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The first book in Antonio Moresco's colossally disruptive Games of Eternity (Giochi dell’eternità) trilogy, translated into English for the first time.Upon its publication in Italy, The Beginnings was exactly that: the dawning of a new era. Like a photo-negative of Franz Kafka, or Virginia Woolf, Moresco’s sweeping novel turns the stream-of-consciousness inside out, and offers nothing interior. Here, much like in real life, you will not be privy to the thoughts and feelings of others. Everything must be experienced as it happens.From our narrator’s undergraduate years in seminary school, to his activities as a member of various Italian political factions, to his attempts to become a writer, The Beginnings is a shapeshifting journey across the 20th century, and across all of literature itself.

An intricate, metaphysical, ambitious “psychogeography of the self” that both disrupts and elevates the 21st century vision of the novel.Our narrator is held in complete darkness and isolation. His endless thoughts are turned into the book we are reading—Schattenfroh—directed by none other than the narrator’s mysterious jailer by the same name. Undulating through explorations of Renaissance art, the German reformation, time-defying esoterica, the printing process in the 16th century, Kabbalistic mysticism, and beyond, Schattenfroh is a remarkable book that, in turn, asks the remarkable of its readers. Interruptions, breaks, and annotations both buoy and deceive, and endless historical references, literary allusions, and wordplay construct a baroque, encyclopedic quest. Schattenfroh’s publication in English marks a seminal moment in the history of the literary form.

A contemporary classic from award-winning author Carmen Boullosa, in the tradition of Juan Rulfo, Jorge Luis Borges and César Aira, now available in a special Tenth Anniversary Edition.Loosely based on the little-known 1859 Mexican invasion of the United States, Texas: The Great Theft is a richly imagined evocation of the volatile Tex-Mex borderland. Boullosa views border history through a new lens decentering US narratives, and her sympathetic portrayal of each of her wildly diverse characters—Mexican ranchers and Texas Rangers, Comanches and cowboys, German socialists and runaway slaves, Southern belles and dancehall girls—makes her storytelling tremendously powerful and absorbing.Featuring a new introduction by Merve Emre, the Tenth Anniversary Edition of Texas sheds important historical light on current battles over the Mexican–American frontier while telling a gripping story with Boullosa's singular prose and formal innovation.

Winner of Sweden's most prestigious literary prize for young readers, Girls Lost is a thriller featuring three teenage girls: Kim, Bella, and Momo. The three occupy a challenging limbo between childhood and adulthood, made only more difficult by the steady provocation of their malicious male classmates and pubescent bodies that are changing beyond their control. They are on the precipice of a grown-up world that seems to be broken into two groups: male and female; public and private; assailant and target. Eager to escape, the girls seek refuge in Bella’s greenhouse, a free zone where their imaginations run wild and their talents can flourish.After their classmates’ violations escalate, the three friends plant a strange seed in the greenhouse, and a shimmering, magical flower blossoms. Intrigued, they drink the nectar from the flower, and suddenly find themselves transformed from girls to boys until the next morning. The three return each night to drink from the flower, anxious to explore their world — and new, older male friends — with agency and freedom. As they fall deeper into the boys’ world, they discover a new reality, one of power and violence, of gangs and drugs. When their nightly escapades turn darker, two of the teens grow wary, ready to turn back and face the reality of womanhood; but Kim is determined to see their discovery to its catastrophic, fiery end. In this tale, the body is a battlefield, and masculinity is a drug. Brilliantly poetic and deeply poignant, this magical story was adapted into an internationally-renowned feature film exploring how we shape our identity, and how we cope with our own transformations.

A collection of poetry from acclaimed yet underrepresented Kurdish poet Farhad Pirbal.Like that of his contemporary Abdulla Pashew, Farhad Pirbal's poetry is a chronicle of exile and displacement, longing and not belonging. The poetry is in turns wistful and disoriented,reflecting his role as a dissident and persecuted prisoner. "Poète maudit" of Kurdistan, Pirbal is known as well for his highly publicized antics as for his prolific literary output. Pirbal, born in 1961, “may be the greatest innovator of Kurdish literature in the twentieth century, in both poetry and prose” (Shook, Poetry Foundation).

WINNER of the Dublin Literary Award 2024 and the Los Angeles Times Book Prize 2022LONGLISTED for the International Booker Prize 2025NAMED ONE OF THE BEST BOOKS OF 2022 by the New Yorker, Publishers Weekly, Financial Times, Words Without BordersA highly-acclaimed master work of fiction from Mircea Cărtărescu, author of Blinding, Solenoid is an existence (and eventually a cosmos) created by forking paths.Based on Cărtărescu's own experience as a high school teacher, Solenoid begins with the mundane details of a diarist's life and quickly spirals into a philosophical account of life, history, philosophy, and mathematics. The novel is grounded in the reality of Romania in the late 1970s and early 1980s, including frightening health care, the absurdities of the education system, and the misery of family life, while on a broad scale Solenoid's investigations of other universes, dimensions, and timelines attempt to reconcile the realms of life and art. The text includes sequences in a tuberculosis preventorium, encounters with an anti-death protest movement, a society of dream investigators, and an extended visit to the miniscule world of dust mites living on a microscope slide. One character asks another: When you rush into the burning building, will you save the newborn or the artwork?Combining fiction with autobiography and history—Nikola Tesla and Charles Hinton, for example, appear alongside the Voynich manuscript—Solenoid searches for escape routes through the alternate dimensions of life and art, as various monstrous realities erupt within the present.

