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What the fates of seabirds reveal about the changing ocean and our shared futureEvery spring, thousands of rhinoceros auklets return to Destruction Island off Washington’s coast, where they dig burrows, lay eggs, and raise their chicks. Small, gray, and adorned with a curious horn on their bill, these funny-looking birds have become an unlikely but vitally important indicator for the health of oceans and the Pacific ecosystem as a whole.In Seabirds as Sentinels, Eric Wagner joins a team of scientists who have been tracking the lives of auklets and other seabirds to gauge the effects of climate change in the region. The North Pacific—sometimes called the Blue Serengeti—is one of the most productive ecosystems on Earth, supporting salmon, whales, seals, and countless other species, including people. Yet its waters are changing in unprecedented ways. Mass die-offs of birds, hordes of jellyfish blanketing beaches, and the sudden appearance of tropical species all point to an ocean in flux.Wagner intersperses accounts of research expeditions with deep dives into phytoplankton, forage fish, lighthouses, ocean currents, and other important elements in the Pacific Ocean’s tangled ecological web. Readers travel into auklet burrows by fiber-optic camera and witness the eerie arrival of seabirds under cover of night, seeing firsthand how these birds have tried to adapt to widespread environmental upheaval. Weaving together natural history, marine science, and the myriad stories that humans tell about their environments, Seabirds as Sentinels helps us keep a close watch on the uncertain future of the oceans that sustain us all.

This innovative study examines patterns of change in Shi’i symbols and rituals over the past two centuries to reveal how modernization has influenced the societal, political, and religious culture of Iran. Shi’is, who support the Prophet Mohammad’s progeny as his successors in opposition to the Sunni caliphate tradition, make up 10 to 15 percent of the world’s Muslim population, roughly half of whom live in Iran. Throughout the early history of the Islamic Middle East, the Sunnis have been associated with the state and the ruling elite, while Shi’is have most often represented the political opposition and have had broad appeal among the masses. Moharram symbols and rituals commemorate the Battle of Karbala in 680 CE, in which the Prophet Mohammad’s grandson Hoseyn and most of his family and supporters were massacred by the troops of the Umayyad caliph Yazid.Moharram symbols and rituals are among the most pervasive and popular aspects of Iranian culture and society. This book traces patterns of continuity and change of Moharran symbols and rituals in three aspects of Iranian life: the importance of these rituals in promoting social bonds, status, identities, and ideals; ways in which the three major successive regimes (Qujars, Pahlavis, and the Islamic Republic), have either used these rituals to promote their legitimacy, or have suppressed them because they viewed them as a potential political threat; and the uses of Moharram symbolism by opposition groups interested in overthrowing the regime.While the patterns of government patronage have been radically discontinuous over the past two centuries, the roles of these rituals in popular society and culture have been relatively continuous or have evolved independently of the state. The political uses of modern-day rituals and the enduring symbolism of the Karbala narratives continue today.

"The best thing about the Depression was the way it reunited our family and gave my sister Mary a real opportunity to prove that anybody can do anything, especially Betty."After surviving both the failed chicken farm - and marriage - immortalized in The Egg and I, Betty MacDonald returns to live with her mother and desperately searches to find a job to support her two young daughters. With the help of her older sister Mary, Anybody Can Do Anything recounts her failed, and often hilarious, attempts to find work during the Great Depression.

Explores the relationship between fantastical literature and scientific inquiryWhat did early modern Chinese readers believe about dragons, thunder, or fate, and where did they learn it? Observing the Unseen explores how literate and marginally literate people in China between the sixteenth and nineteenth centuries investigated the invisible, the ubiquitous, and the inexplicable. Whether through medical encyclopedias, daily-use almanacs, or novels and anecdotes, readers pursued knowledge of the natural world with curiosity shaped as much by wonder as by empiricism.Andrew Schonebaum reveals that for many readers, stories were an important source of reliable information about the world. Knowledge of the natural world evolved in the margins of “fiction.” Entertainment literature and practical texts alike conveyed information that was collected, debated, and even used to treat illness or predict the future. Drawing from overlooked genres such as brush notes, court records, and sequels to popular stories, Schonebaum demonstrates that common knowledge was constructed through a patchwork of sources—elite and vernacular, empirical and fantastical.Rather than privileging science as courtly or Western, Observing the Unseen shows how ordinary readers made sense of the cosmos in an age of expanding literacy and print culture. It challenges assumptions about what Chinese literature was and how it was read, offering a nuanced picture of everyday life in early modern China. This is a work for scholars of Chinese history and literature, historians of science, and anyone interested in the complicated ways humans seek to understand the unseen.

