Papers of William F. "Buffalo Bill" Cody – Serie

What we know of Buffalo Bill Cody (1846–1917) is more myth than man. Yet the stage persona that took audiences by storm was based on the very real encounters of William F. Cody with the American West. This autobiography, infused with the drama of dime novels and stage melodramas that would transform the author into an American icon, recounts a boy's move to the Kansas territory, where his father hoped to homestead, and his subsequent life on the frontier, following his career from trapper to buffalo hunter to Army scout, guide, and Indian fighter. Written when Cody was thirty-three years old, this life story captures both the hard reality of frontier life and the sensational image to which a boy of the time might aspire: the Indian fights, buffalo hunting, and Pony Express escapades that popular history contributed to the myth-making of Buffalo Bill. It is this movement between the personal and the mythic, plain facts and tall tales, William F. Cody and Buffalo Bill, that gives this autobiography its fascination and its power. Based on the original 1879 edition, this volume provides a new introduction, historical materials, and twenty-six additional images. It reveals both the William F. Cody of personal history and the Buffalo Bill of American mythology—and, finally, the curious reality that partakes of both. For information about the Buffalo Bill Cody archive, visit www.codyarchive.org.

William F. "Buffalo Bill" Cody was the entertainment industry's first international celebrity, achieving worldwide stardom with his traveling Wild West show. For three decades he operated and appeared in various incarnations of "the western world's greatest traveling attraction," enthralling audiences around the globe. When the show reached Europe it was a sensation, igniting "Wild West fever" by offering what purported to be a genuine experience of the American frontier. By any standard Charles Eldridge Griffin (1859–1914), manager of the Wild West's European tour, was a remarkable man. Known by the stage names of Monsieur F. Le Costro, Professor Griffin, and the Yankee Yogi, he was an author, comedian, conjurer, contortionist, dancer, fire-eater, hypnotist, illusionist, lecturer, magician, newspaper owner, publisher, sword swallower, and yogi. His account of life on the road with the Wild West show, published here for the first time since its release in 1908, opens a window on a vanished world. In addition to line drawings and photographs from the original book, Chris Dixon provides an introduction and annotations for historical context. Griffin's story of traveling with Buffalo Bill in Europe from 1903 to 1906 presents a fascinating picture of a quintessentially American character. At the same time it offers a vision of the nation on the verge of nationalism, imperialism, and an emerging global mass culture.

What we know of Buffalo Bill Cody (1846–1917) is more myth than man. Yet the stage persona that took audiences by storm was based on the very real encounters of William F. Cody with the American West. This autobiography, infused with the drama of dime novels and stage melodramas that would transform the author into an American icon, recounts a boy's move to the Kansas territory, where his father hoped to homestead, and his subsequent life on the frontier, following his career from trapper to buffalo hunter to Army scout, guide, and Indian fighter. Written when Cody was thirty-three years old, this life story captures both the hard reality of frontier life and the sensational image to which a boy of the time might aspire: the Indian fights, buffalo hunting, and Pony Express escapades that popular history contributed to the myth-making of Buffalo Bill. It is this movement between the personal and the mythic, plain facts and tall tales, William F. Cody and Buffalo Bill, that gives this autobiography its fascination and its power. Based on the original 1879 edition, this volume provides a new introduction, historical materials, and twenty-six additional images. It reveals both the William F. Cody of personal history and the Buffalo Bill of American mythology—and, finally, the curious reality that partakes of both. For information about the Buffalo Bill Cody archive, visit www.codyarchive.org.

Army scout, frontiersman, and hero of the American West, William F. "Buffalo Bill" Cody was also a shrewd self-promoter, showman, and entrepreneur. In 1888 he published The Story of the Wild West, a collection of biographies of four well-known American frontier figures: Daniel Boone, Davy Crockett, Kit Carson, and himself. Cody contributed an abridged version of his 1879 autobiography with an addendum titled The Wild West in England, now available in this stand-alone annotated edition, including all the illustrations from the original text along with photographs of Cody and promotional materials. Here Cody describes his Wild West exhibition, the show that offered audiences a mythic experience of the American frontier. Focusing on the show's first season of performances in England, Cody includes excerpts of numerous laudatory descriptions of his show from the English press as well as stories of his time spent with British nobility—from private performances for Queen Victoria and the Prince and Princess of Wales to dinners and teas with the elite of London society. He depicts himself as an ambassador of American culture, proclaiming that he and his Wild West show prompted the British to "know more of the mighty nation beyond the Atlantic and . . . to esteem us better than at any time within the limits of modern history."

Advance man, press agent, and publicist extraordinaire, John M. Burke (1842–1917) was instrumental in turning William F. Cody into the iconic persona of Buffalo Bill. And with this biography, published in 1893, Burke put the finishing touches on the legend that persists to this day. This new, definitive edition includes the full text and all the photographs and line drawings of Burke's original, while providing critical background on the literary sources, historical characters, and events that figure in the work.With "a few plain truths, unadorned," Burke purported to give a frank account of Buffalo Bill's life. Hostile Indians, gunfights, cattle stampedes: Cody's Wild West was fraught with peril at every turn. This "Chevalier Bayard of American Bordermen" exemplified courage and daring while often narrowly escaping certain death and earned the respect and admiration of not only his fellow frontiersman but also European royalty. Burke recounts Cody's duel with Chief Yellow Hand; his role as army scout, buffalo hunter, Pony Express rider, and international celebrity; and his associations with well-known figures like Kit Carson, Sitting Bull, General Phil Sheridan, and Queen Victoria. A brilliant instance of mythmaking by a true believer, Burke's portrait of Buffalo Bill Cody as frontiersman and hero is a tribute to the romance of the Wild West and a canonical volume in the American story.

