Toronto Old Norse-Icelandic Series (TONIS) – serie

Medieval Icelandic authors wrote a great deal on the subject of England and the English. This new work by Magnús Fjalldal is the first to provide an overview of what Icelandic medieval texts have to say about Anglo-Saxon England in respect to its language, culture, history, and geography.Some of the texts Fjalldal examines include family sagas, the shorter þættir, the histories of Norwegian and Danish kings, and the Icelandic lives of Anglo-Saxon saints. Fjalldal finds that in response to a hostile Norwegian court and kings, Icelandic authors – from the early thirteenth century onwards (although they were rather poorly informed about England before 1066) – created a largely imaginary country where friendly, generous, although rather ineffective kings living under constant threat welcomed the assistance of saga heroes to solve their problems.The England of Icelandic medieval texts is more of a stage than a country, and chiefly functions to provide saga heroes with fame abroad. Since many of these texts are rarely examined outside of Iceland or in the English language, Fjalldal's book is important for scholars of both medieval Norse culture and Anglo-Saxon England.

With original translations of primary texts and articles by leading researchers in the field, Sanctity in the North gives an introduction to the literary production associated with the cult of the saints in medieval Scandinavia.For more than five hundred years, Nordic clerics and laity venerated a host of saints through liturgical celebrations, written manuscripts, visual arts, and oral traditions. Textual evidence of this widespread and important aspect of medieval spirituality abounds. Written biographies (or vitae), compendia of witnessed miracles, mass propers, homilies, sagas and chronicles, dramatic scripts, hymns, and ballads are among the region's surviving medieval manuscripts and early published books.Sanctity in the North features English translations of texts from Latin or vernacular Nordic languages, in many cases for the first time. The accompanying essays concerning the texts, saints, cults, and history of the period complement the translations and reflect the contributors' own disciplinary groundings in folklore, philology, medieval, and religious studies.

Why would Snorri Sturluson (c. 1179-1241), the most powerful and rapacious Icelander of his generation, dedicate so much time and effort to producing the Edda, a text that is widely recognized as the most significant medieval source for pre-Christian Norse myth and poetics? Kevin J. Wanner brings us a new account of the interests that motivated the production of this text, and resolves the mystery of its genesis by demonstrating the intersection of Snorri's political and cultural concerns and practices.The author argues that the Edda is best understood not as an antiquarian labour of cultural conservation, but as a present-centered effort to preserve skaldic poetry's capacity for conversion into material and symbolic benefits in exchanges between elite Icelanders and the Norwegian court. Employing Pierre Bourdieu's economic theory of practice, Wanner shows how modern sociological theory can be used to illuminate the cultural practices of the European Middle Ages. In doing so, he provides the most detailed analysis to date of how the Edda relates to Snorri's biography, while shedding light on the arenas of social interaction and competition that he negotiated.A fascinating look at the intersections of political interest and cultural production, Snorri Sturluson and the Edda is a detailed portrait of both an important man and the society of his times.

In Myths, Legends, and Heroes, editor Daniel Anzelark has brought together scholars of Old Norse-Icelandic and Old English literature to explore the translation and transmission of Norse myth, the use of literature in society and authorial self-reflection, the place of myth in the expression of family relationships, and recurrent motifs in Northern literature.The essays in Myths, Legends, and Heroes include an examination of the theme of sibling rivalry, an analysis of Christ's unusual ride into hell as found in both Old Norse and Old English, a discussion of Beowulf's swimming prowess and an analysis of the poetry in Snorri Sturluson's Edda. A tribute to Durham University professor John McKinnell's distinguished contributions to the field, this volume offers new insights in light of linguistic and archaeological evidence and a broad range of study with regard to both chronology and methodology.

