Breanne Fahs - Böcker

Unapologetic, troublemaking, agitating, revolutionary, and hot-headed: radical feminism bravely transformed the history of politics, love, sexuality, and science. In Firebrand Feminism, Breanne Fahs brings together ten years of dialogue with four founders of the radical feminist movement: Ti-Grace Atkinson, Kathie Sarachild, Roxanne Dunbar-Ortiz, and Dana Densmore. Taking aim at the selfishness of the right and the incremental politics of the liberal left, they defiantly and fiercely created a new kind of feminism in the late 1960s.Firebrand Feminism provides a timely and historically rich account of these audacious women and the lasting impact of their words and work. This unique and provocative book unites second- and third-wave feminism and creates a much-needed intergenerational dialogue about the utility of feminist rage, the importance of refusal, the changing politics of sex and love, trans rights, and tactics to start (and continue) a revolution.

Unapologetic, troublemaking, agitating, revolutionary, and hot-headed: radical feminism bravely transformed the history of politics, love, sexuality, and science. In Firebrand Feminism, Breanne Fahs brings together ten years of dialogue with four founders of the radical feminist movement: Ti-Grace Atkinson, Kathie Sarachild, Roxanne Dunbar-Ortiz, and Dana Densmore. Taking aim at the selfishness of the right and the incremental politics of the liberal left, they defiantly and fiercely created a new kind of feminism in the late 1960s.Firebrand Feminism provides a timely and historically rich account of these audacious women and the lasting impact of their words and work. This unique and provocative book unites second- and third-wave feminism and creates a much-needed intergenerational dialogue about the utility of feminist rage, the importance of refusal, the changing politics of sex and love, trans rights, and tactics to start (and continue) a revolution.

Gross. Dirty. Monstrous. Manly. Authentic. Beautiful. Natural. Powerful.Body hair, especially on women, provokes, disrupts, and, at times, offends. It is tangled up with culture itself—in art, families, workplaces, relationships, sex, the beauty industry, governments, and capitalism. From Chinese activists challenging the Communist Party, to students in Arizona rejecting their family and workplace ideas about grooming, to high-art feminist photographers boldly featuring hairy women, Fahs deftly explores the volatile and ever-changing landscape of women's body hair politics. She showcases an underground movement of artists, zine-makers, rebels, and activists who have used women's visible body hair as a declaration of freedom from patriarchal norms.Fahs presents body hair not just as a personal grooming choice but as a connection to broader cultural stories about women's reproductive rights, feminist battlegrounds about autonomy, neoliberal intrusions into beauty regimens, and even global tensions around women's place in society. Ultimately, Unshaved shows the collision between the mundane and the extraordinary, the everyday and the revolutionary.

Gross. Dirty. Monstrous. Manly. Authentic. Beautiful. Natural. Powerful.Body hair, especially on women, provokes, disrupts, and, at times, offends. It is tangled up with culture itself—in art, families, workplaces, relationships, sex, the beauty industry, governments, and capitalism. From Chinese activists challenging the Communist Party, to students in Arizona rejecting their family and workplace ideas about grooming, to high-art feminist photographers boldly featuring hairy women, Fahs deftly explores the volatile and ever-changing landscape of women's body hair politics. She showcases an underground movement of artists, zine-makers, rebels, and activists who have used women's visible body hair as a declaration of freedom from patriarchal norms.Fahs presents body hair not just as a personal grooming choice but as a connection to broader cultural stories about women's reproductive rights, feminist battlegrounds about autonomy, neoliberal intrusions into beauty regimens, and even global tensions around women's place in society. Ultimately, Unshaved shows the collision between the mundane and the extraordinary, the everyday and the revolutionary.

2019 Choice Outstanding Academic TitleMoving from viruses, vaccines, and copycat murder to gay panics, xenophobia, and psychopaths, Transforming Contagion energetically fuses critical humanities and social science perspectives into a boundary-smashing interdisciplinary collection on contagion. The contributors provocatively suggest contagion to be as full of possibilities for revolution and resistance as it is for the descent into madness, malice, and extensive state control. The infectious practices rooted in politics, film, psychological exchanges, social movements, the classroom, and the circulation of a literary text or meme on social media compellingly reveal patterns that emerge in those attempts to re-route, quarantine, define, or even exacerbate various contagions.

