Catholic Practice in the Americas – serie

WINNER, COLLEGE THEOLOGY SOCIETY 2024 BEST BOOK AWARDWhat does it mean to be a community of difference?St. Mary of the Angels is a tiny underground Catholic parish in the heart of Boston's Egleston Square. More than a century of local, national, and international migrations has shaped and reshaped the neighborhood, transforming streets into borderlines and the parish into a waystation. Today, the church sustains a community of Black, Caribbean, Latin American, and Euro-American parishioners from Roxbury and beyond. In People Get Ready, Susan Reynolds draws on six years of ethnographic research to examine embodied ritual as a site of radical solidarity in the local church. Weaving together archived letters, oral histories, stories, photographs, newspaper articles, and newly examined archdiocesan documents, Reynolds traces how the people of St. Mary's constructed rituals of solidarity as a practical foundation for building bridges across difference. She looks beyond liturgy to unexpected places, from Mass announcements to parish council meetings, from the Good Friday Via Crucis through neighborhood streets to protests staged in and around the church in the wake of Boston's 2004 parish shutdowns. Through ethnography and Catholic ecclesiology, Reynolds argues for a retrieval of Vatican II's notion of ecclesial solidarity as a basis for the mission of the local church in an age of migration, displacement, and change.It is through the work of ritual, the story of St. Mary's reveals, that we learn to negotiate the borders in our midst—to cultivate friendships, exercise power, build peace, and, in a real way, to survive.

WINNER, COLLEGE THEOLOGY SOCIETY 2024 BEST BOOK AWARDWhat does it mean to be a community of difference?St. Mary of the Angels is a tiny underground Catholic parish in the heart of Boston's Egleston Square. More than a century of local, national, and international migrations has shaped and reshaped the neighborhood, transforming streets into borderlines and the parish into a waystation. Today, the church sustains a community of Black, Caribbean, Latin American, and Euro-American parishioners from Roxbury and beyond. In People Get Ready, Susan Reynolds draws on six years of ethnographic research to examine embodied ritual as a site of radical solidarity in the local church. Weaving together archived letters, oral histories, stories, photographs, newspaper articles, and newly examined archdiocesan documents, Reynolds traces how the people of St. Mary's constructed rituals of solidarity as a practical foundation for building bridges across difference. She looks beyond liturgy to unexpected places, from Mass announcements to parish council meetings, from the Good Friday Via Crucis through neighborhood streets to protests staged in and around the church in the wake of Boston's 2004 parish shutdowns. Through ethnography and Catholic ecclesiology, Reynolds argues for a retrieval of Vatican II's notion of ecclesial solidarity as a basis for the mission of the local church in an age of migration, displacement, and change.It is through the work of ritual, the story of St. Mary's reveals, that we learn to negotiate the borders in our midst—to cultivate friendships, exercise power, build peace, and, in a real way, to survive.

A vital collection of interdisciplinary essays that illuminates the significance of Marian shrines and promises to teach scholars how to "read" them for decades to come.American Patroness: Marian Shrines and the Making of US Catholicism is a collection of twelve essays that examine the historical and contemporary roles of Marian shrines in US Catholicism. The essays in this collection use historical, ethnographic, and comparative methods to explore how Catholics have used Marian devotion to make an imprint on the physical and religious landscape of the United States. Using the dynamic malleability of Marian shrines as a starting place for studying US Catholicism, each chapter reconsiders the American religious landscape from the perspective of a single shrine to Mary and asks: What does this shrine reveal about US Catholicism and about American religion?Each of the contributors in American Patroness examines why and how Marian shrines persist in the twenty-first century and subsequently uses that examination to re-read contemporary US Catholicism. Because shrines are not neutral spaces—they reflect and shape the elastic yet strict boundaries of what counts as Catholic identity, and who controls prayer practices—the studies in this collection also shed light on the contested dynamics of these holy sites. American Patroness demonstrates that Marian shrines continue to be places where an American Catholic identity is continuously worked on, negotiations about power occur, and Marian relationships are fostered and nurtured in spaces that are simultaneously public and intimate.

A vital collection of interdisciplinary essays that illuminates the significance of Marian shrines and promises to teach scholars how to "read" them for decades to come.American Patroness: Marian Shrines and the Making of US Catholicism is a collection of twelve essays that examine the historical and contemporary roles of Marian shrines in US Catholicism. The essays in this collection use historical, ethnographic, and comparative methods to explore how Catholics have used Marian devotion to make an imprint on the physical and religious landscape of the United States. Using the dynamic malleability of Marian shrines as a starting place for studying US Catholicism, each chapter reconsiders the American religious landscape from the perspective of a single shrine to Mary and asks: What does this shrine reveal about US Catholicism and about American religion?Each of the contributors in American Patroness examines why and how Marian shrines persist in the twenty-first century and subsequently uses that examination to re-read contemporary US Catholicism. Because shrines are not neutral spaces—they reflect and shape the elastic yet strict boundaries of what counts as Catholic identity, and who controls prayer practices—the studies in this collection also shed light on the contested dynamics of these holy sites. American Patroness demonstrates that Marian shrines continue to be places where an American Catholic identity is continuously worked on, negotiations about power occur, and Marian relationships are fostered and nurtured in spaces that are simultaneously public and intimate.