This book is designed for use as a dissection guide in comparative vertebrate anatomy or in mammalian anatomy. The material covered and the time allotted to such courses varies considerably, and the illustrations are therefore designed to enable the instructor to point out the important features of areas which cannot be dissected in detail by every student.

A powerful tale of trauma and endurance that transformed a nation’s understanding of Korean comfort womenDuring the Pacific War, more than 200,000 Korean girls were forced into sexual servitude for Japanese soldiers. They lived in horrific conditions in “comfort stations” across Japanese-occupied territories. Barely 10 percent survived to return to Korea, where they lived as social outcasts. Since then, self-declared comfort women have come forward only to have their testimonies and calls for compensation largely denied by the Japanese government. Kim Soom tells the story of a woman who was kidnapped at the age of thirteen while gathering snails for her starving family. The horrors of her life as a sex slave follow her back to Korea, where she lives in isolation gripped by the fear that her past will be discovered. Yet, when she learns that the last known comfort woman is dying, she decides to tell her there will still be “one left” after her passing, and embarks on a painful journey. One Left is a provocative, extensively researched novel constructed from the testimonies of dozens of comfort women. The first Korean novel devoted to this subject, it rekindled conversations about comfort women as well as the violent legacies of Japanese colonialism. This first-ever English translation recovers the overlooked and disavowed stories of Korea’s most marginalized women.

Spotlights insects in Chinese, Japanese, and Korean history from the exalted to the despisedInteractions between people and animals are attracting overdue attention in diverse fields of scholarship, yet insects still creep within the shadows of more charismatic birds, fish, and mammals. Insect Histories of East Asia centers on bugs and creepy crawlies and the taxonomies in which they were embedded in China, Japan, and Korea to present a history of human and animal cocreation of habitats in ways that were both deliberate and unwitting. Using sources spanning from the earliest written records into the twentieth century, the contributors draw on a wide range of disciplines to explore the dynamic interaction between the notional insects that infested authors' imaginations and the six-legged creatures buzzing, hopping, and crawling around them.

In Man and Nature, first published in 1864, polymath scholar and diplomat George Perkins Marsh challenged the general belief that human impact on nature was generally benign or negligible and charged that ancient civilizations of the Mediterranean had brought about their own collapse by their abuse of the environment. By deforesting their hillsides and eroding their soils, they had destroyed the natural fertility that sustained their well-being. Marsh offered his compatriots in the United States a stern warning that the young American republic might repeat these errors of the ancient world if it failed to end its own destructive waste of natural resources. Marsh’s ominous warnings inspired conservation and reform. In linking culture with nature, science with history, Man and Nature was the most influential text of its time next to Darwin’s On the Origin of Species, published just five years earlier.In his Introduction to this new edition, David Lowenthal places Man and Nature in the context of recent scholarship and evaluates its significance for the environmental movement that has emerged since the latter part of the twentieth century. He also paints a vivid portrait of the book’s brilliant, passionate, wide-ranging, and sometimes choleric author.Although what we know and what we fear about the environment have vastly amplified since Marsh’s day, his appraisal of forest cover and erosion remains largely valid, his cautions about watershed control still cognent, and his call for stewardship ever more pertinent. Man and Nature is worth reading not only for having taught lessons crucial in its day, but for teaching them still so well.

