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This book, published to accompany the Azzedine Alaïa Foundation's current exhibition (running through June 29, 2025), explores their extraordinary friendship, creative collaborations, and lasting impact on the history of fashion. Azzedine Alaïa moved to Paris from Tunis in 1956 and quickly became the favorite couturier of the French high society like Louise de Vilmorin and many celebrities, including Greta Garbo and Claudette Colbert. In 1979, he crossed paths with Thierry Mugler, igniting a deep friendship and creative partnership that would go on to shape the fashion landscape of the 1980s. That same year, Mugler invited Alaïa to design a series of tuxedos for his autumnwinter collection, publicly acknowledging his contribution in the press kit. Mugler’s support proved crucial — he introduced Alaïa to key fashion figures and played a pivotal role in persuading him to present his first runway show in New York in 1982, even assisting with the event's organization. Together, their shared vision celebrated a powerful femininity, structured silhouettes, and Hollywood-inspired glamour, which marked a sharp contrast to the folkloric trends that had dominated the previous decade.

The visual dialogue between two maitre couturiers featuring the best creations of Azzedine Alaia and Christian Dior It was in Tunisia, when he was still a teenager, that the young Alaïa first discovered the creations of Christian Dior through fashion magazines made available to him by Madame Pinault. In 1956, on his arrival in Paris, he undertook a brief four-day internship with the great couturier, whom he had always admired. During this time, he immersed himself in the unique atmosphere of a fashion house, observed the work of the head of the atelier, and witnessed the creation of a collection... This seminal experience would be spoken of with emotion for many years to come.The book Azzedine Alaïa and Christian Dior: Two Masters of Couture offers a dialogue between Azzedine Alaïa's models and those that the couturier patiently collected from Christian Dior. It highlights concepts of style and creation that, despite being separated by several decades, respond to, unite or confront each other, bearing witness to a shared sensibility over time.

Stunning photography reveals the hidden architecture of the natural world, from grand vistas to tiny details, punctuated by surprise encounters with wildlife. For nature and animal lovers alike, this book offers a dynamic and unforgettable journey celebrating the interconnectedness of life and form. Wonders: Exploring Nature's Art explores the natural design woven into the fabric of our planet. See the beauty of unexpected structures and delicate rhythms echoed across animal markings, grand landscapes, geological formations, and botanical design; all in breathtaking detail. The photographs in this book were made across a wide arc of the natural world: from the volcanic coasts of Iceland to the wilds of Kenya, the icy fjords of Antarctica to the rainforests of British Columbia. They follow the silent geometry of hippo trails in Botswana, the intricate symmetry of ice caves in Svalbard, and the mysterious worlds found in cold underwater environments. Many of the images were also created close to Jon’s home, along the coastlines, forests, and deserts of California; a testament to the universality of pattern wherever nature is allowed to thrive. Throughout, encounter wildlife interwoven within these complex environments, creating fleeting patterns of movement both beautiful and vital. Each turn of the page reveals a new perspective on the symmetries that shape both the grand and the small: tree rings under a microscope juxtaposed with elephant migration trails seen from above; the delicate architecture that structures both mineral formations and the feathers of ancient birds.These quiet, often-overlooked subtleties are more relevant than ever as our planet; this remarkable and irreplaceable home, brimming with beauty; is also marked by a profound fragility. A lyrical introduction encourages readers to contemplate the natural wonders that surround us, while short essays by explorers and scientists throughout the book illuminate the images.This book serves as a testament to the enduring power of nature and the interconnectedness of all things; a reminder that whether vast or minute, still or in motion, the natural world is a masterpiece of pattern and life.

Not just an ambitious restoration of a fascinating unseen archive, but a book that takes on the gargantuan task of shifting the collective memory around key moments in British youth culture history, with a mesmerizing force of honesty and humanity. By the man who’s previous books Skins (1994), and Skins & Punks (2008), have been hailed as modern classics, Damiani is pleased to announce the latest Gavin Watson monograph, titled Oh the Fun We Had! Appropriating the Madness lyrics as an anthem of its times, this intimate selection of photography disrupts the notion of skinheads and council estate residents as problematic figures in an almost endearing manner while still preserving the subversive character of the cult of youth. At an undisputed time of little optimism, Oh the Fun We Had! is a very important fly-on-the-wall testimonial and reminder that no matter how difficult life is; so it shall also be Fun... At least when captured from the right angle.