Celebrating the diverse contributions of Catholic lay women in 20th century AmericaRecovering Their Stories focuses on the many contributions made by Catholic lay women in the 20th century in their faith communities across different regions of the United States. Each essay explores the lives and contributions of Catholic lay women across diverse racial, ethnic, and socio-economic backgrounds, addressing themes related to these women's creative agency in their spirituality and devotional practices, their commitment to racial and economic justice, and their leadership and authority in sacred and public spaces Taken together, this volume brings together scholars working in what otherwise may be discreet areas of academic study to look for patterns, areas of convergence and areas of divergence, in order to present in one place the depth and breadth of Catholic lay women's experience and contributions to church, culture, and society in the United States. Telling these stories together provides a valuable resource for scholars in a number of disciplines, including American Catholic Studies, American Studies, Women and Gender Studies, Feminist Studies, and US History. Additionally, scholars in the areas of Latinx studies, Black Studies, Liturgical Studies, and application of Catholic social teaching will find the book to be a valuable resource with respect to articles on specific topics.

Celebrating the diverse contributions of Catholic lay women in 20th century AmericaRecovering Their Stories focuses on the many contributions made by Catholic lay women in the 20th century in their faith communities across different regions of the United States. Each essay explores the lives and contributions of Catholic lay women across diverse racial, ethnic, and socio-economic backgrounds, addressing themes related to these women's creative agency in their spirituality and devotional practices, their commitment to racial and economic justice, and their leadership and authority in sacred and public spaces Taken together, this volume brings together scholars working in what otherwise may be discreet areas of academic study to look for patterns, areas of convergence and areas of divergence, in order to present in one place the depth and breadth of Catholic lay women's experience and contributions to church, culture, and society in the United States. Telling these stories together provides a valuable resource for scholars in a number of disciplines, including American Catholic Studies, American Studies, Women and Gender Studies, Feminist Studies, and US History. Additionally, scholars in the areas of Latinx studies, Black Studies, Liturgical Studies, and application of Catholic social teaching will find the book to be a valuable resource with respect to articles on specific topics.

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglementsWhat does desire have to reveal about the nature of power? Through a detailed focus on the lives and loves of Catholic priests as they enter the profane world of party politics, Maya Mayblin explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality.For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex connection to multiple forms of power and offers provocative new angles on the question of the secular.The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution.

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglementsWhat does desire have to reveal about the nature of power? Through a detailed focus on the lives and loves of Catholic priests as they enter the profane world of party politics, Maya Mayblin explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality.For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex connection to multiple forms of power and offers provocative new angles on the question of the secular.The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution.

Explores how heritage discourses and local publics interact at Catholic mission sites in the southwestern United States, northern Mexico, and the Southern ConeInterdisciplinary in scope and classed under the name "critical heritage studies," Heritage and Its Missions makes extensive use of ethnographic perspectives to examine heritage not as a collection of inert things upon which a general historical interest is centered, but as a series of active meanings that have consequences in the social, political, and economic arenas. This approach considers the places of interaction between heritage discourses and local publics as constructed spaces where the very materiality of the social and the political unfolds.Heritage and Its Missions brings together researchers from several countries interested in the pre-republican Catholic missions in the Americas as heritage. Each essay discusses the past and current heritage meanings applied to a specific mission by national and multicultural states, local Indigenous and non-Indigenous communities, international heritage institutions, and scholars. They then address how heritage actors produce knowledge from their positioned perspectives; how different actors, collectives, communities, and publics relate to them; how heritage representations are deployed and contested as social facts; and how different conceptions of "heritage" collide, collaborate, and intersperse to produce the meanings around which heritage struggles unfold.

Explores how heritage discourses and local publics interact at Catholic mission sites in the southwestern United States, northern Mexico, and the Southern ConeInterdisciplinary in scope and classed under the name "critical heritage studies," Heritage and Its Missions makes extensive use of ethnographic perspectives to examine heritage not as a collection of inert things upon which a general historical interest is centered, but as a series of active meanings that have consequences in the social, political, and economic arenas. This approach considers the places of interaction between heritage discourses and local publics as constructed spaces where the very materiality of the social and the political unfolds.Heritage and Its Missions brings together researchers from several countries interested in the pre-republican Catholic missions in the Americas as heritage. Each essay discusses the past and current heritage meanings applied to a specific mission by national and multicultural states, local Indigenous and non-Indigenous communities, international heritage institutions, and scholars. They then address how heritage actors produce knowledge from their positioned perspectives; how different actors, collectives, communities, and publics relate to them; how heritage representations are deployed and contested as social facts; and how different conceptions of "heritage" collide, collaborate, and intersperse to produce the meanings around which heritage struggles unfold.