2019 Choice Outstanding Academic TitleMoving from viruses, vaccines, and copycat murder to gay panics, xenophobia, and psychopaths, Transforming Contagion energetically fuses critical humanities and social science perspectives into a boundary-smashing interdisciplinary collection on contagion. The contributors provocatively suggest contagion to be as full of possibilities for revolution and resistance as it is for the descent into madness, malice, and extensive state control. The infectious practices rooted in politics, film, psychological exchanges, social movements, the classroom, and the circulation of a literary text or meme on social media compellingly reveal patterns that emerge in those attempts to re-route, quarantine, define, or even exacerbate various contagions.

Covering a wide variety of subjects and points of inquiry on women's sexuality, from genital anxieties about pubic hair to constructions of the body in the therapy room, this book offers a ground-breaking examination of women, sex, and madness, drawing from psychology, gender and sexuality studies, and cultural studies.Breanne Fahs argues that women’s sexuality embodies a permanent state of tension between cultural impulses of destruction and selfishness contrasted with the fundamental possibilities of subversiveness and joy. Emphasizing cultural, social, and personal narratives about sexuality, Fahs asks readers to imagine sex, bodies, and madness as intertwined, and to see these narratives as fluid, contested, and changing. With topics as diverse as anarchist visions of sexual freedom, sexualized emotion work, lesbian haunted houses, and the insidious workings of capitalism, Fahs conceptualizes sexuality as a force of regressive moral panics and profound inequalities—deployed in both blatant and more subtle ways onto the body—while also finding hope and resistance in the possibilities of sexuality. By integrating clinical case studies, cultural studies, qualitative interviews, and original essays, Fahs offers a provocative new vision for sexuality that fuses together social anxieties and cultural madness through a critical feminist psychological approach. Fahs provides an original and accessible volume for students and academics in psychology, gender and sexuality studies, and cultural studies.

Covering a wide variety of subjects and points of inquiry on women's sexuality, from genital anxieties about pubic hair to constructions of the body in the therapy room, this book offers a ground-breaking examination of women, sex, and madness, drawing from psychology, gender and sexuality studies, and cultural studies.Breanne Fahs argues that women’s sexuality embodies a permanent state of tension between cultural impulses of destruction and selfishness contrasted with the fundamental possibilities of subversiveness and joy. Emphasizing cultural, social, and personal narratives about sexuality, Fahs asks readers to imagine sex, bodies, and madness as intertwined, and to see these narratives as fluid, contested, and changing. With topics as diverse as anarchist visions of sexual freedom, sexualized emotion work, lesbian haunted houses, and the insidious workings of capitalism, Fahs conceptualizes sexuality as a force of regressive moral panics and profound inequalities—deployed in both blatant and more subtle ways onto the body—while also finding hope and resistance in the possibilities of sexuality. By integrating clinical case studies, cultural studies, qualitative interviews, and original essays, Fahs offers a provocative new vision for sexuality that fuses together social anxieties and cultural madness through a critical feminist psychological approach. Fahs provides an original and accessible volume for students and academics in psychology, gender and sexuality studies, and cultural studies.

A candid and provocative critique of women's sexual liberation in America.Silver Medalist, 2012 Independent Publisher Book Awards in the Women's Issues category Honorable Mention, 2011 ForeWord Book of the Year in the Women's Issues Category Although conventional wisdom holds that women in the United States today are more sexually liberated than ever before, a number of startling statistics call into question this perceived victory: over half of all women report having faked orgasms; 45 percent of women find rape fantasies erotic; a growing number of women perform same-sex eroticism for the viewing benefit of men; and recent clinical studies label 40 percent of women as "sexually dysfunctional." Caught between postsexual revolution celebrations of progress and alarmingly regressive new modes of disempowerment, the forty women interviewed in Performing Sex offer a candid and provocative portrait of "liberated" sex in America. Through this nuanced and complex study, Breanne Fahs demonstrates that despite the constant cooptation of the terms of sexual freedom, women's sexual subjectivities-and the ways they continually grapple with shifting definitions of liberation-represent provocative spaces for critical inquiry and personal discovery, ultimately generating novel ways of imagining and reimagining power, pleasure, and resistance.

