Charlotte Perkins Gilman – författare
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456 produkter
456 produkter
Häftad, Engelska, 2015
58 kr
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'The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.'Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalized nineteenth-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Charlotte Perkins Gilman (1860-1935). Gilman's work is available in Penguin Classics in The Yellow Wall-Paper, Herland and Selected Writings.
Häftad, Svenska, 2022
116 kr
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John är borta hela dagarna, och till och med om nätterna ibland, när hans fall är särskilt allvarliga. Jag är glad att mitt fall inte är allvarligt! Men man blir vansinnigt nedslagen av att vara nervklen.John vet inte hur mycket jag faktiskt lider. Han vet att det inte finns någon anledning till att jag skulle lida, och det räcker för honom. Naturligtvis är det bara nerverna.
Hon var den feministiska nationalekonomins moder tillika samhällskritiker, författare och journalist, men vi förknippar kanske Charlotte Perkins Gilman främst med novellen Den gula tapeten. Denna feministklassiker placerar sig i kvinnolitteraturens långa tradition av inspärrning i äktenskap, i moderskroppar, och i manslitteraturens kvinnobilder.
Nu kommer den i nyöversättning av Amanda Svensson och med förord av Ebba Witt-Brattström.
Häftad, Engelska, 1891
108 kr
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Häftad, Svenska, 2022
89 kr
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Den rike playboyen Terry, läkaren Jeff och sociologen Vandyck får höra talas om ett land som befolkas endast av kvinnor. De ger sig ut på jakt efter detta land och lyckas snart bli tillfångatagna av kvinnorna. En högt utvecklad civilisation, fri från brottslighet, krig och fattigdom är det sista de har väntat sig att hitta, och ju mer de får veta om Kvinnoland, desto svårare får de att förklara - både för kvinnorna och sig själva - varför deras egen värld ser ut som den gör. Det största mysteriet är att Kvinnoland verkligen är helt fritt från män, men att det ändå springer omkring barn överallt …Charlotte Perkins Gilman, känd för ”Den gula tapeten”, gav ut denna utopi 1915. Den var långt före sin tid då det begav sig, och i flera avseenden - men inte alla - står den sig än i dag.
Översatt av Emilia FjeldFörord av Ebba Witt-Brattström
Häftad, Engelska, 2022
64 kr
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HarperCollins is proud to present our range of timeless literary classics. ‘There are things in that wallpaper that nobody knows about but me, or ever will’ Hailed as one of the most distinctive and compelling literary voices of her era, Charlotte Perkins Gilman is praised today for her ground-breaking, feminist writing. Collected here, both The Yellow Wallpaper and Herland are extraordinary for scrutinising the patriarchal norms of turn-of-the-century America.In The Yellow Wallpaper a woman frantically paces the empty nursery at the top of a secluded mansion. Her husband John, a physician, is of no comfort and she can’t bear to sit with the new baby as his crying makes her much too nervous. And then there’s the putrid, yellow wallpaper which seems to shift and creep around the room before her very eyes…Herland, first published in 1915, follows a group of three men as they arrive in a female-only society. Peace and tranquillity thrive in this utopian land, forcing the explorers to question how their own corrupted, male-dominated world can survive.
Häftad, Engelska, 2000
52 kr
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Delightfully humorous account of a feminist utopia in which 3 male explorers stumble upon an all-female society isolated in a distant part of the earth. Early 20th-century vehicle for Gilman's then-unconventional views of male-female behavior, motherhood, individuality, sense of community, sexuality, and other topics. Mischievous, ironic approach used to telling effect.
Häftad, Engelska, 2009
118 kr
Skickas inom 5-8 vardagar
Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. The Yellow Wall-Paper and Other Stories makes available the fullest selection of her short fiction ever printed. In addition to her pioneering masterpiece, `The Yellow Wall-Paper' (1890), which draws on her own experience of depression and insanity, this edition features her Impress `story studies', works in the manner of writers such as James, Twain, and Kipling. These stories, together with other fiction from her neglected California period (1890-5), throw new light on Gilman as a practitioner of the art of fiction. In her Forerunner stories she repeatedly explores the situation of `the woman of fifty' and inspires reform by imagining workable solutions to a range of personal and social problems. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Häftad, Engelska, 2025
139 kr
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The original feminist horror story, about a woman driven to the brink - and beyond.In the throes of a ‘temporary nervous depression’ following childbirth, a woman is brought by her physician husband to recuperate in an isolated New England mansion.There she is barred from her work of writing and encouraged to simply get better. Sequestered in the old nursery at the top of the house, with barred windows and a bed nailed to the floor, she has little to do but examine the strange wallpaper that surrounds her – and appears to shift before her very eyes.Here accompanied by Gilman’s key wider stories, The Yellow Wall-Paper endures as a groundbreaking, deeply disturbing classic of feminist horror.'A great work of literature, the product of a questing, burning intellect' Maggie O’FarrellThe Vintage Classics Weird Girls series: Dive into the depraved, delectable depths of weird fiction with nine books by nine pioneering female authors. Bold, disruptive, chilling and enchanting, these tales of the weird are strange enough to get lost in.
