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After two years of unemployment, Maggy Garrisson lands a secretarial job. Too bad her new boss is the shady, chaotic Anthony Wight: private detective and alcoholic. But a job is a job, and Maggy could use the cash. Five days into her new role, Wight is beaten to a pulp and Maggy is tasked with returning his wallet. With this seemingly innocuous request, Maggy enters a sinister underworld of corrupt cops, crooked businessmen, and career criminals. There’s a lot to investigate, from the disappearance of a family album to the theft of gold teeth from bodies at the crematorium. But for someone with the energy, ingenuity, and enterprising spirit of Maggy Garrison, puzzles are there to be solved—especially if there’s money to be made in the process.

The history of wine is the history of civilisation. It is the religious drink par excellence. In Greek mythology, references to wine abound. In the Bible, after the Flood, Noah plants a vineyard. In the Middle Ages, it was in the monasteries and churches that the syrupy drink of antiquity, unpalatable if not diluted, was transformed into the wine we know today.Wine expert Benoist Simmat and artist Daniel Casanave trace the story of wine from its origins in the Mediterranean to the globalised industry of the 21st century. Taking in the innovations that have punctuated wine’s long history, from oak barrel aging to the invention of the bottle, Wine: A Graphic History will leave readers with a fresh view of our own drinking culture.

In December 1913, the New York World newspaper published the first crossword in history. It appeared in their Sunday supplement, “Fun.” A century later, this absorbing puzzle continues to attract (and infuriate) millions of devotees every day. But the world’s most popular—and seemingly mundane—pastime has a surprising history, filled with intrigue and adventure.Paolo Bacilieri’s FUN transports us from turn-of-the-century New York to present-day Milan, taking in stories of ingenious puzzle makers, ardent solvers, and intellectual luminaries. Part detective story, part docudrama, and interlaced with a fiction of Bacilieri’s own imagining, FUN questions the crossword’s “harmless” status. Sure, it’s fun—but could it also be a form of resistance, of cryptic communication, of espionage?

Constance Maud was at the heart of the British campaign for women’s votes. Her novel No Surrender was published at the height of that struggle and used as a persuasive tool by suffragists. Hailed by Emily Wilding Davison as “a book which breathes the very spirit of our Women’s Movement”, the fast-paced story interweaves the lives of women from all classes working together to bring about change. Our hero Jenny is a small but fierce Lancashire textile mill worker who puts principle before everything. No Surrender is sometimes funny, sometimes violent, but always exciting and authentic. It is highly regarded as an important document of the arguments for and against extending votes to women, for its witty storytelling and for an unflinching depiction of the rapid escalation of violence encountered by the women involved. In this faithful graphic adaptation, creators Scarlett and Sophie Rickard craft a compelling fiction that paints a comprehensive picture of social, political, economic and cultural life in early 20th century Britain that is still acutely relevant today. The graphic format is the embodiment of the suffrage rallycry of “Deeds not Words” and this book is the perfect sister volume to their stunning adaptation of the socialist classic The Ragged Trousered Philanthropists.

The Ragged Trousered Philanthropists tells the story of a group of working men in the fictional town of Mugsborough, and socialist journeyman-prophet Frank Owen who attempts to convince his fellow workers that capitalism is the real source of the poverty all around them. Owen's spirited attacks on the greed and dishonesty of the capitalist system, and support for a socialist society in which work is performed to satisfy the needs of all, rather than to generate profit for a few, eventually rouses his fellow men from their political passivity. Described by George Orwell as a piece of social history and a book that everyone should read, Robert Tressell's The Ragged Trousered Philanthropists is often cited as one of the most authentic novels of English working class life ever written. In this faithful graphic adaptation, creators Scarlett and Sophie Rickard craft a compelling fiction that paints a comprehensive picture of social, political, economic and cultural life in early 20th Century Britain that is still acutely relevant today.

Hellraisers tells the story of four of the greatest boozers of all time:Richard Burton, Richard Harris, Peter O'Toole and Oliver Reed. Robert Sellers and Jake cleverly weave the four biographies seamlessly into one fast-paced adventure of drunken binges, orgies, parties and fun.Told through the eyes of Martin, a wannabe Hellraiser, the story begins in a typical London pub at Christmas time. One by one, each of the four Hellraisers take this disillusioned soul on a personal tour of their childhoods, rise to stardom and chaotic personal lives.