In 2020 Sweden's response to COVID-19 drew renewed attention to the Nordic nation in a way that put the finger on a seeming paradox. Long celebrated for its commitment to social solidarity, Sweden suddenly emerged as the last country in the West to resist lockdown while defending individual rights and responsibilities. To explain these contradictions, Henrik Berggren and Lars Trägårdh argue that the long-standing view of Sweden's welfare state as the result of socialist collectivism is flawed. While social values have been and remain strong, they have co-existed with a radical form of individualism.The English edition of the Swedish bestseller Är svensken människa?, The Swedish Theory of Love examines a political culture that stresses individual autonomy on the one hand and trust in the state on the other. Delving into Swedish philosophy, cultural studies, sociology, literary criticism, and political science, the book moves beyond the perspective of rational social engineering to uncover the moral logic behind Sweden's welfare state: the notion that human relationships based on dependency and subordination lead to inauthenticity and that equality and autonomy are preconditions for genuine love and affection.

What we today call Shinto has been at the heart of Japanese culture for almost as long as there has been a political entity distinguishing itself as Japan. A Year in the Life of a Shinto Shrine describes the ritual cycle at Suwa Shrine, Nagasaki’s major Shinto shrine. Conversations with priests, other shrine personnel, and people attending shrine functions supplement John K. Nelson’s observations of over fifty shrine rituals and festivals. He elicits their views on the meaning and personal relevance of the religious events and the place of Shinto and Suwa Shrine in Japanese society, culture, and politics. Nelson focuses on the very human side of an ancient institution and provides a detailed look at beliefs and practices that, although grounded in natural cycles, are nonetheless meaningful in late-twentieth-century Japanese society.Nelson explains the history of Suwa Shrine, basic Shinto concepts, and the Shinto worldview, including a discussion of the Kami, supernatural forces that pervade the universe. He explores the meaning of ritual in Japanese culture and society and examines the symbols, gestures, dances, and meanings of a typical shrine ceremony. He then describes the cycle of activities at the shrine during a calendar year: the seasonal rituals and festivals and the petitionary, propitiary, and rite-of-passage ceremonies performed for individuals and specific groups. Among them are the Dolls’ Day festival, in which young women participate in a procession and worship service wearing Heian period costumes; the autumn Okunchi festival, which attracts participants from all over Japan and even brings emigrants home for a visit; the ritual invoking the blessing of the Kami for young children; and the ritual sanctifying the earth before a building is constructed. The author also describes the many roles women play in Shinto and includes an interview with a female priest.Shinto has always been attentive to the protection of communities from unpredictable human and divine forces and has imbued its ritual practices with techniques and strategies to aid human life. By observing the Nagasaki shrine’s traditions and rituals, the people who make it work, and their interactions with the community at large, the author shows that cosmologies from the past are still very much a part of the cultural codes utilized by the nation and its people to meet the challenges of today.

First-hand accounts of travel provide windows into places unknown to the reader, or new ways of seeing familiar places. In Jade Mountains and Cinnabar Pools, the first book-length treatment in English of Chinese travel literature (youji), James M. Hargett identifies and examines core works in the genre, from the Six Dynasties period (220–581), when its essential characteristics emerged, to its florescence in the late Ming dynasty (1368–1644). He traces the dynamic process through which the genre, most of which was written by scholars and officials, developed, and shows that key features include a journey toward an identifiable place; essay or diary format; description of places, phenomena, and conditions, accompanied by authorial observations, comments, and even personal feelings; inclusion of sensory details; and narration of movement through space and time. Travel literature’s inclusion of a variety of writing styles and purposes has made it hard to delineate. Hargett finds, however, that classic pieces of Chinese travel literature reveal much about the author, his values, and his view of the world, which in turn tells us about the author’s society, making travel literature a rich source of historical information.

In 2020 Sweden's response to COVID-19 drew renewed attention to the Nordic nation in a way that put the finger on a seeming paradox. Long celebrated for its commitment to social solidarity, Sweden suddenly emerged as the last country in the West to resist lockdown while defending individual rights and responsibilities. To explain these contradictions, Henrik Berggren and Lars Trägårdh argue that the long-standing view of Sweden's welfare state as the result of socialist collectivism is flawed. While social values have been and remain strong, they have co-existed with a radical form of individualism.The English edition of the Swedish bestseller Är svensken människa?, The Swedish Theory of Love examines a political culture that stresses individual autonomy on the one hand and trust in the state on the other. Delving into Swedish philosophy, cultural studies, sociology, literary criticism, and political science, the book moves beyond the perspective of rational social engineering to uncover the moral logic behind Sweden's welfare state: the notion that human relationships based on dependency and subordination lead to inauthenticity and that equality and autonomy are preconditions for genuine love and affection.

