Gareth Brookes – författare

The Dancing Plague tells a true story, from 1518, when hundreds of inhabitants of Strasbourg were suddenly seized by the strange and unstoppable compulsion to dance, from the imagined perspective of Mary, one of its witnesses. Prone to mystic visions as a child, betrayed in the convent to which she flees, then abused by her loutish husband, Mary endures her life as an oppressed and ultimately scapegoated woman with courage, strength, and inspiring beauty. As difficult to interpret now (as a psychological reaction to social injustice?) as it was then (as a collective demonic possession?), the story of the “Dancing Plague” finds suitably extraordinary expression in the utterly unique mixed-media style Gareth Brookes has devised to tell it. The pioneering blend of his trademark “pyrographic” technique with sumptuously colourful (and literal) embroidery perfectly reflects, in a beautiful work of art, the enduring fragility of our human condition – from “choreomania” to coronavirus.

A foundational environmentalist text centuries ahead of its time, The Compleat Angler is one of the most reprinted books in the English language.From the ruins of the English Civil War to the challenges we all face today, Gareth Brookes’ highly original multimedia adaptation of Izaak Walton’s classic focuses on its instructional aspects, highlights its eccentricities and contemplative themes of nature and friendship, and draws parallels between today’s politically divided and ecologically endangered England and that of the 17th century.Following Brookes’ similarly ambitious The Dancing Plague, this adaptation is lovingly rendered in both linocut engraving and hand-drawn pen-and-ink to contrast the meditative and the instructional in Walton’s writing. As a guidebook on how to fish, this 350-year-old manual makes the perfect gift for any angling enthusiast, and its reflective writing connects with post-pandemic desires for calm, mindful pursuits and a return to nature.

This book is about what happens to comics theory when we privilege the relationship between materiality and the body in the analysis of comics. Focusing on how these factors relate to making, technological reproduction and the experience of reading comics, it aims to establish a new theoretical model for comics studies.Through a close consideration of how technologies of reproduction translate material and embodied traces into the surface of comics, the book argues that tactile and haptic encounters with these surfaces can organise the narrative structure of comics and affect the experience of reading them. The book aims to establish that comics can be thought of as networked sites of embodied encounter in which embodied responses become a register of meaning.