Martin Parr – författare

When Martin Parr's The Last Resort was first published and exhibited in 1986, it divided critics and audiences alike. Some saw it as the finest achievement to date of colour photography in Britain whilst others viewed it as an aberration. In hindsight, there is little doubt that it transformed documentary photography in Britain and placed Parr amongst the world's leading photographers. A highly collectable edition of a book that is now considered a classic.

This is a new and extensively revised edition of Martin Parr’s classic photobook Small World.First published in 1996 Small World is one of the most popular and most important of Martin Parr’s books. It has been in print continuously since its first publication. This revised and extended edition includes more than 80 photographs and features many of Martin Parr’s most iconic images.It is a biting, very funny satire in which Parr looks at tourism worldwide, exposing the increasingly homogenous ‘global culture’ where in the search for different cultures those same cultures are destroyed. In a world of ‘carbon footprints’, global warming and climate crisis, the issues that Parr raised almost thirty years ago when the book was first published are even more relevant today.Whilst Parr’s larger‐than‐life troupe of tourists appear willing participants in an omnipresent consumer culture they are also bemused victims – at the mercy of larger social forces and locked into their insatiable craving for spectacle. Small World‘s citizens become a symbol of Western society’s prosperous freedoms, declaring their power and their rights to travel, to choose and to consume.

Following on the heels of Martin Parr’s limited-edition, album-style presentation of Life’s a Beach, released last season, Aperture is delighted to introduce a new beach-bag-sized edition. Parr has been photographing beaches for many decades, documenting all aspects of them, including close-ups of sunbathers, rambunctious swimmers caught mid-plunge, and the eternal sandy picnic underway. His international career, in fact, could well be traced to the launch of The Last Resort, a 1986 book depicting the seaside resort of New Brighton, near Liverpool. What may be less known is that this obsession has led Parr to photograph beaches around the world. This compilation, his first on the topic, presents photos of beachgoers on far-flung shores, including Argentina, Brazil, China, Spain, Italy, Latvia, Japan, the United States, Mexico, Thailand, and of course, the U.K. The compilation brings to the forefront Parr’s engagement with a cherished subject matter—that rare public space in which general absurdities and local quirks seamlessly fuse together. This book shows Parr at his best, startling us with moments of captured absurdity and immersing us in rituals and traditions associated with beach life the world over.

Martin Parr puts the world to rights in this comprehensive catalogue of five decades of his photographs, published to accompany a major exhibition at Jeu de Paume in Paris For over fifty years Martin Parr has photographed the absurdities of the contemporary world, from the frenzy of over-consumption and the ravages of mass tourism to humanity’s increasing reliance on technology and our complex relationship with the animal kingdom.By turns critical, satirical, surprising, and funny, Global Warning is published in association with Jeu de Paume to accompany a new major exhibition of Parr’s photography at the arts centre in Paris in January – May 2026.Richly illustrated with more than 175 of his photographs, from his early black-and-white work in the raucous holiday parks and sleepy supermarkets of rural England to his more recent colour photography of bustling tourist attractions and must-see destinations from across the globe, Global Warning offers a reinterpretation of Martin Parr’s work and position in a time of widespread global disorder.Featuring a tone-setting introduction by Quentin Bajac, director of Jeu de Paume, four further essays by Jean-François Staszak, Roberta Sassatelli, Violette Pouillard, and Adam Greenfield, experts in the fields of geography, sociology, wildlife conservation and urban design, put the selection of works into context and explore the important topics that seem immediately relevant to our everyday lives.Showcasing many of Parr’s most renowned images alongside rarely published hidden gems, Global Warning presents more than five decades of incisive visual commentary from one of the world’s most celebrated photographers.

A fun collection of Martin Parr's food pictures, which documents the simple notion that 'we are what we eat'.Real Food celebrates all things food through the eyes of the renowned British photographer Martin Parr - a kaleidoscope of foods the world over, from hot dogs to sticky buns and langoustine to lemon meringue pie.Featuring photographs taken throughout Martin Parr's prolific career to-date, Real Food will comprise the very best of Parr's iconic imagery - a collection of close-up food shots, in typical garish colour, taken by Parr throughout his travels across the world.Introduced with an essay by Fergus Henderson, British chef and founder of the restaurant St John's in London, which considers Parr's photographs in the context of global cuisine, and Parr's fascination with the social aspect of food that is at the heart of these photographs.

