configuration of Renaissance painting from various thematic points of view to offer a fully interdisciplinary analysis of the mirror analogy that pervaded not only art theory and art-making, but also the larger cultural spheres of philosophy, letters, and scientific observation. Warwick's volume recasts our understanding of the inter-visual relationships between disciplines, and their consequences for a specular definition of Renaissance painting.
Bernini Ephemeral and Preparatory Sculpture
AvGenevieve Warwick
Inbunden, Engelska, 2025
2 495 kr
Skickas inom 10-15 vardagar
Taking up questions of artists’ materials and technical processes currently at the vanguard of art-historical scholarship, this book studies the contiguity and interchange of workshop methods in the linked fabrication of both ephemeral and preparatory works by Bernini. Genevieve Warwick argues that the ephemeral arts of ritual occasion acted as a locus of artistic experiment for the artist in many respects similar to his use of preparatory models, to suggest that Bernini’s artistry sprang from the fabric of ritual in both material and cultural terms. From processional floats to court stage sets for the ritual occasions of church and state, such ephemeral arts were largely made of wax, clay, papier mâché, wood, stucco and plaster, assembled into scenographic ensembles with textiles, canvas and paint. Similarly, Bernini’s preparatory models for marble or bronze sculpture were of plaster and clay, even mud and straw, or wax and painted wood, as plentiful and affordable materials that were readily available for use and reuse as required. This book will be of interest to scholars working in art history and Renaissance studies.
Nyhet
Bernini Ephemeral and Preparatory Sculpture
AvGenevieve Warwick
Häftad, Engelska, 2026
702 kr
Skickas inom 10-15 vardagar
Taking up questions of artists’ materials and technical processes currently at the vanguard of art-historical scholarship, this book studies the contiguity and interchange of workshop methods in the linked fabrication of both ephemeral and preparatory works by Bernini. Genevieve Warwick argues that the ephemeral arts of ritual occasion acted as a locus of artistic experiment for the artist in many respects similar to his use of preparatory models, to suggest that Bernini’s artistry sprang from the fabric of ritual in both material and cultural terms. From processional floats to court stage sets for the ritual occasions of church and state, such ephemeral arts were largely made of wax, clay, papier mâché, wood, stucco and plaster, assembled into scenographic ensembles with textiles, canvas and paint. Similarly, Bernini’s preparatory models for marble or bronze sculpture were of plaster and clay, even mud and straw, or wax and painted wood, as plentiful and affordable materials that were readily available for use and reuse as required. This book will be of interest to scholars working in art history and Renaissance studies.
Bernini Ephemeral and Preparatory Sculpture
AvGenevieve Warwick
E-bok
PDF, Engelska, 2025
829 kr
Läs direkt efter köp
Taking up questions of artists’ materials and technical processes currently at the vanguard of art-historical scholarship, this book studies the contiguity and interchange of workshop methods in the linked fabrication of both ephemeral and preparatory works by Bernini.
Genevieve Warwick argues that the ephemeral arts of ritual occasion acted as a locus of artistic experiment for the artist in many respects similar to his use of preparatory models, to suggest that Bernini’s artistry sprang from the fabric of ritual in both material and cultural terms. From processional floats to court stage sets for the ritual occasions of church and state, such ephemeral arts were largely made of wax, clay, papier mâché, wood, stucco and plaster, assembled into scenographic ensembles with textiles, canvas and paint. Similarly, Bernini’s preparatory models for marble or bronze sculpture were of plaster and clay, even mud and straw, or wax and painted wood, as plentiful and affordable materials that were readily available for use and reuse as required.
This book will be of interest to scholars working in art history and Renaissance studies.
Bernini Ephemeral and Preparatory Sculpture
AvGenevieve Warwick
E-bok
Engelska, 2025
831 kr
Läs direkt efter köp
Taking up questions of artists’ materials and technical processes currently at the vanguard of art-historical scholarship, this book studies the contiguity and interchange of workshop methods in the linked fabrication of both ephemeral and preparatory works by Bernini.
Genevieve Warwick argues that the ephemeral arts of ritual occasion acted as a locus of artistic experiment for the artist in many respects similar to his use of preparatory models, to suggest that Bernini’s artistry sprang from the fabric of ritual in both material and cultural terms. From processional floats to court stage sets for the ritual occasions of church and state, such ephemeral arts were largely made of wax, clay, papier mâché, wood, stucco and plaster, assembled into scenographic ensembles with textiles, canvas and paint. Similarly, Bernini’s preparatory models for marble or bronze sculpture were of plaster and clay, even mud and straw, or wax and painted wood, as plentiful and affordable materials that were readily available for use and reuse as required.
This book will be of interest to scholars working in art history and Renaissance studies.
Art and Technology in Early Modern Europe
AvRichard Taws,Genevieve Warwick
Häftad, Engelska, 2016
346 kr
Skickas inom 5-8 vardagar
In 12 essays by a distinguished group of art historians, Art and Technology in Early Modern Europe explores the relationship between artistic and technological advances from the Renaissance to the Industrial Revolution. Provides a broad definition of technology for this period and addresses the influence of technological shifts on the history of early modern artCovers c.1420-1820, the time period between the advent of the printed image and that of the photographically produced imageDiscusses a wide range of early modern artists’ tools, instruments, skills, and techniques and their historical applicationsHighlights a frequently overlooked aspect of research within art history that yields substantial insights into the analysis of the making and viewing of art
Collecting Prints and Drawings in Europe, c. 1500–1750
AvChristopher Baker,Caroline Elamm. fl.
Häftad, Engelska, 2017
759 kr
Skickas inom 10-15 vardagar
Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.
Ordnen - Vergleichen - Erzählen
AvElisabeth Oy-Marra,Annkatrin Kaul-Trivolism. fl.
Häftad, Tyska, 2024
557 kr
Skickas inom 3-6 vardagar

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Genevieve Warwick – författare

The Arts of Collecting

The Arts of Collecting

Collecting Prints and Drawings in Europe, c. 1500–1750

Cinderella's Glass Slipper

Cinderella's Glass Slipper

Cinderella's Glass Slipper

Mirror of Art

The Mirror of Art

Bernini Ephemeral and Preparatory Sculpture

Bernini Ephemeral and Preparatory Sculpture

Bernini Ephemeral and Preparatory Sculpture

Bernini Ephemeral and Preparatory Sculpture

Art and Technology in Early Modern Europe

Collecting Prints and Drawings in Europe, c. 1500–1750

Ordnen - Vergleichen - Erzählen

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