Beyond nostalgic tea industry ads romanticizing colonial Ceylon and the impoverished conditions that beleaguer Tamil tea workers are the stories of the women, men, and children who have built their families and lives in line houses on tea plantations since the nineteenth century. The tea industry’s economic crisis and Sri Lanka's twenty-six year long civil war have ushered in changes to life and work on the plantations, where family members now migrate from plucking tea to performing domestic work in the capital city of Colombo or farther afield in the Middle East. Using feminist ethnographic methods in research that spans the transitional time between 2008 and 2017, Mythri Jegathesan presents the lived experience of these women and men working in agricultural, migrant, and intimate labor sectors.In Tea and Solidarity, Jegathesan seeks to expand anthropological understandings of dispossession, drawing attention to the political significance of gender as a key feature in investment and place making in Sri Lanka specifically, and South Asia more broadly. This vivid and engaging ethnography sheds light on an otherwise marginalized and often invisible minority whose labor and collective heritage of dispossession as “coolies” in colonial Ceylon are central to Sri Lanka’s global recognition, economic growth, and history as a postcolonial nation.

At the close of the Second World War, racist immigration laws trapped enclaves of old men in Chinatowns across the United States, preventing their wives or families from joining them. They took refuge from loneliness in the repartee and rivalries exchanged over games of mahjong in the backrooms of barbershops or at the local tong. These bachelors found hope in the nascent marriages and future children who would someday grow roots in American soil, made possible at last by the repeal of the Chinese Exclusion Act in 1943.Louis Chu tells the story of a newlywed couple that inherits the burden of this tightly bonded community's expectations. Returning soldier Ben Loy travels to China to marry Mei Oi, a beautiful, intelligent woman who then emigrates to New York. After their honeymoon, Ben Loy becomes impotent, and his inability to father a child frustrates both Mei Oi and the Chinatown bachelors. This discontent boils over when Mei Oi has an affair and the community learns of Ben Loy's humiliation.Eat a Bowl of Tea remains a groundbreaking and influential work. The first novel to capture the tone and sensibility of everyday life in an American Chinatown, it is an incisive portrayal of Chinese America on the brink of change. A new foreword by Fae Myenne Ng explores the depth and meaning of Mei Oi's lust and elucidates the power of Chu's uncompromising writing.

Demonstrates how a popular commodity has reshaped borders, traditions, and geopoliticsFrom misty mountain oolongs to the global boba boom, Taiwan’s teas carry far more than flavor. They embody contested borders, evolving identities, and the complexities of nationhood. Routes of Taiwan Tea traces tea varieties, processing expertise, and merchants across Taiwan and Southeast Asia to reveal how a simple leaf has become a force in global politics.Drawing on decades of fieldwork and extensive archival research, Po-Yi Hung delves deep into the history of Taiwan’s tea industry, from its roots in the Qing empire to its role in modern food nationalism. Hung shows how advocacy for Taiwanization—the movement to recover and celebrate the island’s unique history and culture—occurs not only within Taiwan’s food scenes but also through cross-border exchanges. Oolong cultivation in Thailand’s highlands and bubble tea’s rise in Vietnam demonstrate how tea acts as a nonhuman agent, fostering connections and unsettling conventional notions of sovereignty. Through these routes, tea becomes more than agriculture; it becomes an instrument of diplomacy, a marker of authenticity, and a symbol of cultural pride.Offering a fresh perspective on Taiwan’s geopolitical positioning, Routes of Taiwan Tea redefines how borders are imagined and lived. It is an essential contribution to food studies, political geography, and East and Southeast Asian studies, illuminating how everyday practices like drinking tea shape global relations.

