Comparative Research on Iconic and Performative Texts – serie

Images of books appear in art, advertising and commercial logos to symbolize learning, knowledge and wisdom. In religious and secular rituals around the globe, people carry, show, wave, touch and kiss books and other texts, as well as read them. Such images and rituals utilize the iconic dimension of texts. This volume is the first comprehensive survey of iconic books and texts. It traces their development and influence from ancient to modern times and compares their roles in multiple cultures and religious traditions. The twenty-two essays presented here are original, cutting-edge contributions to this new academic field, and will appeal to students and scholars across the study of religions, literature, book history, archives and libraries.

All the human senses become engaged in ritualizing sacred texts. These essays focus especially on ritualizing the iconic dimension of texts through the senses of sight, touch, kiss, and taste, both directly and in the imagination. Ritualized display of books engages the sense of sight very differently than does reading. Touching gets associated with reading scriptures, but touching also enables using the scripture as an amulet. Eating and consuming texts is a ubiquitous analogy for internalizing the contents of texts by reading and memorization. The idea of textual consumption reflects a widespread tendency to equate humans and written texts by their interiority and exteriority: books and people both have material bodies, yet both seem to contain immaterial ideas. Books thus physically incarnate cultural and religious values, doctrines, beliefs, and ideas. These essays bring theories of comparative scriptures and affect theory to bear on the topic as well as rich ethnographic descriptions of scriptural practices with Jewish, Sikh, Muslim, Christian, Buddhist and modern art and historical accounts of changing practices with sacred texts in ancient and medieval China and Korea, and in ancient Middle Eastern and Mediterranean cultures.

All the human senses become engaged in ritualizing sacred texts. These essays focus especially on ritualizing the iconic dimension of texts through the senses of sight, touch, kiss, and taste, both directly and in the imagination. Ritualized display of books engages the sense of sight very differently than does reading. Touching gets associated with reading scriptures, but touching also enables using the scripture as an amulet. Eating and consuming texts is a ubiquitous analogy for internalizing the contents of texts by reading and memorization. The idea of textual consumption reflects a widespread tendency to equate humans and written texts by their interiority and exteriority: books and people both have material bodies, yet both seem to contain immaterial ideas. Books thus physically incarnate cultural and religious values, doctrines, beliefs, and ideas. These essays bring theories of comparative scriptures and affect theory to bear on the topic as well as rich ethnographic descriptions of scriptural practices with Jewish, Sikh, Muslim, Christian, Buddhist and modern art and historical accounts of changing practices with sacred texts in ancient and medieval China and Korea, and in ancient Middle Eastern and Mediterranean cultures.

Questions of authority are perennial. Authority has been and still is a key topic in many studies of history, society, literature, and religion, just as it is a key issue in contemporary societies. In spite of the scholarly attention, authority continues to have an elusive quality. Reframing Authority provides new perspectives by focusing on the role of materiality and media for questions of authority, as well as on the changing roles of authority historically and cross-culturally. The volume argues that forms of mediation and materiality are crucial in any constitution, contestation, or transformation of authority. New understanding of authority can be gained by focusing on materiality and media in situations where authority is created, contested, or transformed in different historical eras and cultures. As the in-depth historical case studies show, authority is dependent upon a range of media and materiality forms - objects, paraphernalia, spaces and spatial practices, visual culture, literary forms, technologies, and bodies. Thus, authority is vulnerable and in need of continual maintenance, as struggles against, negotiations of, and transformations within authority constellations demonstrate. Reframing Authority demonstrates the fundamental relational nature of authority, makes a contribution to broader debates in the human sciences and offers a long historical perspective, ranging from ancient Rome and Christianity, to medieval literature, the early modern, modern, and contemporary eras in Asia, the Middle East, Western Europe, Mexico and the US.

Questions of authority are perennial. Authority has been and still is a key topic in many studies of history, society, literature, and religion, just as it is a key issue in contemporary societies. In spite of the scholarly attention, authority continues to have an elusive quality. Reframing Authority provides new perspectives by focusing on the role of materiality and media for questions of authority, as well as on the changing roles of authority historically and cross-culturally. The volume argues that forms of mediation and materiality are crucial in any constitution, contestation, or transformation of authority. New understanding of authority can be gained by focusing on materiality and media in situations where authority is created, contested, or transformed in different historical eras and cultures. As the in-depth historical case studies show, authority is dependent upon a range of media and materiality forms - objects, paraphernalia, spaces and spatial practices, visual culture, literary forms, technologies, and bodies. Thus, authority is vulnerable and in need of continual maintenance, as struggles against, negotiations of, and transformations within authority constellations demonstrate. Reframing Authority demonstrates the fundamental relational nature of authority, makes a contribution to broader debates in the human sciences and offers a long historical perspective, ranging from ancient Rome and Christianity, to medieval literature, the early modern, modern, and contemporary eras in Asia, the Middle East, Western Europe, Mexico and the US.