Häftad, Svenska, 2025
229 kr
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Den här asken rymmer texter av fyra banbrytande kvinnor – fyra föregångsgestalter som trotsade konventionerna och bröt ny mark, och som lämnade efter sig ett arv som – hundrafemtio år senare – fortfarande lever. De var visionära författare som trotsade sin samtid och experimenterade med form och rytm. De skrev om brännande ämnen och upprörde såväl kritiker som läsare. De punkterade den av män skapade världsbild som kväste samtidens kvinnor med krav på dygd och sedlighet. I dikter och noveller, artiklar och romaner ifrågasatte de det ojämställda äktenskapet. De mejslade fram den nya kvinnan, gav henne en kropp, en blick, ett intellekt – och en lust.
Asken innehåller fyra böcker:Victoria Benedictsson – Ur mörkretStella Kleve – PyrrhussegrarCharlotte Perkins Gilman – Den Gula tapetenEdith Södergran – Valda dikter
Del 87 - Arcturus Classics
Yellow Wall-Paper and Other Stories
Häftad, Engelska, 2018
110 kr
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The Yellow Wallpaper, first published in January 1892, is regarded as an important piece of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. It explores key issues imposed by the patriarchal society and paved the way for other leading feminist writers; Sylvia Plath and Alice Walker.ABOUT THE SERIES: The Arcturus Classics series brings together high-quality paperback editions of classics works, presented with contemporary graphic cover designs. Together they make a wonderful collection which is perfect for any home library.
Inbunden, Engelska, 2025
446 kr
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Häftad, Engelska, 2025
208 kr
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Inbunden, Engelska, 2020
340 kr
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Häftad, Engelska, 2010
139 kr
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Wonderfully sardonic and slyly humorous, the writings of landmark American feminist and socialist thinker Charlotte Perkins Gilman were penned in response to her frustrations with the gender-based double standard that prevailed in America as the twentieth century began. Perhaps best known for her chilling depiction of a woman's mental breakdown in her unforgettable 1892 short story 'The Yellow Wall-Paper', Gilman also wrote Herland, a wry novel that imagines a peaceful, progressive country from which men have been absent for 2,000 years. Both are included in this volume, along with a selection of Gilman's major short stories and her poems.
Inbunden, Svenska, 2016
229 kr
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I början av 1800-talet blev romanläsandet en populär sysselsättning. Nya tryckmetoder och bättre kommunikationer spred den nya underhållningsformen. Tekniska och vetenskapliga framsteg som järnvägar och elektricitet, tillsammans med spiritism och andra flugor, förändrade världen. Horace Walpole hade skrivit sin skräckroman Borgen i Otranto några årtionden tidigare, och 1818 kom Mary Shelleys Frankenstein. Sådana böcker blev början till en våg av gotisk skräck i framför allt Storbritannien mer eller mindre övernaturliga berättelser i miljöer med vittrande slott, åskväder, sönderslitna moln och månsken över upprörda hav, alltsammans befolkat av hålögda adelsmän och bleka jungfrur. Många av de som skrev gotisk skräck var kvinnor, och några av dem finns i den här samlingen. Inte bara deras noveller och romaner var förfärande och utmanande, utan kanske ännu mer deras sätt att leva: ogifta; boende ensamma; boende med gifta män; till och med boende med andra kvinnor! Novellerna i boken är skrivna mellan 1840- och 90-talen, av författare som systrarna Brontë, George Eliot och Charlotte Perkins Gilman, och förtjänar mycket väl att läsas än i dag.
Häftad, Engelska, 2000
94 kr
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Enjoy 7 thought-provoking stories that employ charm and humor to examine relations between the sexes from a feminist perspective. In addition to the title story, an 1892 classic that recounts a woman's descent into madness, this collection includes such masterful stories as "Cottagette," "Turned," "Mr. Peebles' Heart," and more.