Inge Bondi combines her recollections with Ernst Haas' letters, poems, photos, to narrate Haas's 40 year photography career. The book is in itself a letter from Bondi to Haas. "[S]heds new light on the life of renowned Magnum photographer, Ernst Haas, while at the same time showcasing his art... It also tells the story of one of photography's great innovators, who always trod his own path." - Black+White Photography Writer Inge Bondi sheds fresh light on the life of her close friend and colleague, the Austrian American photographer Ernst Haas (1921–86), whom she first met in New York’s Magnum offices in 1951. Bondi shares unique memories of this brilliant and very private man alongside reproductions of his letters, poems, photographs, and ephemera, revealing for the first time details of his harrowing war years and complex personal life. The book’s 13 chapters cover Haas’ Homecoming Prisoners of War (1947), which prompted Robert Capa to invite him to join Magnum Photos; pioneering color reportage for Life and Vogue, featuring his blurred portraits of bullfighting and saturated images of New York; and his work on film sets, including The Bible, which led to the publication of Haas’ groundbreaking and acclaimed 1971 photobook The Creation.

Photographer Joel Meyerowitz (born 1938) began photographing redheads in 1978 against the contrasting blue backdrop of Cape Cod. The portraits from this period are collected in this new edition of Meyerowitz's 1991 photobook Redheads, featuring 16 additional images. After running an ad in the Provincetown Advocate, Meyerowitz began collecting the experiences of people who grew up with red hair, in addition to photographing them. Making up only two or three percent of the world’s population, their stories of schoolyard bullying and self-acceptance illustrate a broader narrative of growth and beauty.Despite cultural and racial distinctions between redheads, the phenotypic association between the subjects brings a sense of familiality to the collection of portraits.Meyerowitz describes how red hair and its reaction to light evokes a sense of the color film process. He is known for his transition to color film during a period of resistance to color photography. “My way of making portraits is not by getting down on my hands and knees, nor climbing high on a ladder, nor getting into bed with a celebrity,” Meyerowitz writes, “but simply standing eye to eye with anyone who has found their way to me, young or old. I need only one or two sheets of film and the patience to see it through.” This hardcover edition includes previously unseen portraits.

TOILETPAPER is a picture based magazine founded in 2010 by Maurizio Cattelan and Pierpaolo Ferrari. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialisation of the duo's mental outbursts. TOILETPAPER combines the vernacular of commercial photography with twisted narrative tableaux and a troubling imagination, creating a world that displays ambiguous and surrealistic imagery. TOILETPAPER images have been reviewed by weekly and art magazines worldwide and appeared in special issues of magazines such as Vice and Hunger. TOILETPAPER was also exhibited on the High Line Billboard in Chelsea, NYC in May, 2012. In the same year images taken from the first six issues have been published in an anthology, together with selected narrative texts, that was reviewed in The New York Times' Top 10 Photo Books.

“The real charm of Byways isn’t playing spot-the-location as Deakins dabbles between takes, but the window it opens onto his youthful eye. You can trace his drive from an early age to catch the light at its best – or wait for it – all night if necessary.” - The Telegraph“…his first monograph, Byways, looks not to his revered cinematography career, but his decades-long habit of taking still photographs. Among them are breathtaking landscapes and moments of stillness, interspersed with photographs imbued with wit thanks to the playful possibilities of scale, framing and timing. It’s the kind of dry humour that sits passers by in conversation with monuments and miscellaneous objects in the street, or captures a canine rendition of Cartier-Bresson’s seminal image Behind The Gare Saint-Lazare. – Creative Review“Candid close-ups, wide-angle landscapes, and dynamic long exposures, his monochrome photographs display a variety of approaches and techniques, yet first and foremost, testify to the remarkably perceptive artistic gaze that has seen him nominated for an Oscar on fifteen separate occasions (winning twice).Thoughtful, poetic, and profoundly arresting, they display his distinct enigmatic sensibility, and presented for the most part with little or no information or context (index aside) form a compelling visual soliloquy that conveys with great eloquence, the profound power of the still image.” The Independent Photographer“An intimate introduction to the man behind the lens” – The TimesPortraits and landscapes from the cinematographer famed for his work with Sam Mendes and the Coen brothers This is the first monograph by the legendary Oscar-winning cinematographer Sir Roger Deakins, best known for his collaborations with directors such as the Coen brothers, Sam Mendes and Denis Villeneuve. It includes previously unpublished black-and-white photographs spanning five decades, from 1971 to the present. After graduating from college Deakins spent a year photographing life in rural North Devon, in South West England, on a commission for the Beaford Arts Centre; these images are gathered here for the first time and attest to a keenly ironic English sensibility, also documenting a vanished postwar Britain. A second suite of images expresses Deakins’ love of the seaside. Traveling for his cinematic work has allowed Deakins to photograph landscapes all over the world; in this third group of images, that same irony remains evident.

