Donald Rayfield – författare

Stalin, like Hitler and other tyrants, won and held power because he had collaborators - hangmen. Drawing on newly released archival material, Donald Rayfield gives us a fuller and more colourful picture of Stalin's inner circle than ever before. Stalin was not the sole author of Stalinism. What motivated his chiefs of police, Feliks Dzierzynski, Viacheslav Manzhinsky, Genrikh Iagoda, Nikolai Ezhov and Lavrenti Beria? What did they want? What were their relations with the regime and its ruler? How did their upbringing and experience mould them? And how does the terror they create connect with the terror they felt? Stalin and His Hangmen reconstructs the psychological mechanism of a whole regime and what it held together. The extent of the misery caused by Stalin and his Hangmen can be compared in Europe only to that brought about by Hitler and his henchmen. But Stalin's heritage is, if possible, even worse than Hitler's. His rule enslaved three generations, not one, the horror of what he did has not yet been fully understood and his countrymen have not yet found the strenth to disavow him. All the more important, then, that this diabolical tale should be told.

Stalin, like Hitler and other tyrants, won and held power because he had collaborators - hangmen. Drawing on newly released archival material, Donald Rayfield gives us a fuller and more colourful picture of Stalin's inner circle than ever before. Stalin was not the sole author of Stalinism. What motivated his chiefs of police, Feliks Dzierzynski, Viacheslav Manzhinsky, Genrikh Iagoda, Nikolai Ezhov and Lavrenti Beria? What did they want? What were their relations with the regime and its ruler? How did their upbringing and experience mould them? And how does the terror they create connect with the terror they felt? Stalin and His Hangmen reconstructs the psychological mechanism of a whole regime and what it held together. The extent of the misery caused by Stalin and his Hangmen can be compared in Europe only to that brought about by Hitler and his henchmen. But Stalin's heritage is, if possible, even worse than Hitler's. His rule enslaved three generations, not one, the horror of what he did has not yet been fully understood and his countrymen have not yet found the strenth to disavow him. All the more important, then, that this diabolical tale should be told.

Of all Russian writers, Chekhov is one of the best liked and most easily appreciated. Yet he is also one of the most elusive. Here Donald Rayfield reveals the layers of meaning on which the great dramatist's stories and plays are built. He examines his brief twenty-year creative life, from medical student supplementing his income by writing comic stories to his rapid rise as the father of twentieth-century drama and narrative prose. Understanding Chekhov is enriched by revelations from previously unexplored archival material, which deepen our understanding of Chekhov's sources, preoccupations, philosophy, and his relations with theater, with fellow writers, and with contemporary ideas.

The first comprehensive and objective history of the literature of Georgia, revealed to be unique among those of the former Byzantine and Russian empires, both in its quality and its 1500 years' history. It is examined in the context of the extraordinarily diverse influences which affected it - from Greek and Persian to Russian and modern European literature, and the folklore of the Caucasus.

The description 'definitive' is too easily used, but Donald Rayfield's biography of Chekhov merits it unhesitatingly. To quote no less an authority than Michael Frayn:'With question the definitive biography of Chekhov, and likely to remain so for a very long time to come. Donald Rayfield starts with the huge advantage of much new material that was prudishly suppressed under the Soviet regime, or tactfully ignored by scholars. But his mastery of all the evidence, both old and new - a massive archive - is magisterial, his background knowledge of the period is huge; his Russian is sensitive to every colloquial nuance of the day, and his tone is sure. He captures a likeness of the notoriously elusive Chekhov which at last begins to seem recognisably human - and even more extraordinary.'Chekhov's life was short, he was only forty-four when he died, and dogged with ill-health but his plays and short stories assure him of his place in the literary pantheon. Here is a biography that does him full justice, in short, unapologetically to repeat that word 'definitive'.'I don't remember any monograph by a Western scholar on a Russian author having such success. . . Nikita Mikhalkov said that before this book came out we didn't know Chekhov. . . The author doesn't invent, add or embellish anything . . . Rayfield is motivated by the Westerner's urge not ot hold information back, however grim it may be.' Anatoli Smelianski, Director of Moscow Arts Theatre School 'It is hard to imagine another book about Chekhov after this one by Donald Rayfield.' Arthur Miller, Sunday Times 'Donald Rayfield's exemplary biography draws on a daunting array of material inacessible or ignored by his predecessors.' Nikolai Tolstoy, The Literary Review'Donald Rayfield, Chekhov's best and definitive biographer.' William Boyd, Guardian