2021 Publication Award in Biography from the Wyoming State Historical SocietyWesterners International Co-Founders Book Award, second placeGeorge W. T. Beck, an influential rancher and entrepreneur in the American West, collaborated with William F. “Buffalo Bill” Cody to establish the town of Cody, Wyoming, in the 1890s. He advanced his financial investments in Wyoming through his numerous personal and professional contacts with various eastern investors and politicians in Washington DC. Beck’s family-his father a Kentucky senator and his mother a grandniece of George Washington-and his adventures in the American West resulted in personal associates who ranged from western legends Buffalo Bill, Jesse James, and Calamity Jane to wealthy American elites such as George and Phoebe Hearst and Theodore Roosevelt.This definitive edition of Beck’s memoir provides a glimpse of early life in Wyoming, offering readers a rare perspective on how community boosters cooperated with political leaders and wealthy financiers. Beck’s memoir, introduced and annotated by Lynn J. Houze and Jeremy M. Johnston, offers a unique and sometimes amusing view of financial dealings in eastern boardrooms, as well as stories of Beck’s adventures with Buffalo Bill in Wyoming. Beck’s memoir demonstrates not only his interest in developing the West but also his humor and his willingness to collaborate with a variety of people.

2021 Publication Award in Biography from the Wyoming State Historical SocietyWesterners International Co-Founders Book Award, second placeGeorge W. T. Beck, an influential rancher and entrepreneur in the American West, collaborated with William F. “Buffalo Bill” Cody to establish the town of Cody, Wyoming, in the 1890s. He advanced his financial investments in Wyoming through his numerous personal and professional contacts with various eastern investors and politicians in Washington DC. Beck’s family-his father a Kentucky senator and his mother a grandniece of George Washington-and his adventures in the American West resulted in personal associates who ranged from western legends Buffalo Bill, Jesse James, and Calamity Jane to wealthy American elites such as George and Phoebe Hearst and Theodore Roosevelt.This definitive edition of Beck’s memoir provides a glimpse of early life in Wyoming, offering readers a rare perspective on how community boosters cooperated with political leaders and wealthy financiers. Beck’s memoir, introduced and annotated by Lynn J. Houze and Jeremy M. Johnston, offers a unique and sometimes amusing view of financial dealings in eastern boardrooms, as well as stories of Beck’s adventures with Buffalo Bill in Wyoming. Beck’s memoir demonstrates not only his interest in developing the West but also his humor and his willingness to collaborate with a variety of people.

At the turn of the twentieth century Minnie Maddern Fiske, a New York actress, socialite, and animal rights activist, wrote to Mark Twain with an unusual request: for Twain to write about the evils of bullfighting equal to that of his anti-vivisectionist story A Dog’s Tale. Twain responded with A Horse’s Tale, a comic animal tale that doubled as a frontier adventure and political diatribe.A Horse’s Tale concerns Soldier Boy, Buffalo Bill Cody’s favorite horse, as the protagonist and sometime narrator at a fictional frontier outpost with the U.S. Seventh Cavalry. When the general’s orphaned niece arrives, Buffalo Bill takes her under his wing and ultimately lends her Soldier Boy so that they may seek adventure together. Twain uses the friendship between the girl and the horse as the basis for his eventual indictment of the barbarism of Spanish bullfighting. Twain’s novella is unusual for its complex tone-combining a comic children’s story and a dark portrait of animal cruelty. Including the themes of transatlantic relations and frontier culture, Twain offers a fresh look into the world of Buffalo Bill Cody from the perspective of one of America’s most beloved authors.First published in 1906 in Harper’s Monthly and as a single volume the following year, A Horse’s Tale never again appeared in print except in anthologies of Twain’s work. This edition includes the full text of Twain’s original story, an introduction that situates the work in historical and biographical context, thorough annotations, and the addition of significant archival material related to Twain, Cody, and Fiske.

At the turn of the twentieth century Minnie Maddern Fiske, a New York actress, socialite, and animal rights activist, wrote to Mark Twain with an unusual request: for Twain to write about the evils of bullfighting equal to that of his anti-vivisectionist story A Dog’s Tale. Twain responded with A Horse’s Tale, a comic animal tale that doubled as a frontier adventure and political diatribe.A Horse’s Tale concerns Soldier Boy, Buffalo Bill Cody’s favorite horse, as the protagonist and sometime narrator at a fictional frontier outpost with the U.S. Seventh Cavalry. When the general’s orphaned niece arrives, Buffalo Bill takes her under his wing and ultimately lends her Soldier Boy so that they may seek adventure together. Twain uses the friendship between the girl and the horse as the basis for his eventual indictment of the barbarism of Spanish bullfighting. Twain’s novella is unusual for its complex tone-combining a comic children’s story and a dark portrait of animal cruelty. Including the themes of transatlantic relations and frontier culture, Twain offers a fresh look into the world of Buffalo Bill Cody from the perspective of one of America’s most beloved authors.First published in 1906 in Harper’s Monthly and as a single volume the following year, A Horse’s Tale never again appeared in print except in anthologies of Twain’s work. This edition includes the full text of Twain’s original story, an introduction that situates the work in historical and biographical context, thorough annotations, and the addition of significant archival material related to Twain, Cody, and Fiske.