Critical Studies in Russian Literature S. – serie

Turgenev's novel about conflicting ideas, social classes and generations questions human nature and man's place in the universe. This is one in a series offering a critical analysis of Russian texts and surveying the different interpretations that have been suggested.

Evgenii Zamiatin's seminal antiutopian satire "We" (written 1920-1) is one of the most celebrated works of twentieth century Russian literature. Set one thousand years in the future, it is a witty yet terrifying picture of a future society in which reason is all-conquering and mankind has been enslaved by a dictator called 'the benefactor'. This new study presents both a synthesis of existing criticism and a new reading of the novel. The first section deals with "We" in the context of the Russian Civil War, showing how Zamiatin's contemporaries interpreted it as a satire on life in Soviet Russia. The major trends in the diverse body of modern criticism are then surveyed. The longer second part of the study consists of a detailed reading of the novel based on close textual analysis of the forty 'entries' of its narrator's diary.

This monograph aims to offer an in-depth critical analysis of Lermontov's novel, in the light of the latest criticism on the work. A review of the critical reception of the novel from publication up to the present day is offered in the introduction, and there is a comprehensive bibliography of secondary sources. This is followed with analysis of the novels' five consistent stories, as well as its introductory apparatus, to produce new critical insights into the text. Particular stress is laid on the role of ethnicity in the novel, taking into account its role in the development of the Caucasus as a romantic topos in 19th-century literature. The book is part of a series of critical monographs aiming to provide an up-to-date guide, for students, teachers, and the interested general reader, to a range of Russian texts.