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Lacan in Public argues that Lacan’s contributions to the theory of rhetoric are substantial and revolutionary and that rhetoric is, in fact, the central concern of Lacan’s entire body of work.Scholars typically cite Jacques Lacan as a thinker primarily concerned with issues of desire, affect, politics, and pleasure. And though Lacan explicitly contends with some of the pivotal thinkers in the field of rhetoric, rhetoricians have been hesitant to embrace the French thinker both because his writing is difficult and because Lacan’s conception of rhetoric runs counter to the American traditions of rhetoric in composition and communication studies.Lacan’s conception of rhetoric, Christian Lundberg argues in Lacan in Public, upsets and extends the received wisdom of American rhetorical studies—that rhetoric is a science, rather than an art; that rhetoric is predicated not on the reciprocal exchange of meanings, but rather on the impossibility of such an exchange; and that rhetoric never achieves a correspondence with the real-world circumstances it attempts to describe.As Lundberg shows, Lacan’s work speaks directly to conversations at the center of current rhetorical scholarship, including debates regarding the nature of the public and public discourses, the materiality of rhetoric and agency, and the contours of a theory of persuasion.

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

A fearless descent into the darkest corners of human desire and violence. First written thirty-five years ago and completed days before the Stonewall riots in New York, award-winning author Samuel R. Delany’s Hogg is one of America’s most famous “unpublishable” novels. It recounts three days in 1969 in the life of truck driver and rapist-for-hire, Franklin Hargus. Narrated by his young accomplice, Delaney’s novel portrays an exploration of erotic depravity, a capacious landscape of sexuality that transgresses social and erotic boundaries. While testing readers’ tolerance, what transfigures the novel into a work of literature is Delany’s refusal, faced with moral anxieties and revulsion, to mutilate or disown his creation. Hogg’s characters wear recognizable human faces, possessing intense loyalty, perverse admiration, and a kind of integrity. Hargus fascinates. He is the embodiment of what society can turn people into, the decaying condition of the human soul.

A multidisciplinary examination of the role of military forts in the Caribbean during the age of European colonial expansionA Fortified Sea illuminates the key role of military forts in the greater Caribbean during the long eighteenth century. The historical Caribbean, with its multiple contested boundaries at the periphery of European western expansion, typically has been analyzed as part of an empire. European powers, including Spain, the Netherlands, England, and Denmark, carved up the Caribbean Sea into a cultural patchwork. These varied cultural contexts were especially evident during regional and national conflicts throughout the eighteenth century and prompted the construction of more fortifications to protect imperial interests. The emergence of Anglo-American colonies during the eighteenth century and later the United States gradually altered previous geopolitical balances, redefining the cultural and geopolitical boundaries of the region. This collection of essays incorporates several historiographical traditions—from Spanish to American—all portraying the borderland as a breakthrough contested cultural, social, economic, and military boundary. A multinational roster of contributors approaches topics through a war studies lens as well as architecturally and historically, enriching a usually monothematic view. As well, discussion of cultural management of the historical remains of forts shows local communities trying to preserve and interpret the role of forts in society. Part I defines the training of military engineers in Spain. Part II engages with British defensive military plans and settlements in the Caribbean and shows how the British dealt with the rhetorical image of the empire. Part III clarifies the building processes of fortifications in Santiago de Cuba, Cartagena de Indias, Havana, and Veracruz, among other places. Copious period maps complement the prodigious research. The book will appeal to readers interested in the history of the Caribbean, military history, and European imperial expansion.ContributorsMÓnica Cejudo Collera / Pedro Cruz Freire / MarÍa Mercedes FernÁndez MartÍn / Aaron Graham / Manuel GÁmez Casado / Francisco Javier Herrera GarcÍa / Nuria Hinarejos MartÍn / Pedro Luengo / Ignacio J. LÓpez-HernÁndez / JosÉ Miguel Morales Folguera / Alfredo J. Morales / Juan Miguel MuÑoz CorbalÁn / JesÚs Maria Ruiz Carrasco / GermÁn Segura GarcÍa / Gene Allen Smith / Christopher K. Waters

