This is a complete edition, with prolegomena, translation, and commentary of the first, "philosophical" part of Philodemus' De Pietate, preserved in papyri. Introducing a new method for reconstructing the fragmented papyrus rolls recovered from Herculaneum, this is the first edition based on the papyri themselves (where they still exist), rather than on faulty reproductions, and the first edition to bring together fragments hitherto thought to be from different rolls. It will also be the first translation of the work into any language. An innovative format presents on facing pages the technical details of the papyrus, and a conventional, continuous text with interpretive notes. The work itself comprises a polemical treatise on the gods, mythography, and religion, presenting a defence of Epicurus's view of religion as an outgrowth of cultural history, and a philosophical rationale for participation in traditional cult practices in order to further social cohesion.

The On Poems by Philodemus (c. 110-35 BC), the Epicurean philosopher and poet who taught Virgil and influenced Horace, is our main source for Hellenistic literary theory. In Book 1 Philodemus summarizes a survey of previously unknown poetic and aesthetic theories. Compiled by Crates of Mallos this survey reviews the critical theories of earlier Epicureans, Peripatetics, and Stoics, who argued in some way that sound is the source of poetic excellence, and that the ear, unaided by the mind, can judge it. Philodemus led the reaction against this invasion of Hellenistic literary criticism by musical theory, arguing that form and content are interrelated, and that substantive content, not pretty sound, is what makes poetry worthwhile. The 200 fragments of Book 1 were entirely jumbled after its discovery at the site of Vesuvius' destruction of Herculaneum. This edition reconstitutes their original sequence, according to a new method, while exploiting previously unknown manuscript sources and new techniques for reading the extant pieces. In thus restoring this important aesthetic treatise from antiquity, it makes a major addition to the corpus of classical literature.

The On Poems by Philodemus of Gadara (c.110-35 BC), the Epicurean philosopher and poet who taught Vergil and influenced Horace, is our main source for Hellenistic literary and critical theory, bridging the gap between Aristotle and Horace. In Book 2 Philodemus rebuts two almost unknown critics, Heracleodorus and Pausimachus, who argued, respectively, that the sound arising from the word-order (synthesis) is the source of poetic excellence, regardless of the content and word-choice, and that the pure sound of the vowels and consonants, which vary in quality, is that source. By putting together fragments from both the summary and the rebuttal of these theorists, we can form a full picture of their thought.Philodemus led the Augustan reaction against this invasion of literary criticism by musical theory, arguing that form and content are interrelated, and that well-expressed content, not pretty sound, is what makes poetry worthwhile. Book 2 reveals just how much and how inventively Horace drew on the ideas of all three writers in composing his Ars Poetica.The extensive remains of this scroll, carbonized in the eruption of Vesuvius, were thoroughly jumbled after their rediscovery in the Villa of the Papyri at Herculaneum. This edition painstakingly reconstructs their original sequence according to new methods, while exploiting previously unknown manuscript sources and technologies for ordering and reading the extant pieces. In thus restoring this lengthy aesthetic treatise from antiquity, it makes another major addition to the corpus of classical literature.

The On Poems by the Epicurean philosopher and poet Philodemus of Gadara (1st century BC) survived amid the library of the Villa of the Papyri at Herculaneum, which was buried by the eruption of Vesuvius in AD 79. The papyrus-rolls in this, the only library that survives from the ancient world, are with the aid of advanced technology at last able to be read, reconstructed, and translated. The On Poems, in five books, offers unique insights into ancient literary criticism from Aristotle to Horace. Book 1 was published in 2000. This volume contains the Greek text, translation, and scholarly commentary on Books 3 and 4, together with the fragments of Aristotle's lost dialogue On Poets, which sheds light on Aristotle's views on such controversial questions as mimesis, catharsis, and the origins of tragedy and comedy.

The On Poems by Philodemus (c.110-35 BC), the Epicurean philosopher and poet who taught Virgil and influenced Horace, is our main source for Hellenistic literary theory. In Book 1 Philodemus summarizes a survey of previously unknown poetic and aesthetic theories. Compiled by Crates of Mallos this survey reviews the critical theories of earlier Epicureans, Peripatetics, and Stoics, who argued in some way that sound is the source of poetic excellence, and that the ear, unaided by the mind, can judge it. Philodemus led the reaction against this invasion of Hellenistic literary criticism by musical theory, arguing that form and content are interrelated, and that substantive content, not pretty sound, is what makes poetry worthwhile. The 200 fragments of Book 1 were entirely jumbled after its discovery at the site of Vesuvius' destruction of Herculaneum. This edition reconstitutes their original sequence, according to a new method, while exploiting previously unknown manuscript sources and new techniques for reading the extant pieces. In thus restoring this important aesthetic treatise from antiquity, it makes a major addition to the corpus of classical literature.