Arrested with her family in the Netherlands, deported by the Nazis to Ravensbrück and Bergen-Belsen, and orphaned – all by the age of seven – Emmie Arbel survived the camps, only to face a new ordeal of suffering in what should have been a place of refuge. Traumatized as a child by violence, abuse, and isolation, she has transformed her survival into an inspirational lifelong mission both to bear witness to the Holocaust, and to celebrate the enduring resilience of the human spirit. Working closely with Emmie herself, the acclaimed German graphic artist Barbara Yelin has created an unforgettable “visual biography” of this remarkable woman: her rebellious independence, her indomitable humour, the wisdom of her contemplation.Emmie Arbel: The Colour of Memory is at once a haunting portrayal of a historical atrocity, an inspiring account of a modern friendship, a beautiful work of art, and a meditation on memory itself.This graphic novel was developed as part of the Survivor-Centred Visual Narratives Project funded by the Social Sciences and Humanities Research Council of Canada (SSHRC).

Nao Brown suffers from OCD, but not the hand-washing, overly tidy type that people often refer to jokingly. Nao suffers from violent, morbid obsessions, while her compulsions take the form of unseen mental rituals. Working part-time in a 'designer' vinyl toy shop, while struggling to get her own illustration career off the ground, she's still searching for that elusive love – the perfect love. And in meeting the man of her dreams, she realises… dreams can be quite weird. Nao's meditation practice is an attempt to quieten her mind and open her heart, and it's through this that she comes to understand that things aren't so black and white after all. In fact, they're much more... brown.This new edition contains eight pages of additional material, including previously unseen artwork, which gives an insight into Glyn Dillon’s creative process.

When the Lancashire cotton-mill that employs them burns to the ground, sisters Rachel and Hester Martin are each forced to find their own way to survive in the harsh realities of pre-war industrial Britain. The contrasting paths they take in their quest for domestic autonomy form a subtly strident allegory of the all but insurmountable barriers of class and gender that then enslaved half the population. Part compelling narrative epic, part fiery Marxist-feminist polemic, this faithful, sumptuous, and revelatory adaptation by the award-winning Rickard Sisters reclaims a lost classic by holding it up as a mirror to our own hard times, and as a gloriously flaming beacon to future communities to offer strength, hope, and dignity.

One morning in June 1941, a quiet village in Central Lithuania is shaken out of its slumber by the sudden arrival of the Soviet Army. Eight-year-old Algiukas awakes to the sound of Russian soldiers pounding on the door. His family are given ten minutes to pack up their things. They are not told where they’re going or for how long. An airless freight train carries them from the fertile lands of rural Lithuania to the snowy plains of the Siberian taiga. There, in the distant, dismal North, they begin a life marked by endless hunger and unrelenting cold. And yet the darkness of exile is lightened, for Algiukas, by flights of imagination. This curious, brave and adaptable child transforms hardship into adventure.Drawing on her father’s exile in Siberia, writer Jurga Vile brings to light a neglected, even suppressed, episode from the history of the Soviet Union. Beautifully drawn by Lina Itagaki, Siberian Haiku uses the child’s perspective to tell an unforgettable story of courage and human endurance.

Since the turn of the century, technology has transformed the way we communicate and consume, how we work and fall in love and navigate the world. We are increasingly reliant on it—but few of us know anything about the science that is driving this technological change. Kurt Vonnegut famously said that to leave technology out of fiction is to misrepresent life. Here, six acclaimed graphic novelists present reports from the digital frontier. Exploring everything from artificial intelligence to virtual reality, I Feel Machine is by turns cautionary and celebratory, touching and terrifying. It challenges and confronts the digital world using the most technologically efficient machine ever invented: the book.

Follow the entire painting career of Rembrandt, one of the greatest painters and printmakers in European art history and the most important in Dutch history. This is the story about one man’s artistic vocation and the work it demands, about life and death, love and bereavement, fame and loss. This graphic novel aims at authenticity, and where there is an absence of facts, the author has drawn inspiration from the wealth of the anecdotes about Rembrandt’s life. This unique collaborative enterprise between the author, Typex, The Netherlands foundation for Visual Arts, Design and Architecture and the Rijk museum, home of the world’s largest and most important Rembrandt collection, guarantees a spectacular result – a stunning and surprising graphic novel on Rembrandt’s life.