ToiletMartin PaperParr Book limited edition is a high-impact visual volume revealing the most iconic images from the prolific archives of internationally celebrated artist Martin Parr and the duo who created Toiletpaper, Maurizio Cattelan and Pierpaolo Ferrari. Martin Parr’s ironic, full color images combine perfectly with the irreverent and poignant wit created by Maurizio Cattelan and Pierpaolo Ferrari. The 120 vibrant back-to-back images included in this compelling volume are sensually and visually appealing, as well as reflecting reality. This book of the books shakes up our minds and leads us to move our gaze in multiple directions.This limited edition comes with a special cover and includes a surprise gift...

'Seamlessly woven together, the book explores their [father and son] shared passion for humanism and social activism, using the photograph as a means to foster intimate connections and explore meaningful truths -- a lesson Steve learned studying with illustrious photojournalist W. Eugene Smith.' - i-D Vice 'The dynamism of the images and the inventive sequencing make this not just a book of great photographs, but a great photography book full of energy and verve... a fitting tribute to [Shapiro's] legacy' - B&W Photography Famed photojournalist Steve Schapiro and his son Theophilus Donoghue have collaborated on seventy thirty, a photo project that is 70% Schapiro, 30% Donoghue. Seventy thirty depicts the various faces and expressions of humanity, from metropolitans to migrants, unseen homeless to conspicuous celebrities, such as Alec Guinness, Allen Ginsberg, Muhammad Ali, Robert De Niro, René Magritte, Janis Joplin, Andy Warhol, and the Velvet Underground. Schapiro photographs early New York skateboarders while Donoghue documents current Colombian breakdancers. Father and son both capture philosophically poignant moments that rouse reflection. Schapiro includes his classic photo “Man on Iceberg,” which was the opening double-page spread of a Life story on existentialism. In a similar fashion, Donoghue contributes his contemplative “Hindsight Intersection,” which was recently featured in ARTSY’s 20 21 Artists in Support of Human Rights Watch benefit auction. Shooting in monochrome with an occasional dash of colour, Schapiro and Donoghue portray the proud and lofty as well as the humble and humorous. Alternately profound and playful, Schapiro and Donoghue’s photographs capture a vast range of human emotion and experience. Like his father, Donoghue is equally concerned with social justice issues. For this project, Schapiro has selected images from the 60s civil rights movement and, with Donoghue, provided photos from today’s Black Lives Matter protests and environmental rallies. Apart from numerous stateside locations, their project includes images from India, Italy, Nicaragua, Panama, Costa Rica, Colombia, and Ecuador. Together father and son provide a touching overview of humanity throughout the world from the 1950s to present day.

Toiletpaper is an artists’ magazine created by Maurizio Cattelan and Pierpaolo Ferrari, born from a shared obsession with images and their disruptive power.Since 2010, it has functioned as a visual laboratory where simple ideas evolve into meticulously staged photographs. Published three years after issue 20, Toiletpaper Magazine 21 marks a new chapter, presenting bold, unsettling, and often humorous images where commercial aesthetics collide with surreal distortions, turning the familiar into the uncanny.

'A new book is opening the curtains to the last creative residential sanctuaries left in the city.' '... captures a fading way of life' - ArtNet 'Joshua Carow's lively photo book reveals .. a generation of artists' lives on in downtown lofts...' - World of Interiors 'In his new book Loft Law, The Last of New York City’s Original Artist Lofts, Charow intimately captures spaces and faces from the dwindling fraternity of auteurs protected under the 1982 New York law of the same name.' - Highsnobiety Charow spent the past two years creating his first photography book about artists living under the protection of The Loft Law. The law, enacted in 1982, granted protection and rent control to thousands of artists who were living illegally in commercial and manufacturing zoned lofts in neighborhoods like Soho, Tribeca, and the Bowery after the manufacturing industry left New York. Two years ago he found a map of the remaining protected buildings, rang hundreds of doorbells, and photographed and interviewed over 50 artists who are still living in these incredible lofts to this day. As New York faces an unprecedented amount of empty commercial space, this is perfect timing for this incredible untold story.