Puer tea has been grown for centuries in the “Six Great Tea Mountains” of Yunnan Province, and in imperial China it was a prized commodity, traded to Tibet by horse or mule caravan via the so-called Tea Horse Road and presented as tribute to the emperor in Beijing. In the 1990s, as the tea’s noble lineage and unique process of aging and fermentation were rediscovered, it achieved cult status both in China and internationally. The tea became a favorite among urban connoisseurs who analyzed it in language comparable to that used in wine appreciation and paid skyrocketing prices. In 2007, however, local events and the international economic crisis caused the Puer market to collapse.Puer Tea traces the rise, climax, and crash of this phenomenon. With ethnographic attention to the spaces in which Puer tea is harvested, processed, traded, and consumed, anthropologist Jinghong Zhang constructs a vivid account of the transformation of a cottage handicraft into a major industry—with predictable risks and unexpected consequences.Watch the associated videos at https://archive.org/details/PUERTEADVD1.

Ann Morris has become a priestess of sorts, investing her mind and spirit into an ambitious oeuvre of figurative bronzes that speak with a singular and meditative voice. In a comprehensive and insightful essay, Ted Lindberg traces the arc of Morris's artistic development from her beginnings as a mother, philosophy student, and Pasadena printmaker, to her reclusion on the wind-swept bluffs of Lummi Island in north Puget Sound. There Morris has created an extraordinary bronze park that she calls Sculpture Woods, a 15-acre sanctuary of stately forest and highbank waterfront that is home to her studio and to a winding path populated by 16 sculptural tableaus seen through a Jungian lens. Monumental figures emerge from the forest, as if stepping through a rift in time from the mists of classical and Celtic antiquities, to tell their archetypal tales.In a second essay, Jake Seniuk muses on how Morris moved from such overtly mythological themes to a kind of talismanic naturalism when she turned to an ongoing series of more intimately scaled bronzes that trace an ongoing Bone Journey. Unfolding her own creation myth through her work, Morris remains true to the marriage of the Platonic and the aboriginal, where a clear-eyed awareness of mortality is liberating and transcendent.

In The Plays of Samuel Beckett Eugene Webb first summarizes the western philosophical tradition which has culminated in the void--the centuries of attempts to impose form and meaning on existence, the failure of which has left experience in fragments and man a stranger in an unintelligible universe. Succeeding chapters take up the plays work by work, interpreting each individually and tracing recurrent motifs, themes, and images to show the continuity in the underlying tendencies of Beckett's mind and art.

This multilayered historical ethnography of Bodh Gaya — the place of Buddha’s enlightenment in the north Indian state of Bihar — explores the spatial politics surrounding the transformation of the Mahabodhi Temple Complex into a UNESCO World Heritage site in 2002. The rapid change from a small town based on an agricultural economy to an international destination that attracts hundreds of thousands of Buddhist pilgrims and visitors each year has given rise to a series of conflicts that foreground the politics of space and meaning among Bodh Gaya’s diverse constituencies.David Geary examines the modern revival of Buddhism in India, the colonial and postcolonial dynamics surrounding archaeological heritage and sacred space, and the role of tourism and urban development in India.

Fishes of the Salish Sea is the definitive guide to the identification and history of the marine and anadromous fishes of Puget Sound and the Straits of Georgia and Juan de Fuca. This comprehensive three-volume set, featuring striking illustrations of the Salish Sea’s 260 fish species by noted illustrator Joseph Tomelleri, details the ecology and life history of each species and recounts the region’s rich heritage of marine research and exploration.Beginning with jawless hagfishes and lampreys and ending with the distinctive Ocean Sunfish, leading scientists Theodore Wells Pietsch and James Orr present the taxa in phylogenetic order, based on classifications that reflect the most current scientific knowledge. Illustrated taxonomic keys facilitate fast and accurate species identification. These in-depth, thoroughly documented, and yet accessible volumes will prove invaluable to marine biologists and ecologists, natural resource managers, anglers, divers, students, and all who want to learn about, marvel over, and preserve the vibrant diversity of Salish Sea marine life.Comprehensive accounts of 260 fish speciesBrilliant color plates of all treated speciesIllustrated taxonomic keys for easy species identificationIn-depth history of Salish Sea research and exploration

These essays examine Iran’s place in the world--its relations and cultural interactions with its immediate neighbors and with empires and superpowers from the beginning of the Safavid period in 1501 to the present day. The book provides important historical background on recent political and social developments in Iran and on its contemporary foreign relations. The topics explored include Iranian influence abroad on political organization, religion, literature, art, and diplomacy, as well as Iran's absorption of foreign influences in these areas. A special focus is the prevailing political culture of Iran throughout its early modern and contemporary periods.The authors combine approaches from history, political science, anthropology, international relations, and culturalstudies. Some essays address Iran’s interactions with various Arab and Turkic ethnicities in the region stretching from India to Egypt. Others examine its relations with the West during the Qajar and Pahlavi eras, women's issues, culture inside Iran during the Islamic Republic, and the Shi`ite theocracy of Iran as compared with other Muslim states.

