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In the early and mid-1940s, during the period of British wartime occupation, community and religious leaders in the former Italian colony of Eritrea engaged in a course of intellectual and political debate that marked the beginnings of a genuine national consciousness across the region. During the late 1940s and 1950s, the scope of these concerns slowly expanded as the nascent nationalist movement brought together Muslim activists with the increasingly disaffected community of Eritrean Christians.The Eritrean Muslim League emerged as the first genuine proindependence organization in the country to challenge both the Ethiopian government's calls for annexation and international plans to partition Eritrea between Sudan and Ethiopia. The league and its supporters also contributed to the expansion of Eritrea's civil society, formulating the first substantial arguments about what made Eritrea an inherently separate national entity. These concepts were essential to the later transition from peaceful political protest to armed rebellion against Ethiopian occupation.Paths toward the Nation is the first study to focus exclusively on Eritrea's nationalist movement before the start of the armed struggle in 1961.

Gardeners of today take for granted the many varieties of geraniums, narcissi, marigolds, roses, and other beloved flowers for their gardens. Few give any thought at all to how this incredible abundance came to be or to the people who spent a good part of their lives creating it. These breeders once had prosperous businesses and were important figures in their communities but are only memories now. They also could be cranky and quirky. In the eighteenth and nineteenth centuries, new and exotic species were arriving in Europe and the United States from all over the world, and these plants often captured the imaginations of the unlikeliest of men, from aristocratic collectors to gruff gardeners who hardly thought of themselves as artists. But whatever their backgrounds, they all shared a quality of mind that led them to ask "What if?" and to use their imagination and skills to answer that question themselves. The newest rose from China was small and light pink, but what if it were larger and came in more colors? Lilac was very nice in its way, but what if its blossoms were double and frilly?While there are many books about plant collectors and explorers, there are none about plant breeders. Drawing from libraries, archives, and the recollections of family members, horticultural historian Judith M. Taylor traces the lives of prominent cultivators in the context of the scientific discoveries and changing tastes of their times. Visions of Loveliness is international in scope, profiling plant breeders from many countries—for example, China and the former East Germany—whose work may be unknown to the Anglophone reader. In addition to chronicling the lives of breeders, the author also includes chapters on the history behind the plants by genus, from shrubs and flowering trees to herbaceous plants.

Walk into any nursery, florist, or supermarket, and you'll encounter displays of dozens of gorgeous flowers, from chrysanthemums to orchids. At one time these fanciful blooms were the rare trophies of the rich and influential—even the carnation, today thought of as one of the humblest cut flowers. Every blossom we take for granted now is the product of painstaking and imaginative planning, breeding, horticultural ingenuity, and sometimes chance. The personalities of the breeders, from an Indiana farmer to Admiral Lord Gambier's gardener, were as various and compelling as the beauty they conjured from skilled hybridization.In Visions of Loveliness: Great Flower Breeders of the Past, Judith Taylor wrote engagingly about the vivid history and characters behind eighteen types of popular flowers. In this companion volume she uncovers information about another eight familiar flowers: poinsettias, chrysanthemums, gladioli, pansies, carnations, water lilies, clematis, and penstemons.Taylor has tapped into an enormous trove of stories about extraordinary people with vision and skill who added to our enjoyment piece by piece, starting about 150 years ago. This beautifully illustrated book will please flower enthusiasts, gardeners, and history buffs alike.

With vision, hard-nosed judgment, and biting humor, Julius Nyerere confronted the challenges of nation building in modern Africa. Constructing Tanzania out of a controversial Cold War union between Tanganyika and Zanzibar, Nyerere emerged as one of independent Africa's most influential leaders. He pursued his own brand of African socialism, called Ujamaa, with unquestioned integrity, and saw it profoundly influence movements to end white minority rule in Southern Africa. Yet his efforts to build a peaceful nation created a police state, economic crisis, and a war with Idi Amin's Uganda. Eventually—unlike most of his contemporaries—Nyerere retired voluntarily from power, paving the way for peaceful electoral transitions in Tanzania that continue today.Based on multinational archival research, extensive reading, and interviews with Nyerere's family and colleagues, as well as some who suffered under his rule, Paul Bjerk provides an incisive and accessible biography of this African leader of global importance. Recognizing Nyerere's commitment to participatory government and social equality while also confronting his authoritarian turns and policy failures, Bjerk offers a portrait of principled leadership under the difficult circumstances of postcolonial Africa.

