Robert Sellers – författare

Hellraisers tells the story of four of the greatest boozers of all time:Richard Burton, Richard Harris, Peter O'Toole and Oliver Reed. Robert Sellers and Jake cleverly weave the four biographies seamlessly into one fast-paced adventure of drunken binges, orgies, parties and fun.Told through the eyes of Martin, a wannabe Hellraiser, the story begins in a typical London pub at Christmas time. One by one, each of the four Hellraisers take this disillusioned soul on a personal tour of their childhoods, rise to stardom and chaotic personal lives.

He's the man with short fat hairy legs who kept us laughing for decades, his comic timing sparking perfectly with the genius of his partner Eric Morecambe. Yet little has been known about Ernie's amazing story, until now.Little Ern! takes us from Ernie's childhood in Leeds, where he supported his family by performing on stage, to being left to fend for himself in London at thirteen, a star in the making. We see his friendship with the young comic Eric grow when they toured the theatres of war-torn Britain as teenagers, and discover how their double-act evolved. They survived numerous setbacks on the road to television stardom - and we learn the impact fame had on their lives and friendship. Fully exploring the crucial contribution he made to the act, this charming biography reminds us why Ernie Wise deserves his place in the pantheon of comedy greats.

1971 was a great year for cinema.Woody Allen, Robert Altman, Dario Argento, Ingmar Bergman, Stanley Kubrick, Sergio Leone, George Lucas, Sam Peckinpah, Roman Polanski, Nicolas Roeg and Steven Spielberg, among many others, were behind the camera, while the stars were also out in force. Warren Beatty, Marlon Brando, Michael Caine, Julie Christie, Sean Connery, Faye Dunaway, Clint Eastwood, Jane Fonda, Dustin Hoffman, Steve McQueen, Jack Nicholson, Al Pacino and Vanessa Redgrave all featured in films released in 1971.The remarkable artistic flowering that came from the ‘New Hollywood’ of the ’70s was just beginning, while the old guard was fading away and the new guard was taking over. With a decline in box office attendances by the end of the ’60s, along with a genuine inability to come up with a reliable barometer of box office success, studio heads gave unprecedented freedom to young filmmakers to lead the way.Featuring interviews with cast and crew members, bestselling author Robert Sellers explores this landmark year in Hollywood and in Britain, when this new age was at its freshest, and where the transfer of power was felt most exhilaratingly.

The Pink Panther series is one of the most enduring and financially successful franchises in movie history, beginning with 1963’s The Pink Panther, which introduced audiences to the iconic Inspector Clouseau, unforgettably played by Peter Sellers.Drawing on previously unseen material and ‘exclusive’ interviews with stars of the films and crew members, along with friends and colleagues of Peter Sellers, Robert Sellers presents, for the very first time, the untold story and some of the secrets behind the Pink Panther films.The original Pink Panther movie proved popular enough to spawn eight sequels. The films also inspired a popular animated TV series based on the pink panther cartoon character that appeared in the film’s credit sequences. There were also spin-off toys, games, clothes, even breakfast cereal. In the 2000s, comedy legend Steve Martin twice stepped into the role of Inspector Clouseau.But behind the laughs, there was madness and darkness, and at the series’ heart was one of cinema’s most tragic figures: Peter Sellers. A comedic genius, Sellers could be temperamental, unprofessional, and unpredictable. Add to that a heart problem Sellers feared could kill him at any moment.This book reveals many of the Pink Panther’s secrets for the first time, shining a spotlight behind the scenes at the making of some of the most beloved comedies of all time, and the extraordinary personalities that brought them to life.

