Rodney Jones – författare

The Routledge Handbook of Language and Creativity provides an introduction to and survey of a wide range of perspectives on the relationship between language and creativity. Defining this complex and multifaceted field, this book introduces a conceptual framework through which the various definitions of language and creativity can be explored.Divided into four parts, it covers: different aspects of language and creativity, including dialogue, metaphor and humour literary creativity, including narrative and poetry multimodal and multimedia creativity, in areas such as music, graffiti and the internet creativity in language teaching and learning. With over 30 chapters written by a group of leading academics from around the world, The Routledge Handbook of Language and Creativity will serve as an important reference for students and scholars in the fields of English language studies, applied linguistics, education, and communication studies.

On receiving the National Book Critics Circle Award in 1990 for his third book, Transparent Gestures, Rodney Jones was hailed as "a brand-new world-class poet." This collection of poems, rich in irony, sensuousness, and pleasure, reveals his robust, humorous, earthy, and cerebral view of reality and

Health and Risk Communication provides a critical and comprehensive overview of the core issues surrounding health and risk communication from the perspective of applied linguistics. It outlines the ways applied linguistics differs from other methods of understanding health and risk communication, assesses the benefits and limitations of the approaches used by different scholars in the field, and offers an innovative framework for consolidating past research and charting new directions.Utilizing data from clinical interactions and everyday life, this book addresses a number of crucial questions including: How are the everyday actions we take around health constructed and constrained through discourse? What is the role of texts in influencing health behaviour, and how are these texts put together and interpreted by readers? How are actions and identities around health and risk negotiated in situated social interactions, and what are the factors that influence these negotiations? How will new technologies like genetic screening influence the way we communicate about health? How does communication about health and risk help create communities and institutions and reflect and reproduce broader ideologies and patterns of power and inequality within societies?Health and Risk Communication: An Applied Linguistic Perspective is essential reading for advanced students and researchers studying and working in this area.

Health and Risk Communication provides a critical and comprehensive overview of the core issues surrounding health and risk communication from the perspective of applied linguistics. It outlines the ways applied linguistics differs from other methods of understanding health and risk communication, assesses the benefits and limitations of the approaches used by different scholars in the field, and offers an innovative framework for consolidating past research and charting new directions.Utilizing data from clinical interactions and everyday life, this book addresses a number of crucial questions including: How are the everyday actions we take around health constructed and constrained through discourse? What is the role of texts in influencing health behaviour, and how are these texts put together and interpreted by readers? How are actions and identities around health and risk negotiated in situated social interactions, and what are the factors that influence these negotiations? How will new technologies like genetic screening influence the way we communicate about health? How does communication about health and risk help create communities and institutions and reflect and reproduce broader ideologies and patterns of power and inequality within societies?Health and Risk Communication: An Applied Linguistic Perspective is essential reading for advanced students and researchers studying and working in this area.

The Routledge Handbook of Language and Creativity provides an introduction to and survey of a wide range of perspectives on the relationship between language and creativity. Defining this complex and multifaceted field, this book introduces a conceptual framework through which the various definitions of language and creativity can be explored.Divided into four parts, it covers: different aspects of language and creativity, including dialogue, metaphor and humour literary creativity, including narrative and poetry multimodal and multimedia creativity, in areas such as music, graffiti and the internet creativity in language teaching and learning.With over 30 chapters written by a group of leading academics from around the world, The Routledge Handbook of Language and Creativity will serve as an important reference for students and scholars in the fields of English language studies, applied linguistics, education, and communication studies.

A new collection from a Kingsley Tufts Award–winning poet

Imaginary Logic is a brilliantly expansive, deeply meditative, and at times wildly imaginative collection of poems that combines Rodney Jones’s distinctive storytelling ability, sharp social intelligence, and keen powers of observation in a book that is wistful, satiric, audacious, and remorseless. “The Art of Heaven” opens with a parody of Dante and a down-home, twisted humor that Jones’s readers have come to rely on: “In the middle of my life I came to a dark wood, / the smell of barbecue, kids running in the yards. / Not deep depression. This nice hell of suburbs. / Speed bumps. The way things aren’t quite paradise.”Rodney Jones, winner of the National Book Critics Circle Award, is one of America’s “best, most generous, and most brilliantly readable poets” (Poetry). Imaginary Logic is the most eloquent expression yet of his rigorous mind, scrupulous eye, and capacious heart.

Rodney Jones has been called "the supreme example of the southern human person speaking in American poetry" (Southern Review) and one of the nation''s "best, most generous, and most brilliantly readable poets" (Poetry). Salvation Blues traces the career of this popular narrative poet through one hundred choice poems, including twenty-four bold new pieces.

