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ICMA Books | Viewpoints – serie

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4 produkter

  1. Milan Vukašinović, Alexandra Vukovich - Inventing Heritage, Häftad. Tillgänglighet: Kommande

    Inventing Heritage

    The Politics of Medievalism

    Av Milan Vukašinović, Alexandra Vukovich

    Häftad, 2026

    389 kr

    Kommande

    Medieval monuments and memorials are never simply remnants of the past. Across the world, they are continually destroyed, restored, reinvented, and mobilized in the service of contemporary politics. Inventing Heritage stages a debate about medievalism and Byzantinism as global political phenomena, …

  2. Beate Fricke, Aden Kumler - Destroyed—Disappeared—Lost—Never Were, Häftad. Tillgänglighet: Lägg i varukorg

    Destroyed—Disappeared—Lost—Never Were

    Av Beate Fricke, Aden Kumler

    Häftad, 2022

    231 kr

    Lägg i varukorg

    To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments …

  3. Benjamin Anderson, Mirela Ivanova - Is Byzantine Studies a Colonialist Discipline?, Häftad. Tillgänglighet: Lägg i varukorg

    Is Byzantine Studies a Colonialist Discipline?

    Toward a Critical Historiography

    Av Benjamin Anderson, Mirela Ivanova

    Häftad, 2023

    301 kr

    Lägg i varukorg

    Is Byzantine Studies a colonialist discipline? Rather than provide a definitive answer to this question, this book defines the parameters of the debate and proposes ways of thinking about what it would mean to engage seriously with the field’s political and intellectual genealogies, hierarchies, …

  4. Karl Whittington - Queer Making, Häftad. Tillgänglighet: Lägg i varukorg

    Queer Making

    On Artists and Desire in Medieval Europe

    Av Karl Whittington

    Häftad, 2025

    243 kr

    Lägg i varukorg

    What role does desire play in the making of art objects? Art historians typically answer this question by referring to historical evidence about an artist’s sexual identity or to particular kinds of imagery. But what about anonymous artists? Or works whose subject matter is mainstream?We know …