Claude Levi-Strauss’s fascination with Northwest Coast Indian art dates back to the late 1930s. “Sometime before the outbreak of the Second World War,” he writes, “I had already bought in Paris a Haida slate panel pipe.” In New York in the early forties, he shared his enthusiasm with a group of Surrealist refugee artists with whom he was associated. “Surely it will not be long,” he wrote in an article published in 1943, “before we see the collections from this part of the world moved from ethnographic to fine arts museums to take their just place amidst the antiquities of Egypt of Persia and the works of medieval Europe. For this art is not unequal to the greatest, and, in the course of the century and a half of its history that is known to us, it has shown evidence of a superior diversity and has demonstrated apparently inexhaustible talents for renewal.”In The Way of the Masks, first published more than thirty years later, he returned to this material, seeking to unravel a persistent problem that he associated with a particular mask, the Swaihwe, which is found among certain tribes of coastal British Columbia. This book, now available for the first time in an English translation, is a vivid, audacious illustration of Levi-Strauss’s provocative structural approach to tribal art and culture.Bringing to bear on the Swaihwe masks his theory that mythical representations cannot be understood as isolated objects, Levi-Strausss began to look for links among them, as well as relationships between these and other types of masks and myths, treating them all as parts of a dialogue that has been going on for generations among neighboring tribes. The wider system that emerges form his investigation uncovers the association of the masks with Northwest coppers and with hereditary status and wealth, and takes the reader as far north as the Dene of Alaska, as far south as the Yurok of northern California, and as far away in time and space as medieval Europe. As one reader said of this book, “It will be controversial, as his work always is, and it will stimulate more scholarship on the Northwest Coast than any other single book that I can think of.”

A transpacific tour of nuclear humanitiesFrom uranium mines on the Navajo Nation to craters caused by nuclear testing on the Bikini and Enewetak Atolls, the production and deployment of nuclear weapon technologies have disproportionately harmed Indigenous lands. Sustained exposure to radiation from nuclear weapons and waste affects many communities from Japan to Oceania to the US West. While antinuclear activism often takes political and legal forms, artistic responses to nuclear regimes also prompt social action and resistance.Resisting the Nuclear is an interdisciplinary edited collection featuring historians, anthropologists, artists, and activists who explore the multifaceted forms of resistance to nuclear regimes. Through a combination of interviews, scholarly essays, and discussions of contemporary art, contributors recenter the victims of nuclear technologies and demonstrate how political and artistic expression can respond to nuclear threats and effect change.

The rediscovery of an important American surrealist painterElsa Thoresen (1906–1994), born in Minnesota to Norwegian immigrant parents, studied at the School of Arts and Crafts and the Academy of Fine Arts in Oslo and at the Académie des Beaux-Arts in Brussels.After marrying Danish artist Vilhelm Bjerke Petersen in 1935, she began working in a surrealist style that brought her recognition in Europe. She was one of only a few women to be included in the International Surrealist Exhibition of 1938 in Paris. André Breton reproduced Thoresen’s Atmospheric Landscape (1936) in his Abridged Dictionary of Surrealism, published for the exhibition. Elsa became friends with several prominent European surrealists, including Sophie Taeuber-Arp. In 1938 Taeuber-Arp reproduced Thoresen’s Abstrakt komposition in the magazine Plastique, which she served as editor.Aside from a brief stay in Paris in 1938, Elsa and Vilhelm lived in Denmark from 1935 until 1944, when the couple and their children relocated to Sweden. There, they befriended and worked alongside the Swedish Halmstad Group of modernist and avant-garde painters.After World War II, the couple spent time in the United States before returning to Sweden in 1947. That year, Thoresen’s work was included in the International Exhibition of Surrealism, organized by Marcel Duchamp, André Breton, and Aimé Maeght at the Maeght Gallery in Paris. Elsa and Vilhelm divorced in 1953. She remarried and relocated to Seattle, where she focused her painting on lyrical, biomorphic abstractions until her death in 1994.