Thomas Sankara, often called the African Che Guevara, was president of Burkina Faso, one of the poorest countries in Africa, until his assassination during the military coup that brought down his government. Although his tenure in office was relatively short, Sankara left an indelible mark on his country's history and development. An avowed Marxist, he outspokenly asserted his country's independence from France and other Western powers while at the same time seeking to build a genuine pan-African unity.Ernest Harsch traces Sankara's life from his student days to his recruitment into the military, early political awakening, and increasing dismay with his country's extreme poverty and political corruption. As he rose to higher leadership positions, he used those offices to mobilize people for change and to counter the influence of the old, corrupt elites. Sankara and his colleagues initiated economic and social policies that shifted away from dependence on foreign aid and toward a greater use of the country's own resources to build schools, health clinics, and public works. Although Sankara's sweeping vision and practical reforms won him admirers both in Burkina Faso and across Africa, a combination of domestic opposition groups and factions within his own government and the army finally led to his assassination in 1987.This is the first English-language book to tell the story of Sankara's life and struggles, drawing on the author's extensive firsthand research and reporting on Burkina Faso, including interviews with the late leader. Decades after his death, Sankara remains an inspiration to young people throughout Africa for his integrity, idealism, and dedication to independence and self-determination.

Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anaïs wrote, “Close your eyes to the ugly things,” and, against a horrifying backdrop of war and death, Nin combats the world’s darkness with her own search for light.Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,” the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.

This intellectual history of Standard Swahili explores the long-term, intertwined processes of standard making and community creation in the historical, political, and cultural contexts of East Africa and beyond.Morgan J. Robinson argues that the portability of Standard Swahili has contributed to its wide use not only across the African continent but also around the globe. The book pivots on the question of whether standardized versions of African languages have empowered or oppressed. It is inevitable that the selection and promotion of one version of a language as standard—a move typically associated with missionaries and colonial regimes—negatively affected those whose language was suddenly deemed nonstandard. Before reconciling the consequences of codification, however, Robinson argues that one must seek to understand the process itself. The history of Standard Swahili demonstrates how events, people, and ideas move rapidly and sometimes surprisingly between linguistic, political, social, or temporal categories.Robinson conducted her research in Zanzibar, mainland Tanzania, and the United Kingdom. Organized around periods of conversation, translation, and codification from 1864 to 1964, the book focuses on the intellectual history of Swahili's standardization. The story begins in mid-nineteenth-century Zanzibar, home of missionaries, formerly enslaved students, and a printing press, and concludes on the mainland in the mid-twentieth century, as nationalist movements added Standard Swahili to their anticolonial and nation-building toolkits. This outcome was not predetermined, however, and Robinson offers a new context for the strong emotions that the language continues to evoke in East Africa.The history of Standard Swahili is not one story, but rather the connected stories of multiple communities contributing to the production of knowledge. The book reflects this multiplicity by including the narratives of colonial officials and anticolonial nationalists; East African clerks, students, newspaper editors, editorialists, and their readers; and library patrons, academic linguists, formerly enslaved children, and missionary preachers. The book reconstructs these stories on their own terms and reintegrates them into a new composite that demonstrates the central place of language in the history of East Africa and beyond.

Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented. It was not until decades later, when the diaries were published in their unexpurgated form, that the world began to learn the full details of Nin’s fascinating life and the emotional and literary high-wire acts she committed both in documenting it and in defying the mores of 1950s America. Trapeze begins where the previous volume, Mirages, left off: when Nin met Rupert Pole, the young man who became not only her lover but later her husband in a bigamous marriage.It marks the start of what Nin came to call her “trapeze life,” swinging between her longtime husband, Hugh Guiler, in New York and her lover, Pole, in California, a perilous lifestyle she continued until her death in 1977. Today what Nin did seems impossible, and what she sought perhaps was impossible: to find harmony and completeness within a split existence. It is a story of daring and genius, love and pain, largely unknown until now.

Children of the Albatross is divided into two sections: “The Sealed Room” focuses on the dancer Djuna and a set of characters, chiefly male, who surround her; “The Café” brings together a cast of characters already familiar to Nin’s readers, but it is their meeting place that is the focal point of the story.As always, in Children of the Albatross, Nin’s writing is inseparable from her life. From Djuna’s story, told in “The Sealed Room” through hints and allusions, hazy in their details and chronology, the most important event to emerge is her father’s desertion (like Nin’s) when she was sixteen. By rejecting realistic writing for the experience and intuitions she drew from her diary, Nin was able to forge a novelistic style emphasizing free association, spontaneity, and improvisation, a technique that finds its parallel in the jazz music performed at the café where Nin’s characters meet.

