Sandra Laugier – författare

Sandra Laugier has long been a key liaison between American and European philosophical thought, responsible for bringing American philosophers such as Ralph Waldo Emerson, Henry David Thoreau, and Stanley Cavell to French readers - but until now her books have never been published in English. "Why We Need Ordinary Language Philosophy" rights that wrong with a topic perfect for English-language readers: the idea of analytic philosophy. Focused on clarity and logical argument, analytic philosophy has dominated the discipline in the United States, Australia, and Britain over the past one hundred years, and it is often seen as a unified, coherent, and inevitable advancement. Laugier questions this assumption, rethinking the very grounds that drove analytic philosophy to develop and uncovering its inherent tensions and confusions. Drawing on J. L.Austin and the later works of Ludwig Wittgenstein, she argues for the solution provided by ordinary language philosophy - a philosophy that trusts and utilizes the everyday use of language and the clarity of meaning it provides - and in doing so offers a major contribution to the philosophy of language and twentieth- and twenty-first-century philosophy as a whole.

A holistic introduction to Wittgenstein’s philosophy that approaches him as a philosopher of ordinary life.One of philosopher Ludwig Wittgenstein’s most consequential claims was that the meaning of the word, its sense, is its use in language. This deceptively simple claim, the foundation of what became known as ordinary language philosophy, has animated thinkers across disciplinary bounds from metaphysics to ethics and more. In The Senses of Use, Sandra Laugier embarks on a fresh journey through Wittgenstein’s corpus that emphasizes the place of ordinary life and language in its thought. Through his Tractatus Logico-Philosophicus, Philosophical Investigations, and rich posthumously published works, Laugier offers a compelling new look at Wittgenstein as a philosopher of mind.

Now in paperback, Sandra Laugier's reconsideration of analytic philosophy and ordinary language.Sandra Laugier has long been a key liaison between American and European philosophical thought, responsible for bringing American philosophers such as Ralph Waldo Emerson, Henry David Thoreau, and Stanley Cavell to French readers—but until now her books have never been published in English. Why We Need Ordinary Language Philosophy rights that wrong with a topic perfect for English-language readers: the idea of analytic philosophy.   Focused on clarity and logical argument, analytic philosophy has dominated the discipline in the United States, Australia, and Britain over the past one hundred years, and it is often seen as a unified, coherent, and inevitable advancement. Laugier questions this assumption, rethinking the very grounds that drove analytic philosophy to develop and uncovering its inherent tensions and confusions. Drawing on J. L. Austin and the later works of Ludwig Wittgenstein, she argues for the solution provided by ordinary language philosophy—a philosophy that trusts and utilizes the everyday use of language and the clarity of meaning it provides—and in doing so offers a major contribution to the philosophy of language and twentieth- and twenty-first-century philosophy as a whole.

The first posthumous collection from the writings of Stanley Cavell, shedding new light on the distinctive vision and intellectual trajectory of an influential American philosopher.For Stanley Cavell, philosophy was a matter of responding to the voices of others. Throughout his career, he articulated the belief that words spring to life in concrete circumstances of speech: the significance and power of language depend on the occasions that elicit it. When Cavell died in 2018, he left behind some of his own most powerful language—a plan for a book collecting numerous unpublished essays and lectures, as well as papers printed in niche journals. Here and There presents this manuscript, with thematically relevant additions, for the first time.These writings, composed between the 1980s and the 2000s, reflect Cavell’s expansive interests and distinctive philosophical method. The collection traverses all the major themes of his immense body of work: modernity, psychoanalysis, the human voice, moral perfectionism, tragedy, skepticism. Cavell’s rich and cohesive philosophical vision unites his wide-ranging engagement with poets, critics, psychoanalysts, social scientists, and fellow philosophers. In Here and There, readers will find dialogues with Shakespeare, Thoreau, Wittgenstein, Freud, Heidegger, Walter Benjamin, Wallace Stevens, Veena Das, and Peter Kivy, among others. One of the collection’s most striking features is an ensemble of five pieces on music, constituting Cavell’s first discussion of the subject since the mid-1960s.Edited by philosophers who have been invested in Cavell’s work for decades, Here and There not only gathers the strands of a writing life but also maps its author’s intellectual journeys. In these works, Cavell models what it looks like to examine seriously one’s own passions and to forge new communities through unexpected conversations.