Alabama focuses on a boy from a rural, fundamentalist community who becomes a pacifist, feminist, and existentialist poet. Labyrinth, meditation, fable, and peasant poem, formed from interleaved strands of prose vignettes and lineated poetry, this collection is at once a tale of cultural exile and familial loyalty, and an unflinching look at regional shame that doubles as a love story, all expressed with the intimate voice and vision of Rodney Jones.

Comprised of poems selected from eleven previous volumes and accompanied by work from the past half decade, The Body and the End of Time represents the distilled evolution of one of the most fluent, generous, and embracing voices to emerge in American poetry since the Vietnam War era. Prophetic in the tradition of William Blake and Walt Whitman and equally suspicious of received wisdom, Rodney Jones is a master of discernment and revelation, driven by an urgency to bring language and witness to the sudden erosion of the local, the obsolescence of the homegrown, the erstwhile mysticism of the makeshift. Redefining the boundaries between narrative and lyricism, "Classical revision and Romantic improvisation," high and low culture, logic and dream, Jones creates an inimitable full-spectrum poetic vision in a world that has little use for poetry. By turns elegiac and celebratory, provocative and playful, these are love poems dedicated to places and bonds, to manners and accents, but most importantly to the people—the dreamers and farmers, road pavers, running backs, waitresses, and shade-tree existentialists—that form the distinctive music and texture of the American South.

Jones has a lyrical mind and meanders through memory and imagination in his poems, fusing them and making them work to surprise the reader with intriguing and challenging images. The collection builds beautifully, each section nurturing the others, and all of it displays Jones’s fine talent—keenly intelligent, human, and compassionate. His quick, splendid sense of humour surprises the reader, playing one image off another that is seemingly unrelated to the first, yet achieving a sense of rightness in poem after poem.

Health and Risk Communication provides a critical and comprehensive overview of the core issues surrounding health and risk communication from the perspective of applied linguistics. It outlines the ways applied linguistics differs from other methods of understanding health and risk communication, assesses the benefits and limitations of the approaches used by different scholars in the field, and offers an innovative framework for consolidating past research and charting new directions.

Utilizing data from clinical interactions and everyday life, this book addresses a number of crucial questions including:

How are the everyday actions we take around health constructed and constrained through discourse?

What is the role of texts in influencing health behaviour, and how are these texts put together and interpreted by readers?

How are actions and identities around health and risk negotiated in situated social interactions, and what are the factors that influence these negotiations?

How will new technologies like genetic screening influence the way we communicate about health?

How does communication about health and risk help create communities and institutions and reflect and reproduce broader ideologies and patterns of power and inequality within societies?

Health and Risk Communication: An Applied Linguistic Perspective is essential reading for advanced students and researchers studying and working in this area.

Health and Risk Communication provides a critical and comprehensive overview of the core issues surrounding health and risk communication from the perspective of applied linguistics. It outlines the ways applied linguistics differs from other methods of understanding health and risk communication, assesses the benefits and limitations of the approaches used by different scholars in the field, and offers an innovative framework for consolidating past research and charting new directions.

Utilizing data from clinical interactions and everyday life, this book addresses a number of crucial questions including:

How are the everyday actions we take around health constructed and constrained through discourse?

What is the role of texts in influencing health behaviour, and how are these texts put together and interpreted by readers?

How are actions and identities around health and risk negotiated in situated social interactions, and what are the factors that influence these negotiations?

How will new technologies like genetic screening influence the way we communicate about health?

How does communication about health and risk help create communities and institutions and reflect and reproduce broader ideologies and patterns of power and inequality within societies?

Health and Risk Communication: An Applied Linguistic Perspective is essential reading for advanced students and researchers studying and working in this area.

Discourse and Creativity examines the way different approaches to discourse analysis conceptualize the notion of creativity and address it analytically. It includes examples of studies of creativity from a variety of traditions and examines the following key areas, how people interpret and use discourse, the processes and practices of discourse production, discourse in modes other than written and spoken language, and the relationship between discourse and the technologies used to produce it.Discourse and Creativity combines a forward-thinking and interdisciplinary approach to the topic of creativity; this collection will be of great value to students and scholars in applied linguistics, stylistics, and communication studies.

The Routledge Handbook of Language and Creativity provides an introduction to and survey of a wide range of perspectives on the relationship between language and creativity. Defining this complex and multifaceted field, this book introduces a conceptual framework through which the various definitions of language and creativity can be explored.

