Postmodern Social Futures – serie
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Ways of Escape provides a history of leisure and travel and a cartography of "escape activity". The author examines how pleasure has been managed from the middle ages to the present day, and examines the differences in leisure and travel opportunities for men and women. Rojek situates leisure and travel in the context of the debate on modernity and postmodernity, and uses examples drawn from Europe and North America to produce a dazzling analysis of the experience and ideology of escape in Western society.
586 kr
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In this book, Aleš Debeljak offers a refreshing alternative to postmodernists such as Baudrillard, who declare the death of art conceived as yet another source of rootless, circulating fictions. Inspired by the melancholy critical theory of Adorno and Benjamin, and drawing on Weber, Debeljak shows that with the dawning of modernity, art was made autonomous. Art production was effectively emancipated from the exigencies of everyday life and its guiding ideal of purposive rationality. The Renaissance brought on the first stage in a long, gradual withdrawal of art from the hitherto dominant mythological, religious, and aristocratic legitimization. Yet it was not until the 18th century that art assumed the separate status of a commodity to be bought and sold. However, art paid a price for its autonomy; through commodification art production ultimately become an extension of capitalist logic and control. The deterioration of bourgeois liberal individualism into the narcissism of mass society accompanied the decomposition of art into simplified mass art and commercialized kitsch. Maintaining its formal autonomy (museums, galleries, etc.), its content became the universal object of indirect corporate exploitation. Today postmodern art, argues Debeljak, is subjected to infinite reproducibility, total integration into mass society, and political resignation—no longer representing an alternative reality. The postmodern institution of art thus cannot be simply cured of modern structures and assumptions, but is, instead, fated to a continuous and painful relationship with modernity.
658 kr
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Recent debates have highlighted the importance of the self to a better understanding of the nature of culture and its relation to power. In his new book, John Mandalios incorporates the current 'postmodern' debate on these issues with a deeper, philosophical exploration of identity and cultural formation, and the dynamics of social power underlying them. He takes up identity formation within an analysis of the historical, social, political, religious, and psychoanalytical dimensions of civilized life that can be traced back to the classical world. Questions ordinarily associated with the 'postmodern condition'_otherness, fragmentation, power, the situated self, disciplinary practices, and multiplicity_are related to the problematic of human subjectivity and how civilized modes of conduct of the self cannot simply be explained by national cultural traditions. Mandalios argues that self-identity is not reducible to the effects of globalization or power or any one single collective identity representation. The self is enveloped within a complex which requires a 'civilization-analytic' perspective into the world and the inner life.
Signs, Solidarities, & Sociology
Charles S. Peirce and the Pragmatics of Globalization
Häftad, Engelska, 2001
677 kr
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Signs, Solidarities, & Sociology addresses the formation and fragmentation of identity in today's postmodern world. Informed by the conceptual convergence in the theories of Durkheim, Peirce, Mead, and Lacan, this book surveys the range of twentieth-century sociology to deconstruct those favored nostrums of subjective meaning, personal power, and autonomous selfhood that comprise its semantics of agency. Revealed beneath this semantic screen is the triad of pragmatic codes—premodern affiliation, modern calibration, and postmodern globalization—that govern the social construction of the self. While the ill-comprehended confluence of these three signification codes in the present world situation can indeed fragment personal identity, their formal structural linkages, as shown in this book, may inform a truly postmodern, globally applicable science of culture.
583 kr
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This book provides a sociological account of the events in Bosnia in the 1990s, including ethnic cleansing, mass rape, and the role of political journalists. Drawing upon a diverse group of social theorists, including Merton, Weber, and Baudrillard, Sociology After Bosnia constructs a social understanding of the experiences of people in Bosnia and the response of Western leaders to these experiences. Beyond looking at the social causes of these events, Doubt sheds light on why Bosnia and Kosovo have largely been ignored by sociologists. He shows why the personal and social tragedies of people in Bosnia and Kosovo and the world's tolerance of these tragedies challenge contemporary sociological knowledge. Doubt argues that sociologists must be willing not only to recognize this challenge, but also to respond to it in order to construct meaningfully adequate accounts of war and genocide in a postmodern era. Doing so, he contends, may yield an important and needed reconsideration of the existing body of sociologicial knowledge and a revision of how this knowledge is applied.
489 kr
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The argument of this book is that it is in the nature of modernity to foster compassion. Most critics tend to think of modernity as corrosive of moral sentiments. They see clearly the way in which modernity breaks down older social bonds, but they are much less attentive to the ways in which it also builds new ones. This book offers an historically informed corrective to this common view. Sznaider demonstrates that compassion, understood as the organized campaign to lessen the suffering of strangers, is a distinctly modern form of morality. It played an important role in the rise of modern society, and it continues to play an important role today. And when waves of compassion break out into demands for political action, these demands need to be understood rather than criticized as excuses or irrelevancies. Incorporating and critiquing the work of Arendt, Foucault, and other social theorists, this book is both erudite and historically rich—sure to be both controversial and influential among those who debate modernity, morality, and social justice.
811 kr
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Consumption as a field of cultural studies overlaps with theories of postmodernism, the social construction of self, commodification in late capitalism, and the role of mass media in daily life. New forms of consumption such as those facilitated by cyberspace, themed environments, the commodification of sex, and the increasing role of leisure in society all play new and interesting roles in daily life that combine consumerism with the most contemporary social forms. This collection of essays examines the recent ways in which consumerism has been approached by cultural studies with special emphasis given to these and other newly emerging topics. The book is divided into three parts. The first part provides a theoretical overview of consumption studies dealing with classical and more contemporary approaches in light of the debate between advocates and critics of postmodernism. In this section there are papers on McDonaldization, tourism and cultural studies, and the Theory of Shopping. The second part emphasizes empirical studies of the commodification process. Papers address the transformation of womenOs bodies and the mass commodification of milk, the creation of the toddler as a subject and the commodification of childhood, the commodification of sports, and the commodification of rock music. The third section of the book explores new forms of consumption on a more detailed and concentrated level. Papers in this section include the rise of sex tourism as a global industry, the commodification of the sacred, and the emergence of new consumer spaces in the city. An introduction by the editor delineates the advantages of his approach to new forms of consumption based squarely in the emerging issues of cultural studies, debates transcending postmodernism, and the society of the spectacle.