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16 produkter

Mountain Aesthetics in Early Modern Latin Literature
AvWilliam M. Barton
Häftad, Engelska, 2019
789 kr
Skickas inom 10-15 vardagar
In the late Renaissance and Early Modern period, man’s relationship to nature changed dramatically. An important part of this change occurred in the way that beauty was perceived in the natural world and in the particular features which became privileged objects of aesthetic gratification. This study explores the shift in aesthetic attitude towards the mountain that took place between 1450 and 1750. Over the course of these 300 years the mountain transformed from a fearful and ugly place to one of beauty and splendor. Accepted scholarly opinion claims that this change took place in the vernacular literature of the early and mid-18th century. Based on previously unknown and unstudied material, this volume now contends that it took place earlier in the Latin literature of the late Renaissance and Early Modern period. The aesthetic attitude shift towards the mountain had its catalysts in two broad spheres: the development of an idea of ‘landscape’ in the geographical and artistic traditions of the 16th century on the one hand, and the increasing amount of scientific and theological investigation dedicated to the mountain on the other, reaching a pinnacle in the late 17th and early 18th centuries. The new Latin evidence for the change in aesthetic attitude towards the mountain unearthed in the course of this study brings material to light which is relevant for the current philosophical debate in environmental aesthetics. The book’s concluding chapter shows how understanding the processes that produced the late Renaissance and Early Modern shift in aesthetic attitude towards the mountain can reveal important information about the modern aesthetic appreciation of nature. Alongside a standard bibliography of primary literature, this volume also offers an extended annotated bibliography of further Latin texts on the mountains from the Renaissance and Early Modern period. This critical bibliography is the first of its kind and constitutes an essential tool for further study in the field.
Mountain Aesthetics in Early Modern Latin Literature
AvWilliam M. Barton
Inbunden, Engelska, 2016
2 807 kr
Skickas inom 10-15 vardagar
In the late Renaissance and Early Modern period, man’s relationship to nature changed dramatically. An important part of this change occurred in the way that beauty was perceived in the natural world and in the particular features which became privileged objects of aesthetic gratification. This study explores the shift in aesthetic attitude towards the mountain that took place between 1450 and 1750. Over the course of these 300 years the mountain transformed from a fearful and ugly place to one of beauty and splendor. Accepted scholarly opinion claims that this change took place in the vernacular literature of the early and mid-18th century. Based on previously unknown and unstudied material, this volume now contends that it took place earlier in the Latin literature of the late Renaissance and Early Modern period. The aesthetic attitude shift towards the mountain had its catalysts in two broad spheres: the development of an idea of ‘landscape’ in the geographical and artistic traditions of the 16th century on the one hand, and the increasing amount of scientific and theological investigation dedicated to the mountain on the other, reaching a pinnacle in the late 17th and early 18th centuries. The new Latin evidence for the change in aesthetic attitude towards the mountain unearthed in the course of this study brings material to light which is relevant for the current philosophical debate in environmental aesthetics. The book’s concluding chapter shows how understanding the processes that produced the late Renaissance and Early Modern shift in aesthetic attitude towards the mountain can reveal important information about the modern aesthetic appreciation of nature. Alongside a standard bibliography of primary literature, this volume also offers an extended annotated bibliography of further Latin texts on the mountains from the Renaissance and Early Modern period. This critical bibliography is the first of its kind and constitutes an essential tool for further study in the field.
Mountain Aesthetics in Early Modern Latin Literature
AvWilliam M. Barton
E-bok
Engelska, 2016
926 kr
Läs direkt efter köp