Essays on Eddic Poetry presents a selection of important articles on Old Norse literature by noted medievalist John McKinnell. While McKinnell’s work addresses many of the perennial issues in the study of Old Norse, this collection has a special focus on the interplay between heathen and Christian world-views in the poems.Among the texts examined are HÁvamÁl, which includes an elegantly cynical poem about ÓÐinn’s sexual intrigues and a more mystical one about his self-sacrifice on the world-tree in order to gain magical wisdom; VǫlundarkviÐa, which recounts an elvish smith’s revenge for his captivity and maiming; and HervararkviÐa, where the heroine bravely but foolishly raises her dead father to demand the deadly sword Tyrfingr from him.Originally published between 1988 and 2008, these twelve essays cover a wide range of mythological and heroic poems and have been revised and updated to reflect the latest scholarship.

That Gaelic monasticism flourished in the early medieval period is well established. The “Irish School” penetrated large areas of Europe and contemporary authors describe North Atlantic travels and settlements. Across Scotland and beyond, Celtic-speaking communities spread into the wild and windswept north, marking hundreds of Atlantic settlements with carved and rock-cut sculpture. They were followed in the Viking Age by Scandinavians who dominated the Atlantic waters and settled the Atlantic rim.With Into the Ocean, KristjÁn Ahronson makes two dramatic claims: that there were people in Iceland almost a century before Viking settlers first arrived c. AD 870, and that there was a tangible relationship between the early Christian “Irish” communities of the Atlantic zone and the Scandinavians who followed them.Ahronson uses archaeological, paleoecological, and literary evidence to support his claims, analysing evidence ranging from pap place names in the Scottish islands to volcanic airfall in Iceland. An interdisciplinary analysis of a subject that has intrigued scholars for generations, Into the Ocean will challenge the assumptions of anyone interested in the Atlantic branch of the Celtic world.

Saints’ legends form a substantial portion of Old Norse–Icelandic literature, and can be found in more than four hundred manuscripts or fragments of manuscripts dating from shortly before the twelfth century to the 1700s.With The Legends of the Saints in Old Norse–Icelandic Prose, Kirsten Wolf has undertaken a complete revision of the fifty-year-old handlist The Lives of the Saints in Old Norse Prose. This updated handlist organizes saints’ names, manuscripts, and editions of individual lives with references to the approximate dates of the manuscripts, as well as modern Icelandic editions and translations. Each entry concludes with secondary literature about the legend in question. These features combine to make The Legends of the Saints in Old Norse–Icelandic Prose an invaluable resource for scholars and students in the field.

Egil, the Viking Poet focuses on one of the best-known Icelandic sagas, that of the extraordinary hero Egil Skallagrimsson. Descended from a lineage of trolls, shape-shifters, and warriors, Egil’s transformation from a precocious and murderous child into a raider, mercenary, litigant, landholder, and poet epitomizes the many facets of Viking legend.The contributors to this collection of essays approach Egil’s story from a variety of perspectives, including psychology, philology, network theory, social history, and literary theory. Strikingly original, their essays will appeal not only to dedicated students of Old Norse-Icelandic literature but also to those working in the fields of Viking studies, comparative ethnology, and folklore.

The Evangelium Nicodemi, or Gospel of Nicodemus, was the most widely circulated apocryphal writing in medieval Europe. It depicted the trial, Passion, and crucifixion of Christ as well as his Harrowing of Hell. During the twelfth-century renaissance, some exemplars of the Evangelium Nicodemi found their way to Iceland where its text was later translated into the vernacular and known as Niðrstigningar saga.Dario Bullitta has embarked on a highly fascinating voyage that traces the routes of transmission of the Latin text to Iceland and continental Scandinavia. He argues that the saga is derived from a less popular twelfth-century French redaction of the Evangelium Nicodemi, and that it bears the exegetical and scriptural influences of twelfth-century Parisian scholars active at Saint Victor, Peter Comestor and Peter Lombard in particular. By placing Niðrstigningar saga within the greater theological and homiletical context of early thirteenth-century Iceland, Bullitta successfully adds to our knowledge of the early reception of Latin biblical and apocryphal literature in medieval Iceland and provides a new critical edition and translation of the vernacular text.