E-bok
Engelska, 202215 kr
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HarperCollins is proud to present our range of timeless literary classics. ‘There are things in that wallpaper that nobody knows about but me, or ever will’ Hailed as one of the most distinctive and compelling literary voices of her era, Charlotte Perkins Gilman is praised today for her ground-breaking, feminist writing. Collected here, both The Yellow Wallpaper and Herland are extraordinary for scrutinising the patriarchal norms of turn-of-the-century America.In The Yellow Wallpaper a woman frantically paces the empty nursery at the top of a secluded mansion. Her husband John, a physician, is of no comfort and she can’t bear to sit with the new baby as his crying makes her much too nervous. And then there’s the putrid, yellow wallpaper which seems to shift and creep around the room before her very eyes…Herland, first published in 1915, follows a group of three men as they arrive in a female-only society. Peace and tranquillity thrive in this utopian land, forcing the explorers to question how their own corrupted, male-dominated world can survive.
Häftad, Engelska, 2022
172 kr
Skickas inom 3-6 vardagar
HarperCollins is proud to present its incredible range of best-loved, essential classics. ‘There are things in that wallpaper that nobody knows about but me, or ever will’ Hailed as one of the most distinctive and compelling literary voices of her era, Charlotte Perkins Gilman is praised today for her ground-breaking, feminist writing. Collected here, both The Yellow Wallpaper and Herland are extraordinary for scrutinising the patriarchal norms of turn-of-the-century America.In The Yellow Wallpaper a woman frantically paces the empty nursery at the top of a secluded mansion. Her husband John, a physician, is of no comfort and she can’t bear to sit with the new baby as his crying makes her much too nervous. And then there’s the putrid, yellow wallpaper which seems to shift and creep around the room before her very eyes…Herland, first published in 1915, follows a group of three men as they arrive in a female-only society. Peace and tranquillity thrive in this utopian land, forcing the explorers to question how their own corrupted, male-dominated world can survive.
E-bok
Engelska, 201550 kr
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'The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.'Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalized nineteenth-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Charlotte Perkins Gilman (1860-1935). Gilman's work is available in Penguin Classics in The Yellow Wall-Paper, Herland and Selected Writings.
Häftad, Engelska, 1991
729 kr
Skickas inom 3-6 vardagar
I have nothing to offer the world but what I think...I think that the thing that I am here to do is a big thing - the truth. I see deep basic truths; and that I have been given unusual powers of expression. I truly hope that my life will count for much good in the world. - letter to George Houghton Gilman, May 11, 1897. Charlotte Perkins Gilman is best known as the author of the short story "The Yellow Wallpaper" and a utopian novel, "Herland", but she also wrote six nonfiction books and hundreds of articles and lectures. Arguably one of the most radical and certainly one of the most original thinkers of her era, Gilman (1860-1935) is missing from the male-authored intellectual histories and biographies of the period. This reader is an effort to fill that gap, offering a representative sample of her nonfiction writing. Presented chronologically, these selections emphasize her thoughts on gender, evolution, economics, radical political movements, and women's groups. Each chapter begins with an exploration of her life during the years covered and a discussion of contemporary intellectual, social, and political developments.
Ljudbok
Engelska, 2019128 kr
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Brought to you by Penguin.This Penguin Classic is performed by Jessica Brown Findlay, Jamael Westman and Sheila Atim. ''The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing''Written with barely controlled fury after she was confined to her room for ''nerves'' and forbidden to write, Gilman''s pioneering feminist horror story scandalized nineteenth-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do.
