Yaron Peleg – författare
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10 produkter
10 produkter
209 kr
Skickas inom 10-15 vardagar
Over the past two decades, profound changes in Israel opened its society to powerful outside forces and the dominance of global capitalism. As a result, the centrality of Zionism as an organizing ideology waned, prompting expressions of anxiety in Israel about the coming of a post-Zionist age. The fears about the end of Zionism were quelled, however, by the Palestinian uprising in 2000, which spurred at least a partial return to more traditional perceptions of homeland. Looking at Israeli literature of the late twentieth century, Yaron Peleg shows how a young, urban class of Israelis felt alienated from the Zionist values of their forebears, and how they adopted a form of escapist romanticism as a defiant response that replaced traditional nationalism. One of the first books in English to identify the end of the post-Zionist era through inspired readings of Hebrew literature and popular media, Israeli Culture between the Two Intifadas examines Israel's ambivalent relationship with Jewish nationalism at the end of the twentieth century.
393 kr
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With top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading Israeli film scholars examine Israeli cinema as a prism that refracts collective Israeli identities through the medium and art of motion pictures. The contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and Judaism; discourses of place in the age of globalism; filming the Palestinian Other; and new cinematic discourses. The authors' illuminating readings of Israeli films reveal that Israeli cinema offers rare visual and narrative insights into the complex national, social, and multicultural Israeli universe, transcending the partial and superficial images of this culture in world media.
797 kr
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Calling into question prevailing notions about Orientalism, Yaron Peleg shows how the paradoxical mixture of exoticism and familiarity with which Jews related to Palestine at the beginning of the twentieth century shaped the legacy of Zionism. In Peleg's view, the tension between romancing the East and colonizing it inspired a revolutionary reform that radically changed Jewish thought during the Hebrew Revival that took place between 1900 and 1930.Orientalism and the Hebrew Imagination introduces a fresh voice to the contentious debate over the concept of Orientalism. Zionism has often been labeled a Western colonial movement that sought to displace and silence Palestinian Arabs. Based on his readings of key texts, Peleg asserts that early Zionists were inspired by Palestinian Arab culture, which in turn helped mold modern Jewish gender, identity, and culture.Peleg begins with the new ways in which the lands of the Bible are formulated as a modern "Orient" in David Frishman's Bamidbar. He continues by showing how in The Sons of Arabia, Moshe Smilansky laid the basis for the literary construction of the "New Jew," modeled after Palestinian Arabs. Peleg concludes with a discussion of L. A. Arielli's 1913 play Allah Karim! in which both the promise and the problems of the Land of Israel as "Orient" marked the end of Hebrew Orientalism as a viable cultural option.
385 kr
Skickas inom 7-10 vardagar
The literature on Zionism as a political ideology is extensive, but this book takes a different approach by focusing on the cultural dimensions of the movement and their profound impact on the history of Israel and the Jewish people. New Hebrews explores the cultural history of Zionism, starting from the meeting of the first Zionist congress in Basel, Switzerland in 1897, and culminating with the establishment of the State of Israel fifty-one years later in 1948. Yaron Peleg explores how innovative approaches in language, literature, architecture, art, music, and body culture transformed modern Jewish culture. His study delves into the contentious facets of early Zionist culture, such as colonialism, social engineering, minority discourse, and Jewish-Arab relations. New Hebrews presents an interdisciplinary examination of nationalism, drawing from a diverse array of primary sources to uncover the psychology of modern Israel. This title is also available as open access on Cambridge Core.
1 411 kr
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This book is a new and comprehensive history of modern Hebrew literature that revitalizes older histories while integrating contemporary theories on literature, culture, identity, and canon formation. The collection aims to deterritorialize this history by emphasizing the broad geographic spread of Hebrew literary activity, encompassing developments before and beyond the State of Israel. By expanding the scope of representation, this updated history provides a platform for a more diverse array of contributors and highlights previously understudied communities and works. This approach allows for a richer understanding of modern Hebrew literature, recognizing its global contexts and the varied voices that have shaped its evolution.