Divided into four parts, it covers:

different aspects of language and creativity, including dialogue, metaphor and humour

literary creativity, including narrative and poetry

multimodal and multimedia creativity, in areas such as music, graffiti and the internet

creativity in language teaching and learning.

With over 30 chapters written by a group of leading academics from around the world, The Routledge Handbook of Language and Creativity will serve as an important reference for students and scholars in the fields of English language studies, applied linguistics, education, and communication studies.

The Routledge Handbook of Language and Creativity provides an introduction to and survey of a wide range of perspectives on the relationship between language and creativity. Defining this complex and multifaceted field, this book introduces a conceptual framework through which the various definitions of language and creativity can be explored.

Divided into four parts, it covers:

different aspects of language and creativity, including dialogue, metaphor and humour

literary creativity, including narrative and poetry

multimodal and multimedia creativity, in areas such as music, graffiti and the internet

creativity in language teaching and learning.

With over 30 chapters written by a group of leading academics from around the world, The Routledge Handbook of Language and Creativity will serve as an important reference for students and scholars in the fields of English language studies, applied linguistics, education, and communication studies.

Discourse and Creativity examines the way different approaches to discourse analysis conceptualize the notion of creativity and address it analytically. It includes examples of studies of creativity from a variety of traditions and examines the following key areas, how people interpret and use discourse, the processes and practices of discourse production, discourse in modes other than written and spoken language, and the relationship between discourse and the technologies used to produce it.Discourse and Creativity combines a forward-thinking and interdisciplinary approach to the topic of creativity; this collection will be of great value to students and scholars in applied linguistics, stylistics, and communication studies.

Discourse and Creativity examines the way different approaches to discourse analysis conceptualize the notion of creativity and address it analytically. It includes examples of studies of creativity from a variety of traditions and examines the following key areas, how people interpret and use discourse, the processes and practices of discourse production, discourse in modes other than written and spoken language, and the relationship between discourse and the technologies used to produce it.Discourse and Creativity combines a forward-thinking and interdisciplinary approach to the topic of creativity; this collection will be of great value to students and scholars in applied linguistics, stylistics, and communication studies.

Discourse and Creativity examines the way different approaches to discourse analysis conceptualize the notion of creativity and address it analytically. It includes examples of studies of creativity from a variety of traditions and examines the following key areas, how people interpret and use discourse, the processes and practices of discourse production, discourse in modes other than written and spoken language, and the relationship between discourse and the technologies used to produce it.Discourse and Creativity combines a forward-thinking and interdisciplinary approach to the topic of creativity; this collection will be of great value to students and scholars in applied linguistics, stylistics, and communication studies.

This book provides an overview of current theories of and methods for analysing spoken discourse. It includes discussions of both the more traditional approaches of pragmatics, conversation analysis, interactional sociolinguistics, linguistic anthropology and critical discourse analysis, and more recently developed approaches such as multimodal discourse analysis and critical sociolinguistics. Rather than treating these perspectives as mutually exclusive, the book introduces a framework based on principles from mediated discourse analysis in which different approaches to spoken discourse are seen as complementing and informing one another. In this framework, spoken discourse is seen as mediated through a complex collection of technological, semiotic and cultural tools which enable and constrain people’s ability to engage in different kinds of social actions, enact different kinds of social identities and form different kinds of social relationships. A major focus of the volume is on the way technological tools like telephones, broadcast media, digital technologies are changing the way people communicate with spoken language. The book is suitable for use as a textbook in advanced courses in discourse analysis and language in social interaction, and will also be of interest to scholars in a variety of fields including linguistics, sociology, media studies and anthropology.

This book provides an overview of current theories of and methods for analysing spoken discourse. It includes discussions of both the more traditional approaches of pragmatics, conversation analysis, interactional sociolinguistics, linguistic anthropology and critical discourse analysis, and more recently developed approaches such as multimodal discourse analysis and critical sociolinguistics. Rather than treating these perspectives as mutually exclusive, the book introduces a framework based on principles from mediated discourse analysis in which different approaches to spoken discourse are seen as complementing and informing one another. In this framework, spoken discourse is seen as mediated through a complex collection of technological, semiotic and cultural tools which enable and constrain people’s ability to engage in different kinds of social actions, enact different kinds of social identities and form different kinds of social relationships. A major focus of the volume is on the way technological tools like telephones, broadcast media, digital technologies are changing the way people communicate with spoken language. The book is suitable for use as a textbook in advanced courses in discourse analysis and language in social interaction, and will also be of interest to scholars in a variety of fields including linguistics, sociology, media studies and anthropology.