In the league table of the funniest universities in the world, Cambridge wears the crown. Home of Britain’s oldest student sketch comedy troupe, the Cambridge Footlights, it has been a veritable conveyor belt of comic talent that’s been rolling for more than a century.From Monty Python, The Goodies and Not the Nine O’Clock News to Peep Show, QI and The Great British Bake-Off, its alumni are behind many of the shows that have entertained audiences from the 1960s to today. This book tells the story of the Footlights, chronicling its evolution from its creation in the 1880s to the present.The Footlights has long been a potential portal to fame: talent scouts, especially from the BBC, were in the habit of coming up to Cambridge on the lookout for comedy writers and material. This book traces the journeys of its most distinguished alumni, including Germaine Greer, John Cleese, Douglas Adams, Peter Cook, Stephen Fry, Hugh Laurie, Miriam Margolyes, Emma Thompson, Richard Ayoade, David Mitchell and Sue Perkins, among many others.Featuring interviews with numerous former Footlights alumni, and accounts of routines and revues, it vividly captures the desire of each successive intake to make their comic mark. Through examining the impact of the Footlights on British popular culture and comedy over the last 60 years, it demonstrates how its farces, musical comedies, pantomimes and the famous May Week revues have both reflected the tastes of the times and served as a ‘nursery’ for generations of comic writers and performers. In the world of comedy, it is a unique institution.

Oliver Reed may not have been Britain's biggest film star - for a period in the early 70s he came within a hairsbreadth of replacing Sean Connery as James Bond - but he is an august member of that small band of people, like George Best and Eric Morecambe, who transcended their chosen medium, became too big for it even, and grew into cultural icons.For the first time Reed's close family has agreed to collaborate on a project about the man himself. The result is a fascinating new insight into a man seen by many as merely a brawling, boozing hellraiser. And yet he was so much more than this. For behind that image, which all too often he played up to in public, was a vastly complex individual, a man of deep passions and loyalty but also deep-rooted vulnerability and insecurities. Why was a proud, patriotic, intelligent, successful and erudite man so obsessed about proving himself to others, time and time again?Although the Reed myth is of Homeric proportions, he remains a national treasure and somewhat peculiar icon.Praise for other books by Robert Sellers:Hellraisers: The Life and Inebriated Times of Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: 'So wonderfully captures the wanton belligerence of both binging and stardom you almost feel the guys themselves are telling the tales.' GQ.Vic Armstrong: The True Adventures of the World's Greatest Stuntman:'This is the best and most original behind-the-scenes book I have read in years, gripping and revealing.' Roger Lewis, Daily Mail.Don't Let the Bastards Grind You Down: '...a rollicking good read... Sellers has done well to capture a vivid snapshot of this exciting time.' Lynn Barber, Sunday Times.

For decades, British stage musicals struggled to compete against the dazzling Broadway productions that came roaring in from across the pond. But that tide was turned at last in 1978, when Tim Rice and Andrew Lloyd Webber’s production of Evita brought the West End back into contention with Broadway. It was just the first of several blockbuster productionsthat helped Britain dominate musical theater all over the world.In this revealing behind-the-scenes narrative, journalist and author Robert Sellers gives a definitive account of how Evita, Cats, Starlight Express, Les Misérables, Phantom of the Opera, Chess, and Miss Saigon changed the business of musical theater in the 1980s. These mega productions of the were larger than life, colorful, and spectacular. Sellers collects insightful, personal stories from cast members, set designers, musical supervisors, dancers, lighting designers, production managers, singers, and choreographers from the shows that finally put Broadway on its back foot. He also describes the backstage drama, production nightmares, and financial woes that threatened to derail the shows at multiple points. Whatever obstacles they faced, though, these productions swept the world and transformed the face of musical theater in ways that still resound today.

‘Enthralling . . . an essential read, particularly for fans of 007.’ - Cinema Retro‘When Harry Met Cubby is a fitting tribute to two extraordinary men. If you love behind the scenes stories about the making of movies, there’s plenty of drama to sate you here.’ - Entertainment FocusAlbert R. ‘Cubby’ Broccoli and Harry Saltzman remain the most successful producing partnership in movie history. Together they were responsible for the phenomenally successful James Bond series; separately they brought kitchen-sink drama to the screen, made a star out of Michael Caine in the Harry Palmer films and were responsible for the children’s classic Chitty Chitty Bang Bang. But their relationship was fraught almost from the very beginning. With such contrasting personalities, their interactions often span out of control. They managed to drive away their coveted star, Sean Connery, and ultimately each other.Loved and hated in equal measure, respected and feared by their contemporaries, few people have loomed as large over the film industry as Broccoli and Saltzman, yet their lives went in very different directions. Broccoli was feted as Hollywood royalty, whereas Saltzman ended up a forgotten recluse. When Harry Met Cubby charts the changing fortunes and clashing personalities of two titans of the big screen.