BALLROOM HARRY: Volume II picks up the trail of actor-artist Harry Goaz as he’s reprised his infamous role on David Lynch’s Twin Peaks. Harry Goaz has been an avid photographer since he was in his teens, and he shares his work in book form for the first time in this collection of photography. This collection pulls from his more recent travels as he returns to Los Angeles, visiting with a keen eye, like seeing long lost old friend. The Ironic juxtaposition of the subtitles under the images peel away another layer of his persona while deftly avoiding direct explanation. This is his second collaboration with creative production group Talented Friends.

Photo series by D Magazine senior editor explores Dallas' downtown from street-level. Zac Crain’s photos, taken on phones and during lunch breaks, show Dallas from a human perspective. No corner goes unexplored as Crain captures a familiar place through new eyes.

A meditation on water as metaphor for social change, based on the author’s experiences as an environmental activist.

A Narco-Acid Western told in a series of interlinked poems, Soto’s striking debut collection follows the converging paths of two protagonists through El Sumidero, a fictional US/Mexico border town where an ongoing drug war is raging. The surreal verse of Soto’s poems portrays a bleak political climate as it coincides with the rituals of love & loss, culture & spirituality, & the quest for a better life at all costs. Following the narrative arc of Alejandro Jodorowsky’s classic cult film, El Topo, A Grave is Given Supper builds a world saturated with a mystical aura that describes the finite tensions & complicated desires of lives taking place in the borderland.

At The Lucky Hand is an account of the different love stories that revolve around a very peculiar book: My Legacy, by Anastas Branica. At first glance, this is a book where there is no plot or characters, only descriptions. However, that is what makes it a self-sufficient space, a world that can only be inhabited by its readers, which Anastas has written in order to live, within the book, with his beloved. Through what Petrovic called “simultaneous reading”, it is possible to coincide with other people in the same book, and not only that, but also to live beyond what is simply written. Within this experience of reading-while-reading, participants are able to access a meeting place that is outside of reality. How else can we describe what happens to us when we read with true conviction, when books become life, palpable, manifested, when books become part of our physiology, when love is incarnated in the reading that two strangers perform at the same time, hoping that time will be abolished by the mere fact of fixing their gaze on a page? In short, what the reader of this book will surely experience, along with all the other readers who coincide in the experience, will be a state of joyous stupefaction. Above all else, the book is a love letter to the power of literature.

Jean-Luc Persecuted follows the ill-fated life of an unhappily married man. When Jean-Luc’s wife pursues an affair and leaves him with their child, Jean-Luc’s behavior becomes more and more erratic. He falls to drinking, behaving recklessly, and squandering his money. The narrative follows the explosive downfall of a lone man and his unstoppable mental collapse, surrounded by villagers unable to effect real change. This novel, never before translated, exemplifies the earthy, realistic, often allegorical style of iconic Swiss writer Ramuz.

A literary triumph by one of Mexico's most promising young authors, Red Ants is the first ever literary translation into English from the Sierra Zapotec. This vibrant collection of short stories by Pergentino José updates magical realism for the 21st century. Red Ants paints a candid picture of indigenous Mexican life -- an essential counterpoint to cultural products of the colonial gaze. José's fantastical stories tackle themes of family, love, and independence in his signature style: unapologetically personal, coolly emotional, and always surprising.

A young woman meets a man at a restaurant. They exchange words only briefly, but by the end of the week he has entered her world with an intensity rivaled only by her desire to end her life.Told with the lyrical persistence of a Greek chorus, The Ancestry of Objects unravels the story of the unnamed narrator’s affair with David: married, graying, and in whose malcontent she sees her need for change. Religion, the mystery of her absent mother, and the ghosts of her grandparents haunt her meetings with him. Memories start, stop, and loop back in on themselves to form the web of her identity and her voice—something she’s looked for her whole life. Nothing can fill the voids of time and loss; not God, not memory, not family, and certainly not love. At once intensely sensory and urgently erotic, The Ancestry of Objects parses the multiplicity of selves who become a part of us as we push to survive. This is Ryckman – a master of the obsessive, desirous, complex exhaustion of human relationships – in peak form.

The Nightgown is a mythic, mystic, and hungry collection of poems, a roiling landscape wandered over by wild swerves of language, creatures of all sorts, and mysterious beings such as The Folklore, The Hurt Opera, The Eunuch, and the titular angry Nightgown. Haunted by the magic and transformations of Slavic and Western European fairy tales, the symbolism of the Tarot, the medieval world, feminism, and a mythology all its own, The Nightgown bears an immigrant’s fascination with the alien syrup of the English language’s first stratum, that merciless Anglo-Saxon word-hoard preserving an ancient consciousness of human, beast, and earth. Funny and loud, the poems are strangely accessible in their animal awareness of mortality and urgency for contact with the unknown. The Nightgown is the debut book of poetry from renowned writer Taisia Kitaiskaia (Literary Witches: A Celebration of Magical Women Writers).