In the late Renaissance and Early Modern period, manâ€™s relationship to nature changed dramatically. An important part of this change occurred in the way that beauty was perceived in the natural world and in the particular features which became privileged objects of aesthetic gratification. This study explores the shift in aesthetic attitude towards the mountain that took place between 1450 and 1750. Over the course of these 300 years the mountain transformed from a fearful and ugly place to one of beauty and splendor. Accepted scholarly opinion claims that this change took place in the vernacular literature of the early and mid-18th century. Based on previously unknown and unstudied material, this volume now contends that it took place earlier in the Latin literature of the late Renaissance and Early Modern period. The aesthetic attitude shift towards the mountain had its catalysts in two broad spheres: the development of an idea of â€˜landscapeâ€™ in the geographical and artistic traditions of the 16th century on the one hand, and the increasing amount of scientific and theological investigation dedicated to the mountain on the other, reaching a pinnacle in the late 17th and early 18th centuries. The new Latin evidence for the change in aesthetic attitude towards the mountain unearthed in the course of this study brings material to light which is relevant for the current philosophical debate in environmental aesthetics. The bookâ€™s concluding chapter shows how understanding the processes that produced the late Renaissance and Early Modern shift in aesthetic attitude towards the mountain can reveal important information about the modern aesthetic appreciation of nature. Alongside a standard bibliography of primary literature, this volume also offers an extended annotated bibliography of further Latin texts on the mountains from the Renaissance and Early Modern period. This critical bibliography is the first of its kind and constitutes an essential tool for further study in the field.
Mountain Aesthetics in Early Modern Latin Literature
AvWilliam M. Barton
E-bok
PDF, Engelska, 2016
926 kr
Läs direkt efter köp
In the late Renaissance and Early Modern period, manâ€™s relationship to nature changed dramatically. An important part of this change occurred in the way that beauty was perceived in the natural world and in the particular features which became privileged objects of aesthetic gratification. This study explores the shift in aesthetic attitude towards the mountain that took place between 1450 and 1750. Over the course of these 300 years the mountain transformed from a fearful and ugly place to one of beauty and splendor. Accepted scholarly opinion claims that this change took place in the vernacular literature of the early and mid-18th century. Based on previously unknown and unstudied material, this volume now contends that it took place earlier in the Latin literature of the late Renaissance and Early Modern period. The aesthetic attitude shift towards the mountain had its catalysts in two broad spheres: the development of an idea of â€˜landscapeâ€™ in the geographical and artistic traditions of the 16th century on the one hand, and the increasing amount of scientific and theological investigation dedicated to the mountain on the other, reaching a pinnacle in the late 17th and early 18th centuries. The new Latin evidence for the change in aesthetic attitude towards the mountain unearthed in the course of this study brings material to light which is relevant for the current philosophical debate in environmental aesthetics. The bookâ€™s concluding chapter shows how understanding the processes that produced the late Renaissance and Early Modern shift in aesthetic attitude towards the mountain can reveal important information about the modern aesthetic appreciation of nature. Alongside a standard bibliography of primary literature, this volume also offers an extended annotated bibliography of further Latin texts on the mountains from the Renaissance and Early Modern period. This critical bibliography is the first of its kind and constitutes an essential tool for further study in the field.
Pervigilium Veneris
A New Critical Text, Translation and Commentary
AvWilliam M. Barton
Inbunden, Engelska, 2018
2 090 kr
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This study provides a critical edition of the Pervigilium Veneris with a Latin text, translation and commentary. This late-antique poem, the ‘Vigil of Venus’, is of unknown date and authorship. It exists in four heavily corrupted manuscripts, including the Codex Salmasianus, as part of a collection of later Latin poetry compiled around the 6th Century AD. Considerable attention has been paid to the piece since its first edition in the 16th century, largely on account of its singularity, mysterious origins and enigmatic final stanza, in which the poet suddenly bursts into the piece lamenting his 'lost muse'. Despite this scholarly interest, much work remained to be done in order to arrive at a more solid text of the poem and a more complete understanding of its meaning. This new edition, with detailed commentary notes and a full introduction to the historical and literary contexts of the poem, furthers our knowledge by offering new perspectives and analysis, incorporating existing scholarship and reviving ideas that had previously been set aside.
Pervigilium Veneris
A New Critical Text, Translation and Commentary
AvWilliam M. Barton
E-bok
PDF, Engelska, 2018
592 kr
Läs direkt efter köp