In 1932, two years after D. H. Lawrence's death, a young woman wrote a book about him and presented it to a Paris publisher. She recorded the event in her diary: "It will not be published and out by tomorrow, which is what a writer would like when the book is hot out of the oven, when it is alive within oneself. He gave it to his assistant to revise." The woman was Anaïs Nin.Nin examined Lawrence's poetry, novels, essays, and travel writing. She analyzed and explained the more important philosophical concepts contained in his writings, particularly the themes of love, death, and religion, as well as his attention to primitivism and to women. But what Anaïs Nin brought to the explication of Lawrence's writing was an understanding of the fusion of imaginative, intuitive, and intellectual elements from which he drew his characters, themes, imagery and symbolism.

The Fathers is the powerful novel by the poet and critic recognized as one of the great men of letters of our time.Old Major Buchan of Pleasant Hill, Fairfax County, Virginia, lived by a gentlemen's agreement to ignore what was base or rude, to live a life which was gentle and comfortable because it was formal. Into this life George Posey came dashing, as Henry Steele Commager observed, "to defy Major Buchan, marry Susan, betray Charles and Semmes, dazzle young Lacy, challenge and destroy the old order of things."The Fathers was published in 1938. It sold respectably in both the United States and England, perhaps because people expected it to be another Gone With the Wind, wheras it is in fact the novel Gone With the Wind ought to have been. Since its publication it has received very little attention, considering that it is one of the most remarkable novels of our time. Its occasion is a public one, the achievement and the destruction of Virginia's antebellum civilization. Within that occasion it discovers a terrible conflict between two fundamental and irreconcilable modes of existence, a conflict that has haunted American experience, but exists in some form at all times. The Fathers moves between the public and the private aspects of this conflict with an ease very unusual in American novels, and this ease is the most obvious illustration of the novel's remarkable unity of idea and form, for it is itself a manifestation of the novel's central idea, that "the belief widely held today, that men may live apart from the political order, that indeed the only humane and honorable satisfactions must be gained in spite of the public order, "is a fantasy."—From the introduction of The Fathers

With Forms of Discovery, Yvor Winters completes his critical canon. The distinguished poet-critic defines by analysis and example the development of the method that he has called “post-Symbolist.”Starting with the styles of the English Renaissance, Winters discusses at length the felicities and shortcomings of these traditions, the main defect being that sensory imagery was little more than ornament. This sets the problem: to discover a style wherein both the conceptual and the perceptual are given their fullest expressionIn the work of Charles Churchill, Winters explores the development of a complexly controlled associational procedure. Here is a richly varied conceptual method, though the sensory is still almost totally absent.Churchill’s methods and those of the Renaissance masters are then contrasted with the work of the Romantics, who wrote a great deal about nature without bothering to look at it, and whose most lasting contribution would appear to be pathetically sentimental fallacies.The turn of the century, in France, Britain, and America, sees the beginning of the post-Symbolist methods, while Yeats continues the retrograde movement of the Romantics. It is in the work of poets like Tuckerman, Hardy, Bridges, Stevens, T. Sturge Moore, and Paul Valéry that rational discourse combines richly with the perceptual universe in which we live: the particular perception is enhanced by reference to general concepts, the general given substance by the particular exemplifying it.The post-Symbolist methods result in a poetry that unifies the diverse fields of human experience and employs all aspects of language.Style in Winters’ sense is not simply a way of gracefully combining words. It is the way a man lives, the method or art wherein he discovers to the best of his ability the real nature of the world in which he lives. It is in this sense that Forms of Discovery is a philosophical work, not a miscellaneous collection of essays; this book is, as Winters remarks, “an act of piety, not an act of destruction.”

The Four-Chambered Heart, Anaïs Nin's 1950 novel, recounts the real-life affair she conducted with café guitarist Gonzalo Moré in 1936. Nin and Moré rented a house-boat on the Seine, and under the pervading influence of the boat's watchman and Moré's wife Helba, developed a relationship. Moré; named the boat Nanankepichu, meaning "not really a home." In the novel, which Nin drew from her experiences on the boat, the characters are clearly based. Djuna is an embodiment of Nin herself. A young dancer in search of fulfillment, she encapsulates all that the author was striving for at that time. The character of Djuna features in other novels, perhaps weaving a directly autobiographical thread into Nin's fiction. The gypsy musician, Rango, is therefore Moré, and his invalid wife is Zora. The old watchman is present as a force which, along with Zora, works against the lovers in their quest for happiness.Nin's main concern is the "outside," and how it affects the "interior." Water is a cleverly used theme. “I have no great fear of depths,” says Djuna, “and a great fear of shallow living.” Rango and Djuna's relationship is, in effect, their effort to remain afloat. Often, Nin employs a stream of consciousness, especially in her flowing analyses of love, life and music, which continues the water image.Anaïs Nin's writing is typically exquisite in its detail and texture. She describes Paris: its "black lacquered cobblestones" and "silver filigree trees." The "humid scarfs of fog" on the river, and "the sharp incense of roasted chestnuts" reveal their source through their reality: Nin's personal experience.