Martin Parr is the brilliant, understated, enigmatic British artist who transformed photography as we know it. As the world s leading documentary photographer, he has spent decades observing, ironizing, questioning, and celebrating modern life, and his photobooks take us from Scotland to Australia, Senegal to California, and everyone from his 740k Instagram followers (15% US) to former Gucci creative director Alessandro Michele and Elton John (who is a big Parr enthusiast having used a series of Parrphotographs as the backdrop for his Goodbye Yellow Brick Road tour). Parr is unusual a titan of the art world who is also beloved by the general public. In his bid to capture the brilliant, bittersweet absurdity of modern life, he transformed art photography with his compositions of deadpan, mundane snippets of life rich in humor, irony, and questioning. It was Parr who brought outdoor flash and color into the exhibition room (and was promptly expelled by Magnum Photos for doing so he later became Magnum s president). He has received numerous prizes and lifetime achievement awards all over the world. He also uses his platform to champion emerging photographers through the Martin Parr Foundation, and his work is, in turn, celebrated and supported by younger artists. The book features two master storytellers Martin Parr and the oral historian Wendy Jones joining forces to create a uniquely vibrant portrait of one of the world s best photographers. What follows is a journey only Martin could devise: a journey which, in one hundred carefully selected pictures and stories, will showcase the extraordinary depth and range of Martin s work; and tell the story of Martin s life, his practice, and his philosophy (as well as his collection of Saddam Hussein watches).

Two hundred photobooks across five decades—a raucous, one-of-a-kind tour through Parr's monumental history with the medium.Published with PhotoBook Museum, Cologne.As a photographer, publisher, writer, collector and image editor, with an eye trained on the absurdities of our global consumer and leisure culture, Martin Parr (1952–2025) has been bringing the photobook into the consciousness of contemporary photography since the turn of the millennium, publishing more than 200 books over the course of five decades. Grand Hotel Parr accompanies the first comprehensive photobook retrospective on Parr, organized by the PhotoBookMuseum and the Neues Museum in Cologne, Germany. In an elaborate staging inspired by the appearance of a hotel complex, the titular exhibition invites visitors to explore over 200 of the artist's photobooks. The tour through the various rooms of the hotel, such as the billiard room, the dining room and the fashion boutique, picks up on various themes from Parr's publications, creating a bizarre world that vacillates between ostentation and kitsch. Grand Hotel Parr showcases photographs from this one-of-a-kind exhibition as well as a bevy of essays by scholars and curators who explore Parr's storied history with the medium.

One of the most popular photographers on the planet recounts his life and artWhen Martin Parr was fourteen, his teacher wrote that he was ‘utterly lazy and inattentive’ in a school report. He went on to become one of the most successful and sought-after photographers in the world. Martin has published over one hundred photobooks on many different subjects, from seaside resorts to smoking, over his career. Now, for the first and only time, Martin has produced a book about himself, telling his own story, in his own words.This autobiography combines over 150 of Martin’s photographs – from his earliest snapshots to the work he is doing today – with his recollections and reflections on each image. We meet a boy growing up in suburbia, who collects obsessively and notices everything. We see him exploding into the public consciousness in the late eighties with a series of startling, ultra-saturated colour images of the British seaside – and scandalising the photography establishment in the process. We see society changing over the decades, from the demise of steam trains, through the opening of the first McDonald’s in Moscow, to the transformations of the post-pandemic world.As Martin shares his story, his distinctive voice delicately captured by his friend, the writer Wendy Jones, he also reveals his approach to work and commissions; his tricks for gaining access and getting the shot; and he divulges his particular passions: for crowds and queues, fetes and placards, bad weather on beaches, and more.This is the definitive account of a great photographer’s career, curating the work that has defined his life. By looking at the world through his eyes and his lens, we come away seeing Martin Parr – and ourselves – a little differently.

