World Mythology in Theory and Everyday Life – serie

An innovative and accessible overview of how ancient Scandinavians understood and made use of their mythological stories. Old Norse Mythology provides a unique survey of the mythology of Scandinavia: the gods Þórr (Thor) with his hammer, the wily and duplicitous Óðinn (Odin), the sly Loki, and other fascinating figures. They create the world, battle their enemies, and die at the end of the world, which arises anew with a new generation of gods. These stories were the mythology of the Vikings, but they were not written down until long after the conversion to Christianity, mostly in Iceland. In addition to a broad overview of Nordic myths, the book presents a case study of one myth, which tells of how Þórr (Thor) fished up the World Serpent, analyzing the myth as a sacred text of the Vikings. Old Norse Mythology also explores the debt we owe to medieval intellectuals, who were able to incorporate the old myths into new paradigms that helped the myths to survive when they were no longer part of a religious system. This superb introduction traces the use of the mythology in ideological contexts, from the Viking Age until the twenty-first century, as well as in entertainment.

The Truth of Myth is a thorough and accessible introduction to the study of myth, surveying the intellectual history of the topic, methods for studying myth cross-culturally, and emerging trends. Readers will encounter insightful commentaries on such questions as: What is the relation of mythology to religion? To science? To popular culture? Did the events recounted in myths actually occur? Why does the term "myth" have so many contradictory definitions and connotations? Offering serious students with an intellectual "toolkit" for launching into this fascinating field, the book is especially useful in conjunction with case studies of individual mythological traditions.

The Truth of Myth is a thorough and accessible introduction to the study of myth, surveying the intellectual history of the topic, methods for studying myth cross-culturally, and emerging trends. Readers will encounter insightful commentaries on such questions as: What is the relation of mythology to religion? To science? To popular culture? Did the events recounted in myths actually occur? Why does the term "myth" have so many contradictory definitions and connotations? Offering serious students with an intellectual "toolkit" for launching into this fascinating field, the book is especially useful in conjunction with case studies of individual mythological traditions.

An innovative and accessible overview of how ancient Scandinavians understood and made use of their mythological stories. Old Norse Mythology provides a unique survey of the mythology of Scandinavia: the gods Þórr (Thor) with his hammer, the wily and duplicitous Óðinn (Odin), the sly Loki, and other fascinating figures. They create the world, battle their enemies, and die at the end of the world, which arises anew with a new generation of gods. These stories were the mythology of the Vikings, but they were not written down until long after the conversion to Christianity, mostly in Iceland. In addition to a broad overview of Nordic myths, the book presents a case study of one myth, which tells of how Þórr (Thor) fished up the World Serpent, analyzing the myth as a sacred text of the Vikings. Old Norse Mythology also explores the debt we owe to medieval intellectuals, who were able to incorporate the old myths into new paradigms that helped the myths to survive when they were no longer part of a religious system. This superb introduction traces the use of the mythology in ideological contexts, from the Viking Age until the twenty-first century, as well as in entertainment.

This volume provides an introduction to ancient Greek mythology through the theme of cosmogonies and theogonies —myths of origins that told the creation of the world and the birth and succession of the gods. Greek Mythology additionally features important foundational myths related to the early stages of humankind, such as the sequence of the Five Races, the first sacrifice, the creation of woman, and the Flood, all part of the core Greek myths about the beginnings of the world. The centerpiece of the volume is Hesiod's Theogony as well as parts of Works and Days which are, along with the Iliad and Odyssey, the earliest Greek literary texts preserved. The volume includes freshly translated excerpts from these canonical sources along with discussions of alternative cosmogonies and theogonies in the Greek tradition, in a rare feature for myth overviews. Beyond providing an overview of the central stories, Greek Mythology reveals myriad aspects of the myths, such as their literary form and performative contexts, their relationship to Near Eastern myths, their religious relevance and ritual function, and their reception, both in later antiquity and in modern times.