The great Russian explorer Nikolay Przhevalsky (1839-1888) made an indelible contribution to the world's atlases, and its store of zoological and botanical knowledge, as a consequence of his four arduous and dangerous expeditions through the Central Asia of Western Mongolia, Eastern Turkestan and Northern Tibet. Donald Rayfield's biography of Przhevalsky - first published in 1976 and drawing on the exporer's diaries, letters, and published works - tells the thrilling story of the explorer's groundbreaking journeys, undertaken in an age of extreme political sensitivity between Russia, China and Britain. A rich portrait emerges of an extraordinary Byronic character who was ill-suited to civilisation but much at home with the loneliness and hardship of the nomadic life. A rigorous army officer and a phenomenal shot, gifted also with a photographic memory, Przhevalsky became one of the most widely-admired men in Russia, and Rayfield adroitly explores the grounds of his reputation.

The great Russian explorer Nikolay Przhevalsky (1839-1888) made an indelible contribution to the world's atlases, and its store of zoological and botanical knowledge, as a consequence of his four arduous and dangerous expeditions through the Central Asia of Western Mongolia, Eastern Turkestan and Northern Tibet. Donald Rayfield's biography of Przhevalsky - first published in 1976 and drawing on the exporer's diaries, letters, and published works - tells the thrilling story of the explorer's groundbreaking journeys, undertaken in an age of extreme political sensitivity between Russia, China and Britain. A rich portrait emerges of an extraordinary Byronic character who was ill-suited to civilisation but much at home with the loneliness and hardship of the nomadic life. A rigorous army officer and a phenomenal shot, gifted also with a photographic memory, Przhevalsky became one of the most widely-admired men in Russia, and Rayfield adroitly explores the grounds of his reputation.

The description 'definitive' is too easily used, but Donald Rayfield's biography of Chekhov merits it unhesitatingly. To quote no less an authority than Michael Frayn:'With question the definitive biography of Chekhov, and likely to remain so for a very long time to come. Donald Rayfield starts with the huge advantage of much new material that was prudishly suppressed under the Soviet regime, or tactfully ignored by scholars. But his mastery of all the evidence, both old and new - a massive archive - is magisterial, his background knowledge of the period is huge; his Russian is sensitive to every colloquial nuance of the day, and his tone is sure. He captures a likeness of the notoriously elusive Chekhov which at last begins to seem recognisably human - and even more extraordinary.'Chekhov's life was short, he was only forty-four when he died, and dogged with ill-health but his plays and short stories assure him of his place in the literary pantheon. Here is a biography that does him full justice, in short, unapologetically to repeat that word 'definitive'.'I don't remember any monograph by a Western scholar on a Russian author having such success. . . Nikita Mikhalkov said that before this book came out we didn't know Chekhov. . . The author doesn't invent, add or embellish anything . . . Rayfield is motivated by the Westerner's urge not ot hold information back, however grim it may be.' Anatoli Smelianski, Director of Moscow Arts Theatre School 'It is hard to imagine another book about Chekhov after this one by Donald Rayfield.' Arthur Miller, Sunday Times 'Donald Rayfield's exemplary biography draws on a daunting array of material inacessible or ignored by his predecessors.' Nikolai Tolstoy, The Literary Review'Donald Rayfield, Chekhov's best and definitive biographer.' William Boyd, Guardian

The first comprehensive and objective history of the literature of Georgia, revealed to be unique among those of the former Byzantine and Russian empires, both in its quality and its 1500 years' history. It is examined in the context of the extraordinarily diverse influences which affected it - from Greek and Persian to Russian and modern European literature, and the folklore of the Caucasus.

The first comprehensive and objective history of the literature of Georgia, revealed to be unique among those of the former Byzantine and Russian empires, both in its quality and its 1500 years'' history. It is examined in the context of the extraordinarily diverse influences which affected it - from Greek and Persian to Russian and modern European literature, and the folklore of the Caucasus.

The first comprehensive and objective history of the literature of Georgia, revealed to be unique among those of the former Byzantine and Russian empires, both in its quality and its 1500 years'' history. It is examined in the context of the extraordinarily diverse influences which affected it - from Greek and Persian to Russian and modern European literature, and the folklore of the Caucasus.