Chromotherapia: The Feel-Good Color Photography offers genuine relief from the black-and-white world. Often disparaged, not always taken seriously, color photography has nevertheless allowed artists to get out their palettes and “paint.” Many have freed themselves from the medium’s documentary status to explore the common roots of the image and the imaginary, flirting with the worlds of Surrealism and Pop. Famed Italian visual artist and curator Maurizio Cattelan and curator Sam Stourdzé offer a rereading of the history of color photography through the 20th century into the 21st, and through the works of over 20 artists who take us on a journey into vibrant, acidulous worlds. Treat yourself to sunny yellow, azure blue, bright red, bubbly orange and more, straight from the lenses of the biggest names in color photography. Artist include: Yevonde Middleton, Harold Edgerton, Erwin Blumenfeld, Walter Chandoha, William Wegman, Hiro, Guy Bourdin, Alex Prager, Juno Calypso, Adrienne Raquel, Miles Aldridge, Ouka Leele, Hassan Hajjaj, Ruth Ossai, Pierre et Gilles, Sandy Skoglund, Martin Parr, Arnold Odermatt, Toiletpaper.

The first monograph by acclaimed fine-art photographer Lara Porzak, The Chemistry of Memory, is a 240 hardcover with open-sewn binding, presenting over 150 images, many never before published, in a single, definitive volume. Working exclusively with analog techniques such as tintypes and gelatin silver printing, Porzak crafts photographs that function as both images and physical artifacts. Spanning three decades of work, the book moves pastoral scenes and still lifes shaped by Porzak’s sustained engagement with the natural world. The images shift among open environments of animals, flora, celestial forms, and the human experience. A deeply personal conversation with Porzak’s mother, the Pulitzer Prize–nominated novelist Marianne Wiggins, is woven throughout the book. Their dialogue reflects on photography, aging, language, memory, and the physical act of making the visual a lyrical exchange between image and word. The Chemistry of Memory is a reflective volume that considers how photographs can carry experience, feeling, and presence over time.

We are very pleased to introduce Open Source Development, Communities and Quality. The International Conference on Open Source Systems has come to its fourth edition – OSS 2008. Now, Free, Libre, and Open Source software is by all means now one of the most relevant subjects of study in several disciplines, ranging from information technology to social sciences and including also law, business, and political sciences. There are several conference tracks devoted to open source software with several publications appearing in high quality journals and magazines. OSS 2008 has been organized with the purpose of being the reference venue for those working in this area, being the most prominent conference in this area. For this th reason OSS 2008 has been located within the frameworks of the 20 World Computer Congress, WCC 2008, in Milan, the largest event of IFIP in 2008. We believe that this conference series, and the IFIP working group it represents, can play an important role in meeting these challenges, and hope that this book will become a valuable contribution to the open source body of research.

Early research studies on open source software development often betrayed a mild surprise that loosely coordinated networks of volunteers could manage the design and implementation of highly comple software products. In the past few years, a wider research community has become increasingly aware of the tremendous contribution that open source development is making to the software industry, business and society in general. Software engineering researchers are exploring OSS specifically with respect to development tools and methodologies, while organizational scientists and economists are keen on understanding how open sources have brought large communities of people to help each other effectively.This book is an important step in the direction of a fuller understanding of the OSS phenomenon. It collects the proceedings of the Second International Conference on Open Software held in Como, Italy, from June 8th to June 10th, 2006. OSS 2006 was the foundation conference of the IFIP TC 2 WG 2.13 on Open Source Software, and attracted many researchers from all over the world interested in how OSS is produced, in its huge innovation potential in many different application fields and in OSS innovative business models. The 20 full papers of this volume were selected via a rigourous refereeing process among more than 100 submissions; 12 additional submissions, in view of their interest, were selected for publication in a more concise form.

