Global Literature – serie

Global Literature and the Environment analyses literatures from across the world that connect readers to the localized impacts of the climate and ecological emergencies. The book contextualizes ecological breakdown within the history of imperialist-capitalism, exploring how literature helps us to imagine and create a habitable and just world for all forms of life.The four chapters are organised according to the elements of the climate system that are at risk. ‘Earth’ examines Caribbean, American, South African, and British literatures that explore how dominant human groups have exploited soils, minerals, metals, and oil in pursuit of economic aims. ‘Water’ engages with poetic representations of, and responses to, extraction, pollution, and global warming in the fresh- and saltwaters of Nigeria and the icescapes of Alaska. ‘Air’ analyses prose and poetry that depicts atmospheric pollution caused by gas flaring in the Niger Delta and the production of pesticides in India. ‘Life’ attends to the ways in which literature contextualizes the drivers of, and proposed solutions to, mass species extinction across North America, Africa, Australasia, and Aotearoa New Zealand.This accessible and engaging book explores novels, plays and poetry by writers including Octavia Butler, C.L.R. James, dg nanouk okpik, Ken Saro-Wiwa, Imbolo Mbue, Indra Sinha, Witi Ihimaera, J.M. Coetzee, and Henrietta Rose-Innes, amongst many others. It introduces readers to the concept of the Anthropocene alongside perspectives that challenge the assumption that the climate crisis is caused by an undifferentiated humanity. In doing so, the book draws on, and combines, a range of theoretical approaches, including postcolonialism, Indigenous studies, ecocriticism, cultural materialism, and animal studies.

Global Arab Fiction explores twenty-first-century fiction set in north and east Africa, the Gulf, the Arab east, and diaspora, showing diversity and connections across Arab world contexts. Nadia Atia and Lindsey Moore draw on a substantial literary corpus, highlighting contemporary trends in what is available to Anglophone audiences and considering how Arab fiction circulates as a global commodity.Global Arab Fiction begins by positioning the Arab novel as a global phenomenon. It also explores the influence of literary prizes, notably the International Prize for Arabic Fiction, on the enhanced international visibility of Arab fiction this century. The authors tackle the thorny issue of violence, in representing Arab world contexts, and spotlight queer Arab desire, identity, and community. They address the rise of speculative Arab literary modes and show how both mobility and immobility challenge a global paradigm.Global Arab Fiction illuminates a vibrant body of literature rooted in, but not circumscribed by, a region redefined by twenty-first-century global geopolitics. This book offers new arguments about twenty-first-century Arab literary tropes, modes, consecration routes, identities, and contexts. It is unmissable for readers interested in contemporary, postcolonial, Arab/Middle Eastern, and world literary studies.

Offering a thorough introduction to notions of gender in contemporary global literature, Global Literature and Gender uses postcolonial theories alongside theories of space and place, theories of globalization, and reference to the Posthuman and the Anthropocene as competing narratives of the contemporary.This book argues for the ongoing but very current significance of gender as an organizing category, while also revealing the fluidity and boundary defying nature of gender in twenty-first-century literature. Divided into three sections, looking at femininity, masculinity, and transgender, Jenni Ramone:Examines globalization’s uneasy relationship with theories which foreground gender and considers gender as a challenge to globalization;Analyses embodied labour, global travel, trade, and tourism;Discusses the ways in which globalization and masculinity are likewise at odds;Considers a diverse range of themes and genres, including pearl-diving, taxi driving, space travel, authorship, surrogacy, modern-day slavery, Afrofuturism, Objectophilia, Stigma, Dehumanisation, Passing, and romance tourism;Engages with a vast range of innovative contemporary works, including those by Akwaeke Emezi, Alain Mabanckou, Mieko Kawakami, Meera Syal, Helen Heath, Kei Miller, Deji Bryce Olukotun, jaye simpson, Hideki Noda, Dany Laferrière, Zadie Smith, Hanan Al-Shaykh, Teju Cole, Sherley Anne Williams, Helen Oyeyemi, and Arundhati Roy.Global Literature and Gender is an essential intervention for researchers and students of globalization, twenty-first-century literature, and gender.