Religious and secular communities ritualize some books in one, two, or three dimensions. They ritualize the dimension of semantic interpretation through teaching, preaching, and scholarly commentary. This dimension receives almost all the attention of academic scholars. Communities also ritualize a text's performative dimension through public reading, recitation, and song, and also by reproducing its contents in art, theatre and film. This dimension is receiving increasing scholarly attention, especially in religious studies and anthropology. A third textual dimension, the iconic dimension, gets ritualized by manipulating the physical text, decorating it, and displaying it. This dimension has received almost no academic attention, yet features prominently in the most common news stories about books, whether about e-books, academic libraries, rare manuscript discoveries, or scripture desecrations. By calling attention to the iconic dimension of books, James Watts argues that we can better understand how physical books mediate social value and power within and between religious communities, nations, academic disciplines, and societies both ancient and modern. How and Why Books Matter will appeal to a wide range of readers interested in books, reading, literacy, scriptures, e-books, publishing, and the future of the book. It also addresses scholarship in religion, cultural studies, literacy studies, biblical studies, book history, anthropology, literary studies, and intellectual history.

Religious and secular communities ritualize some books in one, two, or three dimensions. They ritualize the dimension of semantic interpretation through teaching, preaching, and scholarly commentary. This dimension receives almost all the attention of academic scholars. Communities also ritualize a text's performative dimension through public reading, recitation, and song, and also by reproducing its contents in art, theatre and film. This dimension is receiving increasing scholarly attention, especially in religious studies and anthropology. A third textual dimension, the iconic dimension, gets ritualized by manipulating the physical text, decorating it, and displaying it. This dimension has received almost no academic attention, yet features prominently in the most common news stories about books, whether about e-books, academic libraries, rare manuscript discoveries, or scripture desecrations. By calling attention to the iconic dimension of books, James Watts argues that we can better understand how physical books mediate social value and power within and between religious communities, nations, academic disciplines, and societies both ancient and modern. How and Why Books Matter will appeal to a wide range of readers interested in books, reading, literacy, scriptures, e-books, publishing, and the future of the book. It also addresses scholarship in religion, cultural studies, literacy studies, biblical studies, book history, anthropology, literary studies, and intellectual history.

Miniature books, handwritten or printed books in the smallest format, have fascinated religious people, printers, publishers, collectors, and others through the centuries because of their unique physical features, and continue to captivate people today. The small lettering and the delicate pages, binding, and covers highlight the material form of texts and invite sensory engagement and appreciation. This volume addresses miniature books with a special focus on religious books in Jewish, Christian, Muslim, Hindu and Buddhist traditions. The book presents various empirical contexts for how the smallest books have been produced, distributed, and used in different times and cultures and also provides theoretical reflections and comments that discuss the divergent formats and functions of books.

Miniature books, handwritten or printed books in the smallest format, have fascinated religious people, printers, publishers, collectors, and others through the centuries because of their unique physical features, and continue to captivate people today. The small lettering and the delicate pages, binding, and covers highlight the material form of texts and invite sensory engagement and appreciation. This volume addresses miniature books with a special focus on religious books in Jewish, Christian, Muslim, Hindu and Buddhist traditions. The book presents various empirical contexts for how the smallest books have been produced, distributed, and used in different times and cultures and also provides theoretical reflections and comments that discuss the divergent formats and functions of books.

In this volume an international team of scholars address the theme of books as sacred beings from an impressively diverse range of primary material and perspectives. Yet, as a group, they meld to engage and advance previous research to solidify the conclusion that human cultures, especially religious groups, often ritualize bodies as sacred books and books as divine beings. The studies collected here not only increase the range of examples of this phenomenon. They also show the wide variety of ways in which the identity of books, bodies and beings gets both ritualized and theorized. The articles are bracketed by an introduction to the collection, and then by a concluding essay that extrapolates the theme of books as sacred beings on a more general level.

In this volume an international team of scholars address the theme of books as sacred beings from an impressively diverse range of primary material and perspectives. Yet, as a group, they meld to engage and advance previous research to solidify the conclusion that human cultures, especially religious groups, often ritualize bodies as sacred books and books as divine beings. The studies collected here not only increase the range of examples of this phenomenon. They also show the wide variety of ways in which the identity of books, bodies and beings gets both ritualized and theorized. The articles are bracketed by an introduction to the collection, and then by a concluding essay that extrapolates the theme of books as sacred beings on a more general level.