Traditionally,signalprocessingtechniqueslayatthefoundationofmultimedia data processing and analysis. In the past few years, a new wave of advanced signal-processing techniques has delivered exciting results, increasing systems capabilities of e?ciently exchanging image data and extracting useful kno- edge from them. Signal Processing for Image Enhancement and Multimedia Processing is an edited volume, written by well-recognized international - searchers with extended chapter style versions of the best papers presented at the SITIS 2006 International Conference. This book presents the state-of-the-art and recent research results on the application of advanced signal processing techniques for improving the value of image and video data. It also discusses feature-based techniques for deep, feature-oriented analysis of images and new results on video coding on ti- honored topic of securing image information. Signal Processing for Image - hancement and Multimedia Processing is designed for a professional audience composedofpractitionersandresearchersinindustry.Thisvolumeisalsosu- able as a reference or secondary text for advanced-level students in computer science and engineering. The chapters included in this book are a selection of papers presented at the Signal and Image Technologies track of the international SITIS 2006 c- ference. The authors were asked to revise and extend their contributions to take into account the many challenges and remarks discussed at the conf- ence. A large number of high quality papers were submitted to SITIS 2006, demonstrating the growing interest of the research community for image and multimedia processing.

Open Source Systems Security Certification discusses Security Certification Standards and establishes the need to certify open source tools and applications. This includes the international standard for the certification of IT products (software, firmware and hardware) Common Criteria (ISO/IEC 15408) (CC 2006), a certification officially adopted by the governments of 18 nations.Without security certification, open source tools and applications are neither secure nor trustworthy. Open Source Systems Security Certification addresses and analyzes the urgency of security certification for security-sensible markets, such as telecommunications, government and the military, through provided case studies.This volume is designed for professionals and companies trying to implement an Open Source Systems (OSS) aware IT governance strategy, and SMEs looking to attract new markets traditionally held by proprietary products or to reduce costs. This book is also suitable for researchers and advanced-level students.

Web 2.0 is one of the most prominent business models for information systems available today. It brings together technology and social networks, and the interactivity that creates business value. Web 2.0: The Business Model, an edited volume, is the first reference that integrates the business implications of Web 2.0/3.0, along with its linkage to business. The editors' discussions emphasize three major components of Web 2.0: social networks analysis, recommendation systems and community building. This volume also includes a number of successful business models for business exploitation using Web 2.0 and Web 3.0 with various case studies. Web 2.0: The Business Model is designed for professionals working as policy makers, corporate quality managers, and government officers in IT, as well as for researchers, professors and advance-level students in computer science and business management.

Rota’s legacy connects European and Italian research communities to the USA by providing inspiration to several generations of researchers in combinatorics, philosophy and computer science.From Combinatorics to Philosophy: The Legacy of G.

Ambient Intelligence is a vision of the future where the world will be surrounded by electronic environments sensitive and responsive to people, wherein devices work in concert to support people in carrying out their everyday life activities, in an easy and natural way.This edited volume is based on the workshop Multimedia Techniques for Ambient Intelligence (MTDAI08), held in Mogliano Veneto, Italy in March 2008. Contributed by world renowned leaders in the field from academia and industry, this volume is dedicated to research on technologies used to improve the intelligence capability of multimedia devices for imaging, image processing and computer vision. Focuses on recent developments in digital signal processing, including evolutions in audiovisual signal processing, analysis, coding and authentication, and retrieval techniques.Designed for researchers and professionals, this book is also suitable for advanced-level students in computer science and electrical engineering.

This text focuses on building intelligent successful systems. The book adopts a human-centred approach and considers various pragmatic issues and problems in areas like intelligent systems, software engineering, multimedia databases, electronic commerce, data mining, enterprise modelling and human-computer interaction for developing a human-centred virtual machine. The authors describe an ontology of the human-centered virtual machine which includes four components: activity-centered analysis component, problem solving adapter component, transformation agent component, and multimedia based interpretation component. These four components capture the external and internal planes of the system development spectrum. They integrate the physical, social and organizational reality on the external plane with stakeholder goals, tasks and incentives, and organization culture on the internal plane. The human-centred virtual machine and its four components are used for developing intelligent multimedia multi-agent systems in areas like medical decision support and health informatics, medical image retrieval, e-commerce, face detection and annotation, Internet games and sales recruitment.The applications in these areas help to expound various aspects of the human-centred virtual machine including human-centred domain modelling, distributed intelligence and communication, perceptual and cognitive task modelling, component based software development, and multimedia based data modelling. Further, the applications described in the book employ various intelligent technologies like neural networks, fuzzy logic and knowledge based systems, software engineering artifacts like agents and objects, Internet technologies like XML and multimedia artifacts like image, audio, video and text.