Hispanisms – serie

In this innovative revisiting of Don Quixote and the Novelas ejemplares, Carroll B. Johnson investigates in detail the cultural and material environment in which Cervantes placed his characters.  Cervantes and the Material World reveals a recurrent preoccupation with the clash of two different economic systems: a reenergized feudalism and an incipient capitalism. Overturning the common assumption that Don Quixote, Sancho Panza, and myriad other colorful characters carry out their adventures in a timeless social milieu, Johnson demonstrates how their perspectives and experiences are shaped by the events and crises of their immediate historical context.  Johnson examines how questions of the distribution of wealth, the ownership of the means of production, and membership in one or another economic order permeate Cervantes's fiction. Thoughtfully contextualizing key excerpts, he suggests how business activities, legal codes, and other materialist practices actively impinge on the lives of the characters, influencing and in some cases determining their motivations and their possibilities for action.  A major study that will change the face of Cervantes scholarship, Cervantes and the Material World is also an important resource for students of the Spanish Golden Age and Renaissance and baroque literature and culture.

Setting aside the pastiche of bullfighters and flamenco dancers that has dominated the U.S. image of Spain for more than a century, this innovative volume uncovers the roots of Spanish studies to explain why the diversity, vitality, and complexity of Spanish history and culture have been reduced in U.S. accounts to the equivalent of a tourist brochure.  Spurred by the complex colonial relations between the United States and Spain, the new field of Spanish studies offered a way for the young country to reflect a positive image of itself as a democracy, in contrast with perceived Spanish intolerance and closure. Spain in America investigates the political and historical forces behind this duality, surveying the work of the major nineteenth-century U.S. Hispanists in the fields of history, art history, literature, and music.A distinguished panel of contributors offers fresh examinations of the role of U.S. writers, especially Washington Irving and Henry Wadsworth Longfellow, in crafting a wildly romantic vision of Spain.They examine the views of such scholars as William H. Prescott and George Ticknor, who contrasted the "failure" of Spanish history with U.S. exceptionalism. Other essays explore how U.S. interests in Latin America consistently colored its vision of Spain and how musicology in the United States, dominated by German ÉmigrÉs, relegated Spanish music to little more than a footnote. Also included are profiles of the philanthropist Archer Mitchell Huntington and the pioneering art historians Georgiana Goddard King and Arthur Kingsley Porter, who spearheaded U.S. interest in the architecture and sculpture of medieval Spain.  Providing a much-needed look at the development and history of Hispanism, Spain in America opens the way toward confronting and modifying reductive views of Spain that are frozen in another time.

Passing for Spain charts the intersections of identity, nation, and literary representation in early modern Spain. Barbara Fuchs analyzes the trope of passing in Don Quijote and other works by Cervantes, linking the use of disguise to the broader historical and social context of Counter-Reformation Spain and the religious and political dynamics of the Mediterranean Basin.In five lucid and engaging chapters, Fuchs examines what passes in Cervantes’s fiction: gender and race in Don Quijote and  “Las dos doncellas”; religion in “El amante liberal” and La gran sultana; national identity in the Persiles and “La espaÑola inglesa.” She argues that Cervantes represents cross-cultural impersonation -- or characters who pass for another gender, nationality, or religion -- as challenges to the state’s attempts to assign identities and categories to proper Spanish subjects.Fuchs demonstrates the larger implications of this challenge by bringing a wide range of literary and political texts to bear on Cervantes’s representations. Impeccably researched, Passing for Spain examines how the fluidity of individual identity in early modern Spain undermined a national identity based on exclusion and difference.

Dynamic Structure of Reality makes available in English some of the most mature thought of the modern Spanish philosopher Xavier Zubiri. He first presented this material as a set of 1968 public lectures in Madrid. They were collected, edited, and published in 1989 as Estructura dinÁmica de la realidad.In 1962 Zubiri had published Sobre la esencia (On essence), a work of metaphysics that was praised by critics with one qualification: its treatment of reality was too static. The 1968 course was devised as a response to those critics. Dynamic Structure of Reality retraces the road Hegel traveled concerning the creation of a self and how that self is realized by an interplay between spirit and nature.Like his great predecessor JosÉ Ortega y Gasset, and like his great Jewish contemporary Emmanuel Levinas, Zubiri takes religion in all seriousness and locates its questions within the questions of modern philosophy. In harmony with science, he advances a new idea of becoming. Reality, not being, becomes. As reality’s traits are revealed, in different degrees, reality resembles God, the universal self-giver. Zubiri systematically touches on many disciplines to show the varieties of self-giving--throughout the universe--of structural dynamism.

Few events in the history of Spain have provoked as much controversy as the expulsion of the Jews in 1492. Conflicts within the Catholic Church, suspicions within the newly unified Spain, and the claims of Spanish merchants combined to make the Spain of Ferdinand and Isabella intolerant and inquisitorial. Yet the roots of Spanish anti-Semitism went deeper.  In this concise survey of the expulsion of the Sephardic Jews, Joseph PÉrez studies the evolution of the Jewish community in Spain from the time of the Visigoths to the reign of the Catholic kings. He explores the Jewish community’s role in creating and sustaining the vibrant cultural, political, and economic world of medieval Spain, and how growing religious intolerance, a pervasive resentment of the “others,” and a string of escalating encroachments culminated in expulsion.

The intense struggle of political ideals that blazed through early-twentieth-century Europe reached its climax in Spain, where Spanish and foreign revolutionaries, liberals, and reactionaries found themselves caught in a ferocious civil war. For many intellectuals who fought and chronicled the conflict, the war became a political test case that either strengthened their political convictions and commitments or caused them to question their own and others' service to a particular cause. In Written in Red: The Communist Memoir in Spain, Gina Herrmann looks at the memoirs of six Spanish Communist writers to reveal the fascinating and often painful evolution of their politics from the beginning of the war through their long years of exile. While Spanish Communist authors initially shaped their identities and autobiographies along the lines of Soviet models, Herrmann shows how, with the recognition of Stalinism's betrayal of the Communist ideal, the writers increasingly came to experience those models as straitjackets unfit to contain the stories of their rich and difficult lives. The six writers studied here--Dolores IbÁrruri, MarÍa Teresa LÉon, Rafael Alberti, Jorge SemprÚn, and Teresa and TomÁs PÀmies--devoted their lives to the cause of the revolution. Though they have told their separate stories, this book is the first to gather, compare, and interpret them within their historical and intellectual context and from a comparative perspective that takes into account recent developments in Soviet studies.

The Mendoza family was one of Spain's most prominent Renaissance dynasties, and this collection, a groundbreaking overview of two hundred years of Spanish history, provides in-depth portraits of eight of its female members.  These essays explore the lives of powerful women whose lineage gave them status within a patriarchal society designed to keep women from public life. Each of the influential and literary women discussed in this volume handled her status differently, and their concerns were not dissimilar from the concerns of feminists today: the blurring of the personal and the political, public versus private space, language and voice, and property.  Spanning the two centuries between Juana Pimentel, a widow who manipulated the patronage system to her own ends, and Luisa de Carvajal y Mendoza, who rejected both convent and marriage in favor of missionary work, Power and Gender in Renaissance Spain reveals a complex society in which women were limited by law, and yet their social status made those laws negotiable.  These women found that their personal agendas had a broad societal impact, challenging the laws of the land and patriarchal assumptions about women's inferiority.