This is a complete edition, with prolegomena, translation, and commentary of the first, "philosophical" part of Philodemus' De Pietate, preserved in papyri. Introducing a new method for reconstructing the fragmented papyrus rolls recovered from Herculaneum, this is the first edition based on the papyri themselves (where they still exist), rather than on faulty reproductions, and the first edition to bring together fragments hitherto thought to be from different rolls. It will also be the first translation of the work into any language. An innovative format presents on facing pages the technical details of the papyrus, and a conventional, continuous text with interpretive notes. The work itself comprises a polemical treatise on the gods, mythography, and religion, presenting a defence of Epicurus's view of religion as an outgrowth of cultural history, and a philosophical rationale for participation in traditional cult practices in order to further social cohesion.

The On Poems by Philodemus (c. 110-35 BC), the Epicurean philosopher and poet who taught Virgil and influenced Horace, is our main source for Hellenistic literary theory. In Book 1 Philodemus summarizes a survey of previously unknown poetic and aesthetic theories. Compiled by Crates of Mallos this survey reviews the critical theories of earlier Epicureans, Peripatetics, and Stoics, who argued in some way that sound is the source of poetic excellence, and that the ear, unaided by the mind, can judge it. Philodemus led the reaction against this invasion of Hellenistic literary criticism by musical theory, arguing that form and content are interrelated, and that substantive content, not pretty sound, is what makes poetry worthwhile. The 200 fragments of Book 1 were entirely jumbled after its discovery at the site of Vesuvius' destruction of Herculaneum. This edition reconstitutes their original sequence, according to a new method, while exploiting previously unknown manuscript sources and new techniques for reading the extant pieces. In thus restoring this important aesthetic treatise from antiquity, it makes a major addition to the corpus of classical literature.

The On Poems by Philodemus of Gadara (c.110-35 BC), the Epicurean philosopher and poet who taught Vergil and influenced Horace, is our main source for Hellenistic literary and critical theory, bridging the gap between Aristotle and Horace. In Book 2 Philodemus rebuts two almost unknown critics, Heracleodorus and Pausimachus, who argued, respectively, that the sound arising from the word-order (synthesis) is the source of poetic excellence, regardless of the content and word-choice, and that the pure sound of the vowels and consonants, which vary in quality, is that source. By putting together fragments from both the summary and the rebuttal of these theorists, we can form a full picture of their thought.Philodemus led the Augustan reaction against this invasion of literary criticism by musical theory, arguing that form and content are interrelated, and that well-expressed content, not pretty sound, is what makes poetry worthwhile. Book 2 reveals just how much and how inventively Horace drew on the ideas of all three writers in composing his Ars Poetica.The extensive remains of this scroll, carbonized in the eruption of Vesuvius, were thoroughly jumbled after their rediscovery in the Villa of the Papyri at Herculaneum. This edition painstakingly reconstructs their original sequence according to new methods, while exploiting previously unknown manuscript sources and technologies for ordering and reading the extant pieces. In thus restoring this lengthy aesthetic treatise from antiquity, it makes another major addition to the corpus of classical literature.

The On Poems by the Epicurean philosopher and poet Philodemus of Gadara (1st century BC) survived amid the library of the Villa of the Papyri at Herculaneum, which was buried by the eruption of Vesuvius in AD 79. The papyrus-rolls in this, the only library that survives from the ancient world, are with the aid of advanced technology at last able to be read, reconstructed, and translated. The On Poems, in five books, offers unique insights into ancient literary criticism from Aristotle to Horace. Book 1 was published in 2000. This volume contains the Greek text, translation, and scholarly commentary on Books 3 and 4, together with the fragments of Aristotle's lost dialogue On Poets, which sheds light on Aristotle's views on such controversial questions as mimesis, catharsis, and the origins of tragedy and comedy.

The On Poems by Philodemus (c.110-35 BC), the Epicurean philosopher and poet who taught Virgil and influenced Horace, is our main source for Hellenistic literary theory. In Book 1 Philodemus summarizes a survey of previously unknown poetic and aesthetic theories. Compiled by Crates of Mallos this survey reviews the critical theories of earlier Epicureans, Peripatetics, and Stoics, who argued in some way that sound is the source of poetic excellence, and that the ear, unaided by the mind, can judge it. Philodemus led the reaction against this invasion of Hellenistic literary criticism by musical theory, arguing that form and content are interrelated, and that substantive content, not pretty sound, is what makes poetry worthwhile. The 200 fragments of Book 1 were entirely jumbled after its discovery at the site of Vesuvius' destruction of Herculaneum. This edition reconstitutes their original sequence, according to a new method, while exploiting previously unknown manuscript sources and new techniques for reading the extant pieces. In thus restoring this important aesthetic treatise from antiquity, it makes a major addition to the corpus of classical literature.