This volume provides an introduction to ancient Greek mythology through the theme of cosmogonies and theogonies —myths of origins that told the creation of the world and the birth and succession of the gods. Greek Mythology additionally features important foundational myths related to the early stages of humankind, such as the sequence of the Five Races, the first sacrifice, the creation of woman, and the Flood, all part of the core Greek myths about the beginnings of the world. The centerpiece of the volume is Hesiod's Theogony as well as parts of Works and Days which are, along with the Iliad and Odyssey, the earliest Greek literary texts preserved. The volume includes freshly translated excerpts from these canonical sources along with discussions of alternative cosmogonies and theogonies in the Greek tradition, in a rare feature for myth overviews. Beyond providing an overview of the central stories, Greek Mythology reveals myriad aspects of the myths, such as their literary form and performative contexts, their relationship to Near Eastern myths, their religious relevance and ritual function, and their reception, both in later antiquity and in modern times.

Amongst the oldest continuing cultures on Earth, San Bushmen are indigenous peoples that make up the first nations of Southern Africa. San culture is rich in myth and lore, actively and expansively transmitted by storytellers. Mythology of the San Bushmen of Southern Africa gives an in-depth account of this fascinating mythology and its connections to the religion, social organization, and ecological adaptations of this erstwhile hunting-gathering people. Drawing on a rich trove of archival research, ethnographic fieldwork, and oral traditions of the San, Mathias Guenther reveals the ongoing connections and interactions between actual, experienced reality and virtual, imagined myth time in the mythology and cosmology of San Bushmen. Their myth time was an age of inchoateness and of becoming inhabited by morally flawed human-animal hybrid beings, a state of ambiguity that finds its fullest embodiment in the trickster figure. In addition to this being's persona as prankster-protagonist, the San Bushman trickster is also a god. While not unique in mythologies around the world, the configuration of this secular-sacred trickster-god figure is distinctive among the San, along with other conflations--of human with animal and woman/wife with antelope/meat. San Bushmen of Southern Africa is a significant contribution to hunter-gatherer studies and places San mythology firmly in the context of world mythology.

Amongst the oldest continuing cultures on Earth, San Bushmen are indigenous peoples that make up the first nations of Southern Africa. San culture is rich in myth and lore, actively and expansively transmitted by storytellers. Mythology of the San Bushmen of Southern Africa gives an in-depth account of this fascinating mythology and its connections to the religion, social organization, and ecological adaptations of this erstwhile hunting-gathering people. Drawing on a rich trove of archival research, ethnographic fieldwork, and oral traditions of the San, Mathias Guenther reveals the ongoing connections and interactions between actual, experienced reality and virtual, imagined myth time in the mythology and cosmology of San Bushmen. Their myth time was an age of inchoateness and of becoming inhabited by morally flawed human-animal hybrid beings, a state of ambiguity that finds its fullest embodiment in the trickster figure. In addition to this being's persona as prankster-protagonist, the San Bushman trickster is also a god. While not unique in mythologies around the world, the configuration of this secular-sacred trickster-god figure is distinctive among the San, along with other conflations--of human with animal and woman/wife with antelope/meat. San Bushmen of Southern Africa is a significant contribution to hunter-gatherer studies and places San mythology firmly in the context of world mythology.

Japanese myths present a significant barrier to entry for the Western reader. The primary sources are arcane, and their translations are not accessible to the non-specialist. Japanese deities (kami) have multiple, long names, and the myths exist in different and conflicting versions. Finally, the sheer number of kami makes grasping the pantheon difficult. Japanese Mythology: A Guide presents key Japanese myths in a format that is both rigorous and readable. Matthieu Felt brings together Japanese myths as they appear in the oldest extant sources and the various methodologies that have been used to study these myths during the twentieth and twenty-first centuries. Sources are indicated for readers wishing to do further research with original texts or to use Japanese myths in a comparative capacity.