Inbunden, Engelska, 2004
912 kr
Skickas inom 10-15 vardagar
First serialized in 1914, Social Ethics attempts to convince readers that individualist ethics have failed to make the world a safe place for children, and that we cannot progress to a fully social ethics unless we understand the morality of collective action from a specifically sociological point of view. Gilman argues that in order to be fully progressive, ethics must shift from its traditional focus on individual behaviors to the structure, morality, and outcomes of social or group actions. The social ills she addresses in her attempt to advocate for a reexamination of our ethics include topics still relevant today: militarism, waste, religious intolerance, conspicuous consumption, greed, graft, environmental degradation, preventable diseases, and patriarchal oppression in its numerous manifestations. Hill and Deegan's purpose in recovering this forcefully argued book from obscurity is to show not only that Gilman's central arguments remain largely valid and cogent today, but also that Gilman is a major and substantive contributor to the shape and importance of sociology in its formative years.Traditional ethics, Gilman argues, fail to resolve the enduring problems facing society because our received ethical systems are invariably and mistakenly founded on individualist rather than social logics. The shape of our collective future, if it is to be progressive and morally responsible, depends fundamentally on adopting a sociological perspective, and our guiding principle must be to make the world a safe and nurturing place for babies and children. Anything less, in Gilman's view, is morally degenerate. In their carefully considered introduction, Hill and Deegan locate Gilman's personal and professional sociological identity within a network of influential and collegial sociologists, and relate Social Ethics to Gilman's interests in evolutionary thought, Fabian economics, feminist pragmatism, and the cognate work of Thorstein Veblen. The publication of Social Ethics in book form recovers an important theoretical treatise for a new generation of students, scholars, and fans of Gilman's Herland/Ourland saga.
Häftad, Engelska, 1991
259 kr
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Charlotte Perkins Gilman (1869-1935) was one of the leading intellectuals of the American women's movement in the first two decades of the twentieth century. Moving beyond the struggle for suffrage, Gilman confronted an even larger problem-economic and social discrimination against women. Her book, Women and Economics, published in 1898, was repeatedly printed and translated into seven languages. She was a tireless traveler, lecturer, and writer and is perhaps best known for her dramatic short story, The Yellow Wallpaper Gilman's autobiography gives us access to the life of a remarkable and courageous woman. Originally published in 1935, soon after Gilman's death, The Living of Charlotte Perkins Gilman has been out of print for several years. This edition includes a new introduction by Gilman's noted biographer, Anne J. Lane.
E-bok
Engelska, 2010106 kr
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On the eve of World War I, an all-female society is discovered somewhere in the distant reaches of the earth by three male explorers who are now forced to re-examine their assumptions about women''s roles in society.From the Trade Paperback edition.
E-bok
PDF, Engelska, 2004984 kr
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First serialized in 1914, Social Ethics attempts to convince readers that individualist ethics have failed to make the world a safe place for children, and that we cannot progress to a fully social ethics unless we understand the morality of collective action from a specifically sociological point of view. Gilman argues that in order to be fully progressive, ethics must shift from its traditional focus on individual behaviors to the structure, morality, and outcomes of social or group actions. The social ills she addresses in her attempt to advocate for a reexamination of our ethics include topics still relevant today: militarism, waste, religious intolerance, conspicuous consumption, greed, graft, environmental degradation, preventable diseases, and patriarchal oppression in its numerous manifestations. Hill and Deegan's purpose in recovering this forcefully argued book from obscurity is to show not only that Gilman's central arguments remain largely valid and cogent today, but also that Gilman is a major and substantive contributor to the shape and importance of sociology in its formative years.Traditional ethics, Gilman argues, fail to resolve the enduring problems facing society because our received ethical systems are invariably and mistakenly founded on individualist rather than social logics. The shape of our collective future, if it is to be progressive and morally responsible, depends fundamentally on adopting a sociological perspective, and our guiding principle must be to make the world a safe and nurturing place for babies and children. Anything less, in Gilman's view, is morally degenerate. In their carefully considered introduction, Hill and Deegan locate Gilman's personal and professional sociological identity within a network of influential and collegial sociologists, and relate Social Ethics to Gilman's interests in evolutionary thought, Fabian economics, feminist pragmatism, and the cognate work of Thorstein Veblen. The publication of Social Ethics in book form recovers an important theoretical treatise for a new generation of students, scholars, and fans of Gilman's Herland/Ourland saga.
E-bok
PDF, Engelska, 20011 135 kr
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Originally serialized in 1915 in The Forerunner, and never before published in book form, The Dress of Women presents Gilman's feminist sociological analysis of clothing in modern society. Gilman explores the social and functional basis for clothing, excavates the symbolic role of women's clothing in patriarchal societies, and, among other things, explicates the aesthetic and economic principles of socially responsible clothing design. The introduction, by Hill and Deegan, situates The Dress of Women within Gilman's intellectual work as a sociologist, and relates her sociological ideas to the themes she developed in some of her other works.Although written in 1915, Gilman's treatment of clothing and dress remains relevant. This pioneering effort adds substantially to Gilman's reputation as a sociological theorist and feminist. In addition, it represents one of the earliest full-length specifically sociological analyses of clothing and the fashion industry. Ultimately, the author concludes that harmful and degrading aspects of women's dress are amenable to reform if men and women will work together rationally to change the controlling institutional patterns of the society in which they live. This groundbreaking work will appeal to those interested in Gilman, feminist theory, sociological theory, social psychology, women's literature, and women's studies.