Each "Collector's Edition" comprises a special cloth-bound and boxed edition of a Phaidon book, with an original print, made, signed and numbered by the artist or photographer. Four different images from Martin Parr are available: "Steep Lane Baptist Chapel, Yorkshire, 1978"; "Jubilee Street Party, Elland, Yorkshire, 1977"; "Badminton Horse Trial"; and "Pink Pig Cakes". Martin Parr's work has always provoked discussion and debate. A pioneer of colour photography and an insightful commentator on the commercial culture of today as well as domestic and social life, he has revitalized and repositioned contemporary documentary photography. A member of Magnum since 1994, Parr has published over 20 books and been widely exhibited around the globe. This is his first major retrospective book documenting his complete career to date.

Featuring works by some of Britain's best-loved photographers - Tony Ray-Jones, David Hurn, Martin Parr, and Simon Roberts - this book explores our changing relationship with the seaside over the last six decades and holds up a critical and affectionate mirror to a much-loved and quintessentially British experience. Published to accompany the 2018 National Maritime Museum exhibition The Great British Seaside: Photography from the 1960s to the Present, this book showcases over 100 photographs, including material from each of the photographers' archival collections, newly commissioned works, and never-before-seen images.

Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium’s culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians’ short lists. Yet China has a fascinating history of photobook publishing, and The Chinese Photobook reveals for the first time the richness and diversity of this heritage. This now available in a smaller size, more accessibly priced hardcover edition, volume is based on a collection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren. And while the collection was inspired initially by Parr’s interest in propaganda books and in finding key works of socialist realist photography from the early days of the Communist Party and the Cultural Revolution era, the selection of books includes key volumes published as early as 1900, as well as contemporary volumes by emerging Chinese photographers.

That’s very much one of my techniques: just hang around. Loitering with intent.When Martin Parr was fourteen, his teacher wrote that he was ‘utterly lazy and inattentive’ in a school report. He went on to become one of the most successful and sought-after photographers in the world. In his lifetime, Martin would publish over one hundred photobooks on subjects from seaside resorts to smoking. In this book, for the first and only time, Martin tells his own story, in his own words.This is the definitive account of a great photographer’s work, life and times. It gathers over 150 of Martin’s photographs with his recollections and reflections, his distinctive voice delicately captured by his friend, the writer Wendy Jones. We see him exploding into the public consciousness in the late eighties with a series of startling, ultra-saturated colour images of the British seaside – and scandalising the photography establishment in the process. As society changes over the decades, Martin’s particular passions remain: crowds and queues, fetes and placards, bad weather on beaches. Looking at the world through his eyes and his lens, we come away seeing Martin Parr – and ourselves – a little differently.

One of the most popular photographers on the planet recounts his life and artWhen Martin Parr was fourteen, his teacher wrote that he was ‘utterly lazy and inattentive’ in a school report. He went on to become one of the most successful and sought-after photographers in the world. Martin has published over one hundred photobooks on many different subjects, from seaside resorts to smoking, over his career. Now, for the first and only time, Martin has produced a book about himself, telling his own story, in his own words.This autobiography combines over 150 of Martin’s photographs – from his earliest snapshots to the work he is doing today – with his recollections and reflections on each image. We meet a boy growing up in suburbia, who collects obsessively and notices everything. We see him exploding into the public consciousness in the late eighties with a series of startling, ultra-saturated colour images of the British seaside – and scandalising the photography establishment in the process. We see society changing over the decades, from the demise of steam trains, through the opening of the first McDonald’s in Moscow, to the transformations of the post-pandemic world.As Martin shares his story, his distinctive voice delicately captured by his friend, the writer Wendy Jones, he also reveals his approach to work and commissions; his tricks for gaining access and getting the shot; and he divulges his particular passions: for crowds and queues, fetes and placards, bad weather on beaches, and more.This is the definitive account of a great photographer’s career, curating the work that has defined his life. By looking at the world through his eyes and his lens, we come away seeing Martin Parr – and ourselves – a little differently.