This study provides a critical edition of the Pervigilium Veneris with a Latin text, translation and commentary. This late-antique poem, the ''Vigil of Venus'', is of unknown date and authorship. It exists in four heavily corrupted manuscripts, including the Codex Salmasianus, as part of a collection of later Latin poetry compiled around the 6th Century AD. Considerable attention has been paid to the piece since its first edition in the 16th century, largely on account of its singularity, mysterious origins and enigmatic final stanza, in which the poet suddenly bursts into the piece lamenting his ''lost muse''. Despite this scholarly interest, much work remained to be done in order to arrive at a more solid text of the poem and a more complete understanding of its meaning. This new edition, with detailed commentary notes and a full introduction to the historical and literary contexts of the poem, furthers our knowledge by offering new perspectives and analysis, incorporating existing scholarship and reviving ideas that had previously been set aside.
Pervigilium Veneris
A New Critical Text, Translation and Commentary
AvWilliam M. Barton
E-bok
Engelska, 2018
590 kr
Läs direkt efter köp
This study provides a critical edition of the Pervigilium Veneris with a Latin text, translation and commentary. This late-antique poem, the ''Vigil of Venus'', is of unknown date and authorship. It exists in four heavily corrupted manuscripts, including the Codex Salmasianus, as part of a collection of later Latin poetry compiled around the 6th Century AD. Considerable attention has been paid to the piece since its first edition in the 16th century, largely on account of its singularity, mysterious origins and enigmatic final stanza, in which the poet suddenly bursts into the piece lamenting his ''lost muse''. Despite this scholarly interest, much work remained to be done in order to arrive at a more solid text of the poem and a more complete understanding of its meaning. This new edition, with detailed commentary notes and a full introduction to the historical and literary contexts of the poem, furthers our knowledge by offering new perspectives and analysis, incorporating existing scholarship and reviving ideas that had previously been set aside.
Pervigilium Veneris
A New Critical Text, Translation and Commentary
AvWilliam M. Barton
Häftad, Engelska, 2019
552 kr
Skickas inom 10-15 vardagar
This study provides a critical edition of the Pervigilium Veneris with a Latin text, translation and commentary. This late-antique poem, the ‘Vigil of Venus’, is of unknown date and authorship. It exists in four heavily corrupted manuscripts, including the Codex Salmasianus, as part of a collection of later Latin poetry compiled around the 6th Century AD. Considerable attention has been paid to the piece since its first edition in the 16th century, largely on account of its singularity, mysterious origins and enigmatic final stanza, in which the poet suddenly bursts into the piece lamenting his 'lost muse'. Despite this scholarly interest, much work remained to be done in order to arrive at a more solid text of the poem and a more complete understanding of its meaning. This new edition, with detailed commentary notes and a full introduction to the historical and literary contexts of the poem, furthers our knowledge by offering new perspectives and analysis, incorporating existing scholarship and reviving ideas that had previously been set aside.
Nyhet
Latin Verse of Martin Luther
Texts, Translations and Commentary
AvCarl P. E. Springer,Gesine Manuwaldm. fl.
Häftad, Engelska, 2026
468 kr
Skickas
Martin Luther wrote a number of Latin poems, mostly using traditional classical metres, over the course of his career. He used them to praise friends, insult adversaries and express his faith in times of distress. Up until now, Luther’s Neo-Latin poetry has largely fallen through the disciplinary cracks. Literary scholars have traditionally paid more attention to the Latin verse of more celebrated humanist poets such as Petrarch. Students of the Reformation have concentrated far more often on Luther’s prose and his famous German hymns than on his Latin poems. Even scholars who are familiar with Luther’s Neo-Latin poetry have dismissed it as of only marginal significance.As this book demonstrates, Luther’s Latin verses are valuable cultural products that amply reward scholarly reconsideration. Springer’s volume is the first to provide English translations of all of them. It also includes extensive introductions and line-by-line annotations for each of the poems, situating them within their literary traditions and contemporary contexts. As such, it enables readers to see that far from being a reformer who more or less repudiated the Classics, or someone who merely dabbled in them, Luther was a confident, even bold, Latin poet, who was serious about working out his own distinctive synthesis between Christianity and the language and literature of the ancient Romans.
Petrarch’s Africa and Its Afterlives
Race, Nation, and Empire
AvSamuel Agbamu,Gesine Manuwaldm. fl.
Inbunden, Engelska, 2026
1 369 kr