A synthesis of culinary practices of prehistoric Greece based on plant food ingredientsIn Plant Foods of Greece, Greek archaeologist Soultana Maria Valamoti takes readers on a culinary journey, reconstructing the plant foods and culinary practices of Neolithic and Bronze Age Greece. For more than thirty years, she has been analyzing a large body of archaeobotanical data that was retrieved from nearly twenty sites in mainland Greece and the Greek islands, with an additional analysis of other sites as referenced by published colleagues. Plant foods were the main ingredients of daily meals in prehistoric Greece and most likely of special dishes prepared for feasts and rituals.Valamoti’s approach allows an exploration of culinary variability through time. The thousands of charred seeds identified from occupation debris correspond to minuscule time capsules. She is able to document changes from the cooking of the first farmers to the sophisticated cuisines of the elites who inhabited palaces in the first cities of Europe in the south of Greece during the Late Bronze Age. Along the way, she explains the complex processes for the addition of new ingredients (such as millet and olives), condiments, sweet tastes, and complex recipes. Valamoti also addresses regional variability and diversity as well as detailing experimentation and research using occasional input from ancient written sources.Comprehensive and synthetic coverage encompasses bread/cereals, pulses, oils, fruit and nuts, fermented brews, healing foods, cooking, and identity. In addition, Valamoti offers insight into engaging in public archaeology and provides recipes that incorporate ancient plant ingredients and connect prehistory to the present in a critical way. A definitive source for a range of food scientists and scholars, it will also appeal to foodies.

Genius Belabored is the fascinating story of Ignaz Semmelweis, a nineteenth-century obstetrician ostracized for his strident advocacy of disinfection as a way to prevent childbed fever, a leading cause of mortality in new mothers.In Genius Belabored: Childbed Fever and the Tragic Life of Ignaz Semmelweis, Theodore G. Obenchain traces the life story of a nineteenth-century Hungarian obstetrician who was shunned and marginalized by the medical establishment for advancing a far-sighted but unorthodox solution to the appalling mortality rates that plagued new mothers of the day.  In engrossing detail, Obenchain recreates for readers the sights, smells, and activities within a hospital of that day. In an era before the acceptance of modern germ science, physicians saw little need for cleanliness or hygiene. As a consequence, antiseptic measures were lax and rudimentary. Especially vulnerable to contamination were new mothers, who frequently contracted and died from childbed fever (puerperal fever). Genius Belabored follows Semmelweis’s awakening to the insight that many of these deaths could be avoided with basic antiseptic measures like hand washing.  The medical establishment, intellectually unprepared for Semmelweis’s prescient hypothesis, rejected it for a number of reasons. It was unorthodox and went against the lingering Christian tradition that the dangers of childbirth were inherent to the lives of women. Complicating matters, colleagues did not consider Semmelweis an easy physician to work with. His peers described him as strange and eccentric. Obenchain offers an empathetic and insightful argument that Semmelweis suffered from bipolar disorder and illuminates how his colleagues, however dedicated to empirical science they might have been, misjudged Semmelweis’s methods based upon ignorance and their emotional discomfort with him.  In Genius Belabored, Obenchain identifies Semmelweis’s rightful place in the pantheon of scientists and physicians whose discoveries have saved the lives of millions. Obenchain’s biography of Semmelweis offers unique insights into the practice of medicine and the mindsets of physicians working in the premodern era. This fascinating study offers much of interest to general readers as well as those interested in germ theory, the history of medicine and obstetrics, or anyone wishing to better understand the trajectory of modern medicine.

A poetic meditation on the challenges and pleasures of contemporary speculative fictionWinner of the Elizabeth Agree Prize in American Literary StudiesDear Incomprehension: On American Speculative Fiction is a thought-provoking exploration of the fascinating field of contemporary speculative fiction, a genre that transcends boundaries and encompasses science fiction, fabulist tales, modern fairy tales, and experimental narratives that challenge the very essence of storytelling and reading. Written as a philosophical essay that mirrors the unorthodox nature of the texts it analyzes, Dear Incomprehension examines American works that defy traditional narrative devices such as plot, character, logic, and even legibility. Drawing on a number of philosophical theories, among them object-oriented ontology and speculative realism, Vanderhaeghe argues that these unconventional works resist the standard tools of criticism, demanding instead a novel perspective and approach. An in-depth resource for scholars and students of contemporary literature, philosophy, and digital literary studies, Dear Incomprehension offers a fresh framework for analyzing experimental fiction and alternative modes of meaning-making. It is a must-read for those seeking to grasp the complexities and nuances of American experimental and speculative fiction.

