Brandeis Series in American Jewish History, Culture, and Life – serie

This absorbing biography chronicles the life and work of one of the most important entertainers of the twentieth century. Eddie Cantor (1892–1964) starred in theater, film, radio, and television. His immense popularity across a variety of media, his pride in his Jewish heritage, and his engagement with pressing political issues distinguished him from other headliners of his era. Paying equal attention to Cantor’s humor and politics, Weinstein documents his significance as a performer, philanthropist, and activist. Many show business figures quietly shed their Jewish backgrounds or did not call attention to the fact that they were Jewish. Cantor was different. He addressed the vital issues of his times, including acculturation, national identity, and antisemitism. He was especially forceful in opposing Nazism and paid a price for this activism in 1939, when a sponsor cancelled the actor’s radio program. In this carefully researched book, Weinstein uncovers sketches and routines filled with Jewish phrases, allusions, jokes, songs, and stories. Cantor frequently did not mark this material as “Jewish,” relying instead on attentive audiences to interpret his coded performances. Illustrated with thirty photographs, The Eddie Cantor Story examines the evolution, impact, and legacy of Cantor’s performance style. His music and comedy not only shaped the history of popular entertainment, but also provide a foundation for ongoing efforts to redefine Jewish culture and build community in contemporary America.

In the annals of American Jewish history, synagogue financial records have been largely overlooked. But as Daniel Judson shows in his examination of synagogue ledgers from 1728 to the present, these records provide an array of new insights into the development of American synagogues and the values of the Jews who worshipped in them. Looking at the history of American synagogues through an economic lens, Judson examines how synagogues raised funds, financed buildings, and paid clergy. By “following the money,” he reveals the priorities of the Jewish community at a given time. Throughout the book, Judson traces the history of capital campaigns and expenditures for buildings. He also explores synagogue competition and debates over previously sold seats, what to do about wealthy widows, the breaking down of gender norms, the hazan “bubble” (which saw dozens of overpaid cantors come to the United States from Europe), the successful move to outlaw “mushroom synagogues,” and the nascent synagogue-sharing economy of the twenty-first century. Judson shows as well the ongoing relationship of synagogue and church financing as well as the ways in which the American embrace of the free market in all things meant that the basic rules of supply and demand ultimately prevailed in the religious as well as the commercial realm.

Jewish Justices of the Supreme Court examines the lives, legal careers, and legacies of the eight Jews who have served or who currently serve as justices of the U.S. Supreme Court: Louis D. Brandeis, Benjamin Cardozo, Felix Frankfurter, Arthur Goldberg, Abe Fortas, Ruth Bader Ginsburg, Stephen G. Breyer, and Elena Kagan. David Dalin discusses the relationship that these Jewish justices have had with the presidents who appointed them, and given the judges’ Jewish background, investigates the antisemitism some of the justices encountered in their ascent within the legal profession before their appointment, as well as the role that antisemitism played in the attendant political debates and Senate confirmation battles. Other topics and themes include the changing role of Jews within the American legal profession and the views and judicial opinions of each of the justices on freedom of speech, freedom of religion, the death penalty, the right to privacy, gender equality, and the rights of criminal defendants, among other issues.

If you’ve ever seen the movie Funny Lady or read about the fantastic extravagance of the 1939 New York World’s Fair, ever visited Jerusalem, sung along to “It’s Only a Paper Moon,” or strolled through Times Square, then you have most likely heard about the tiny titan Billy Rose. Showman, songwriter, impresario, cultural arbiter, tough guy, visionary, wiseacre, and secret Jewish rescuer when Jews were struggling for survival in Europe, Billy Rose was a major figure in American life. Not Bad for Delancey Street: The Rise and Rise of Billy Rose is the first biography to tell the whole story of Rose’s life, and the only one to portray him as an exaggerated exemplar of a version of the American Jewish experience that came to predominate after World War II: secular, intermarried, bent on financial success, in love with Israel, and wedded to America. The life of Billy Rose was set against the great events of the twentieth century, including the Depression, when Rose became rich entertaining millions; the Nazi war against the Jews, which Rose fought with theatrical pageants that urged the American government to act; the postwar American boom, which Rose rode to attain extraordinary wealth; and the birth of Israel, where Rose staked his claim to immortality. Mark Cohen tells the unlikely but true story, based on exhaustive research, of Rose’s single-handed rescue in 1939 of an Austrian Jewish refugee stranded in Fascist Italy, an event that Rose never spoke of but which surfaced fifty years later as the core of Saul Bellow’s short novel, The Bellarosa Connection.