From the groundbreaking author of Beauty Salon, The Large Glass, Jacob the Mutant, Mario Bellatin delivers a rousing, allegorical novel following the widowed keeper of a mysterious garden. When art student Izu’s teacher asks her to visit the famous collection of Mr. Murakami, she publishes a firm rebuttal to his curation. Instead of responding with fury, the rich man pursues her hand in marriage. When we meet her in the opening pages, Mrs. Murakami is watching the demolition of her now-dead husband’s most prized part of the estate: his garden. The novel that follows takes place in a strange, not-quite-real Japan of the author’s imagination. But who, in fact, holds the role of author? As Mr. Murakami’s garden is demolished, so too is the narrative’s authenticity, leaving the reader to wonder: did this book’s creator exist at all? Mario Bellatin has revolutionized the state of Latin American literature with his experimental, shocking novels. With this brand-new, highly anticipated edition of Mrs. Murakami's Garden from lauded translator Heather Cleary, readers have access to a playful modern classic that transcends reality.

In his first English-language collection, Moroccan-Dutch poet Mustafa Stitou marks his position as one of the most important poets of his generation. Two Half Faces collects work from across Stitou’s career as he grapples in his poetry with his position in a changing reality. Stitou brilliantly parlays his relationship with his two homelands into a chronicle of identity, producing a vital account of cultural friction in poems that range from narrative to lyrical. Humor and seriousness go hand in hand, and the everyday combines with the surreal and the sublime to form a vibrant tension. This collection charts Stitou’s progress as a poet of emotion and intellect, one who poignantly illuminates the ambiguities of cultural identities, and the intersections of our inner and outer worlds.

“The centrifugal pull of great literature, as embodied by the work of these twenty-five writers, draws us into a fuller realization of our humanity.” – Daniel Simon, editor-in-chief of World Literature Today For the last fifty years, The Neustadt Prize has been one of the most prestigious literary prizes in the world, second only to the Nobel. Poets, novelists, and playwrights from Gabriel Garcia Marquez to Czeslaw Milosz and Dubravka Ugresic are listed among the ranks of laureate. Now, in honor of the fiftieth anniversary, Dispatches from the Republic of Letters gathers the acceptance speeches of these twenty-five pioneering writers into one volume, edited and with an introduction by World Literature Today editor-in-chief Daniel Simon.

In the 1990's, Dallas was a basketball wasteland. Along came Dirk Nowitzki, a towering Würzburg, Germany native with a cool efficiency and the ability to make shots from seemingly impossible angles. In the years thereafter, Nowitzki would spend his entire 21-season NBA career with the Dallas Mavericks, the longest tenure of any one player with one team in the league's history, and lead them to their first and only NBA championship, while being named a 14-time All-Star, a 12-time All-NBA Team member, and the first European player to receive the NBA's Most Valuable Player Award.Zac Crain, award-winning journalist for D Magazine who moved to Dallas the same year that Nowitzki began his career in the city, memorializes Nowitzki’s career through a lyric essay reminiscent of Hanif Abdurraqib's Go Ahead in the Rain that mixes the author's story with the basketball legend's, charting the highs and lows (and mostly highs) of the Mavs' all-time statistical leader’s career. By paying homage to Dallas’ star basketball player, author Zac Crain connects the Mavs’ success with the growth of the city itself, and what the sport means to Dallas’ now basketball-obsessed citizens.

Dmitry Lipskerov, an award-winning Russian writer compared throughout his career to Mikhail Bulgakov and Gabriel Garcia Marquez, focuses his unbridled imagination on the story of wealthy, satisfied Mr. Iratov, whose virile world is flipped upside-down. Taking a page from Gogol’s satirical story “The Nose,” wherein the protagonist loses his aforementioned facial feature, Lipskerov's novel transposes such a loss onto a more delicate organ. The protagonist awakens one morning bereft of his tool; and the tool, which re-appears, sentient and in a small village far away, without his man. Thus begins a novel both funny and absurd, in which characters come together across disparate social strata and with differing goals to weave the fate of a universe familiar yet fantastical, a perfect satire of the madness of Russian society today. The Tool and the Butterflies, Lipskerov's eagerly anticipated English language debut, is not just a darkly comedic exploration of post-Soviet attitudes towards gender and sexuality, but also a historically and socially grounded narrative rich in naturalistic dialogue and everyday detail, and an engaging story of family and what matters most in life, in the grandest tradition of Russian literature.

In this modern classic of global feminist literature, the only novel by one of Romania's most heralded poets, styled as a long letter addressed to the man she is ready to leave, a woman meanders through a cosmic retelling of her life from childhood to adulthood with visionary language and visceral detail. Like a contemporary Scheherazade, she spins captivating tales that create space in the cosmos for the female experience. Through a dreamlike thread of strange images and passing characters from the small incidents of their lives together to the intimate narrative of her relationship to womanhood, her stories invite the reader into a fantastical vision of love, loss, and femininity.