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This open access monograph sheds new light on the epic by focusing on its importance as a vector for ideas about Africa and Africans between the 14th and 20th centuries. In Italy and abroad, the 14th-century poet Petrarch’s Italian verse has secured his place in literary history. Yet his greatest triumph was to be crowned in Rome in 1341, ostensibly for his then incomplete Latin epic of the Second Punic War, the Africa. However, soon after the poem’s posthumous publication, the Africa fell into relative obscurity. The afterlives of the epic remain largely unexplored, particularly with regard to Petrarch’s representation of the Second Punic War and the continent on which Scipio Africanus defeated Hannibal: Africa.The book also explores the contribution of the Africa to early modern and modern discourses of religion, nation and empire. Samuel Agbamu uncovers the role of the Africa in the intellectual archaeologies of nation, empire and race in the modern era and its role as a vector in the transmission and transformation of Roman ideas of empire and identity as reflected in accounts of the Punic War. This monograph makes its case through fresh close readings of the Africa, using new methodologies based on Premodern Critical Race Studies and Critical Muslim Studies.The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the University of Reading.
Anthology of Neo-Latin Poetry by Classical Scholars
AvStephen Harrison,Gesine Manuwaldm. fl.
Inbunden, Engelska, 2024
1 610 kr
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Presenting a range of Neo-Latin poems written by distinguished classical scholars across Europe from c. 1490 to c. 1900, this anthology includes a selection of celebrated names in the history of scholarship. Individual chapters present the Neo-Latin poems alongside new English translations (usually the first) and accompanying introductions and commentaries that annotate these verses for a modern readership, and contextualise them within the careers of their authors and the history of classical scholarship in the Renaissance and early modern period.An appealing feature of Renaissance and early modern Latinity is the composition of fine Neo-Latin poetry by major classical scholars, and the interface between this creative work and their scholarly research. In some cases, the two are actually combined in the same work. In others, the creative composition and scholarship accompany each other along parallel tracks, when scholars are moved to write their own verse in the style of the subjects of their academic endeavours. In still further cases, early modern scholars produced fine Latin verse as a result of the act of translation, as they attempted to render ancient Greek poetry in a fitting poetic form for their contemporary readers of Latin.
Anthology of Neo-Latin Poetry by Classical Scholars
AvStephen Harrison,Gesine Manuwaldm. fl.
Häftad, Engelska, 2025
488 kr
Skickas inom 10-15 vardagar
Presenting a range of Neo-Latin poems written by distinguished classical scholars across Europe from c. 1490 to c. 1900, this anthology includes a selection of celebrated names in the history of scholarship. Individual chapters present the Neo-Latin poems alongside new English translations (usually the first) and accompanying introductions and commentaries that annotate these verses for a modern readership, and contextualise them within the careers of their authors and the history of classical scholarship in the Renaissance and early modern period.An appealing feature of Renaissance and early modern Latinity is the composition of fine Neo-Latin poetry by major classical scholars, and the interface between this creative work and their scholarly research. In some cases, the two are actually combined in the same work. In others, the creative composition and scholarship accompany each other along parallel tracks, when scholars are moved to write their own verse in the style of the subjects of their academic endeavours. In still further cases, early modern scholars produced fine Latin verse as a result of the act of translation, as they attempted to render ancient Greek poetry in a fitting poetic form for their contemporary readers of Latin.
Anthology of Neo-Latin Poetry by Classical Scholars
AvStephen Harrison,Gesine Manuwaldm. fl.
E-bok
PDF, Engelska, 2024
521 kr
Läs direkt efter köp
Presenting a range of Neo-Latin poems written by distinguished classical scholars across Europe from c. 1490 to c. 1900, this anthology includes a selection of celebrated names in the history of scholarship. Individual chapters present the Neo-Latin poems alongside new English translations (usually the first) and accompanying introductions and commentaries that annotate these verses for a modern readership, and contextualise them within the careers of their authors and the history of classical scholarship in the Renaissance and early modern period.An appealing feature of Renaissance and early modern Latinity is the composition of fine Neo-Latin poetry by major classical scholars, and the interface between this creative work and their scholarly research. In some cases, the two are actually combined in the same work. In others, the creative composition and scholarship accompany each other along parallel tracks, when scholars are moved to write their own verse in the style of the subjects of their academic endeavours. In still further cases, early modern scholars produced fine Latin verse as a result of the act of translation, as they attempted to render ancient Greek poetry in a fitting poetic form for their contemporary readers of Latin.
Anthology of Neo-Latin Poetry by Classical Scholars
AvStephen Harrison,Gesine Manuwaldm. fl.
E-bok
Engelska, 2024
521 kr