The first book dedicated to the fashion photography of renowned British photographer Martin Parr Fashion Faux Parr showcases Martin Parr’s collection of fashion photography for the first time in one book. More than 250 color images, many previously unpublished, explore a wide variety of fashion work, from editorial collaborations with major magazines and houses, including Vogue, Balenciaga, and Gucci, to candid photographs from behind the scenes at major fashion events and portraits of industry icons. Two essays by influential fashion industry personalities Patrick Grant and Tabitha Simmons offer commentary on Parr’s unique view on the fashion world and set it within a wider context. This is the only book dedicated to Martin Parr’s highly original take on fashion, including both commissioned and personal photographs, as well as facsimiles of his published features in Vogue and other international fashion magazines.

Leading photographer Martin Parr, author of the highly successful Boring Postcards, has put together another wonderful book from his personal collection of cards. These are a fascinating eye-opener into American culture, as proud families everywhere (pets included) pose before the camera to send their Christmas greetings across the nation. Illustrated with 80 photos.

Martin Parr’s collection of photobooks is one of the finest to have ever been assembled and The Protest Box is a box set which brings together five books from that collection as facsimile reprints. Parr has selected diverse books which each deal with the subject of protest in quite different ways. From the documentation of various protest movements to the actual book being a form of protest, all these reprints are gems within the history of photographic publishing. A few are known but many are new, even to the connoisseur of photography books. All these books are virtually impossible to locate, so these reprints will make a substantial contribution to our understanding of this sub-genre of the photobook. The box set is accompanied by a booklet which includes an introduction by Martin Parr, an essay discussing the wider context of these books by Gerry Badger, and English translations of all the texts in the books. Enrique Bostelmann América: un Viaje a traves de la injustica First published in 1970 by Siglo XXI Editores, Mexico City; Bostelmann, a Mexican photographer, journeyed through Latin America looking for examples of injustice, such as the exploitation of indigenous Indians who were forced into factories and menial jobs. Paolo Gasparini Para verte major, América Latina First published in 1972 by Siglo XXI Editores, Mexico City; Gasparini, an Italian born photographer who has lived in Caracas most of his life, traversed Latin America to document the contrast between communism and capitalism. The book also documents and uses graffiti and graphics to emphasis his polemic. Dirk Alvermann Algeria First published in 1961 in Berlin, GDR; Alvermann, a photographer originally born in West Germany, published his book about both sides of the Algerian conflict in East Berlin. The radical design was inspired by Russian film stills. Kitai Kazuo Sanrizuka First published in 1971 by Nora-Sha, Tokyo; a classic protest book which shows the huge popular uprising inspired by the proposed building of Narita airport. Paolo Mattioli and Anna Candiani Immagini del No First published in 1974 by Occhio Magico No 11, Milan; this small format book documented various protests in Italy, from the Feminist Movement to Anti-Fascism marches.

ToiletMartin PaperParr Book limited edition is a high-impact visual volume revealing the most iconic images from the prolific archives of internationally celebrated artist Martin Parr and the duo who created Toiletpaper, Maurizio Cattelan and Pierpaolo Ferrari. Martin Parr’s ironic, full color images combine perfectly with the irreverent and poignant wit created by Maurizio Cattelan and Pierpaolo Ferrari. The 120 vibrant back-to-back images included in this compelling volume are sensually and visually appealing, as well as reflecting reality. This book of the books shakes up our minds and leads us to move our gaze in multiple directions.This limited edition comes with a special cover and includes a surprise gift...

This special edition limited to 70 copies includes the book and one gelatin silver print signed and numbered by Parr. The picture is titled Glenbeigh Races, County Kerry, 1983. The print measures 20.0 x 29.0cmMartin Parr has been taking photographs in Ireland for 40 years. His work covers many of the most significant moments in Ireland’s recent history, encompassing the Pope’s visit in 1979, when a third of the country’s population attended Mass in Knock and Phoenix Park in Dublin, as well as gay weddings and start-up companies in 2019. It is difficult to think of country that has changed so dramatically in this relatively short space of time. Parr lived in the West of Ireland between 1980-82. He photographed traditional aspects of rural life such as horse fairs and dances, but also looked at the first hint of Ireland’s new wealth in the shape of the bungalows that were springing up everywhere, replacing more traditional dwellings. During subsequent trips to Ireland he explored the new estates around Dublin and the introduction of the first drive-through McDonald’s. Parr also looked at the North and documented how, after the Good Friday agreement, the Troubles became the focus of a new tourist boom. The final chapter of this book portrays a contemporary Dublin where start-up companies are thriving, the docks area is being gentrified and where icons of wealth and modernity – such as the flat white – can be everywhere. Ireland has also now voted to allow both abortion and gay weddings, developments that would have been unthinkable 40 years ago. The book includes an introduction by the acclaimed journalist Fintan O’Toole.

