Early American Women Writers - Böcker

The `Sentimental Novel' was extremely popular in America after the Revolution, Written in a tradition established by Samuel Richardson, they told tales of vice and virtue based on true stories. Charlotte Temple and The Coquette by Hannah W. Foster (see below) were two of the most successful novels of the period. Reissued in paperback editions with new introductions, they offer a glimpse of the earliest American popular fiction. Both are also announced in the Oxford General Books catalogue for Autumn 1987.

The Coquette tells the much-publicized story of the seduction and death of Elizabeth Whitman, a poet from Hartford, Connecticut.Written as a series of letters--between the heroine and her friends and lovers--it describes her long, tortuous courtship by two men, neither of whom perfectly suits her. Eliza Wharton (as Whitman is called in the novel) wavers between Major Sanford, a charming but insincere man, and the Reverend Boyer, a bore who wants to marry her. When, in her mid-30s, Wharton finds herself suddenly abandoned when both men marry other women, she willfully enters into an adulterous relationship with Sanford and becomes pregnant. Alone and dejected, she dies in childbirth at a roadside inn. Eliza Wharton, whose real-life counterpart was distantly related to Hannah Foster's husband, was one of the first women in American fiction to emerge as a real person facing a dilemma in her life. In her Introduction, Davidson discusses the parallels between Elizabeth Whitman and the fictional Eliza Wharton. She shows the limitations placed on women in the 18th century and the attempts of one woman to rebel against those limitations.

First published in 1801, Female Quixotism is a boisterous anti-romance and literary satire, in which Dorcas Sheldon (`Dorcasina') sets out to discover for herself the kind of passionate love affair portrayed in her favourite novels.Female Quixotism was written during a period of self-definition for the fledgeling American republic. Issues of class, gender, race and isolationism still relevant today are confronted in a manner unusual in other contemporary works, which frequently attacked romantic novels, even as they employed the sentimental and picaresque devices of the genre. Tenney uses literary references from Richardson, Sterne, and Milton, and, of course, Cervantes. However, it is as a tragi-comic parody of the limited choices available to women in a society founded on the principle that all men are created equal, that Tenney's Female Quixotism really stands apart from similar contemporary works.