Läs direkt efter köp
Presenting a range of Neo-Latin poems written by distinguished classical scholars across Europe from c. 1490 to c. 1900, this anthology includes a selection of celebrated names in the history of scholarship. Individual chapters present the Neo-Latin poems alongside new English translations (usually the first) and accompanying introductions and commentaries that annotate these verses for a modern readership, and contextualise them within the careers of their authors and the history of classical scholarship in the Renaissance and early modern period.An appealing feature of Renaissance and early modern Latinity is the composition of fine Neo-Latin poetry by major classical scholars, and the interface between this creative work and their scholarly research. In some cases, the two are actually combined in the same work. In others, the creative composition and scholarship accompany each other along parallel tracks, when scholars are moved to write their own verse in the style of the subjects of their academic endeavours. In still further cases, early modern scholars produced fine Latin verse as a result of the act of translation, as they attempted to render ancient Greek poetry in a fitting poetic form for their contemporary readers of Latin.
Latin Poetry of Thomas Gray
Edited with Introduction, Translation and Commentary
AvEstelle Haan,Gesine Manuwaldm. fl.
Häftad, Engelska, 2026
472 kr
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In the first full-scale edition of Thomas Gray’s Latin poetry, the Latin text and facing English translation are complemented by a detailed introduction and comprehensive commentary that situate Gray’s Latin verse in relation to his vernacular poetry, epistolary correspondence, and, especially, his appropriation of classical and Neo-Latin literature. This book also traces hitherto unlocated manuscripts of several of his Latin poems, and includes an editio princeps of recently discovered Latin verses pertaining to his Neapolitan sojourn.Gray’s Latin poetry presents an illuminating portrait of the artist as a young man, mapping his growth and development from his Etonian days to his undergraduate years at Cambridge University, to his continental journey and his return to England. Impressively eclectic in its scope and tone, it ranges from experimental renderings of English, Greek and Italian verse to more strikingly original pieces, including poetic reinterpretations of Alexander Pope’s Essay on Man and John Locke’s An Essay Concerning Humane Understanding. Gray looks back to a classical past, offering imaginative re-readings of Lucretius, Virgil and Horace. At the same time, his Latin verse is firmly rooted in a postclassical world. At its heart is the theme of presences, whether sacred, imagined, absent or remembered, conveyed with a linguistic ingenuity that facilitates the encoding of homoeroticism in a Neo-Latin language of sensibility.
William Dillingham's Aegyptus Triumphata
Edited with Introduction, Translation and Commentary
AvEstelle Haan,Gesine Manuwaldm. fl.
Inbunden, Engelska, 2026
1 369 kr
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William Dillingham’s Aegyptus Triumphata (1680) takes as its subject the plagues of Egypt, the crossing of the Red Sea, and Moses’ consequential hymn of thanksgiving to God (Exodus 7–15). This, the first edition of the poem, introduces it to the scholarly community. Balancing accessibility with critical and theoretical rigour, it presents the Latin text and a facing English translation, complemented by an Introduction and Commentary that situate the work in relation to: biblical verse-paraphrase; the biblical epic tradition from the late antique to the early modern periods; Dillingham’s Neo-Latin and vernacular corpus; his role as an anthologist and promoter of Neo-Latin verse; and his appropriation of biblical, classical, and Neo-Latin literature.This accomplished, yet hitherto neglected, poem assumes an interesting place alongside late antique and early modern Latin epics inspired by the Old Testament in general and by Exodus in particular. Central to the genre is an intertextual engagement with Virgil’s Aeneid. Dillingham’s brief epic Romanizes and creatively embellishes its biblical source through authorial commentary, a recourse to epic simile, and, most notably, an experimental engagement with Virgil’s poetic corpus and the biblical text’s quasi-Virgilian afterlives.

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William M. Barton – författare

Mountain Aesthetics in Early Modern Latin Literature

Mountain Aesthetics in Early Modern Latin Literature

Mountain Aesthetics in Early Modern Latin Literature

Mountain Aesthetics in Early Modern Latin Literature

Pervigilium Veneris

Pervigilium Veneris

Pervigilium Veneris

Pervigilium Veneris

Latin Verse of Martin Luther

Petrarch’s Africa and Its Afterlives

Anthology of Neo-Latin Poetry by Classical Scholars

Anthology of Neo-Latin Poetry by Classical Scholars

Anthology of Neo-Latin Poetry by Classical Scholars

Anthology of Neo-Latin Poetry by Classical Scholars

Latin Poetry of Thomas Gray

William Dillingham's Aegyptus Triumphata

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