The 1970s were the era of the three-day week, the Troubles in Northern Ireland, the winter of discontent, trade union Bolshevism and wildcat strikes. Through sitcoms, Raising Laughter provides a fresh look at one of our most divisive and controversial decades. Aside from providing entertainment to millions of people, the sitcom is a window into the culture of the day.Many of these sitcoms tapped into the decade’s sense of cynicism, failure and alienation, providing much-needed laughter for the masses. Shows like Rising Damp and Fawlty Towers were classic encapsulations of worn-out, run-down Britain, while the likes of Dad’s Army looked back sentimentally at a romanticised English past.For the first time, the stories behind the making of every sitcom from the 1970s are told by the actors, writers, directors and producers who made them all happen. This is nostalgia with a capital N, an oral history, the last word, and an affectionate salute to the kind of comedy programme that just isn’t made anymore.

‘There are so many insights – even hardcore Bond fans will be surprised. Indispensable.’ – David Lowbridge-Ellis MBEOnly six men can lay claim to wearing the famous Savile Row tuxedo of James Bond; more people have stepped on the Moon. Yet, hundreds more came within an inch of winning the coveted 007 role – the pinnacle for so many actors.The Search for Bond tells the extraordinary story of how cinema’s most famous secret agent was cast, featuring exclusive interviews with many of the actors who were at one time considered to play Bond, interviewed for the role, or went as far as to be screen tested. From Ranulph Fiennes to Colin Firth, their memories and stories give a fascinating insiders’ glimpse into the process of how the Bond producers, Broccoli and Saltzman, came up with the right man to play their famous spy.

Celebrating eighty years of Royal Film Performances, mixing Royal elegance with celebrity glamour and showcasing the pinnacle of film arts.For nearly eight decades, the Royal Family has been gracing the red carpet to see the most eagerly anticipated film of the year. Since 1946, the Royal Film Performance has been an annual highlight of the entertainment social calendar, where cinema’s most famous icons have come face to face with royalty.With authors Gareth Owen and Robert Sellers, dive into the glitz, glamour and regal encounters of each Royal Film Performance, the memorable moments and the fascinating stories. From Marilyn Monroe’s nervous encounter with Queen Elizabeth II to the cheeky remarks of Jayne Mansfield, witness the intersection of cinema’s luminaries and royalty.Inside The Royal Film Performance: A Celebration:Lavishly illustrated with colour and black-and-white photographs and illustrationsPhotographs of celebrities such as Diana Dors, Meryl Streep, and Ian McKellen, and royalty such as Queen Elizabeth II, King Charles III and Princess DianaA full history of the Royal Film Performance, from its origins to todayCovers the history of every performance, including such hits as Gladiator II, James Bond movie Spectre and Chariots of Fire As the curtain rises on this cinematic celebration, The Royal Film Performance: A Celebration pays homage to the stars, the royals and the unsung heroes of the industry, sure to delight fans of the Royal Family and cinema aficionados alike.

1971 was a great year for cinema.Woody Allen, Robert Altman, Dario Argento, Ingmar Bergman, Stanley Kubrick, Sergio Leone, George Lucas, Sam Peckinpah, Roman Polanski, Nicolas Roeg and Steven Spielberg, among many others, were behind the camera, while the stars were also out in force. Warren Beatty, Marlon Brando, Michael Caine, Julie Christie, Sean Connery, Faye Dunaway, Clint Eastwood, Jane Fonda, Dustin Hoffman, Steve McQueen, Jack Nicholson, Al Pacino and Vanessa Redgrave all featured in films released in 1971.The remarkable artistic flowering that came from the ‘New Hollywood’ of the ’70s was just beginning, while the old guard was fading away and the new guard was taking over. With a decline in box office attendances by the end of the ’60s, along with a genuine inability to come up with a reliable barometer of box office success, studio heads gave unprecedented freedom to young filmmakers to lead the way.Featuring interviews with cast and crew members, bestselling author Robert Sellers explores this landmark year in Hollywood and in Britain, when this new age was at its freshest, and where the transfer of power was felt most exhilaratingly.