Musician, novelist, poet, actor: Nick Cave (b. 1957) is a Renaissance man. His wide-ranging artistic output—always uncompromising, hypnotic, and intense—is defined by an extraordinary gift for storytelling. In Nick Cave: Mercy on Me, Reinhard Kleist employs a cast of characters drawn from Cave’s music and writing to tell the story of a formidable artist and influencer.Kleist paints an expressive and enthralling portrait of Cave’s childhood in Australia; his early years fronting The Birthday Party; the sublime highs of his success with The Bad Seeds; and the crippling lows of his battle with heroin. Capturing everything from Cave’s frenzied performances in Berlin to the tender moments he spent with love and muse Anita Lane, Kleist’s graphic biography, like Cave’s songs, is by turns electrifying, sentimental, morbid, and comic—but always engrossing.

1919 – the defeated Austro-Hungarian Empire is losing control of the city port of Fiume to pirates. A self-styled "Pirate King", Gabriele d'Annunzio (poet, Italian war hero and Dadaist) storms the city with 3000 loyal Italian footsoldiers. He declares Fiume a free Republic: a utopian city-state, with himself as Commander. The city soon descends into looting and surreal decadence, reminiscent of the last days of Rome. Amid this chaos, the beautiful Mina, a black-haired young singer, is lost in this city gone mad, consumed by a love affair with a young soldier. Haunted by the horror of the trenches, a soldier, Lauriano, hunts Fiume's alleys in vain for the ghost that haunts his dreams.

Texas, 1872. With the Civil War over, exploration has resumed in the territories to the west of the Mississippi, and the geologist Stingley is looking to capitalize. Together with photographer Oscar Forrest, who catalogues the terrain, and their young assistant, Milton, Stingley strikes out into territory that might one day support a new civilization. But this is no virgin land. As the frontiersmen move west, it becomes clear that the expedition won’t go unchallenged. Stingley has led them into a hostile region: the native Comanches’ last bastion of resistance. In a spectacular landscape, under the looming threat of attack, the boundaries between two worlds dissolve. As social conventions disappear and personal inhibitions go into retreat, an intimate relationship develops between Oscar and Milton. The Smell of Starving Boys is an intense Western about the clash of two worlds: one old, one new; one defined by rationality and technology, the other by shamanism and nature.

The dazzling, provocative work of Jean-Michel Basquiat (1960–1988) would come to define the vibrant New York art scene of the late ’70s and early ’80s. Punk, jazz, graffiti, hip-hop: his work drew heavily on the cultural trappings of lower Manhattan, to which he fled—from Brooklyn—at the age of 15. This stunning graphic novel captures the dramatic life and exhilarating times of this archetypal New York artist, covering everything from the SAMO graffiti project to his first solo show, from his relationship with Andy Warhol to the substance abuse that would cost him his life.Today, Basquiat’s influence can be seen not only in fine art but in fashion, design, and music. Now, for the first time, his remarkable story is told in graphic novel form. This playful, authoritative biography shows Basquiat’s work to be more important, his themes more urgent, than ever before.

In his graphic biography Nick Cave: Mercy on Me, Reinhard Kleist paints an expressive and enthralling portrait of the musician, novelist, poet, and actor.It is, according to Nick Cave himself, “a complex, chilling and completely bizarre journey into Cave World.” Nick Cave & The Bad Seeds: An Art Book collects Kleist’s moody and expressive portraits of the musician and his band, spanning 30 years of writing, recording, and live performance. Kleist also returns readers to Cave’s imaginative world with comic book reimaginings of “Deanna,” “The Good Son,” and “Stagger Lee.” Filled with visual delights, this record-size art book is a kaleidoscopic portrait of Nick Cave’s wide-ranging career as a storyteller, musician, and cultural icon.