A critical analysis of the poetic representations and legacies of five landmark blues artistsThe Blues Muse: Race, Gender, and Musical Celebrity in American Poetry focuses on five key blues musicians and singers—Gertrude “Ma” Rainey, Bessie Smith, Billie Holiday, Robert Johnson, and Lead Belly—and traces the ways in which these artists and their personas have been invoked and developed throughout American poetry. This study spans nearly one hundred years of literary and musical history, from the New Negro Renaissance to the present.Emily Ruth Rutter not only examines blues musicians as literary touchstones or poetic devices, but also investigates the relationship between poetic constructions of blues icons and shifting discourses of race and gender. Rutter’s nuanced analysis is clear, compelling, and rich in critical assessments of these writers’ portraits of the musical artists, attending to their strategies and oversights.

When a devoted end‑of‑life sex worker is suspected in the death of the man she unexpectedly loved, a small Maryland town must decide whether Flossie Taw is guilty of ending his life—or if she's the only reason it meant anything at all.

Pairs passages from works of classical rhetoric with contemporary legal rulings to highlight and analyze their deep and abiding connections in matters of persuasionClassical Rhetoric and Contemporary Law: A Critical Reader is a rich work that analyzes the interplay between ancient rhetorical traditions and modern legal practice, reestablishing the lost connections between law and classical rhetoric. From Isocrates’s Panegyricus in 380 BCE to the landmark US Supreme Court case Trump v. Hawaii in 2018, and from Antiphon’s fifth century BCE First Tetralogy to 1995’s O. J. Simpson trial, the volume draws on an array of sources to illuminate how ancient rhetorical insights may even today challenge and enrich our grasp of contemporary legal principles. The collection opens with a brisk review of the historical development of rhetoric. The second part examines a pair of rhetorical theorists whose works frame the period across which classical rhetoric declined as a mode of thought. A contemporary appellate case contrasts with the work of Giambattista Vico, an eighteenth-century professor of rhetoric who warned of the separation of law from rhetoric. The analysis of the work of twentieth-century scholars ChaÏm Perelman and Lucie Olbrects-Tyteca shows that where Cartesian rationality fails, the humanistic tradition of rhetoric allows the law to respond to the needs of justice. In the third part, ten case studies bring together a classical rhetorical theorist with a contemporary court case, demonstrating the abiding relevance of the classical tradition to contemporary jurisprudence.With its cross-disciplinary appeal, Classical Rhetoric and Contemporary Law encompasses the work of legal, rhetorical, English, and communication scholars alike, catalyzing interactive exploration into the profound ways ancient rhetorical insights continue to shape our comprehension of today’s legal landscape.CONTRIBUTORSVasileios Adamidis / Elizabeth C. Britt / Kirsten K. Davis / David A. Frank / Michael Gagarin / Eugene Garver / Mark A. Hannah / Catherine L. Langford / Brian N. Larson / Craig A. Meyer / Francis J. Mootz III / Susan E. Provenzano / Nick J. Sciullo / Kristen K. Tiscione / Laura A. Webb

Jones has a lyrical mind and meanders through memory and imagination in his poems, fusing them and making them work to surprise the reader with intriguing and challenging images. The collection builds beautifully, each section nurturing the others, and all of it displays Jones’s fine talent—keenly intelligent, human, and compassionate. His quick, splendid sense of humour surprises the reader, playing one image off another that is seemingly unrelated to the first, yet achieving a sense of rightness in poem after poem.

This book is generally about public administration and particularly about new public administration, a product of the turbulent late 1960s and the 1970s.

Signs and Symbols in Chaucer's Poetry presents the work of nine distinguished Chaucer scholars inspired by the work of D. W. Robertson Jr., whose seminal 1969 study Preface to Chaucer has exerted wide influence in medieval studies and sparked new interest in the literary iconography of Middle English.

A solid, . . . well-written contribution to Hawthorne criticism . . . The author is thoroughly in control of what has been written about Hawthorne and skillfully places her own work in the context of this scholarship and criticism. So far as I know, she is the first critic to consider the probable influence of the 'perfectionists' on Hawthorne's art. She also enriches our understanding of the organic and the mechanical and offers perceptive readings of the major works.""—Roy R. Male, University of Oklahoma

This volume details the 182 species and subspecies of snakes, lizards, turtles, frogs and salamanders present in the state of Alabama. Containing photographs and range maps for each species, the book also shows the specific locality from which each specimen on record was collected.