Still Laughing is a lively, deeply nostalgic exploration of a golden age of the 1980s British sitcom. From Only Fools and Horses, Blackadder and Yes Minister to Red Dwarf and The Young Ones, Robert Sellers revisits the comedies that defined a turbulent decade shaped by Thatcherism, social change and the arrival of Channel 4.As politics grew sharper, so too did sitcom. Bread and Desmond’s captured working-class and Black British life with new confidence, while Executive Stress, Girls on Top and Birds of a Feather showcased complex, ambitious roles for women. Alternative comedy broke through, reshaping the tone of television humour for good.Still Laughing explores these famous shows, bringing back a host of memories in the process. It also spotlights the shows we’ve forgotten – in most cases for good reason. Rich with behind-the-scenes insight and sharp commentary, it is a joyful appraisal of a transformative era in British comedy.This is Nostalgia with a capital N: an oral history, the last word, but also a slice of TV history and an affectionate salute to those shows that so many of us grew up with.

‘There are so many insights – even hardcore Bond fans will be surprised. Indispensable.’ – David Lowbridge-Ellis MBEOnly six men can lay claim to wearing the famous Savile Row tuxedo of James Bond; more people have stepped on the Moon. Yet, hundreds more came within an inch of winning the coveted 007 role – the pinnacle for so many actors.The Search for Bond tells the extraordinary story of how cinema’s most famous secret agent was cast, featuring exclusive interviews with many of the actors who were at one time considered to play Bond, interviewed for the role, or went as far as to be screen tested. From Ranulph Fiennes to Colin Firth, their memories and stories give a fascinating insiders’ glimpse into the process of how the Bond producers, Broccoli and Saltzman, came up with the right man to play their famous spy.

'God put me on this earth to raise sheer hell.' Richard Burton'I was a sinner. I slugged some people. I hurt many people. And it's true, I never looked back to see the casualties.' Richard Harris'Booze is the most outrageous of all drugs, which is why I chose it.' Peter O'Toole'I don't have a drink problem. But if that was the case and doctors told me I had to stop I'd like to think I would be brave enough to drink myself into the grave.' Oliver ReedThis is the story of four of the greatest thespian boozers who ever walked - or staggered - off a film set into a pub. It's a story of drunken binges of near biblical proportions, parties and orgies, broken marriages, drugs, riots and wanton sexual conquests. They got away with it because of their extraordinary acting talent and because the public loved them. They were truly the last of a breed, the last of the movie hellraisers.

An A-Z of Hellraisers is the last word on inebriated misbehaviour, and the miscreant mob in this whopper of a book constitute the most amazing grouping to see print: from Alexander the Great, whose drunken revelries once ended with the destruction of an entire city; to W. C. Fields, who passed critical judgement on a brass band by urinating over them from a hotel balcony; Dylan Thomas, who drove a sports car onto Charlie Chaplin's private tennis court; to Led Zeppelin drummer John Bonham, suffocating on his own vomit after consuming forty measures of vodka - what a night out that was!This hilarious volume makes for an ideal bedside companion or pub reading fodder, as it scrutinises and salutes these glorious individuals, from Winston Churchill to Keith Moon, George Best to Ernest Hemingway, Wild Bill Hickok to Sam Peckinpah, Ozzy Osbourne to Errol Flynn. Just thank God we didn't have to live next door to any of them.

For most people in Britain in the 1970s and 1980s, Radio 1 provided the soundtrack to their lives. Commanding up to 24 million listeners a week, it was the most popular radio station in the world.An iconic institution and one of the UK's most famous brands, its history and socio-cultural impact is explored in full here for the first time. Robert Sellers draws on archive material and first-hand interviews with DJs and key personnel to capture the extraordinary story of Radio 1, from its beginnings in 1967 through to its controversial reorganisation in the early nineties.