“There was never a place for [Isadora Duncan] in the ranks of the terrible, slow army of the cautious. She ran ahead, where there were no paths.” — Dorothy Parker In 1899, performing in the drawing rooms of London’s elite, Isadora Duncan was already laying the foundations for modern dance. The 22-year-old’s movements were visceral, free-flowing, and expressive; she performed barefoot. She shattered the conventions of traditional ballet and, in doing so, enchanted high society. A year later, in Paris, she met the sculptor Auguste Rodin, whose work proved a revelation, and the influential dancer Loie Fuller, whose support marked the beginning of a dazzling on-stage career. In Isadora, Julie Birmant and Clément Oubrerie capture the astonishing life and scandalous times of the so-called “Mother of Modern Dance.” This extraordinary graphic novel takes in her arrival in Europe, her rise to stardom and the development of a style of dance inspired by natural forms and Greek sculpture that would become her enduring legacy.

Miskatonic University, Arkham, 1908. Professor Nathaniel Peaslee collapses in front of a class of students, only coming to his senses five years later. Horrified to discover that his body has been far from inactive during the intervening period—and plagued by unsettling and outlandish nightmares—Peaslee attempts to piece together the truth behind the missing years of his life. A chilling journey through time, space, and the recesses of the mind, this newly reissued adaptation (in a smaller format, with a foreword by Jeff Lemire and a new cover) gives terrifying form to one of H.P Lovecraft’s final tales. “A taut, chilling read, well-paced and illustrated with a suitably muted palette.” - The Guardian

It is April 1944. 19-year-old Ginette Kolinka arrives at the Auschwitz-Birkenau camp. Her father and little brother are immediately gassed. Ginette is selected as a worker. She survives. It is October 2020. 95-year-old Ginette takes advantage of a lull in the COVID-19 epidemic to accompany a group visiting Birkenau one last time. As a farewell, she brings with her a journalist (France Info’s Victor Matet) and a comic strip writer, J-D Morvan. From this trip a comic book is born. Ginette tells of her life before the war, how she discovered she was Jewish, how her family fled Paris before she and her father were denounced. She tells the story of the camp; completely, honestly, without seeking pity. We see her today, how she still shares her story with the world, how she still stands and bears witness. Ginette tells everything with her trademark liveliness and biting humor. We often laugh, and sometimes we shudder. Because the story she tells is ours too.

Banned for 27 years and initially published in a heavily censored edition, The Master and Margarita is probably the most important Russian novel of the 20th century. Written as a satire of Stalin's suffocating bureaucracy, the book has inspired Salman Rushdie's The Satanic Verses, The Rolling Stones' song Sympathy for the Devil and the work of many other international artists, writers and musicians.

From the thirty-two canvas Campbell's Soup Cans to the Marilyn Diptych, Andy Warhol's silk-screen prints are the epitome of Pop Art: witty, gimmicky and unafraid of repetition. Obsessed with consumerism and the cult of celebrity, Warhol exalted the "surface of things" – and yet he was a man of deep complexity. In Andy, Typex captures the remarkable life of the king of Pop Art, from his working-class upbringing in Pittsburgh to the dizzying heights of his celebrity. Spanning a period that began with the "talkies" and ended with the advent of house music, it is also a memorable portrait of 20th century pop culture and the stars who defined it: from Elvis to Greta Garbo, Truman Capote to Lou Reed. Taking in Warhol's early career as a commercial illustrator, his relationship with the Velvet Underground and the development of his own instantly recognisable style, Typex's Andy is an exhilarating portrait of a transcendent artist and a master self-publicist. Intensively researched, this 568-page graphic novel--with silver edgestain on the pages—is the first to tell the complete life story of the iconic pop artist.

It is, perhaps, the perfect video game. Simple yet addictive, Tetris delivers an irresistible, unending puzzle that has players hooked. Play it long enough and you’ll see those brightly coloured geometric shapes everywhere. You’ll see them in your dreams. Alexey Pajitnov had big ideas about games. In 1984, he created Tetris in his spare time while developing software for the Soviet government. Once this alarmingly addictive game emerged from behind the Iron Curtain, it was an instant hit. Nintendo, Atari, Sega – game developers big and small all wanted Tetris. A bidding war was sparked, followed by clandestine trips to Moscow, backroom deals, innumerable miscommunications and outright theft.New York Times bestselling author Box Brown untangles this complex history and delves deep into the role games play in art, culture and commerce. For the first time and in unparalleled detail, Tetris: The Games People Play tells the true story of the world’s most popular video game.