Global Arab Fiction explores twenty-first-century fiction set in north and east Africa, the Gulf, the Arab east, and diaspora, showing diversity and connections across Arab world contexts. Nadia Atia and Lindsey Moore draw on a substantial literary corpus, highlighting contemporary trends in what is available to Anglophone audiences and considering how Arab fiction circulates as a global commodity.Global Arab Fiction begins by positioning the Arab novel as a global phenomenon. It also explores the influence of literary prizes, notably the International Prize for Arabic Fiction, on the enhanced international visibility of Arab fiction this century. The authors tackle the thorny issue of violence, in representing Arab world contexts, and spotlight queer Arab desire, identity, and community. They address the rise of speculative Arab literary modes and show how both mobility and immobility challenge a global paradigm.Global Arab Fiction illuminates a vibrant body of literature rooted in, but not circumscribed by, a region redefined by twenty-first-century global geopolitics. This book offers new arguments about twenty-first-century Arab literary tropes, modes, consecration routes, identities, and contexts. It is unmissable for readers interested in contemporary, postcolonial, Arab/Middle Eastern, and world literary studies.

Offering a thorough introduction to notions of gender in contemporary global literature, Global Literature and Gender uses postcolonial theories alongside theories of space and place, theories of globalization, and reference to the Posthuman and the Anthropocene as competing narratives of the contemporary.This book argues for the ongoing but very current significance of gender as an organizing category, while also revealing the fluidity and boundary defying nature of gender in twenty-first-century literature. Divided into three sections, looking at femininity, masculinity, and transgender, Jenni Ramone:Examines globalization’s uneasy relationship with theories which foreground gender and considers gender as a challenge to globalization;Analyses embodied labour, global travel, trade, and tourism;Discusses the ways in which globalization and masculinity are likewise at odds;Considers a diverse range of themes and genres, including pearl-diving, taxi driving, space travel, authorship, surrogacy, modern-day slavery, Afrofuturism, Objectophilia, Stigma, Dehumanisation, Passing, and romance tourism;Engages with a vast range of innovative contemporary works, including those by Akwaeke Emezi, Alain Mabanckou, Mieko Kawakami, Meera Syal, Helen Heath, Kei Miller, Deji Bryce Olukotun, jaye simpson, Hideki Noda, Dany Laferrière, Zadie Smith, Hanan Al-Shaykh, Teju Cole, Sherley Anne Williams, Helen Oyeyemi, and Arundhati Roy.Global Literature and Gender is an essential intervention for researchers and students of globalization, twenty-first-century literature, and gender.

Global Literature and the Environment analyses literatures from across the world that connect readers to the localized impacts of the climate and ecological emergencies. The book contextualizes ecological breakdown within the history of imperialist-capitalism, exploring how literature helps us to imagine and create a habitable and just world for all forms of life.The four chapters are organised according to the elements of the climate system that are at risk. ‘Earth’ examines Caribbean, American, South African, and British literatures that explore how dominant human groups have exploited soils, minerals, metals, and oil in pursuit of economic aims. ‘Water’ engages with poetic representations of, and responses to, extraction, pollution, and global warming in the fresh- and saltwaters of Nigeria and the icescapes of Alaska. ‘Air’ analyses prose and poetry that depicts atmospheric pollution caused by gas flaring in the Niger Delta and the production of pesticides in India. ‘Life’ attends to the ways in which literature contextualizes the drivers of, and proposed solutions to, mass species extinction across North America, Africa, Australasia, and Aotearoa New Zealand.This accessible and engaging book explores novels, plays and poetry by writers including Octavia Butler, C.L.R. James, dg nanouk okpik, Ken Saro-Wiwa, Imbolo Mbue, Indra Sinha, Witi Ihimaera, J.M. Coetzee, and Henrietta Rose-Innes, amongst many others. It introduces readers to the concept of the Anthropocene alongside perspectives that challenge the assumption that the climate crisis is caused by an undifferentiated humanity. In doing so, the book draws on, and combines, a range of theoretical approaches, including postcolonialism, Indigenous studies, ecocriticism, cultural materialism, and animal studies.

Global Literature and the Digital analyses the continued impact of the digital revolution upon contemporary literature. From the vantage of the 2020s, global literature possesses a digital sensibility where reality and perceptions are shaped by digital saturation and global networks. Time becomes on-demand and space seems to contract as we engage beyond national borders.The book explores the influence of the digital: from the emergence of digital culture in the 1990s amid mediatization and interactivity, to the predominance of social media platforms in the 2000s and the rise of screen surveillance, to the more inclusive internet of the 2010s where digitally shared literatures promote ‘influencer’ writers from the Global South, shrinking the digital divide, to the 2020s, where post-digital norms render users complaisant to digital exploitation and the new crisis of AI. It discusses literature from over 30 countries across diverse literary forms including novels, poetry, nonfiction, blog fiction, AI-generated texts, videogames, and more.As society struggles to process the rapid changes borne of our digital realities, Global Literature and the Digital asks whether nostalgia and distain for globalization hinders our potential to imagine a positive digitally enabled globalism, that calls for regulation, global justice, and solidarity. This comprehensive resource is an essential read for students and researchers of globalization, global literature, and digital humanities.