Inbunden, Engelska, 2001
1 051 kr
Skickas inom 10-15 vardagar
Originally serialized in 1915 in The Forerunner, and never before published in book form, The Dress of Women presents Gilman's feminist sociological analysis of clothing in modern society. Gilman explores the social and functional basis for clothing, excavates the symbolic role of women's clothing in patriarchal societies, and, among other things, explicates the aesthetic and economic principles of socially responsible clothing design. The introduction, by Hill and Deegan, situates The Dress of Women within Gilman's intellectual work as a sociologist, and relates her sociological ideas to the themes she developed in some of her other works.Although written in 1915, Gilman's treatment of clothing and dress remains relevant. This pioneering effort adds substantially to Gilman's reputation as a sociological theorist and feminist. In addition, it represents one of the earliest full-length specifically sociological analyses of clothing and the fashion industry. Ultimately, the author concludes that harmful and degrading aspects of women's dress are amenable to reform if men and women will work together rationally to change the controlling institutional patterns of the society in which they live. This groundbreaking work will appeal to those interested in Gilman, feminist theory, sociological theory, social psychology, women's literature, and women's studies.
Häftad, Engelska, 2014
172 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2022
421 kr
Skickas inom 5-8 vardagar
When Charlotte Perkins Gilman's first nonfiction book, Women and Economics, was published exactly a century ago, in 1898, she was immediately hailed as the leading intellectual in the women's movement. Her ideas were widely circulated and discussed; she was in great demand on the lecture circuit, and her intellectual circle included some of the most prominent thinkers of the age. Yet by the mid-1960s she was nearly forgotten, and Women and Economics was long out of print. Revived here with new introduction, Gilman's pivotal work remains a benchmark feminist text that anticipates many of the issues and thinkers of 1960s and resonates deeply with today's continuing debate about gender difference and inequality. Gilman's ideas represent an integration of socialist thought and Darwinian theory and provide a welcome disruption of the nearly all-male canon of American economic and social thought. She stresses the connection between work and home and between public and private life; anticipates the 1960s debate about wages for housework; calls for extensive childcare facilities and parental leave policies; and argues for new housing arrangements with communal kitchens and hired cooks. She contends that women's entry into the public arena and the reforms of the family would be a win-win situation for both women and men as the public sphere would no longer be deprived of women's particular abilities, and men would be able to enlarge the possibilities to experience and express the emotional sustenance of family life. The thorough and stimulating introduction by Michael Kimmel and Amy Aronson provides substantial information about Gilman's life, personality, and background. It frames her impact on feminism since the Sixties and establishes her crucial role in the emergence of feminist and social thought. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
E-bok
Engelska, 2024421 kr
Läs direkt efter köp
When Charlotte Perkins Gilman's first nonfiction book, Women and Economics, was published exactly a century ago, in 1898, she was immediately hailed as the leading intellectual in the women's movement. Her ideas were widely circulated and discussed; she was in great demand on the lecture circuit, and her intellectual circle included some of the most prominent thinkers of the age. Yet by the mid-1960s she was nearly forgotten, and Women and Economics was long out of print. Revived here with new introduction, Gilman's pivotal work remains a benchmark feminist text that anticipates many of the issues and thinkers of 1960s and resonates deeply with today's continuing debate about gender difference and inequality. Gilman's ideas represent an integration of socialist thought and Darwinian theory and provide a welcome disruption of the nearly all-male canon of American economic and social thought. She stresses the connection between work and home and between public and private life; anticipates the 1960s debate about wages for housework; calls for extensive childcare facilities and parental leave policies; and argues for new housing arrangements with communal kitchens and hired cooks. She contends that women's entry into the public arena and the reforms of the family would be a win-win situation for both women and men as the public sphere would no longer be deprived of women's particular abilities, and men would be able to enlarge the possibilities to experience and express the emotional sustenance of family life. The thorough and stimulating introduction by Michael Kimmel and Amy Aronson provides substantial information about Gilman's life, personality, and background. It frames her impact on feminism since the Sixties and establishes her crucial role in the emergence of feminist and social thought. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.