In 1969 Stanley Cavell's Must We Mean What We Say? revolutionized philosophy of ordinary language, aesthetics, ethics, tragedy, literature, music, art criticism, and modernism. This volume of new essays offers a multi-faceted exploration of Cavell's first and most important book, fifty years after its publication. The key subjects which animate Cavell's book are explored in detail: ordinary language, aesthetics, modernism, skepticism, forms of life, philosophy and literature, tragedy and the self, the questions of voice and audience, jazz and sound, Wittgenstein, Austin, Beckett, Kierkegaard, Shakespeare. The essays make Cavell's complex style and sometimes difficult thought accessible to a new generation of students and scholars. They offer a way into Cavell's unique philosophical voice, conveying its seminal importance as an intellectual intervention in American thought and culture, and showing how its philosophical radicality remains of lasting significance for contemporary philosophy, American philosophy, literary studies, and cultural studies.

This book explores the changing portrayal of leading female characters in 21st-century security TV shows set behind the scenes of democratic regimes facing multifaceted threats, from jihadist terrorism to health risks.Offering an in-depth examination of several case studies, the authors speak to a larger debate on the differences of women’s representations in security TV series within and between geographical and cultural areas. Beginning with a definition of this popular genre of TV series and highlighting its specificities, the book brings together researchers from media studies, humanities, philosophy, and gender studies to interrogate new forms of visibility of female figures in popular culture.This book will appeal to scholars, postgraduate students, and research students working in film studies, media studies, popular culture studies, gender studies, philosophy, and sociology.

In 1969 Stanley Cavell's Must We Mean What We Say? revolutionized philosophy of ordinary language, aesthetics, ethics, tragedy, literature, music, art criticism, and modernism. This volume of new essays offers a multi-faceted exploration of Cavell's first and most important book, fifty years after its publication. The key subjects which animate Cavell's book are explored in detail: ordinary language, aesthetics, modernism, skepticism, forms of life, philosophy and literature, tragedy and the self, the questions of voice and audience, jazz and sound, Wittgenstein, Austin, Beckett, Kierkegaard, Shakespeare. The essays make Cavell's complex style and sometimes difficult thought accessible to a new generation of students and scholars. They offer a way into Cavell's unique philosophical voice, conveying its seminal importance as an intellectual intervention in American thought and culture, and showing how its philosophical radicality remains of lasting significance for contemporary philosophy, American philosophy, literary studies, and cultural studies.

This book provides the first in-depth examination of philosophy and feminism in the works of Wittgenstein, exploring the diverse approaches within this emerging fieldThe four thematic parts are accompanied by an introduction from the editors. They cover the history of ordinary language philosophy, moral and political thought, feminist epistemology and conceptual approaches to gender. Chapters are written by feminist philosophers who question the way in which ordinary language philosophy can enrich moral thought. Authoritative and comprehensive, it increases the visibility of a significant field outside of mainstream philosophy and confirms the continuing impact of Wittgenstein.

A Matter of Detail inspires new ways of thinking about detail by bringing anthropology, philosophy, art history, and aesthetics into direct conversation. Co-editors Brandel, Das, Laugier, and Pitrou challenge a long-standing assumption that the history of detail begins with European modernity and follows a teleological course from an object of scorn to a sign of the good. In its place, they offer a history of attention to detail that draws on classical and vernacular histories and traditions found in grammar, ritual, and poetics around the world. Emphasizing detail as a method and moving between its usage as a noun (detail) and a verb (detailing) enables them to tell stories about the reassembly of detail across accidents, contingencies, and unintended consequences.From this vantage, the book argues that details are not always small and insignificant. Rather, there is a dynamic relationship between the minute and the grand, detail and surface, which makes the proliferation of details threatening to the idea of an authoritative and integrated imagination of the whole. This expanded context generates ways of conceiving detail as a conceptual and moral mode of self-formation and being toward others, both human and non-human.