An extraordinary and inventive graphic biography, Steffen Kverneland’s Munch explores the relationships and obsessions that drove the artist behind ‘The Scream’. Using text drawn from the writings of Edvard Munch and his contemporaries, this extensively researched and beautifully drawn graphic novel debunks the familiar myth of the half-mad expressionist painter – anguished, starving and ill-treated – to reveal the artist’s neglected sense of humour and optimism. Born out of a life-long fascination with all things Munch, Kverneland’s award-winning seven-year project is the funniest and most entertaining portrait yet of a complex man and a pioneering artist. “Munch is a dazzling use of sequential storytelling… Rarely have I read a more entertaining biography.” The Comics Journal

In October 1958, a young German journalist arrives in Havana, Cuba, and sets out to meet and interview Fidel Castro on behalf of a German newspaper. He finds himself in a country plunged into revolution. From the viewpoint of this young journalist, Kleist presents a detailed look at the life and politics of the Cuban 'Maximo Lider' Fidel Castro, from his childhood to the present day. Beautifully realised in Kleist's bold, striking style, Castro is a unique portrait of one of the most enduring and controversial figures in modern history.

The Dancing Plague tells a true story, from 1518, when hundreds of inhabitants of Strasbourg were suddenly seized by the strange and unstoppable compulsion to dance, from the imagined perspective of Mary, one of its witnesses. Prone to mystic visions as a child, betrayed in the convent to which she flees, then abused by her loutish husband, Mary endures her life as an oppressed and ultimately scapegoated woman with courage, strength, and inspiring beauty. As difficult to interpret now (as a psychological reaction to social injustice?) as it was then (as a collective demonic possession?), the story of the “Dancing Plague” finds suitably extraordinary expression in the utterly unique mixed-media style Gareth Brookes has devised to tell it. The pioneering blend of his trademark “pyrographic” technique with sumptuously colourful (and literal) embroidery perfectly reflects, in a beautiful work of art, the enduring fragility of our human condition – from “choreomania” to coronavirus.

Collecting stories from a range of artists of colour across the UK, this comics anthology unites their voices under a single theme: 'catalyst’. In one story, the accidental witnessing of a horrific scene turns a regular day into a nightmare; in another, the truth of what it really took to put a man on the moon is revealed. From tales of misplaced memories to battles with the id, Catalyst offers a look at the consequences of big and small acts alike. Showcasing a mix of established and emerging artists, this collection imagines the myriad ways in which a chain of events might end in either euphoria or catastrophe. Sometimes both.  Edited by Ayoola Solarin, this provocative, intriguing and revelatory anthology invites readers to consider the situations, people and events that might accelerate change in their own lives and in our society as a whole.“Strong and eclectic... this is the sort of thing we need a lot more of.” – Bryan Lee O’Malley, creator of Scott Pilgrim and Seconds“Filled with new and vibrant work... Catalyst truly lives up to its title in every way possible.” – John Jennings, illustrator of Parable of the Sower: A Graphic Novel Adaptation

Georgia O’Keeffe (1887–1986), the American artist known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes, was one of the most significant artists of the 20th century. During her lifetime, which spanned almost a century, she became widely recognized for her huge contribution to modern art. Drawing mainly from O’Keeffe’s letters that are depicted in this biography, artist María Herreros delves into O’Keeffe’s deepest self: a tireless traveller, a nature lover, a strong and emancipated woman who carved her own determined path through life and did it her way.

Providence, Rhode Island, 1928. A dangerous inmate disappears from a private hospital for the insane, his method of escape baffling the authorities. Only the patient’s final visitor, family physician Dr. Marinus Bicknell Willett—himself a piece of the puzzle—holds the key to unlocking The Case of Charles Dexter Ward. A macabre mixture of historical investigation, grave-robbing, and bone-chilling revelation, this newly reissued adaptation (in a smaller format, with a foreword by Jeff Lemire and a new cover) artfully lays bare one of H.P. Lovecraft’s most horrifying creations.“This is really the best way to enjoy Lovecraft.” - Boing Boing