From clandestine images of Jewish children isolated in Nazi ghettos and Japanese American children incarcerated in camps to images of Native children removed to North American boarding schools, classroom photographs of schoolchildren are pervasive even in repressive historical and political contexts. School Photos in Liquid Time offers a closer look at this genre of vernacular photography, tracing how photography advances ideologies of social assimilation as well as those of hierarchy and exclusion. In Marianne Hirsch and Leo Spitzer’s deft analysis, school photographs reveal connections between the histories of persecuted subjects in different national and imperial centers.Exploring what this ubiquitous and mundane but understudied genre tells us about domination as well as resistance, the authors examine school photos as documents of social life and agents of transformation. They place them in dialogue with works by contemporary artists who reframe, remediate, and elucidate them. Ambitious yet accessible, School Photos in Liquid Time presents school photography as a new access point into institutions of power, revealing the capacity of past and present actors to disrupt and reinvent them.

2011 Winner of the Hal K. Rothman Award for the Best Book on Western Environmental History2010 Winner of the Norris and Carol Hundley Prize and the Caroline Bancroft Honor Prize2009 Winner of the Gaspar Perez de Villagra Award sponsored by the Historical Society of New MexicoDreaming of Sheep in Navajo Country offers a fresh interpretation of the history of Navajo (Diné) pastoralism. The dramatic reduction of livestock on the Navajo Reservation in the 1930s -- when hundreds of thousands of sheep, goats, and horses were killed -- was an ambitious attempt by the federal government to eliminate overgrazing on an arid landscape and to better the lives of the people who lived there. Instead, the policy was a disaster, resulting in the loss of livelihood for Navajos -- especially women, the primary owners and tenders of the animals -- without significant improvement of the grazing lands.Livestock on the reservation increased exponentially after the late 1860s as more and more people and animals, hemmed in on all sides by Anglo and Hispanic ranchers, tried to feed themselves on an increasingly barren landscape. At the beginning of the twentieth century, grazing lands were showing signs of distress. As soil conditions worsened, weeds unpalatable for livestock pushed out nutritious native grasses, until by the 1930s federal officials believed conditions had reached a critical point. Well-intentioned New Dealers made serious errors in anticipating the human and environmental consequences of removing or killing tens of thousands of animals.Environmental historian Marsha Weisiger examines the factors that led to the poor condition of the range and explains how the Bureau of Indian Affairs, the Navajos, and climate change contributed to it. Using archival sources and oral accounts, she describes the importance of land and stock animals in Navajo culture. By positioning women at the center of the story, she demonstrates the place they hold as significant actors in Native American and environmental history.Dreaming of Sheep in Navajo Country is a compelling and important story that looks at the people and conditions that contributed to a botched policy whose legacy is still felt by the Navajos and their lands today.

**Winner of the 2010 Victor Turner Prize in Ethnographic Writing, presented by the American Anthropological Association**Shared concern for nature can be a way of transcending national, ethnic, religious, and cultural boundaries, yet conservation efforts often pit the interests of historically rooted or indigenous peoples against the state and international environmental organizations, eroding local autonomy while “saving” rural land for animals and tourists. Wild Sardinia’s examination of the cultural politics around nature conservation and the traditional Commons on an Italian island illustrates the complexities of environmental stewardship. Long known as the home of fiercely independent shepherds (often typecast as rustics, bandits, or eco-vandals), as well as wild mouflon sheep, magnificent eagles, and rare old oak forests, the town of Orgosolo has for several decades received notoriety through local opposition to Gennargentu National Park.Interweaving rich ethnographic description of highland central Sardinia with analysis grounded in political ecology and reflexive cultural critique, Wild Sardinia illuminates the ambivalent and open-ended meanings of many Sardinians’ acts and memories of “resistance” to environmental projects. This groundbreaking case study of the tension between living cultural landscapes and the emerging ecological imaginaries envisioned through policy discourses and new media -- the “global dreamtimes of environmentalism” -- has relevance far beyond its Mediterranean locale.