Selected Papers from the English Institute – serie

The term American Renaissance designates a period in our nation's history when the literary "classics" appeared-works "original" enough to mark a beginning for America's literary history. But the American Renaissance, Donald Pease argues in his introduction, does not belong to the nation's secular history so much as it denotes a rebirth from it: "Independent of the time kept by secular history, the American Renaissance keeps what we could call global Renaissance time-the sacred time a nation claims to renew, when it claims its cultural place as a great nation existing within a world of great nations. Providing each nation with the terms for cultural greatness denied to secular history, the 'renaissance' is not an occasion occurring within any specific historical time or place so much as it is a moment of cultural achievement that repeatedly demands to be reborn." The American Renaissance Reconsidered examines this demand for rebirth in terms other than those ordained by the American Renaissance itself.In the seven pieces collected here it is reborn, not outside of, but within America's secular history, as the authors examine anew the period of the American Renaissance-and the period in which its history was written. Contributing authors are Eric J. Sundquist, Jane P. Tompkins, Louis A. Renza, Jonathan Arac, Donald E. Pease, Walter Benn Michaels, and Allen Grossman.

Seven noted scholars examine slave narratives and the topic of slavery in American literature, from Frederick Douglass's Narrative (1845)-- treated in chapters by James Olney and William L. Andrews-- to Sheley Anne William's "Dessa Rose" (1984). Among the contributors, Arnold Rampersad reads W.E.B. DuBois's classic work "The Souls of Black Folk" (1903) as a response to Booker T. Washington's "Up from Slavery" (1901). Hazel V. Carby examines novels of slavery and novels of sharecropping and questions the critical tendency to conflate the two, thereby also conflating the nineteenth century with the twentieth, the rural with the urban. Although works by Afro-American writers are the primary focus, the authors also examine antislavery novels by white women. Hortense J. Spillers gives extensive attention to Harriet Beecher Stowe's "Uncle Tom's Cabin", in juxtaposition with Ishmael Reed's "Flight to Canada"; Carolyn L. Karcher reads Lydia Maria Child's "A Romance of the Republic" as an abolitionist vision of America's racial destiny. In a concluding chapter, Deborah E.McDowell's reading of "Desa Rose" reveals how slavery and freedom-- dominant themes in nineteenth-century black literature-- continue to command the attention of contemporary authors.

"Highly articulate, sophisticated, and tightly imbricated essays. This volume will make exceptionally fine reading for those well-acquainted with the rigorous techniques of theory."--'English Language Notes.

Six critics consider what is significantly not present-- or at least significantly well hidden-- in a provocative examination of the cultural anxieties that the nineteenth-century novel manipulates and conceals. Probing the connections between literary and sexual politics, the authors question the absence of the police from Barchester Towers and the presence of homoeroticism in "The Beast in the Jungle". They consider the Victorians' sharpened sense of their own evanescence and the fin de siecle's fevered preoccupation with syphilis, the terror of "women people" in the naturalist novel, and the anxious connection between female authorship and prostitution in George Eliot and Hardy, Bram Stoker, and James Barrie but also nineteenth-century economists and evolutionary biologists, with psychiatrists, sociologists, and even obstetricians. "The essays in this volume show that criticism of the novel has come a long way from all merely appreciative or celebratory kinds of readings." Ruth Yeazell writes in her introduction."Refusing to isolate the writing of fiction from other forms of representation, the authors contribute to an analysis not only of the nineteenth century's novels, but of the compelling diagnosis of nineteenth-century anxiety, however-- even their success in identifying such an anxiety-- may prompt us to ask what anxieties of our own this new habit of reading seeks to manage and control."