An innovative historical analysis that draws upon performance and theatre studies to stage the ruination and demise of the eighteenth-century Mexican Jesuits Inventories of Ruin dramatizes the ruination of the Mexican Province of the Society of Jesus as their power and influence waned over a period of approximately fifty years in the eighteenth-century Spanish Atlantic world. To tell the story of the arrest, migration, and ultimate dissolution of this powerful organization of missionary men, three sets of "inventories" are juxtaposed. The first is composed by notaries, who record the objects left behind by the Jesuits at a college in Puebla de Los Angeles when they were arrested on June 25, 1767. The second is an "inventory of the self," a conversion narrative composed by a Swedish convert who encounters the Jesuit refugees while shipboard on the Mediterranean Sea. The last is an inventory of the dead written by an exiled ex-Jesuit in Bologna, Italy, whose necrology memorializes the life and death of his brethren from the now defunct Mexican province. Inventories of Ruin is about the ruination and disappearance of Jesuit ways of being that counters Jesuit historiography’s framing of this period as a moment of "suppression." At the same time, Inventories of Ruin is about how this story of ruination appears in the archives. The book studies the epistemological drama of inventorying, as writers labor to uproot religious power, to locate and secure a religious self, and to capture religious histories. What weighs upon these texts is a sense of anxiety because the question of what will be found animates authors whose literary exertions appear as historiographical struggles to have a say over what appears and what vanishes before leaving the stage, or before pushing others toward the exit.

An innovative historical analysis that draws upon performance and theatre studies to stage the ruination and demise of the eighteenth-century Mexican Jesuits Inventories of Ruin dramatizes the ruination of the Mexican Province of the Society of Jesus as their power and influence waned over a period of approximately fifty years in the eighteenth-century Spanish Atlantic world. To tell the story of the arrest, migration, and ultimate dissolution of this powerful organization of missionary men, three sets of "inventories" are juxtaposed. The first is composed by notaries, who record the objects left behind by the Jesuits at a college in Puebla de Los Angeles when they were arrested on June 25, 1767. The second is an "inventory of the self," a conversion narrative composed by a Swedish convert who encounters the Jesuit refugees while shipboard on the Mediterranean Sea. The last is an inventory of the dead written by an exiled ex-Jesuit in Bologna, Italy, whose necrology memorializes the life and death of his brethren from the now defunct Mexican province. Inventories of Ruin is about the ruination and disappearance of Jesuit ways of being that counters Jesuit historiography’s framing of this period as a moment of "suppression." At the same time, Inventories of Ruin is about how this story of ruination appears in the archives. The book studies the epistemological drama of inventorying, as writers labor to uproot religious power, to locate and secure a religious self, and to capture religious histories. What weighs upon these texts is a sense of anxiety because the question of what will be found animates authors whose literary exertions appear as historiographical struggles to have a say over what appears and what vanishes before leaving the stage, or before pushing others toward the exit.

Explores the great diversity of Catholic people and musical styles in the early American Republic from the wilderness of Maine, through the bustling cities of Boston to Baltimore, among immigrants from France and Haiti, to the rolling hills of Kentucky.As the first comprehensive look at Early American Catholic musical culture, The Wilderness and Cities Raise Their Voices provides a broader perspective than earlier studies of specific hymn collections. It thereby opens a new vista into the variety of Catholic music in the young nation. Rather than focusing simply on repertoire, this is the first study of Catholic musical culture between the years of 1783 and 1830.This study focuses on five cities which would become the first dioceses in the United States: Baltimore, Boston, Bardstown, Philadelphia, and New York. In some cities, bishops took a great interest in music: Cheverus in Boston and David in Bardstown, for example. In other cities, it was the laity who took control, notably in Philadelphia.With the exception of Philadelphia, no semblance of a Catholic musical culture in Britain’s American colonies has come down to us in any documented or retrievable form. Yet as soon as independence was achieved, Rome recognized an American Church in the appointment of John Carroll. Under his inspiration, developing Catholic musical culture became an important priority in many different areas of the new country.It is a fascinating period in American Catholic history where women composers, organists, and conductors could be found working side by side with their male counterparts in the cities of Boston and Baltimore while plainchant could be heard from the forests of northern Maine to the wilderness of Kentucky. Yet it was also becoming a period of rapid change. The flow of Catholic immigrants and the growth of the commercial musical press gently moved their musical culture toward more popular styles with a more devotional content.