In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium’s culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians’ short lists. Yet China has a fascinating history of photobook publishing, and The Chinese Photobook will reveal for the first time the richness and diversity of this heritage. This deluxe, lavishly produced volume is based on a collection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren. And while the collection was inspired initially by Parr’s interest in propaganda books and in finding key works of socialist realist photography from the early days of the Communist Party and the Cultural Revolution era, the selection of books includes key volumes published as early as 1900, as well as contemporary volumes by emerging Chinese photographers.

In 2012, the Eastman Kodak Company declared bankruptcy. That same year, a group of ten photographers from Magnum Photos—Jim Goldberg, Bruce Gilden, Susan Meiselas, Martin Parr, Paolo Pellegrin, Alessandra Sanguinetti, Alec Soth, Larry Towell, Alex Webb, and Donovan Wylie, plus Chien-Chi Chang, who documented the process in audio and video—established a temporary base of operations in Rochester, New York, former home to the once-dominant manufacturer of photographic film. Their goal: to create both a documentary archive of that city’s culture and landscape, and a photo-based experience engaging its residents; and to investigate a community of picture-makers comprised not only of Eastman Kodak, but also the Visual Studies Workshop, George Eastman House, Rochester Institute of Technology, and the citizens of Rochester. Over the course of almost three weeks, photographers, students, faculty, and residents worked together to create a visual record of the city and its people at a time of significant transition. Nathan Lyons, founding director of the Visual Studies Workshop, describes the result as “not only a major documentary project, but a celebration of photography within the city that had for years been a center of imaging technologies.” Upon arrival in Rochester, Martin Parr gave each photographer the task of assembling one hundred photographs to form the basis of an archive. Rochester 585/716 presents all one thousand images, together with commentary by poets Cornelius Eady and Marie Howe, art historian and photo theorist Laura Wexler, and photographer and educator Nathan Lyons. Five sets of the images were printed as a portfolio, each of which now resides in major private and public collections. Two artist proof sets were also created, one of which will be dispersed via the one thousand copies of this publication. Each individual copy contains a single loose print, selected at random from this additional set.

Photography and Pop-culture buffs, get out your crayons and colored pencils! Martin Parr’s colorful and tongue-in-cheek photographs—his comedy of contemporary manners—have been transformed into a coloring book. Here is Parr’s affectionate and hilarious catalogue of human foibles—our bad fashion choices, messy foods, trashy souvenirs and the tourists who buy them, and all the often-overlooked silly details of our daily life—rendered afresh. The book’s eighty pages are packed with the most iconic and beloved Parr images, made into original drawings by Jane Mount, offering hours of coloring entertainment, as well as Parr’s witty take on the coloring book craze. Be inspired to create a new version of a classic Parr—sunbathers in Speedos, tea-drinkers and rainbow cakes, socks with sandals—and in the process, experience his vision in a new way. A riotous take on the eccentricities and peculiarities of today’s world, for all fans of Parr’s work, and an original contribution to the coloring genre!

Over the last four years Martin Parr has been working on a commission for Multistory photographing the Black Country. It was an area he knew little of, other than its reputation as a densely populated, post-industrial area; one in decline. Many of the industries that once made the Black Country great have declined, but numerous small factories and manufacturing businesses remain in good health. A degree of regeneration has also come as a result of the many immigrant communities that have made the Black Country their home.

This is a fully revised and updated edition of Martin Parr's highly successful book Autoportrait (Dewi Lewis, 2015) which was first published in 2000. Redesigned, it features a playable labyrinth puzzle on the front cover and includes a large number of new images taken since its first publication. The book shows the remarkable shift from analogue to digital photography that has taken place over the period.