The Function of Criticism: Problems and Exercises brings together five essays by Yvor Winters: "Problems for the Modern Critic of Literature," "The Audible Reading of Poetry," "The Poetry of Gerard Manley Hopkins," "Robert Frost, Or the Spiritual Drifter as Poet," and "English Literature in the Sixteenth Century."

“This is not a history book. Rather it is a directory of towns, and compilation of known information about those towns. In undertaking the stud, I was amazed at the amount of legend and contradictory information Colorado history has collected in just one hundred years. Who was it that said: ‘History is the perpetuation of saleable gossip’? (Perhaps, nobody has said it yet. In that case, it’s mine, all mine.)”As of this moment, this is the most complete compilation of Colorado mining towns-ghost or going-available.“For the fourth edition, over 100 towns have been added. Also, I have included a new chapter (XXVI. Addendum, page 466), the first couple of pages of which can well be read as a second Preface to the book.”- Perry Eberhart, Preface, 1959 and 1969

First issued in 1957 by Swallow Press, this classic guide to the art of plant identification is now familiar to an entire generation of students. Harrington who was Professor of Botany and Curator of the Herbarium at Colorado State University, gives step-by-step instructions and definitions to help readers recognize and classify plants. The new printing has been reset and reformatted, and L.W. Durrell's drawings and glossary—more than 500 images—have been digitally enhanced for clarity.

Yvor Winters has here collected, with an introduction, the major critical works—Primitivism and Decadence, Maule's Curse, and The Anatomy of Nonsense—of the period in which he worked out his famous and influential critical position. The works together show an integrated position which illuminates the force and importance of the individual essays. With The Function of Criticism, a subsequent collection, In Defense of Reason provides an incomparable body of critical writing.The noted critic bases his analysis upon a belief in the existence of absolute truths and values, in the ethical judgment of literature, and in an insistence that it is the duty of the writer—as it is of very man—to approximate these truths insofar as human fallibility permits. His argument is by theory, but also by definite example—the technique of the "whole critic" who effectively combines close study of specific literary works and a penetrating investigation of aesthetic philosophies.

The story of Martiniano, The Man Who Killed the Deer, is a timeless story of Pueblo Indian sin and redemption, and of the conflict between Indian and white laws; written with a poetically charged beauty of style, a purity of conception, and a thorough understanding of Native American values.

One of Frank Waters's most popular novels, People of the Valley takes place high in the Sangre de Cristo Mountains where an isolated Spanish-speaking people confront a threatening world of change.

The catastrophe and holocaust brought about by the two powerful movements of fascism and national socialism will mark human life always. Now, as we feel our hatred for them, we find it difficult to understand how they could have been so powerful, how they could have appealed so strongly to millions of people of a modern age.To understand our own times, it is necessary to understand these movements. And to understand them, we must read the basic philosophical and political documents which show the force of the ideas which moved a world to the brink of disaster.This collection of readings has been selected to encourage students to clarify their thinking on social philosophy. They will accordingly need to determine whether the readings contain more or less coherent body of ideas which constitutes a social philosophy. They will also need to raise the more far-reaching question of whether the ideas are acceptable. To arrive at any satisfactory answer to this latter question, they will necessarily have to compare the ideas of fascism and their practical meanings with the alternatives, real and ideal, that are the substance of live philosophical issues.

Nearly 200 photos enhance Champlin's readable, fascinating survey of the movies from the Golden Age up through the year 1980. According to Champlin, movies are the art form of our time—perhaps even the art form of this century. With this revised and enlarged edition of his book, one of the most comprehensive and eloquent works on film is available once again.

Kenneth Rexroth wrote: “Janet Lewis uses reason to veil and adorn the flesh of feeling and intuition. This is the way the greatest poetry has always been written.”The poems in this collection range over a period of 60 years. The style is spare, direct, cutting to the core of subject. Richness of intelligence and a concern for the human has also characterized every phase of Lewis’ development.