Louise Michel was born illegitimate in 1830 and became a schoolmistress in Paris. She was involved in radical activities during the twilight of France's Second Empire, and during the Franco-Prussian War of 1870 and the siege of Paris. She was a leading member of the revolutionary groups controlling Montmarte. Michel emerged as one of the leaders of the insurrection during the Paris Commune of March-May 1871; and French anarchists saw her as martyr and saint - The Red Virgin. When the Versailles government crushed the Commune in May 1871, Michel was sentenced to exile in New Caledonia, until the general amnesty of 1880, when she returned to France and great popular acclaim and support from the working people of the country. Michel was arrested again during a demonstration in Paris in 1883 and sentenced to six years in prison. Pardoned after three years, she continued her speeches and writing, although she spent the greater part of her time from 1890 until her death in 1905 in England in self-imposed exile. It was during her prison term from 1883 to 1886 that she compiled her Memoires, now available in English. These memoirs offer readers a view of the non-Marxist left and give an in-depth look into the development of the revolutionary spirit. The early chapters treat her childhood, the development of her revolutionary feelings, and her training as a schoolteacher. The next section describes her activities as a schoolteacher in the Haute-Marne and Paris and therefore contains much of interest on education in 19th-century Europe. Her chapters on the siege of Paris, the Commune, and her first trial show those events from the point of view of a major participant. Of particular interest is a chapter on women's rights, which Michel saw as part of the search for the rights of all people, male and female, and not as a separate struggle. The Red Virgin: Memoirs of Louise Michel will be useful to both scholars and students of 19th-century French history and women's studies.

Literature at the Barricades provides an overview of the 1930s literary scene with reprints of such classic as James T. Farrell's ""The End of a Literary Decade"".

Readers of Mark Twain seldom doubt his genius, but defining that genius and locating its source continue to challenge students of American literature, and provoke a number of powerful responses, as these original essays demonstrate.

In this collection of essays by seven outstanding American scholars, interests as diverse as feminism, Marxism, deconstruction, and cultural poetics are brought together around a central question: How does the choice of a particular theory after the practice of reading, and how do altered practices of reading in turn call forth more theory?

Unfinished Cathedral is the third volume of T.S. Stribling’s Southern trilogy and was originally published in 1934. The trilogy, Stribling’s greatest literary achievement, is set in and around Florence, Alabama, and spans six decades of social, economic, and political change from the Civil War and Reconstruction to the 1920s. In each of the novels Stribling brings together the various social classes of the period, revealing their interdependency. The Forge is the story of the South during the period of the Civil War and Reconstruction, while The Store chronicles the changing social and economic landscape of the post-Reconstruction period and the rise to power of the mercantile class in the reconstructed South. In Unfinished Cathedral, Stribling continues the story of the dramatic transformation in the social structure of the South. The 1920s saw the control of society shift from the wealthy landowners and merchants to the rising middle class. This period also saw significant changes in the status of Southern women and blacks, and economically, a surge of prosperity was evident that was brought on by the land boom and the resulting influx of Northern dollars. The University of Alabama Press reissued the first two novels in T.S. Stribling’s trilogy, The Forge and The Store, in 1985.

The recognition of child abuse as a troubling social and public health problem along with the documentation required by mandatory reporting laws have made possible the epidemiological investigation of risk factors association with child abuse. Child Abuse in the Deep South is a study of physical and sexual child abuse designed to measure the incidence of child abuse and neglect in the state of Alabama, identify the characteristics of confirmed abuse, and test the hypothesis that community size is a key, predictive variable in the surveillance, reporting, and caseworker determination of abuse. Child Abuse in the Deep South is based on a comprehensive review of more than seven thousand randomly selected narrative reports from the Alabama Central Registry.A landmark finding in this study is that different combinations of cultural factors contribute to the physical and sexual abuse of black and white children in rural, small-town, and urban communities. The rates of abuse discovered and reported in small towns are revealed to be materially higher than those in rural or urbanized locations, especially for young white males, and the authors query whether this indicates higher rates of abuse or higher rates of reporting.Child Abuse in the Deep South provides a quantitative benchmark that investigators and policy-makers will find invaluable on the path to defining at-risk populations, effective interventions, and treatments.