922 kr
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As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. Directed by God explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it.Once the purview of secular culture, Israel’s media initially promoted alternatives to traditional religious expression; however, using films such as Kadosh, Waltz with Bashir, and Eyes Wide Open, Yaron Peleg shows how Israel’s contemporary film and television programs have been shaped by new religious trends and how secular Israeli culture has processed and reflected on its religious heritage. He investigates how shifting cinematic visions of Jewish masculinity and gender track transformations in the nation’s religious discourse. Moving beyond the secular/religious divide, Directed by God explores changing film and television representations of different Jewish religious groups, assessing what these representations may mean for the future of Israeli society.
289 kr
Skickas inom 10-15 vardagar
As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. Directed by God explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it.Once the purview of secular culture, Israel’s media initially promoted alternatives to traditional religious expression; however, using films such as Kadosh, Waltz with Bashir, and Eyes Wide Open, Yaron Peleg shows how Israel’s contemporary film and television programs have been shaped by new religious trends and how secular Israeli culture has processed and reflected on its religious heritage. He investigates how shifting cinematic visions of Jewish masculinity and gender track transformations in the nation’s religious discourse. Moving beyond the secular/religious divide, Directed by God explores changing film and television representations of different Jewish religious groups, assessing what these representations may mean for the future of Israeli society.
591 kr
Skickas inom 5-8 vardagar
A comprehensive analysis of the major trends and developments in contemporary Israeli media.In the twenty-first century, Israeli filmmaking has transformed from a localized industry into a globally recognized and diverse national cinema, its filmmakers gaining prominence internationally and introducing new themes, aesthetics, and voices to the scene. At the same time, Israeli television shows have emerged as a dominant force, propelled by the spread of streaming. Through the rise of online content creation and consumption, especially in the 2010s, new voices have revolutionized the creative landscape. With Israel’s position at the cutting edge of technology and virtual platforms, Israeli media has seen a boom, winning prizes at international film festivals and adapting shows like Euphoria, Homeland, and Fauda for wider audiences. In New Directions in Israeli Media, thirteen contributors detail the shifting dynamics of Israeli cinema, television, and online content in the digital age, exploring how globalization, technological advances, and changing audience preferences are reshaping creative industries. Editors Yaron Peleg, Eran Kaplan, and Ido Rosen have assembled a volume that prompts critical reflection on the intersection of art, technology, and culture in a rapidly changing media landscape.
524 kr
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Written by the core faculty of the Hebrew program at Brandeis University, the pilot edition of Brandeis Modern Hebrew, Intermediate to Advanced serves as a sequel to the well-known volume for beginners. It contains the functional and contextual elements to bring users' Hebrew language proficiency to the intermediate level and introduce students to skills they need to become advanced in their use of the language.This volume reflects key principles of the Brandeis University Hebrew curriculum. These include:•Placing emphasis on the learner's ability to use Hebrew in four skill areas: listening, reading, speaking, and writing •Contextualizing each unit within a specific subject or theme•Exposing the student to authentic materials and exploring aspects of Israeli and Jewish culture through language drills and reading passages
683 kr
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Written by the core faculty of the Hebrew Written by the core faculty of the Hebrew Program at Brandeis University, Brandeis Modern Hebrew is an accessible introduction to the Hebrew language for American undergraduates and high school students. Its functional and contextual elements are designed to bring students from the beginner level to the intermediate level, and to familiarize them with those linguistic aspects that will prepare them to function in advanced stages. This volume reflects some of the main principles that have shaped the Brandeis Hebrew curriculum during the past decade. These include: • an emphasis on the learner’s ability to use the target language in all four skills areas: speaking, listening, reading, and writing • an effort to contextualize each unit within a specific subject or theme • exposing the student to authentic and semi-authentic materials (texts written by native speakers) • exploring different elements from Israeli and Jewish culture in the language drills, reading passages, and in selections of sources from the Hebrew literary canon The text in this edition comprises a short introduction to the instructor, 11 units, supplementary Hebrew proficiency guidelines, and a vocabulary list. Audio-visual components for all reading passages are available online for download.Program at Brandeis University, Brandeis Modern Hebrew is an accessible introduction to the Hebrew language for American undergraduates and high school students.