A candid and provocative critique of women's sexual liberation in America.Silver Medalist, 2012 Independent Publisher Book Awards in the Women's Issues category Honorable Mention, 2011 ForeWord Book of the Year in the Women's Issues Category Although conventional wisdom holds that women in the United States today are more sexually liberated than ever before, a number of startling statistics call into question this perceived victory: over half of all women report having faked orgasms; 45 percent of women find rape fantasies erotic; a growing number of women perform same-sex eroticism for the viewing benefit of men; and recent clinical studies label 40 percent of women as "sexually dysfunctional." Caught between postsexual revolution celebrations of progress and alarmingly regressive new modes of disempowerment, the forty women interviewed in Performing Sex offer a candid and provocative portrait of "liberated" sex in America. Through this nuanced and complex study, Breanne Fahs demonstrates that despite the constant cooptation of the terms of sexual freedom, women's sexual subjectivities-and the ways they continually grapple with shifting definitions of liberation-represent provocative spaces for critical inquiry and personal discovery, ultimately generating novel ways of imagining and reimagining power, pleasure, and resistance.

Frames menstruation as a site of resistance, defiance, and shamelessness, showcasing the work of those who fight back against shame and silence.Finalist for the 2016 Foreword INDIES Book of the Year Award in the Women's Studies category Winner of the 2017 Distinguished Publication Award presented by the Association for Women in Psychology Transporting the reader to worlds in which Komodo dragons prey on menstruating women, artists prowl the streets of Spain in blood-stained pants, and the myths of women bleeding in synchrony with each other are drawn and redrawn, these eleven essays on menstruation and resistance evoke thought-provoking tensions between silence and confrontation, shame and rebellion, and compliance and disobedience. Fusing together gender and feminist theory, critical body studies, political activism, and menstrual anarchy, Breanne Fahs illuminates the troubling omissions of menstrual coming-of-age narratives in the museum, the outdated terminology of "feminine hygiene," and the moral panics about blood that erupts from in and outside of our bathrooms, classrooms, and cell phones. Borrowing from a multitude of voices-single moms, trans teenagers, zine makers, menstrual artists, college students, tour guides, French philosophers, and culture jammers-Fahs forcefully argues for a new culture of menstruation, one where the joys, rhythms, and controversies of menstrual cycles collides with the defiant, shameless, and bold new possibilities of menstrual resistance.

Frames menstruation as a site of resistance, defiance, and shamelessness, showcasing the work of those who fight back against shame and silence.Finalist for the 2016 Foreword INDIES Book of the Year Award in the Women's Studies category Winner of the 2017 Distinguished Publication Award presented by the Association for Women in Psychology Transporting the reader to worlds in which Komodo dragons prey on menstruating women, artists prowl the streets of Spain in blood-stained pants, and the myths of women bleeding in synchrony with each other are drawn and redrawn, these eleven essays on menstruation and resistance evoke thought-provoking tensions between silence and confrontation, shame and rebellion, and compliance and disobedience. Fusing together gender and feminist theory, critical body studies, political activism, and menstrual anarchy, Breanne Fahs illuminates the troubling omissions of menstrual coming-of-age narratives in the museum, the outdated terminology of "feminine hygiene," and the moral panics about blood that erupts from in and outside of our bathrooms, classrooms, and cell phones. Borrowing from a multitude of voices-single moms, trans teenagers, zine makers, menstrual artists, college students, tour guides, French philosophers, and culture jammers-Fahs forcefully argues for a new culture of menstruation, one where the joys, rhythms, and controversies of menstrual cycles collides with the defiant, shameless, and bold new possibilities of menstrual resistance.

In this landmark collection spanning three centuries and four waves of feminist activism and writing, Burn It Down! is a testament to what is possible when women are driven to the edge. The manifesto-raging and wanting, quarreling and provocative-has always been central to feminism, and it's the angry, brash feminism we need now.Collecting over 75 manifestos from around the world, Burn It Down! is a rallying cry and a call to action. Among this quarrelsome sisterhood, you'll find:Breanne Fahs argues that we need manifestos in all their urgent rawness-their insistence that we have to act now, that we must face this, that the bleeding edge of rage and defiance is where new ideas are born.

Burn It Down! is a testament to what is possible when women are driven to the edge. Collecting over seventy-five manifestos from around the world, Burn It Down! is a rallying cry and a call to action. Among this quarrel- some sisterhood, you'll find ACT UP's Queer Nation Manifesto, Emma Goldman's 1896 Anarchy and the Sex Question, Valerie Solanas's SCUM Manifesto and The Combahee River Collective Statement

This open access handbook, the first of its kind, provides a comprehensive and carefully curated multidisciplinary and genre-spanning view of the state of the field of Critical Menstruation Studies, opening up new directions in research and advocacy.