This collection of new work on the philosophical importance of television starts from a model for reading films proposed by Stanley Cavell, whereby film in its entirety—actors and production included—brings its own intelligence to its realization. In turn, this intelligence educates us as viewers, leading us to recognize and appreciate our individual cinephilic tastes, and to know ourselves and each other better. This reading is even more valid for TV series. Yet, in spite of the progress of film-philosophy, there has been a paucity of concurrent analysis of the ethical stakes, the modes of expressiveness, and the moral education involved in television series. Perhaps most conspicuously, there has been a lack of focus on the experience of the viewer. Cavell highlighted popular cinema's capacity to create a common culture for millions. This power has become dispersed across other bodies of work and practices, most notably TV series, which have largely appropriated the responsibility of widening the perspectives of their publics, a role once associated with the silver screen. Just as Cavell's reading of films involved moral perfectionism in its intent, this project is also perfectionist, extending a similar aesthetic and ethical method to readings of the small screen. Because TV series are works that are public and thus shared, and often global in reach, they fulfil an educational role—whether intended or not—and one that enables viewers to anchor and appreciate the value of their everyday experiences.Contributions from: William Rothman, Martin Shuster, Elisabeth Bronfen, Hugo Clémot, David LaRocca, Jeroen Gerrits, Stephen Mulhall, Michelle Devereaux, Thibaut de Saint-Maurice, Hent de Vries, Catherine Wheatley, Byron Davies, Sandra Laugier, Paul Standish, Robert Sinnerbrink.

This is the first book to explore the hold of TV series on our lives from a philosophical and ethical perspective. Sandra Laugier argues that this vital and ubiquitous expression of popular culture throughout the world is transformative in its effects on the activity of philosophy in everyday life. Drawing on Stanley Cavell’s work on film and ordinary experience, Laugier contends that we are deeply affected by the formative role played by the TV series we watch, and by the ways they become interconnected with our daily lives.The philosophical thinking embodied in series empowers individuals in their capacity to experience, understand and appropriate elements of the world, and to educate themselves. Through our relationships with TV series, we develop our own tastes and competences, which are constitutive of our distinct experience of life. ‘Series-philosophy’ is thus a democratizing force. It also offers us a new ethics, for morality can be found not in general rules and abstract principles but in the narrative texture of characters in everyday situations facing particular ethical problems, and with whom we form attachments that result in our moral education—in sometimes surprising ways.

TV-Philosophy in Action is inspired by philosopher and series-devotee Sandra Laugier’s monthly columns published in the French journal Libération. It is her contribution to the collective reflection on TV series produced by critics, theorists, and the vast mass of individual watchers who evaluate and discuss these programmes every day. The book brings together a selection of articles from Libération, as well as longer pieces, to demonstrate ‘TV-Philosophy in action’: Laugier’s response as a philosopher-viewer to a range of particularly salient TV shows from the last 20 years, and their relationship to social and political issues of our times. Arranged under a number of important themes—relating to politics, identity, and the stories we tell ourselves about our world—the book shows how TV series provide a rich resource for thinking about our lives, and places them centre-stage as works of art, and of thought, in their own right.

This is the first book to explore the hold of TV series on our lives from a philosophical and ethical perspective. Sandra Laugier argues that this vital and ubiquitous expression of popular culture throughout the world is transformative in its effects on the activity of philosophy in everyday life. Drawing on Stanley Cavell’s work on film and ordinary experience, Laugier contends that we are deeply affected by the formative role played by the TV series we watch, and by the ways they become interconnected with our daily lives.The philosophical thinking embodied in series empowers individuals in their capacity to experience, understand and appropriate elements of the world, and to educate themselves. Through our relationships with TV series, we develop our own tastes and competences, which are constitutive of our distinct experience of life. ‘Series-philosophy’ is thus a democratizing force. It also offers us a new ethics, for morality can be found not in general rules and abstract principles but in the narrative texture of characters in everyday situations facing particular ethical problems, and with whom we form attachments that result in our moral education—in sometimes surprising ways.