This book investigates how scriptures are accepted and appropriated by religious people in Korea and demonstrates how sacred status of scriptures are attained and their power is exercised. Examples of Korean religions, including Protestantism, Buddhism, Confucianism, and Shamanism turned out to be very useful to show how the performative dimension of scriptures is usually inseparably related to their iconic status and how scriptures are ritualized and performed. Plural religions coexist in Korea, showing a peculiar state of balance. Though Christianity is the biggest religion in South Korea, which takes up 27.7% of the population, Buddhism that occupies 15.5% of the population exercises no less influence than Christianity by taking the position of the only major jeontongjonggyo (traditional religion) of Korea. Confucianism, which not only was the official ideology of elite scholars but also provided a predominant worldview and ways of life for most Koreans during Joseon Dynasty (1392-1910), remains influential in the form of ancestral rites or the custom giving precedence to the elder. Many contemporary Koreans still rely on shamanic rituals and divination, which have prevailed among the common people for thousand years. Examples from these religions in Korea can amply demonstrate that the iconic and performative dimensions of scriptures are generally witnessed in any religion that recognize scriptures. These religions will also show that how the three dimensions of scriptures influence each other and function complementarily in the lives of religious people. The book offers vivid examples that show the contents of scriptures, the published physical books, sounds reading them aloud, letters in them, and images from them are ritualized to exert sacred power.

This book investigates how scriptures are accepted and appropriated by religious people in Korea and demonstrates how sacred status of scriptures are attained and their power is exercised. Examples of Korean religions, including Protestantism, Buddhism, Confucianism, and Shamanism turned out to be very useful to show how the performative dimension of scriptures is usually inseparably related to their iconic status and how scriptures are ritualized and performed. Plural religions coexist in Korea, showing a peculiar state of balance. Though Christianity is the biggest religion in South Korea, which takes up 27.7% of the population, Buddhism that occupies 15.5% of the population exercises no less influence than Christianity by taking the position of the only major jeontongjonggyo (traditional religion) of Korea. Confucianism, which not only was the official ideology of elite scholars but also provided a predominant worldview and ways of life for most Koreans during Joseon Dynasty (1392-1910), remains influential in the form of ancestral rites or the custom giving precedence to the elder. Many contemporary Koreans still rely on shamanic rituals and divination, which have prevailed among the common people for thousand years. Examples from these religions in Korea can amply demonstrate that the iconic and performative dimensions of scriptures are generally witnessed in any religion that recognize scriptures. These religions will also show that how the three dimensions of scriptures influence each other and function complementarily in the lives of religious people. The book offers vivid examples that show the contents of scriptures, the published physical books, sounds reading them aloud, letters in them, and images from them are ritualized to exert sacred power.

This anthology asks if - or how - the handling, use, and embodied enactments of sacred texts regulate, entangle, occlude, tolerate, or even subvert religious and gendered identities. While many studies have looked at the semantic content of sacred texts to answer this question, the volume mends a knowledge gap by looking at the effects on gender that follow both from uses of sacred texts as directly accessible, material objects and from embodied enactments of sacred texts in indirect ways. To signify the embodied enactment of sacred texts, not directly at hand, Marianne Schleicher coins the term “sacred texture” in the introduction to extend sacred text studies to capture both the textuality of poetic and narrative expressions in oral cultures and how most lay people, often women, have expressed their religiosity through indirect uses of sacred texts through bodily enactments.Among the insights this volume offers are how Old Norse women’s composition of oral sacred textures renders their gender fluid, how a sacred text in Numbers 5 is used to handle a woman and simultaneously bolsters the masculinities of the involved men, how Jewish women through centuries have been intelligible as such by enabling men’s direct access to sacred texts or by bodily enacting sacred textures themselves, how both Christian women and sacred texts should leave adornments behind to embody Jerome’s ascetic ideals, how four women in contemporary American Judaism write Esther scrolls according to halakhic rules to become intelligible as scribes despite their female gender, how American Evangelical women have compensated for the absence of a directly accessible Bible at work by bodily enacting fragments of the Bible, and how Muslim family members in Denmark bodily enact and navigate Qur’anic prescriptions on filial piety up against its prescriptions concerning the naked body.

This anthology asks if - or how - the handling, use, and embodied enactments of sacred texts regulate, entangle, occlude, tolerate, or even subvert religious and gendered identities. While many studies have looked at the semantic content of sacred texts to answer this question, the volume mends a knowledge gap by looking at the effects on gender that follow both from uses of sacred texts as directly accessible, material objects and from embodied enactments of sacred texts in indirect ways. To signify the embodied enactment of sacred texts, not directly at hand, Marianne Schleicher coins the term “sacred texture” in the introduction to extend sacred text studies to capture both the textuality of poetic and narrative expressions in oral cultures and how most lay people, often women, have expressed their religiosity through indirect uses of sacred texts through bodily enactments.Among the insights this volume offers are how Old Norse women’s composition of oral sacred textures renders their gender fluid, how a sacred text in Numbers 5 is used to handle a woman and simultaneously bolsters the masculinities of the involved men, how Jewish women through centuries have been intelligible as such by enabling men’s direct access to sacred texts or by bodily enacting sacred textures themselves, how both Christian women and sacred texts should leave adornments behind to embody Jerome’s ascetic ideals, how four women in contemporary American Judaism write Esther scrolls according to halakhic rules to become intelligible as scribes despite their female gender, how American Evangelical women have compensated for the absence of a directly accessible Bible at work by bodily enacting fragments of the Bible, and how Muslim family members in Denmark bodily enact and navigate Qur’anic prescriptions on filial piety up against its prescriptions concerning the naked body.