During his more than forty years of newspaper and magazine work, Harry Chrisman has been answering questions about the American West-both the standard and the oddball queries, such as "What is the most fantastic bear story you ever heard?"Chrisman first encountered many of these questions in his monthly column "Roundup Time," which appeared in The West, a national monthly magazine.Concentrating on the puzzlers, Chrisman has gathered in his illustrated volume over one thousand of the most frequently asked questions about the American West. Readers will find chapters devoted to the people of the West (cowboys, Indians, lawmen, outlaws, and gunfighters), chapters on the Western lifestyle (culture, pioneer life, folklore, and business and commerce), as well as chapters on the land (geography and geology, and towns and territories).Here, then, is an entertaining volume to which readers can turn for information and recreation and which will remain a constant source for the younger generations who wish to learn of their forefathers and of the many problems they encountered and resolved during the settlement of the American West.

This book is an invaluable key to self-understanding. Using examples from her own life and the lives of her clients, as well as from dreams, fairy tales, myths, films, and literature, Linda Schierse Leonard, a Jungian analyst, exposes the wound of the spirit that both men and women of our culture bear—a wound that is grounded in a poor relationship between masculine and feminine principles.Leonard speculates that when a father is wounded in his own psychological development, he is not able to give his daughter the care and guidance she needs. Inheriting this wound, she may find that her ability to express herself professionally, intellectually, sexually, and socially is impaired. On a broader scale, Leonard discusses how women compensate for cultural devaluation, resorting to passive submission ("the Eternal Girl"), or a defensive imitation of the masculine ("the Armored Amazon").The Wounded Woman shows that by understanding the father-daughter wound and working to transform it psychologically, it is possible to achieve a fruitful, caring relationship between men and women, between fathers and daughters, a relationship that honors both the mutuality and the uniqueness of the sexes.

During the fabulous reign of Colorado Silver, innumerable prospectors passed by Pike's Peak on their way to the silver strikes at Leadville, Aspen, and the boom camps in the Saguache, Sangre de Cristo, and San Juan mountains. Then, in 1890, a carpenter named Winfield Scott Stratton discovered gold along Cripple Creek. By 1900, this six square mile area on the south slope of Pike's Peak supported 475 mines and led the world in gold production. Against this backdrop of frenzied mining and gold fever, Pike's Peak tells the story of Joseph Rogier, a man who seeks and finds his fortune in Colorado, and then loses everything in pursuit of something more important.Arriving in Colorado Springs in the 1870s, Rogier becomes a successful contractor and builder and helps to raise a little mountain town into the Saratoga of the west. He rears a large family and scoffs at the "alfalfa miners" chasing silver strikes everywhere. But with the discovery of gold at nearby Cripple Creek, Rogier is shaken and methodically squanders his prosperous business and all his property attempting to reach the "great gold heart" of Pike's Peak.Waters' is a psychologically modern novel whose universal theme is expressed on the grand scale of the opening of a territory. It is both a marvelously colorful and detailed account of the days when Colorado boomed and Denver became a big town, and an allegory of one man's furious pursuit of the truth within himself.

I Have Spoken is a collection of American Indian oratory from the 17th to the 20th century, concentrating on speeches focusing around Indian-white relationships, especially treaty-making negotiations. A few letters and other writings are also included.Here, in their own words, is the Indian's story told with integrity, with drama, with caustic wit, with statesmanship, with poetic impact; a story of proffered friendship, of broken promises, of hope, of disillusionment, of pride, of a whole land and life gone sour.

This reprint makes available again Frank Waters' dramatic and colorful 1937 biography of Winfield Scott Stratton, the man who struck it rich at the foot of Pike's Peak and turned Cripple Creek into the greatest gold camp on earth. More than regional history, Midas of the Rockies is a story so fabulously impossible and yet so painfully true that it commends itself to the whole of America, the only earth, the only people who could have created it.

In this novel of the mestizo, or mixed-blood, Frank Waters completes the Southwestern canvas begun in The Man Who Killed the Deer and People of the Valley. Set in a violent Mexican border town, the story centers on Barby, a tormented mestizo, Guadalupe, the mestiza "percentage-girl," and Tai-Ling, the serene yogi. Their fates mingle though each remains alone—Barby bound to the brute rages of the night; Guadalupe unconscious of all save the sun of her sexuality; Tai-Ling believing it is possible to transcend completely the flow of life.

The death of Meriwether Lewis is one of the great mysteries of American history. Was he murdered at Grinder's Stand or did he commit suicide? Vardis Fisher meticulously reconstructs the events and presents his own version of the case with the precision and persuasiveness of a fine trial lawyer. But Fisher was also a great novelist and it is his sense of character that serves him best here. We know Lewis' complex sensibility as well as we know that of any man of his time—his journals are so self-revealing, so exacting in the record they make of his musings, doubts, and elations. Fisher offers us this complex Lewis and, with equal perceptiveness, sets the rough, frontier scene at Grinder's Stand. The result is a fine mystery, well solved, that leans toward tragedy.