The astonishing follow-up to 2018's Kolyma Stories.In 1936, Varlam Shalamov, a journalist and writer, was arrested for counterrevolutionary activities and sent to the Soviet Gulag. He survived fifteen years in the prison camps and returned from the Far North to write one of the masterpieces of twentieth-century literature, an epic array of short fictional tales reflecting the years he spent in the Gulag. Sketches of the Criminal World is the second of two volumes (the first, Kolyma Stories, was published by NYRB Classics in 2018) that together constitute the first complete English translation of Shalamov’s stories and the only one to be based on the authorized Russian text.  In this second volume, Shalamov sets out to answer the fundamental moral questions that plagued him in the camps where he encountered firsthand the criminal world as a real place, far more evil than Dostoyevsky’s underground: “How does someone stop being human?” and “How are criminals made?” By 1972, when he was writing his last stories, the camps were being demolished, the guard towers and barracks razed. “Did we exist?” Shalamov asks, then answers without hesitation, “I reply, ‘We did.’”

Georgia is the most Western-looking state in today’s Near or Middle East and, despite having one of the longest, most turbulent histories in the Christian or Near Eastern world, no proper history of the country has been written for decades. Eminent historian Donald Rayfield redresses this balance in Edge of Empires, focusing not merely on the post-Soviet era, like many other books on Georgia, but on the whole of its history, accessing a mass of new material from the country’s recently opened archives.Rayfield describes Georgia’s swings between disintegration and unity, making full use of primary sources, many not available before in an English-language book. He examines the history of a country which, though small, stands at a crossroads between Russia and the Muslim world, between Eastern Europe and Central Asia, and is a dramatic example of state-building and, also, of tragic political mistakes.

The Crimean Tatars were the Turkic-speaking native peoples of Crimea who established a powerful khanate in the 1440s, which remained in power until 1783. In this, the first history in English for over 100 years, eminent scholar Donald Rayfield shows that this misunderstood and much-feared nation was in fact a flourishing state with a vibrant literary culture, religious tolerance, a sophisticated constitution and a prosperous economy. Rayfield’s book describes the establishment of the khanate, its reign and its eventual fall, concluding with a vivid portrayal of the Tatars’ ruthless suppression – first by Russia and then the Soviet Union – and the final, effectively genocidal, invasion under Vladimir Putin.This vibrant and ultimately tragic chronicle is essential reading for anyone interested in the background to the current war in Ukraine.

;Tri goda, provedennye v poiskah, rasshifrovke i osmyslenii dokumentov, ubedili menya v tom, chto nichego v ehtih arhivah ne mozhet ni diskreditirovat'', ni oposhlit'' CHekhova. Rezul''tat kak raz obratnyj: slozhnost'' i glubina figury pisatelya stanovyatsya eshche bolee ochevidnymi, kogda my okazyvaemsya sposobny ob"yasnit'' ego chelovecheskie dostoinstva i nedostatki; — takova poziciya avtora knigi, izvestnogo britanskogo literaturoveda, professora Londonskogo universiteta Donal''da Rejfilda. Unikal''noe po svoej masshtabnosti biograficheskoe issledovanie predstavlyaet soboj ischerpyvayushchee zhizneopisanie Antona Pavlovicha CHekhova. Napisannoe legko i neprinuzhdenno i v to zhe vremya akademichno, ono yavlyaetsya po suti nastoyashchej sensaciej.

"Bog delil Zemlyu mezhdu narodami, - glasit gruzinskaya legenda. - Gruziny opozdali, zaderzhavshis'' za tradicionnym zastol''em, i k momentu ih poyavleniya ves'' mir uzhe byl podelen. Kogda Gospod'' sprosil u prishedshih, za chto oni pili, gruziny otvetili: "Za tebya, Bog, za sebya, za mir». Vsevyshnemu ponravilsya otvet. I skazal on im, chto hotya vse zemli rozdany, pribereg on nebol''shoj kusochek dlya sebya, i teper'' otdaet on ego gruzinam. Zemlya ehta, po slovam Gospoda, po krasote svoej ne sravnima ni s chem i vo veki vekov budut lyudi lyubovat''sya i voskhishchat''sya eyu…»Izvestnyj britanskij literaturoved i istorik Donal''d Rejfild, avtor bestsellera "ZHizn'' Antona CHekhova», glavnyj redaktor fundamental''nogo "Polnogo gruzinsko-anglijskogo slovarya», sozdal unikal''nyj trud – istoriyu Gruzii - dragocennyj splav, v kotorom organichno slilis'' istoricheskie hroniki, unikal''nye dokumental''nye svidetel''stva i porazitel''noe po yarkosti povestvovanie.