Roger W. Lotchin – författare

Now back in print with a new introduction by the author, this is the classic study of America's most admired instant city, from its days as a sleepy Mexican village, through the Gold Rush and into its establishment as a major international port. Roger Lotchin examines the urbanizing influences in San Francisco and compares these to other urban centers, doing so against a colorful backdrop of opium dens and other sinful institutions.

The customary picture of the World War II era in California has been dominated by accounts of the Japanese American concentration camps, African Americans, and women on the home front.The Way We Really Were substantially enlivens this view, addressing topics that have been neglected or incompletely treated in the past to create a more rounded picture of the wartime situation at home.  Exploring the developments brought to fruition by the war and linking them to their roots in earlier decades, contributors address the diversity of the musical scene, which arose from a cross-pollination of styles brought by Okies, blacks, and Mexican migrants. They examine increased political involvement by women, Hollywood's response to the war, and the merging of business and labor interests in the Bay Area Council. They also reveal how wartime dynamics led to substantial environmental damage and lasting economic gains by industry. The Way We Really Were examines significant wartime changes in the circumstances of immigrant groups that have been largely overlooked by historians. Among these are Italian Americans, heavily insular and pro-Fascist before the war and very pro-American and assimilationist after, and Chinese American men, who achieved new legitimacy and entitlement through military service. Also included is a look at cultural negotiation among multiple ethnic groups in the Golden State.   A valuable addition to the literature on California history, The War We Really Were provides an entree into new areas of scholarship and a fresh look at familiar ones.

"Riders were very appropriate to a western war, but these horsemen could not have been more different. One group patrolled the oceanfront of 'The City' after dark. While the residents of the nearby Sunset District and Seacliff huddled around the radios in their living rooms, curtains pulled and blinds lowered, listening to war news or to 'One Man's Family,' other residents rode the beaches. Mounted on their own ponies, the men of the San Francisco Polo Club labored through the sands of China Beach, Baker Beach, and the Ten Mile Beach, looking for Imperial Japanese intruders." —from the bookIn the mythology of the West, the city was seen as a place of danger and corruption, but the "bad" city proved its mettle during the "Good War." In this book, Roger W. Lotchin has written the first comprehensive study of California's urban home front. United by fear of totalitarianism, the diverse population of California's cities came together to protect their homes and to aid in the war effort. Whether it involved fighting in Europe or Asia, migrating to a defense center, writing to service personnel at the front, building war machines in converted factories, giving pennies at school for war bonds, saving scrap material, or pounding a civil defense beat, urban California's participation was immediate, constant, and unflagging. Although many people worked in offices, factories, or barracks, the wartime community was also fed by a vast army of volunteers, which until now has been largely overlooked. The Bad City in the Good War is a comprehensive local history of the California home front that restores a little-known part of the story of the Second World War.

In this revisionist history of the United States government relocation of Japanese-American citizens during World War II, Roger W. Lotchin challenges the prevailing notion that racism was the cause of the creation of these centers. After unpacking the origins and meanings of American attitudes toward the Japanese-Americans, Lotchin then shows that Japanese relocation was a consequence of nationalism rather than racism. Lotchin also explores the conditions in the relocation centers and the experiences of those who lived there, with discussions on health, religion, recreation, economics, consumerism, and theater. He honors those affected by uncovering the complexity of how and why their relocation happened, and makes it clear that most Japanese-Americans never went to a relocation center. Written by a specialist in US home front studies, this book will be required reading for scholars and students of the American home front during World War II, Japanese relocation, and the history of Japanese immigrants in America.